• 복식
• /
• 제54권3호
• /
• pp.113-127
• /
• 2004

The purpose of this study is to search the spiritual root of decoration and anti-decoration culture in contemporary Japanese fashion and find the aesthetic meanings of the decoration culture inside contemporary Japanese fashion. The contents of this study are 1. surveying the historical change about the aesthetic sense of Japan. decoration culture 2. deducing the distinctive aesthetic ideology from the decoration culture 3. finding esthetically the inside meaning of 1.2. in contemporary Japanese fashion. First, the origin of decoration culture was concerned with the belief in the life after death of the Buddhism culture to represent the noble society of the Heian(평안) period and the religion of paradise after the Middle Ages. Second. this decoration culture based on two aesthetic ideologies, beautiful(염) aesthetics and lofty(숭고) aesthetics. The beautiful aesthetics implies words, such as bewitchment, elegance, dignity and brilliance which stand for the sensual pleasure and the eroticism. The lofty aesthetics that was introduced by TakeTakasi(장고) during the Heian period, had the meaning of magnificence, greatness and dignity. This could be recognized as the Confucianism ideas. Third, as the beautiful aesthetics that was the representative aesthetic ideology of the decoration culture, it was related to splendid and decorative designs, and was recognized as the beauty of brilliance and coquetry. The beauty of brilliance, as a decorative element, appeared in patterns of the traditional costume and dyeing as well as the beauty of coquetry indicated that the women's fashion in Japan had soft, feminine, and cute images, called Hawaii, by using various decorations, such as feminine details, flower patterns. ruffles. ribbons and so on. TakeTakasi's lofty aesthetics applied the beauty of exaggeration to every art form. It has influenced the form exaggeration by overlapping in traditional costumes as well as the 1970s big look and layered look in Europe fashion. Issey Miyake and Takeda Kenzo introduced the decorative play, such as transformation and a distortion, which considered refinement, bluff, and oddity of the Japanese decoration art.

• 인문언어
• /
• 제6권
• /
• pp.359-380
• /
• 2004

Considering Korean feminist theatre is not successful at all these days, it is needed to find the reasons of its crisis. As two Korean feminist theatre Scholars argued, the crisis owed to the structural problem from the start. That is the Korean feminist theatre started and developed depending on the imported popular feminist plays without social and cultural self-consciousness. Once the imported feminist theatres were flourished, some theatre companies pursued the commercial success blurring the feminist issues. It was resulted into the intentional ignorance in and out of the theatre society. While, some feminist plays were too inclined to the agit-prop without artistic sophistication. This essay tries to examine how the feminist theatres have been developing and what kinds of feminist performances have been made until now. And it intends to emphasize that the play text should be based on the Korean women's past, present, and future reality. Besides, they have to delve into the problem by which the Korean women were trapped in historical, social, and cultural environment. To make the women's matter the social issue at present and fur the future, the Korean feminist theatre should re-find its place as the socio-cultural forum. First, Korean theatre should cooperate with the other women's group crossing the different disciplines of the society, the culture, the politics etc . Secondly, we need to observe and watch where and how the distortion happens in women's matter, and react to correct it. Thirdly, we need to discover, to support, and to protect the women centered perspective of some playwrights as well as the performers. Co-writing or co-performing is also very positive to diversify the women's subjects. Lastly, to protect the feminist theatre against the consumerism, they need to have the financial support from the government or some civil society.

• 한국언론정보학보
• /
• 제33권
• /
• pp.193-225
• /
• 2006

이 연구의 목적은 방송통신 융합 환경을 설명하는 하나의 인식론이자 접근 방법으로서 정치경제학의 가치를 재고찰하는 것이다. 이를 위해 기존 정치경제학 연구의 특징과 맹점을 밝히고 변화하고 있는 미디어 환경의 특징적 현상을 도출함으로써 정치경제학이 본격적으로 다루어야 할 영역이 무엇인가를 제안하고자 한다. 이를 위해서 정치경제학의 역사적 총체성이란 거시적 문제 틀을 방송통신 융합 시대에 새롭게 조명할 필요가 있다는 점을 지적했으며, 그에 입각해서 정치경제학의 원리와 연구경향을 살펴보았다. 그리고 미디어 자본의 소유구조에 대한 비판만으로 정치경제학의 범위를 한정시켰던 '경제주의 적' 경향을 극복하기 위해서 수용자 이론의 적극적 재개념화가 필요하다는 점을 강조했다. 아울러 재개념화의 이론적 출발점으로 신자유주의적 시장론의 문제점, 능동적 수용자론의 왜곡, 수용자 상품론의 한계와 창조적 긴장을 논의했다. 마지막으로 이 연구는 미디어 정치학의 현장 속으로 들어가기 위한 수용자 중심의 정책 이념의 확보 방안을 제안했다.

