• Journal of Digital Contents Society
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• v.10 no.3
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• pp.461-468
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• 2009

In a recent year, the broadcasting system has been changed from analogue to digital all over the world, not just in Korea, and Korea aims at accomplishing 100% digital broadcasting by 2013. The HD(High Definition) Video Format, which currently plays a key role in digital broadcasting system, has been gradually extended in the field of broadcasting and movie. Additionally, many kinds of camcoders and editing systems have been rapidly converted into the digital types, and they are supporting to photograph and video editing systems with the various types of image formats such as SD(Standard Definition) format, HD format, 2K, 4K, etc. Tape Video Storage System, which has been usually used in the stage of photographing by this day, is gradually evolving into Tapeless Video Data Storage System. Thus in this study, Video Compression method of HD format photographed by Sony PMW-EX3, one of major tapeless camcoders, is studied and also the way of applying it effectively in Avid Media Composer, a non-linear editing system, is discussed.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2018.06a
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• pp.309-312
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• 2018

지금까지 영상 콘텐츠 제작 기술의 발전은 SD(Standard Definition)에서 시작하여 HD(High Definition)와 FHD(Full High Definition)를 거쳐, UHD(Ultra High Definition)에 이르기까지 화질을 중심으로 이루어져 왔다. UHD 에 이르며 육안으로는 그 이상의 해상도로 제작된 콘텐츠와 구분하는 것이 힘들어졌으며, 이에 영상 콘텐츠 제작은 화질이 아닌 제한된 촬영 장비들로부터 촬영 방법, 영상 화각의 개선 작업 등으로 그 방향을 전환하고 있다. 이의 연장선 상에서 360 도 영상에 대한 기술개발이 활발히 이루어 지고 있다. 방송 분야에서는 360 도 영상의 실시간 스트리밍 적용 가능성이 모색되고 있는데, 이것이 가능 하려면 대량의 동영상 데이터를 실시간으로 스티칭하여 전달하는 기술이 필요하다. 따라서 고속 이미지 스티칭이 가능해질 경우 실시간 동영상 스티칭을 통해 방송 통신 분야에서의 서비스 향상에 기여할 것으로 보인다. 본 논문은 이미지의 edge 정보를 방향성을 가진 데이터로 분할하여 특징점을 추출하고, 이후 가중치를 통한 특징점 매칭으로 기존의 이미지 스티칭 방법 보다 빠른 속도의 알고리즘을 제안한다.

• 한국정보디스플레이학회:학술대회논문집
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• 2004.08a
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• pp.30-33
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• 2004

Sharp has developed industry's largest high-definition LC TV, Aquos LC-45GDI. In this paper, we discuss its 10-bit signal processing as one important enabler of its excellent picture quality. Utilizing 10 bits signal processing, in combination with full-spec High-Definition panel and "Intelligent Environment Illumination Sensor", we have succeeded to realize a beautiful gigantic LC TV.

• Journal of Digital Contents Society
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• v.14 no.4
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• pp.439-445
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• 2013

The development of digital image technology has realized high definition throughout the image industry including film and broadcasting. Such high definition images are used in various media and forms through convergence with innovative displays. The analog image production mode is combined with image content production using digital technology. The purpose of this research is to present a method to reconstitute high definition multiplanar images on the wider and bigger screen by applying the Cinerama system, one of the analog image systems in the past, to digital technology.

• ETRI Journal
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• v.26 no.2
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• pp.71-82
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• 2004

We introduce a high-definition three-dimensional television (3DTV) broadcasting system that is fully compatible with the existing transmission system of high-definition television (HDTV). Specifically, we developed high-definition 3DTV broadcasting subsystems including a 3DTV camera, 3DTV video multiplexer and demultiplexer, 3DTV receiver, and 3DTV outdoor broadcast van. To verify the developed subsystems, we performed experimental services of 3DTV broadcasting during the 2002 FIFA World Cup Korea/Japan. According to our subjective evaluation test, 88% of 273 viewers rated the perceived depth of 3DTV as “Good,” and 36% of the viewers preferred 3DTV to other digital broadcasting services.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2013.11a
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• pp.186-189
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• 2013

