• 한국정보처리학회:학술대회논문집
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• 한국정보처리학회 2016년도 추계학술발표대회
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• pp.514-517
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• 2016

동영상이나 게임에서 2차원적인 시야를 제공해주는 물건(컴퓨터,TV,스크린 등)이나 입체감을 주기위한 3D기술을 사용하여 보는 것에 만족하던 시대가 가고 VR(Virtual Reality)이 등장함으로 인해서 사람들이 점점 가상현실에 대한 환상을 가지고 있다. 본 연구에서는 많은 관심을 받는 VR과 동영상 Converter기술을 합쳐 공포 게임을 만들어 보며, 일반적인 공포 영상이 VR과 접목되면서 가져올 감정변화가 사람들의 관심을 끌 수 있음을 보이고자 한다.

• 한국의류산업학회지
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• 제10권6호
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• pp.827-835
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• 2008

The purpose of this paper is to clarify the aesthetic characteristics of splatter films' make-up. Splatter films are one of horror movies that consist of gore and excessive violence. These represent the cruelty with the victims' physical damages made by special effect make-up. Splatter make-up is classified into the trickle of blood, the cutting of body, and the exposure of the inner parts of body, and changes a fake into a fact with reality. The aesthetic characteristics of splatter make-up were shown in the uncanny, the abjection and the irony. The uncanny which is strange and displeasure feeling is presented by the fragmentation of body, and the living of nonliving thing. The abjection means humble image, and the concept of border or ambiguity. The former is expressed by the matters of body's secretion and excretion. The latter is shown by the use of blood(the life and death) and corpses(the human and inhuman), and animatronics(the human and instruments). The irony which is a sense of humor caused by conflict between external appearance and reality. This is represented by comics induced by discord between excessive violence and make-up tricks, and the brutality and the weakness.

• 한국정보처리학회:학술대회논문집
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• 한국정보처리학회 2019년도 추계학술발표대회
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• pp.931-934
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• 2019

Research using artificial intelligence to generate captions for an image has been studied extensively. However, these systems are unable to create creative stories that include more than one sentence based on image content. A story is a better way that humans use to foster social cooperation and develop social norms. This paper proposes a framework that can generate a relatively short story to describe based on the context of an image. The main contributions of this paper are (1) An unsupervised framework which uses recurrent neural network structure and encoder-decoder model to construct a short story for an image. (2) A huge English novel dataset, including horror and romantic themes that are manually collected and validated. By investigating the short stories, the proposed model proves that it can generate more creative contents compared to existing intelligent systems which can produce only one concise sentence. Therefore, the framework demonstrated in this work will trigger the research of a more robust AI story writer and encourages the application of the proposed model in helping story writer find a new idea.

• 영어영문학
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• 제58권2호
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• pp.347-378
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• 2012

Holocaust fiction has always raised the moral and aesthetic questions about the nature of mimesis and the literary representation of atrocity. The Holocaust, defying any representation of it, has been considered as unspeakable, unknowable, and incomprehensible. This essay aims to explore Martin Amis's narrative strategies in Time's Arrow to conduct the difficult tasks of re-creating the primal scene and of discovering a moral reality behind the Holocaust. One of the major narrative experiments in Time's Arrow is the time reversal: the story moves from the present of phony innocence to the past of unrelieved horror. Reversing the temporal order of events reverses causality and generates the revision of the morality, ultimately creating the epistemological and ontological uncertainties. Amis's novel is also narrated from the perspective of a double persona of the protagonist who, as a Nazi doctor, participated in the massacre in Auschwitz and then fled to the United States following the war. As almost a self-conscious storyteller, the narrator shares a sense of retrospective guilt with the reader who finally realizes that the Holocaust was a world turned upside down morally. Amis's postmodern narrative strategies are unusual enough to warrant a new way of representing the Holocaust.

• 영어영문학
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• 제55권6호
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• pp.1123-1137
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• 2009

Revisiting the horror of slave mutiny in nineteenth century America via Julia Kristeva's concept of abject, this essay examines abject fear in Amasa Delano and Babo's subversive act to deceive Delano in Herman Melville's "Benito Cereno." Babo, the slave, exercises subversive power, thereby reversing racial hierarchy aboard the slave ship-the San Dominick. Babo's ability to mimic and control racial stereotypes exposes how nineteenth-century racial hierarchy was only a social fiction, which becomes the very source of Delano's fear. Delano's dread belies upon the possible disruption of social order triggered by Babo'sblack rebellion. In order to repress his fear, Delano consciously and unconsciously attempts to re-inscribe white dominion and reaffirm black inferiority and stereotypes by means of rationalizing the disturbing signs he witnesses on the San Dominick. When Delano discovers the realsituation of the ship, he must relinquish the abject resonance that disturbs the previous racial order. Employing a legal document, Delano re-inscribes the official position of the blacks as slaves, defining them as violent savages, and thereby silences Babo. However, Melville's text is not a testament to white power. "Benito Cereno" actually endorses abject instability to challenge racial hierarchies through the poignant image of Babo's dead gaze in the last scene of the novella. Thus, "Benito Cereno" exemplifies the recurring power of abject as a threat to social hierarchy and as a constant reminder of the falsity and insecurity of a social order.

