• 제목/요약/키워드: Image Presentation

검색결과 263건 처리시간 0.023초

Current Status of KMTNet/DEEP-South Collaboration Research for Comets and Asteroids Research between SNU and KASI

  • BACH, Yoonsoo P.;YANG, Hongu;KWON, Yuna G.;LEE, Subin;KIM, Myung-Jin;CHOI, Young-Jun;Park, Jintae;ISHIGURO, Masateru;Moon, Hong-Kyu
    • 천문학회보
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    • 제42권2호
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    • pp.82.2-82.2
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    • 2017
  • Korea Microlensing Telescope Network (KMTNet) is one of powerful tools for investigating primordial objects in the inner solar system in that it covers a large area of the sky ($2{\times}2$ degree2) with a high observational cadence. The Deep Ecliptic Patrol of the Southern sky (DEEP-South) survey has been scanning the southern sky using KMTNet for non-bulge time (45 full nights per year) [1] since 2015 for examining color, albedo, rotation, and shape of the solar system bodies. Since 2017 January, we have launched a new collaborative group between Korea Astronomy and Space Science Institute (KASI) and Seoul National University (SNU) with support from KASI to reinforce mutual collaboration among these institutes and further to enhance human resources development by utilizing the KMTNet/DEEP-South data. In particular, we focus on the detection of comets and asteroids spontaneously scanned in the DEEP-South for (1) investigating the secular changes in comet's activities and (2) analyzing precovery and recovery images of objects in the NASA's NEOWISE survey region. In this presentation, we will describe our scientific objectives and current status on using KMTNet data, which includes updating the accuracy of the world coordinate system (WCS) information, finding algorithm of solar system bodies in the image, and doing non-sidereal photometry.

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20세기 패션 디자인의 조형성 표현방법 연구 -오브제 사용기법을 중심으로- (A Study on the Method of Expressing Plasticity in the 20th Century Fashion Design - Focused on the Using Techniques of Object-)

  • 김지희;유태순
    • 한국의류산업학회지
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    • 제5권1호
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    • pp.17-24
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    • 2003
  • Objet, which showed up with the art of 20C, is now an important element giving a creative idea to fashion designers in modern times. The purpose of the study is to review how the objet technique was paid attention and recreated in the fashion, through the analysis of works, and the formative features of each technique for fashion, in order to identify the connection of arts and fashion, and the position of fashion as art. The techniques using object appeared in the 20th century fashion are as follows: First, papier-colle, which is adding printed materials onto the surface, is such a technique that adds cut-feeling materials to impose a new texture, or arrange again the cloth-cuts to create a different clothing from the existing one, which went to the extension of materials in the fashion. Second, collage of daily materials expresses directly and emotionally through direct presentation of the objets. Especially, collage of patch-work is reproduced into a new fabric depending on the objet used, giving a standing over the form. Third, ready-made which presents the material meaning only of the objet expands the range of objets which could be used in the fashion by introducing the daily materials having a meaning itself as a fashion. Forth, an attempt to approach to the objets of popular image by designed techniques come out in modern fashion as a graffiti look or a typography look, making the clothing itself an objet to transmit a message directly to the masses. Introduction of various objets and development of expression technique brought out the diversification of materials, and enrichment and extension of expression sphere, which resultingly spreaded the freedom of expression and progressed into the art sphere, making a direct motif to solidify its standing as a formative art.

실버 디자인에 표현된 비주얼 이미지의 크리에이티브 전략에 대한 연구 -인쇄매체 광고디자인을 중심으로- (A study on creative strategy of visual expressed in silver design. -Focusing on the advertising design of print media. -)