최근 다양한 3D 콘텐츠들에 대한 사용자의 요구에 따라 HD(High Definition)화질 및 이를 넘어서는 고해상도(FHD(full high definition), UHD(ultra high definition))의 고품질 3D 방송 서비스에 대한 연구가 진행되고 있으며, 차세대 영상 기술로 주목되고 있는 3차원 비디오 기술은 사용자에게 실감 있는 영상을 제공할 수 있다, 하지만 많은 시점을 전부 촬영하는 것은 한계가 있으므로, 카메라의 깊이 정보를 이용하여, 전송하는 시점을 줄이고, 시점영상을 합성함으로써 사용하는 카메라의 수보다 더 많은 시점을 생성하는 방법이 필요하다. 현재 국제 표준화 기구인 MPEG(Moving Picture Experts Group)의 3차원 비디오 부호화(3D Video Coding, 3DVC)에서는 깊이영상을 가지는 3차원 비디오영상에 대한 효과적인 부호화 기술들에 대해 표준화가 진행되고 있다. 이에 본 논문은 HEVC 기반의 3D-HEVC에서 사용하는 표준 기술들에 대하여 소개하고, 현재 사용되고 있는 기술들에 대한 성능 평가를 분석 하였다.

• Journal of Korea Society of Digital Industry and Information Management
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• v.9 no.4
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• pp.167-175
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• 2013

This study is the process of making high-definition TV broadcast color correction affects the end result comparison is focus on implement through study. In the production process and the impact on the color Correction in the video as an study for UHD, 4K, 6K video production workflow improvement of an effective program in the present and time and cost in the post production process, color correction for the final video through the production and overcome the failure of further in-efficient color correction study will help you to solve the problem. This study is the color changes over the course of the final video to see how much influence color correction of post-production. Color correction using a program of courses in Visual quality, regularly presented the possibility to retain and make on high definition video production post-production process for color correction method is utilized as the basis of study.

• 한국가시화정보학회:학술대회논문집
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• 2002.11a
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• pp.11-14
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• 2002

A new high-definition stereoscopic PTV was constructed using two CCD cameras, stereoscopic photogrammetry based on a 30-PTV principle. The arrangement of the two cameras was based on angular position. The calibration of cameras and the pair-matching of the three-dimensional velocity vectors were based on Genetic Algorithm based 30-PTV technique. The constructed Stereoscopic PTV technique was tested on the standard images of the Impinging jet proposed by VSJ. The results on the turbulent properties of the jet obtained by the constructed system showed a good agreement with the original LES data.

• Journal of Educational Research in Mathematics
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• v.12 no.4
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• pp.557-579
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• 2002

The purpose of this study is to find out the problems which are caused when the limit concept of sequences is learned through an intuitive definition and to suggest a way of solving those problems. Students in Korea study the limit concept of sequences through an intuitive definition. They fail to apply the intuitive definition properly to the problems and they are apt to have misconception even though the Intuitive definition is applied properly. To solve these problems, this study examined the develop- mental process of the limit concept of sequences from the Intuitive definition to the formal definition, and looked into the way of students' internalization of the process through a field study. In this study, the levels of the limit concept of sequences possessed by the students at ZPD are as follows; level 0 : Students understand the limit concept of sequences through the intuitive definition. level 1 : Students understand the limit concept of sequences as 'The difference between $\alpha$$_{n}$ and $\alpha$ approaches 0' rather than 'The sequence approaches $\alpha$ infinitely.' level 2 : Students understand the limit concept of sequences through the formal definition. The levels of students' limit concept development were analysed by those criteria. Almost of the students who studied the limit concept of sequences through the intuitive defition stayed at level 0, whereas almost of the students who studied through the formal definition stayed at level 1. Through the study, I found that it was difficult for the students to develop the higher level of understanding for themselves but the teachers and peers could help the students to progress to the higher level. Students' learning ability was one of major factors that make the students progress to the higher level of understanding as the concept was developed hierarchically from Level 0 to Level 2. If you want to see your students get to the higher level of understanding in the limit concept, you need to facilitate them to fully develop understanding in lower levels through enough experiences so that they can be promoted to the highest level.

• Journal of Broadcast Engineering
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• v.15 no.4
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• pp.513-526
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• 2010

In this paper, we propose a de-blocking filter for improvement of coding efficiency and computational complexity reduction on a high definition video coding. Recently, the H.264/AVC standard-based research for high definition video coding method is under way because the amount of used of high definition videos is on the increase. The H.264/AVC de-blocking filter is designed for low bitrate video coding and it improves not only the subjective quality but also coding efficiency by minimizing the blocking artifact. However, the H.264/AVC de-blocking filter that strong filtering is performed is not suitable in a high definition video coding which occurs relatively low blocking artifact. Also, the conventional de-blocking filter has high computational complexity in decoder side. The computational complexity of the proposed method is reduced about maximum 8.8% than conventional method. Furthermore, the coding efficiency of the proposed method is about maximum 7.3% better than H.264/AVC de-blocking filter.