• 수완나부미
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• 제14권1호
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• pp.31-52
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• 2022

Derived from the juxtapositional model of Comparative Literature, this article analyzes two movies, The Story of Pao (Chuyện của Pao, directed by Ngô Quang Hải) and Into the Wild (directed by Sean Penn), using eco-criticism and focusing on two specific aspects: looking for the relationship between "culture" and "nature" and questioning the ideology that puts people at the center of the natural world. Specifically, the article points out similar tones in discovering and praising the beauty of nature, and at the same time, focuses on explaining the "disagreement" and "harmony" in behaviors of different communities towards Mother Nature in these two films. Finally, The Story of Pao and Into the Wild are both read as discourses that participate in the repositioning of human beings in the natural world. The purpose of juxtaposition, therefore, is to seek a new existential dimension for the works, providing an opportunity to uncover and reveal hidden layers of meaning of each text.

• 한국의류학회지
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• 제33권7호
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• pp.1128-1139
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• 2009

This study is on the works of Hussein Chalayan that is an expression of his idea and abstract concepts such as culture, history, time, space, nature, and humanity. The perspective of E. H. Gombrich is studied to understand the works of Chalayan who is the one of representative fashion designers in the present age. The 'schema and correction' process of E. H. Gombrich provides a suitable interpretation frame that considers the variety of works of art and the deconstruction of genre in the after 20th century. Hussein Chalayan attempts to combine clothes with other territories to show the spirit as materiality. He expresses the clothes that speaks the form of nature, symbolizes the combination of culture, visualizes time and space, and investigates the existence of human beings. Hussein Chalayan poses an endless question about the existence of human beings. He has put a question about the relationship of the human being and time, space, history, and nature. His trial to visualize the metaphysical conception of 'ego' and 'self' through his works makes him the representative designer of the 21st century.

• International Journal of Human Ecology
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• 제2권1호
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• pp.123-134
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• 2001

The purpose of this study is to reveal the kind of traditional perspectives we can use from the past to create a sustainable society for the future and to contribute to the growing interest in, and concern for, environmentally-sound designs. Such perspectives include ways to sustain naturalistic aesthetic views, elements of architectural design, and ideas for traditional lifestyles. Architecture that used these methods would contribute to a more ecologically sensitive view of man's place within the natural environment. This research was conducted by way of literature reviews; the objects of study were physically extant traditional housing, the composition of the traditional village, and traditional lifestyles. The results of this study indicate that the ecological characteristics of traditional Korean homes originated from a holistic conception of society and nature; this holistic conception has been found lacking in our more modern, western influenced homes. In the past, in order to leave an unpolluted or even healthier natural environment to descendents, it was essential to apply ecological principles. Villages harmonized with nature and houses were designed to utilize sunlight and wind. Their natural construction promoted consciousness of human beings and their symbiotic relationship with nature.

• 수산해양교육연구
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• 제22권4호
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• pp.589-603
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• 2010

The purpose of this study is to develop a integrated(fusion) utilization model aimed at maximizing the development/management functions of urban estuarine area and to present an integrated concept by analyzing the existing document and data. The main points of this study are as follows: 1) The integrated utilization model suggested in this paper goes beyond the existing idea of sustainable utilization and conservation, putting an emphasis on rational decision-making in estuary management and peaceful coexistence between human and nature. 2) Policies for utilization/development/conservation/regeneration of urban estuarine area include the establishment of communication system between human and nature and a safety net considering both human and nature, the support for environment-friendly community development and the importance of preserving valuable ecosystem and wetland habitat. 3) Lastly, this study suggested that the major tasks for the fusion utilization model development are the integrated management of estuary areas, the conservation and preservation of wetland ecosystem, proper utilization of estuary's productivity, and the introduction and action plans of the integrated management model including the best way to address contamination and disaster management.

• 한국동물학회:학술대회논문집
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• 한국동물학회 2001년도 한국생물과학협회 학술발표대회
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• pp.200.3-201
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• 2001

No Abstract, See Full Text

• International Journal of Advanced Culture Technology
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• 제10권4호
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• pp.337-344
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• 2022

The ecological expression of art in modern society takes the harmonious developmental relationship between man and nature as an element and combines it with the various manifestations of painting as an expression of ecological artistic development. The necessary relationship for the harmonious development of nature is accurately articulated, and the ecological changes in people are expressed in integrated materials that inspire human reflection. In the pursuit of material pleasures, mankind is neglectful and indifferent to the environment. The development of composite painting in art and ecology is a process that more reveres the harmony between man and nature as well as satisfying the creative value of the work. After systematic evaluation and research, people have engaged in various structural forms of composite art painting development in the long history of art development, focusing on the integration of environmental and ecological culture.In the process of nature education going through development, the comprehensive practical development of nature education is enhanced and efforts are made to feel new ecological art ideas and new ways of valuing environmental protection. In this paper, an observational study of eco-art will be carried out, starting from the theory of hierarchical division and analyzing the contradictory relationship between man and nature. Recognize nature, understand it and feel it through eco-art painting. The analysis of the contradictory relationship between man and nature is combined with the identification of various types of information that give value to the environmental protection public, and the combination of ecological painting and nature art to achieve an upgrade of the environmental protection idea of the value of painting.