  • 여훈구;남후남
    • 디자인학연구
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    • 제15권2호
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    • pp.101-114
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    • 2002
  • On the threshold of year 2000, the elderly account for more than 7% of the whole population in Korea, which means that the nation is greeting welcoming an aging society. Accordingly, it is expected that silver businesses and services targeted at the silver generation will prosper with "silver advertising design" becoming active. Under such circumstances, this study was aimed at reviewing the recent silver marketing advertisements in terms of their cultural and moral implications, and thereby, redefining and reestablishing the status of silver consumers to help them find their identity, aware of marketing activities and therewith, establish their "consumer sovereignty". This study consists in large of 5 chapters. The introduction parr describes background, purpose, method and scope of the study. The first chapter reviews the silver marketing theories. The second chapter classifies the silver marketing advertisement positioning of four style - upper classes style, effloresce progress style, self- sufficiency style, dependent style - and reviews the expression strategy of each positioning. The third chapter examines the domestic conditions of silver marketing advertisements for each positioning type classified. The fourth chapter designs the ′creative′of silver marketing advertisements and suggests the methods thereof. The analysis of ′creative′was tested in terms of graphic gestaltung, and how the sliver marketing advertisement positioning should be discerned depending on silver generation consumer′s characteristics was discussed. The fifth chapter puts forwards the suggestions for the ′creative′ strategies to enhance the effects of the silver marketing advertisements, based on the preceding discussions. In addition, the Perspective into the keyword of 21 st century or "silver design" is discussed, together with the limitations of this study. It is hoped that this stuffy will be conducive to our efforts to face the upcoming′age\ulcorner society′more effectively. To this end, this study discusses the "silver advertising design" in light of ′societal concepts′and ′customer-oriented value′, and thus, explores some creative presentation strategies whereby individual companies interests and social or public interests can be compromised through ′creative activities′ and ′equal-value consumerism′ for an ultimately effective management strategies for silver businesses and services.

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Nondestructive sensing technologies for food safety

  • Kim, M.S.;Chao, K.;Chan, D.E.;Jun, W.;Lee, K.;Kang, S.;Yang, C.C.;Lefcourt, A.M.
    • 한국환경농학회:학술대회논문집
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    • 한국환경농학회 2009년도 정기총회 및 국제심포지엄
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    • pp.119-126
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    • 2009
  • In recent years, research at the Environmental Microbial and Food Safety Laboratory (EMFSL), Agricultural Research Service (ARS) has focused on the development of novel image-based sensing technologies to address agro-food safety concerns, and transformation of these novel technologies into practical instrumentation for industrial implementations. The line-scan-based hyperspectral imaging techniques have often served as a research tool to develop rapid multispectral methods based on only a few spectral bands for rapid online applications. We developed a newer line-scan hyperspectral imaging platform for high-speed inspection on high-throughput processing lines, capable of simultaneous multiple inspection algorithms for different agro-food safety problems such as poultry carcass inspection for wholesomeness and apple inspection for fecal contamination and defect detection. In addition, portable imaging devices were developed for in situ identification of contamination sites and for use by agrofood producer and processor operations for cleaning and sanitation inspection of food processing surfaces. The aim of this presentation is to illustrate recent advances in the above agro.food safety sensing technologies.

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시스템 가구의 특성에 관한 연구 (A Study on the Characteristics of System Furniture)

  • 신홍경
    • 한국실내디자인학회논문집
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    • 제6호
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    • pp.45-52
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    • 1995
  • The presentation of the method by which the furniture and the architecture can be unified in one category, and the study and the verification on the mutual relation in the shape and the function are having been consistently made till the late twenties. The change of the social structure such as increasing the unit dwelling space with the small scale comes to need the efficiency in using space and the open dwelling space by the systematic spa-cial formation. Therefore, the understanding of the mean-ing and the characteristics of system furnitures as the design method which can meet such needs will be made here in this study. The application of the systematic consideration as the method of interior design means the formation of the firm image on the spacial environment through the mix-ture and link of the heterogeneous factors, the organic connection of each surface, the establishment of the natu-ral relation by linking the heterogeneous materials mutu-ally. and the easiness of the entire plan in the end. This study aims at analyzing and studying the typical charac-teristics by understanding the historical background and methodical principle which enabled the appearance of this kind of thought, and the adapted cases of the wood and metal material system furniture. There may be difference between the structural sub-stance and formative consideration. Transformative furni-ture which consists of the factors is the concept for the encrease of the multi purpose value by mixing the unit cabinets. One system can be separated horizontally, verti-cally, and to the drawers, and it gives us the disengage-ment from the artificial environment, since all the heights and width can be transformed as per each situa-tion of the space. The factors which can not be found in the other existing furniture are as follows. 1. disengagement from the artificial environment. 2. establishing the new productiosn trend as freed from the customers' fashion trend. 3. presenting the producing condition which leads the exact technology. 4. flexibility of the furniture which enables the reduction and enlargement in each situation.

