• 한국산학기술학회논문지
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• 제16권6호
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• pp.3819-3828
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• 2015

본 연구에서는 중의어 중 한 가지 유형인 한국어 동철이음어의 처리 과정의 탐색을 통해 단어를 이해하는 과정에서 논쟁이 되고 있는 형태(표기 및 음운) 정보와 의미 정보의 영향을 알아보았다. 이를 위해 선행 자극이 먼저 제시되고 목표 자극이 이후에 제시되는 점화 과제를 사용하여 형태와 의미 정보의 촉진 효과를 확인해 보았다. 실험 1에서는 동철이음어의 표기 및 음운 정보와 관련된 자극을 점화 자극으로 제시하였고 실험 2에서는 의미와 관련된 자극을 점화 자극으로 제시하여 단어/비단어 여부를 판단하는 어휘판단과제를 실시하였다. 그 결과 형태 관련 정보는 유의미한 영향을 주지 않았으나 의미 관련 정보는 단어 여부 판단을 빠르게 하는 촉진 효과를 보여 주었다. 이러한 결과는 동철이음어 처리 과정에서 형태 관련 정보에 비해 의미 관련 정보의 영향이 중요하게 작용하고 있음을 시사한다.

• 영미문화
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• 제9권1호
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• pp.113-139
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• 2009

Such is an elective affinity between literary studies and psychoanalysis that the latter sometime serves as a form of literary pedagogy. The affinity mainly consists in their shared concern for language. The signification of language in psychoanalysis is much similar to that of literature. Many of psychoanalytic terms and theoretical tenets bear witness to its dependence clinically on speech phenomena and theoretically on language in general. It is most true of Sigmund Freud, for whom the unconscious is in effect the linguistic unconscious. The Freudian unconscious, compressing and displacing through images and ideas, works as a text for psychoanalysis, which approach has not only paved one of the ways to poststructuralist anti-essentialism but with which literary studies also feel uncanny familiarity. Freudian psychoanalysis, starting empirically from clinical observations, discovers that words exist independent of meanings in the form of things in the unconscious system. Out of the various sensory elements of a word-thing, in psychoanalytic terms, the auditory is central. Now with the auditory imagination cultivated in the clinic, Freud figures out compression and displacement as the chief unconscious works, of which my main argument is that they are based phonetically on heteronym and homonym associations respectively. Compression and displacement work to be masks, which excites Freud's sense of challenge: his is a kind of poststructuralist approach, in the sense that the closed interrelatedness of words without external referents determines the signification in a given situation. But the works of compression and displacement, viewed in auditory terms rather than mapped on to metaphor and metonymy, can provide a new insight for a literary reading of Freud. Pursuing Freud's auditory imagination is not only an attempt to read his writing as literary text rather than for theoretical discussion, but also an experiment with the possibility of literary reading of a theoretical text in the age of after-theory.