• Smart Structures and Systems
• /
• 제12권3_4호
• /
• pp.251-269
• /
• 2013

Measurement of deflections of certain bridges is usually hampered by corruption of the GPS signal by multipath associated with passing vehicles, resulting to unrealistically large apparent displacements. Field data from the Gorgopotamos train bridge in Greece and systematic experiments revealed that such bias is due to superimposition of two major effects, (i) changes in the geometry of satellites because of partial masking of certain satellites by the passing vehicles (this effect can be faced with solutions excluding satellites that get temporarily blocked by passing vehicles) and (ii) dynamic multipath caused from reflection of satellite signals on the passing trains, a high frequency multipath effect, different from the static multipath. Dynamic multipath seems to have rather irregular amplitude, depending on the geometry of measured satellites, but a typical pattern, mainly consisting of a baseline offset, wide base peaks correlating with the sequence of main reflective surfaces of the vehicles passing next to the antenna. In cases of limited corruption of GPS signal by dynamic multipath, corresponding to scale distortion of the short-period component of the GPS waveforms, we propose an algorithm which permits to reconstruct the waveform of bridge deflections using a weak fusion of GPS and RTS data, based on the complementary characteristics of the two instruments. By application of the proposed algorithm we managed to extract semi-static and dynamic displacements and oscillation frequencies of a historical railway bridge under train loading by using noisy GPS and RTS recordings. The combination of GPS and RTS is possible because these two sensors can be fully collocated and have complementary characteristics, with RTS and GPS focusing on the long- and short-period characteristics of the displacement, respectively.

• 한국도서관정보학회지
• /
• 제9권
• /
• pp.115-144
• /
• 1982

In ordinary modern wester expression 'the Renaissance' was used to denote the impact made by dead Hellenism civilization in western Christendom, particularly Italian literary and artistic movement at Northern and central Italy in the late medieval period. However, A.J. Toynbee examined the renaissance from the different aspect of view. In his great work "A Study of History" in vol. IX, he succeeded in establishing the theory of historic civilization encounters in space and in time; and in time, civilization of the present and the past or between dead and infant successor contacts on the analogy of parenthood and sonship in the relation of A n.0, pparentation-and-Affiliation. The distinguished his view of 'Renaissance' was illustrated in the sense of encounters between a grown-up civilization and the 'ghost' of its long-dead predecessor. The renaissances (by the process of evocation of ghost of its parent society) has not only one single aspect of literary and artistic field but also in politics, law, science and philosophy, languages and literatures and visual arts, and religion. The main theme of this study is to examine the development of libraries and its historical meaning through Toynbee's literary renaissance. His renaissance of Languages and Literatures has three typical steps: They are: 1st step-to restive the dead literature's remains: 2nd step-to remaster their meaning: 3rd step-to reproduce them in counterfeits... Through its first and second steps, collecting and editing, annotating by compiling an anthology, thesaurus, lexicon or encyclopedia, and in its third step publishing mostly imitation of classics took place. Toynbee depicted the five outstanding eminent representatives of literary renaissance who had a n.0, ppeared on the state of history down to the time of writing. They are: Assurbanipal, Constantine prophyrogenitus, Yung Lo, K'ang Hsi, and Ch'ien Lung and the last four had all been emperors of imperia rediviva. As the result of the examination of these five emperors with three steps of literary renaissance, the common result may be summarized as follows: 1. Those emperors of imperia rediviva interested in intellectual work and study, they also were deeply involved in collecting classics in an ostensible reason. 2. There were strong political intention of collecting materials as an a n.0, ppeasement policy of civilization by transferring scholars energies to an intellectual field. 3. Under the rulers of a resuscitated universal state, the literary renaissance were a product of political plane and that the total size of collection and work were huge. 4. Since there were strong exercise of sovereign power, an active censorship by distortion and elimination was inevitable. 5. There existed newly developed strained atmosphere between grown-up and long-dead parent civilization, whenever the book collection movement had occurred. 6. Over adhesion to the parent civilization caused imitation of classic work and the creative activities were stagnated.stagnated.

• 정보관리학회지
• /
• 제28권3호
• /
• pp.141-162
• /
• 2011

이 연구는 주요 국가의 국가도서관 목록에 나타나고 있는 한국관련 자료의 실태분석을 위해 한국관련 주제명의 주제별 특성과 레코드의 소장상황, 그리고 한국입장에서 쟁점이 되고 있거나 관심이 높은 일부 주제명을 중심으로 그 특성을 비교 분석한 것이다. 연구결과를 요약하면 아래와 같다. 첫째, 미국 등 일부 국가를 제외하고 대부분의 국가도서관에 저장되어 있는 한국관련 레코드가 절대적으로 부족하며, 일본관련 레코드와 비교할 때 대략 2~3배 이상 적게 나타나고 있다. 둘째, 한국관련 레코드의 세부항목별 주제 분포에서 대체로 '역사'와 '경제'가 가장 많게 나타나고 있지만 대부분의 국가에서 '한국전쟁'이 많은 비중을 차지하고 있는 것은 한국에 대한 외국인의 인식이 왜곡될 가능성이 높다고 생각된다. 셋째, 한국관련 레코드가운데 대부분이 북한에 비해 남한관련 레코드가 1.5~5배 이상 많게 나타나고 있지만 폴란드, 이탈리아, 멕시코는 오히려 북한이 많게 나타나고 있다. 넷째, 한국관련 주제명 가운데 '태권도', '김치', '독도', '동해' 등의 용어는 국가마다 미묘한 차이점이 드러나고 있지만, 우리의 주변 국가를 제외하고는 대부분 미국의회도서관의 주제명표기와 거의 일치하고 있다. 다섯째, 특히 우리의 인접국인 중국과 일본의 경우, 자국의 정치적, 역사적 입장을 철저하게 반영하여 나타냄으로써 일부 주제명의 표기에 문제점이 발견되고 있다.