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A costume study on the basis of descriptions in the novel Im Kkeok Jeong

  • Kim, Soh-Hyeon
    • International Journal of Costume and Fashion
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    • 제8권1호
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    • pp.36-52
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    • 2008
  • Writer Hong Myung-hee, author of the novel Im Kkeok Jeong, provided an excellent description of the costume customs of the Chosun era, based on an understanding of various historical texts and literature by practical science proponents, and experience gained from the Hong household of Pungsan, a noble family of high standing during the Chosun dynasty. However, there is a tendency towards descriptions of late Chosun era customs, rather than 16th century customs, with the intent of heightening the image of what most people felt to represent Chosun and its prestige, thereby generating greater reader sympathy. Therefore, information on the costume customs of the novel 1m Kkeok Jeong is analyzed and re-formed to fit with the temporal setting of the 16th century. By providing data to aid visual understanding and re-creation, the intent is to accept it as material for the rumination of our ancestors and their lifestyles in the 16th century. The novel provides a good description of Chosun economic customs, in which cotton and hemp were used not only as fabric for clothes, but also as currency. The trade value of cotton drapery or hemp drapery with dimensions of 5 strand density at a length of 35 ja per roll was designated as 5 mal (about 90 liters) of rice by national law, but the actual value varied depending on the production of rice. Also, it is possible to confirm the existence of sang po with dimensions of 3 strand density at a length of 30 ja per roll, or 2 strand density seochongdae cotton, which was used only as currency due to the rough quality. Characteristics of the Chosun dynasty, a class-based society, are described through distinctions of attire. The writer's intent regarding the symbolic nature of attire reflecting social position, a characteristic of the entire Chosun period, is analyzed with the presentation of visual material.

MHC Class II+ (HLA-DP-like) Cells in the Cow Reproductive Tract: I. Immunolocalization and Distribution of MHC Class II+ Cells in Uterus at Different Phases of the Estrous Cycle

  • Eren, U.;Sandikci, M.;Kum, S.;Eren, V.
    • Asian-Australasian Journal of Animal Sciences
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    • 제21권1호
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    • pp.35-41
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    • 2008
  • This study was undertaken to investigate the distribution of major histocompatibility complex class II positive (MHC II+) (HLA-DP-like) cells in the cow uterus (cervix, corpus and cornu uteri) and to compare these cells between the estrus and diestrus phases of the estrous cycle. Twenty-nine multiparous cows were used. Tissue samples from the middle of the cervix, the corpus and the right cornu were taken immediately after slaughter at the estrus or diestrus phase. Streptavidin-biotin peroxidase complex staining was used to detect MHC II+ cells. The number of MHC II+ cells per unit area of tissue was counted using image analysis software under a light microscope. Numerous MHC II+ cells were found in the endometrium (cervix, corpus and cornu uteri) in both estrus and diestrus. MHC II+ cells were found in the surface epithelium of the cervix uteri in diestrus, but in the corpus uteri in both estrus and diestrus and in the cornu uteri in estrus. MHC II+ cells were also found freely in the lumen of the glands and between the gland epithelia of the corpus and cornu uteri in both estrus and diestrus. There were also MHC II+ cells in the connective tissue of the myometrium and perimetrium (outside the endometrium) and around the blood vessels. Endothelial cells were frequently positive for MHC II staining. More MHC II+ cells were found in the endometrium than outside the endometrium in both estrus and diestrus (p<0.001). However, there was no difference in the numbers of positive cells between estrus and diestrus either in the endometrium or outside it. These results are the first evidence for HLA-DP-like MHC II+ cells in the bovine uterus. They indicate that antigen presentation by HLA-DP-like MHC II+ cells of the uterus is not influenced by hormonal status.

DBMS의 웹서비스를 이용한 학습객체 메타데이터 추출 및 통합에 관한 연구 (A Study on the Extraction and Integration of Learning Object Meta-data using Web Service of Databases)

  • 최현종
    • 정보교육학회논문지
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    • 제7권2호
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    • pp.199-206
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    • 2003
  • XML은 데이터 관리와 표현의 유연성으로 인해 웹의 새로운 개발 도구로 자리를 잡아가고 있으며, 컴퓨터 교육에서는 학습객체라는 많은 웹 컨텐츠들을 통합하는 도구로도 사용되고 있다. 하지만 학습객체를 통합하고 관리하는 온라인 학습 시스템을 구현하기에 앞서, 구현 시스템에서 학습객체를 처리하기 위한 메타데이터를 어떻게 저장하고 추출 및 통합하느냐의 연구가 선행되어져야 한다. 따라서 본 연구에서는 3-tier 방식의 온라인 학습 시스템과 메타데이터가 저장된 데이터베이스 서버를 구현할 때 필요한 메타데이터 추출방법의 하나로 DBMS의 웹서비스를 이용하는 방법을 제안하고자 한다. 제안된 방법의 효율성 측정을 위해 MS SQL Server 2000과 Oracle 9i를 대상으로 30여개의 샘플 메타데이터를 저장하고, 이를 추출하는 응답시간을 측정해 보았다. 이 방법을 사용하기 위해서는 추출된 메타데이터를 DOM/SAX 와 같은 XML 처리 파서가 필요하지만, 측정된 결과 비교적 빠른 응답시간을 보여 데이터베이스에 저장된 메타데이터를 추출하고 통합하는 한 방법으로 충분히 사용할 수 있다는 결과를 얻었다.