• International Journal of Computer Science & Network Security
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• 제22권6호
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• pp.13-18
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• 2022

Mankind has been living in the third millennium of a new era for 15 years. Today he realized that he was on a tiny planet with not much space. The 20th century laid bare its global consequences in all its horror.. According to the Stockholm International Peace Research Institute, more than 30 armed conflicts are recorded on the planet every year, leading to the death of more than 1,000 people during the year. Over the past 15 years, the total number of deaths as a result of military actions in such conflicts has also increased: more than 17 thousand people - in 2002 to more than 22.5 thousand - in 2011. 2022, in turn, became the beginning of a new round of military history, bringing changes in the social, environmental, agro-industrial, economic and other spheres not only in Ukraine, but also in all countries of the civilized world. As a result of the study, the most significant impact of the negative factors of the war, namely the economic, legal, regional and environmental aspects, was identified and analyzed.

• 문화기술의 융합
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• 제9권2호
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• pp.245-250
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• 2023

이 논문은 국내 영화 <거울속으로>와 리메이크인 <미러>를 비교 분석하는 것이다. 두 영화는 거울에 반사된 이미지와 실제와의 차이를 부각시키는 21세기 초 국내 영화의 경향을 예시한다. 기본적인 설정과 플롯에는 유사성이 있지만, 내러티브를 이끌어가는 동기 등에서 주요한 차이점들이 있다. <거울속으로>는 원혼설화의 서사전통을 따르는데, 권선징악의 구도에 사회 비판 의식이 내포되어 있다. 거울을 통한 악령의 사악한 작용이 지배적인 <미러>는 서양의 공포영화의 전통을 따르고 있다. 이 리메이크는 동양문화를 근간으로 하는 서사를 기독교 문화가 지배적인 서구적 관점에서 재해석하고 재창조하는 한 방식을 예시해준다.

• 한국엔터테인먼트산업학회논문지
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• 제13권6호
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• pp.87-94
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• 2019

한국 영화는 섬세한 서사, 함축적인 감정 표현, 아름다운 장면으로 동양 미학 독특적인 묘미를 보여준다. 본 연구는 영화 서사학 이론을 활용하여 한국 영화 <신과 함께 -죄와 벌>에서 나타난 동양 미학적 의미를 분석하고자 한다. 이 영화는 가족애를 주제로 한 판타지 영화이다. 아시아에서 많이 알리는 불교의 인과응보와 환생륜회를 영화의 틀로 하며 가족애를 영화의 핵심으로 하였다. 그리고 놀라운 시각 효과로 지옥의 세계를 그려졌는데 스릴러의 메인라인에서 가족애를 표현했다.

• 가정과삶의질연구
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• 제34권4호
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• pp.89-109
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• 2016

The purposes of this study were to analyze and understand the life of mothers rearing children with Down syndrome and to present basic data for overcoming the difficulties of those families. For these purposes, this study made use of the phenomenological analysis and approach with a qualitative research method. The subjects of this study are 4 mothers rearing children with Down syndrome who are beyond school age. The results were as follows. First, the reason why mothers with Down syndrome children went through psychological shock and horror was the social stigma due to the unusual appearance of children with Down syndrome. Second, the isolation with in the public education system was disclosed as a factor causing much sorrow and pain. Through this, we can recognize the importance of ensuring the equal right to receive education of children with Down syndrome. Third, the period which the mother experienced most shock and confusion was right after finding out about the disability that her child has. So, we can identify the importance of early intervention providing psychotherapy and rearing service to the parents. Fourth, the crucial factor that relieved pain and pressure from mothers was social support including family. Therefore, the social support system for mothers with Down syndrome children has to be developed and strengthened. Fifth, the crucial factor that made mother grow up during rearing experience was the reestablishment of cognition about the desired role of mothers. Through this, we can identify the importance of the mental transition process to independent thinking.

• 문화기술의 융합
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• 제4권3호
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• pp.75-86
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• 2018

데스크톱 다큐멘터리는 카메라로 촬영하는 대신 인터넷 오픈 아카이브에서 검색하고 선택한 멀티미디어 콘텐츠를 재료로 컴퓨터 인터페이스 상에서 그것을 재조합하는 창작자의 멀티태스킹 과정 자체를 스크린 캡쳐 기술을 사용해 녹화하여 완성하는 새로운 다큐멘터리 양식이다. 본 논문에서는 뉴 미디어 환경에서 잠재적 아카이브를 데이터 베이스 내러티브로 전환하고, 영화적 미장센을 컴퓨터 미장인터페이스로 바꾸며, 의식의 흐름을 통한 큐레이션으로서의 창작 메커니즘을 통해 창작과 비평의 경계를 오가는 메타-시네마이자 뉴 미디어 아트의 실험적 시도로서, 주류 호러 영화의 새로운 혼성 장르적 시도로서, 극영화 창작의 새로운 방식으로서, 새로운 모큐멘터리적 시도로서, 그리고 창작과 비평의 경계를 오가는 비디오 에세이와 비평 영화의 새로운 양식으로서 2010년대를 기점으로 부상하고 있는 데스크톱 다큐멘터리의 개념과 유형 및 특성을 연구한다.