• Title/Summary/Keyword: Ilyeon

Search Result 5, Processing Time 0.042 seconds

Cultural Implications of Moving into the World - Focusing On section of 『Samkukyousa』 (세상으로 나아가기의 문화적 의미 - 『삼국유사』 <피은>편을 중심으로)

  • Kim, Kyung-Seop;Kim, Jeong-Lae
    • The Journal of the Convergence on Culture Technology
    • /
    • v.8 no.6
    • /
    • pp.333-339
    • /
    • 2022
  • Finding traces of the numerous contexts that exist in our culture surrounding an old-narrative and leading to it's textualization provides a chance to read the story anew. The 'Pieun(避隱)' section of 'Samgukyusa' contains the stories of people who hide from the world and avoid it, as well as the different types of stories by the compiler, the Buddihist monk, Ilyeon. In other words, the compiler has textualized the story. This study aims to attentively analyze the specific story in the 'Pieun' section and read the insights of the compiler on whether to move into the world or hide from the world. Through this analysis, it is apparent that the episode of 'Pieun' does not only illustrate the characters who wish to escape or hide from the world, but it also enables readers to grasp the intention of Ilyeon who deliberately includes the banquet story which is contrary to the meaning of the title. In the 'Pieun', he emphasizes that the behavior of revealing and hiding oneself to and from the world has significant religious and cultural meanings for an individual. The writer, without distinguishing people who move into the world or hide from it, used the Buddhist Dialectictics method to present a different interpretation.

Analysis of Elementary Students' Interlanguage in Science Class about Heat and Temperature (열과 온도 수업에서 나타난 초등학생들의 중간 언어 분석)

  • Lee, Ilyeon;Jang, Shinho
    • Journal of Korean Elementary Science Education
    • /
    • v.34 no.1
    • /
    • pp.123-130
    • /
    • 2015
  • For effective science learning, teachers need to rearrange scientific language so that students can understand the contents with their incomplete language resources. Interlanguage is the interplay between everyday language and scientific language. The purpose of the study was to analyze the patterns of interlanguage during 4th grade science class to learn "Heat and Temperature" and to find the features of meaning sharing inside classroom in which a teacher and students participated. The data analysis shows that elementary students' interlanguage has different features compared to scientific language that involves passive voice and content-specialized nouns. Students' interlanguage implied the quality of class community's knowledge-sharing, according to the degree of how students can connect scientific language and everyday language in more effective ways. The implication to elementary science education was discussed.

Classification Model of Facial Acne Using Deep Learning (딥 러닝을 이용한 안면 여드름 분류 모델)

  • Jung, Cheeoh;Yeo, Ilyeon;Jung, Hoekyung
    • Journal of the Korea Institute of Information and Communication Engineering
    • /
    • v.23 no.4
    • /
    • pp.381-387
    • /
    • 2019
  • The limitations of applying a variety of artificial intelligence to the medical community are, first, subjective views, extensive interpreters and physical fatigue in interpreting the image of an interpreter's illness. And there are questions about how long it takes to collect annotated data sets for each illness and whether to get sufficient training data without compromising the performance of the developed deep learning algorithm. In this paper, when collecting basic images based on acne data sets, the selection criteria and collection procedures are described, and a model is proposed to classify data into small loss rates (5.46%) and high accuracy (96.26%) in the sequential structure. The performance of the proposed model is compared and verified through a comparative experiment with the model provided by Keras. Similar phenomena are expected to be applied to the field of medical and skin care by applying them to the acne classification model proposed in this paper in the future.

Document Analysis based Main Requisite Extraction System (문서 분석 기반 주요 요소 추출 시스템)

  • Lee, Jongwon;Yeo, Ilyeon;Jung, Hoekyung
    • Journal of the Korea Institute of Information and Communication Engineering
    • /
    • v.23 no.4
    • /
    • pp.401-406
    • /
    • 2019
  • In this paper, we propose a system for analyzing documents in XML format and in reports. The system extracts the paper or reports of keywords, shows them to the user, and then extracts the paragraphs containing the keywords by inputting the keywords that the user wants to search within the document. The system checks the frequency of keywords entered by the user, calculates weights, and removes paragraphs containing only keywords with the lowest weight. Also, we divide the refined paragraphs into 10 regions, calculate the importance of the paragraphs per region, compare the importance of each region, and inform the user of the main region having the highest importance. With these features, the proposed system can provide the main paragraphs with higher compression ratio than analyzing the papers or reports using the existing document analysis system. This will reduce the time required to understand the document.

Mid-Silla Buddhist Art of Bunhwangsa Temple Seen through the Record of Samgukyusa (『삼국유사』를 통해 본 분황사(芬皇寺)의 중대신라 불교미술)

  • Choe, Song-eun
    • Korean Journal of Heritage: History & Science
    • /
    • v.47 no.4
    • /
    • pp.136-161
    • /
    • 2014
  • This paper investigates the Buddhist sculpture and wall-painting enshrined in the halls of Bunhwangsa (Bunhwang temple) at Gyeongju in the mid-Silla period, which are thoroughly unknown to us except through textual records of Samgukyusa compiled by Priest Ilyeon in the late thirteenth century. According to Samgukyusa, a clay portrait-sculpture of Monk Wonhyo, made by his son Seolchong, was placed in Bunhwangsa. This image faced to the side, because he turned his body toward Seolchong when Seolchong bowed to this image. This story suggests that the portrait image of Wonhyo was most likely made after the Vimalakirti images, which were popular in China from the Six Dynasties period on, especially the Vimalakirti images of the early Tang period, turning his head and body toward Bodhisattva Manjusi seated opposite. The Vimalakirti image of Seokkuram might show the portrait image of Wonhyo. A wall-painting of a Thousand-Armed Avalokiresvara who has a thousand arms with a thousand eyes, called by the name 'Great Mercy with a Thousand Hands', was enshrined on the north wall of the left hall of Bunhwangsa. During King Gyeondeok's reign, Himyeong and her five-year-old blind child prayed before this image, and the blind child gained eyesight. While praying, they sang a song pleading for one of the thousand eyes which the Bodhisattva had in his hands. This song implies that Thousand-Armed Avalokiresvara had a thousand eyes, one painted on each hand. The fact that Thousand-Armed Avalokiresvara of Bunhwangsa was called 'Great Mercy with a Thousand Hands' indicates that this painting was based on the scripture Thousand-Armed Avalokiresvara Sutra translated by Bhagavaddharma in about 655, in the Tang period, which also has 'Great Mercy' in its title. In the year 755, a gilt bronze image of Medicine Buddha was made in Bunhwangsa, using nearly 61 tons of bronze to cast. The huge amount of bronze suggests it includes not only the Buddha statue but many other images such as two attendant Bodhisattvas of Suryaprabha and Candraprabha, Eight Great Bodhisattvas, or Twelve Guardians. Seven images of Medicine Buddha might have been made in accordance with the scriptural text of Seven Medicine Buddha Sutra translated by Monk Yijing. Textual evidence and recent excavation have revealed that seven images of Medicine Buddha and their whole attendant images based on Seven Medicine Buddha Sutra were made in the Nara period from 751 to 762 when Queen Gomyo contructed Sinyakusiji temple for the recovery of her husband Shomu. It is fair to assume that one or seven Medicine Buddhas and a whole group of his (their) attendant images were made for the main hall of Bunhwangsa temple in 755.