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고정관념의 정체와 창조적 사고를 위한 두뇌활용법 연구 (A study on Nature of the Fixed Idea and the Activation of the Brain for Creative Thinking)

  • 유재춘
    • 디자인학연구
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    • 제13권1호
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    • pp.157-166
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    • 2000
  • 인지과학이 새로운 학문으로 등장하기 시작하면서 인간의 두뇌를 연구하는 움직임 또한 매우 활발히 일어나고 있다. 이와 함께 디자인영역에서도 감성적 요소가 연구의 중심을 차지하기 시작했고 이를 활용한 디자인 프로세스 개발이 다양화되어 가고 있다. 본 연구에서는 변화하고 있는 이런 현상들을 적극적으로 수용하고 이를 디자인기법으로 전환시켜 보고자 노력하였다. 그를 위해 현재 유행처럼 확산되고 있는 마인드 맵을 기법의 대상으로 삼았고 고정관념에서 벗어 날 수 있는 방법에 대한 이론적 설명을 시도하였다. 문제에 접근하기 위해 학습되는 정보가 중요하다고 판단하고 좌, 우측 뇌의 역할을 아날로그이미지와 디지틀 이미지로 규정, 언어(디지틀 이미지)와 시각적 사고(아날로그 이미지)를 자유롭게 넘나드는 방식으로 맵핑기법을 활용하여 해석하였다. 기법의 연구목표는 멥핑방식을 이용한 발상법을 초점으로 추진하였고 그 결과 디자인프로세스 상에서 문제제기로 시작된 명제를 문제 해결까지 브레인스토밍기법으로 진행하며, 문제 해결은 컨셉제시로 가시화되어진다는 논리체계[그림8]를 구축하였다. 또 제시된 컨셉에 의해 디자인적 요구에 의한 아이디어 확산도 맵핑기법을 적용 해결할 수 있다고 보고 [그림12]와 같은 사례를 결과물로 제시하였다.

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진실과 거짓 사이에서 이야기하기: 영화적 재현의 한계에 대한 인식론적 고찰 (The Story between Truth and Fiction: Epistemological Approach to Possibility & Limitation of the Re-presentation cinematographic)

  • 이성욱
    • 만화애니메이션 연구
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    • 통권32호
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    • pp.221-244
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    • 2013
  • 본 논문은 "재현"의 문제를 인식론적 측면에서 고찰하고자 한다. '실제 사건'에 대한 영화적 재현이 관념적으로 어떻게 받아들여질 수 있는지 인식론적 고찰을 통해 살펴보고자 한다. 영화이미지가 대상을 반영함에 있어 비가시적인 요소들까지 형상화한다는 특성을 감안할 때, 실제 사건에 대한 재현 문제는 늘 논란을 야기할 수밖에 없다. 주체적인 건 비주체적인 건 개인의 경험과 감각적 인식이 유사할 수 있으나 일치할 수 없으므로 '영화가 재현하는 진실'은 '진실' 그 자체로 성립하기 어려운 난점을 내포하고 있다. 대상은 현존하는 그 자체 그대로 반영되는 것이 아니라 카메라의 시선을 통해 축소되거나 확장될 수 있기 때문에 실제현실과 작가의 현실인식, 수용자인식 간의 차이가 발생한다. 그것은 수용자가 얼마나 작품의 진실성을 분리해서 볼 수 있는가 와는 별도로 수용자의 실제적인 관심이나 욕망 혹은 물리적 프레임에 밀착해 산출되는 매우 불안정한 간극이다. 이러한 간극은 실제 사건에 대한 재현의 한계를 부각시킨다. 본 연구는 이와 같은 한계를 선명히 하는 데 그 목표가 있다.