• 만화애니메이션 연구
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• 통권49호
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• pp.113-142
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• 2017

호소다 마모루의 <괴물의 아이>는 물리적 심리적으로 고립되어 있던 한 소년이 주변 존재들과의 '관계'를 통해 성장하는 모험담을 그려내고 있다. 이글은 감독이 우리에게 제안하고 있는 '관계'의 본질과 '진정한 성장'의 의미를 밝혀내고자 한 것이다. 작품에서 소년의 모험담은 두 개의 세계(인간계와 짐승계)를 중심으로 이루어진다. 여기서 인간계는 문명사회를, 짐승계는 인간의 내적 본질로서의 '자연성'을 가리킨다. 인간계와 거울관계에 있는 짐승계는 애초에 하나의 세계였으며, 모든 존재하는 것들의 장소는 안과 밖이 하나로 이어져 있었다. 인간은 주위의 존재들보다 결코 우월한 위치에 있지 않았으며, 모든 존재들은 서로 대등한 관계에 있었다. 이러한 시대의 사유방식은 '대칭적 사유'라 불린다. 그러나 인간이 자기중심적 문명화의 길을 전개시키면서, 자신의 내부에 있는 '자연'을 스스로 제거시킨 결과, 결국 두 세계(인간과 자연 혹은 인간계와 짐승계)는 분리되고 만다. 이로 인해 인간과 자연은 물론, 인간과 인간과의 관계까지도 단절되어 버린 것이 현재 우리가 살고 있는 문명사회이다. 감독은 '나는 누구인가'라는 한 소년의 질문을 통해, 자연적 존재로서 인간의 내적 본질을 복권시킬 것을 우리에게 제안하고 있다. 이는 인간이 자신을 둘러싼 모든 존재들(타자적 존재)들과의 '관계'를 회복한다는 것을 의미한다. 그것만이 우리가 만들어낸 문명사회의 다양한 폭력성들을 극복할 수 있는 유일한 대안이다. 인간의 완전한 성장은 바로 이 지점에서 이루어진다는 것이다. 이렇듯 <괴물의 아이>는 우리가 상실해버린 우주적 사고(대칭적 사유)를 통해 인간 문명사회에 대한 반성과 더불어 타자적 존재들과의 공존 가능성을 묻고 있다는 점에서, 미성숙한 인류사회에 '성숙의 모델'로서 제시된 텍스트라 할 수 있다.

• 대한한의학원전학회지
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• 제24권2호
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• pp.1-12
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• 2011

For the purpose of understanding Wang-bing's idea, which was influenced by Taoism and Hyeon-hak(玄學), I investigated the quotations of Taoism Books such as Jang-ja(莊子) in the Hwangje-Naegyeongsomunju(黃帝內經素問注), and came to the following conclusions. In the process of writing notes on the Hwangje-Naegyeongsomun, Wang-bing quoted Taoism Books such as Jang-Ja 10 times at 8 passeges which suggest the idea of Hyeon-hak. Through this annotating process, he suggested the vision of the Hyeon-hak idea which pursued the harmony of system and human nature. In the process of the annotating, he expressed the way of sage who practicing the caring of one's own health. And he emphasized on body and perfectly preserving of nature of oneself. Wang-bing especially emphsized on cultivating of one's mind while he insisting one's human nature. This means he pursued one's nature under the actual system, which was different from general Taoism. It was Hyeon-hak idea. So we can interpret Wang-bing as a sucessor of Hyeon-hak philosophers of Wi-Jin(魏晋) period.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.57-66
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• 2010

Currently, the nature and ecosystem's destruction by human beings and science is appearing as a serious problem. The possibility of ecological aesthetics is being sought as one of operations for new society in the contemporary society that the nature and ecosystem are getting attention, The present research aims to examine the characteristics and its expression method by setting the ecological aesthetics as an alternative of the future design. The history, meaning, mental image and image of Korean traditional Space forming the balance and harmony with the Nature, etc., which are important design concepts, were deduced as the beauty of emptiness, the beauty of a gap, the beauty of harmony and the beauty of changing and the beauty of simplicity as characteristics of experiencing space. If the deduced expression is examined through a case analysis of traditional housing, the characteristics trying to unite with the Nature while seeing ecology and aesthetics as one root, which the ecological aesthetics regarding as a root. The ecological arts based on the ecological aesthetics enters inside the universal life of human beings by examining the ecological and aesthetic characteristics appearing in Korean traditional Space, and the arts will move forward in a direction that its function and role link with maintenance of total ecosystem. The space application possibility and expression characteristics of ecological aesthetics should be continuously researched.

• 한국생활과학회지
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• 제8권3호
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• pp.525-534
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• 1999

The purpose of this study is to analize in the focus on junk art the relation between hairstyle and dress, and fine art which is one of the driving force of fashion change. The method of this study is to take into theoretically consideration junk art in the trend of art and to take into documental concideration the trend of junk art reflected on hairsyyle and dress. The results are as following. First, there's a trait of poverty. This means using something deserted in our life and expands a new expression world which introduces a new, poor beauty, refusing a existent, rich and arranged one. Second, there's a trait of machinery. In Junk Art, according to the appearance of the beauty of machines, it creates and introduces a mechanic aesthetics as a new- formative art by using industrial by-product. Third, there's a trait of nature. By Junk Art, there appears a trial to restore nature which has been neglected under the name of developing science technology. This expresses natural junk factor by emphasizing the nature itself using natural by-products. The Junk Art has influence on hairstyle and clothing and expands the expression world by some new ways and recognition about the benefaction and the damage of modern civilization.