• Title/Summary/Keyword: Haus

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A Study on the Architectural Characteristics and Its Implications in Eurythmeum Anbau zu Haus Brodbeck (브로드벡 하우스와 오이리트메움의 건축 특성과 의미에 관한 연구)

  • Woo, Chang-Ok;Kim, Mun-Duk
    • Korean Institute of Interior Design Journal
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    • v.23 no.5
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    • pp.165-173
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    • 2014

  • Located in Dornach, Switcherland Eurythmeum Anbau zu Haus Brodbeck (Rudolf Steiner-Halde, Eurythmeum Anbau zu Haus Brodbeck, 1923-1935) is one of the architectural works created by Rudolf Steiner (1861-1925) who has studied and established the cognitive and spiritual aspects of a human being, and is often cited as being the founder of anthroposophy. In fact, Eurythmeum Anbau zu Haus Brodbeck is not as well known as Steiner's other works, and it is perceived as less important than his major works of architecture including "Goetheanum", "Modellbau zu Malsch", and "Rudolf Steiner Haus Stuttgart". Nonetheless, this study is meaningful in itself since it is an important piece of architecture to gain an understanding of the characteristics of Steiner's late works, and the architectural characteristics of the Waldorf School where various active educational activities are taking place around the world. Eurythmeum Anbau zu Haus Brodbeck clearly exhibits the characteristics of the architectural space based on Steiner's anthroposophy as well as provides a window into promoting space efficiency by extending an existing building. Moreover, it provides a good learning opportunity to find out about how Steiner's architectural disposition has changed and developed with the use of new materials. With these points as a backdrop, the study aims to develop an understanding of the architectural characteristics of Eurythmeum Anbau zu Haus Brodbeck. Another important objective of this paper is to gain insight into the architectural implications in connection with the influence Eurythmeum Anbau zu Haus Brodbeck has had on Steiner's later works, by comparing his early works of architecture with those of his late works.

  • https://doi.org/10.14774/JKIID.2014.23.5.165 인용 PDF KSCI

A Study on the concept of architectural interior space and of its extensibility -From the perspective of "Haus im Haus"- (건축학적 내부공간의 개념과 그 확장가능성에 대한 연구 -"HAUS IM HAUS" 를 중심으로 -)

  • 최경실
    • Korean Institute of Interior Design Journal
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    • no.7
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    • pp.21-30
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    • 1996

  • When one speaks of space in architecture, one immediately thinks of an entity that is an enclosed space. For most people , space is therefore equated with interior space. And in most discussions of architectural space the character of the outside and that of the inside have been strictly differentiated. But architectural space must be construed as a total , integral space. In this way , architectural space can articulate naturality. For example, by reasserting the eloquence of architecture and by graphically characterizing the different parts of the building. Ungers has moved far away from the traditional ideas of a modern movement that preached the homogeneity of all parts. so promoting uniformity and an expressionless monotony. From this perspective comes the purpose of this study which is to present :1. the character and meaning of the boundary that differentiates the outside from the inside of the architecture. 2. the types of the organization of the interior-space and the differences between those types. 3. the new concept of the interior -space through the analysis of the concept "Haus im Haus" that over-comes the polarity of the outside and the inside of ar-chitecture. This result comes from the idea that harmony is a-chieved not by resolving this polarity into one or the other extreme, but by allowing coexistence of both as-pects.

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Eine Untersuchung ueber das Haus als das Mitte des Lebens und seine philosophische Bedeutung (삶의 중심으로서의 집과 그 철학적 의미에 대한 연구)

  • Byun, Sun-Yong
    • Journal of Ethics
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    • no.77
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    • pp.191-215
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    • 2010

  • In dieser vorliegenden Arbeit wird die eigentliche Bedeutung des Hauses in bezug auf M. Heidegger, G. Bachelard und O. F. Bollnow analysiert. Bei Heidegger ist das Wohnen ein Wesensmerkmal des Menschen und das Haus ein Raum des Wohnens als das Pflegen und Schonen. Insbesondre Bachelard hat die schuetzend Funktion des Hauses und das Haus als das Glueck des Wohnens behauptet. Fuer Bollnow bedeutet das Haus eine Mitte des menschlichen Lebens und der Welt. Heidegger behauptet, dass wir so in der eigentlichen Not des Wohnens, d.h. in der Heimatlosigkieit sind. Wir muessen nach die Bedeutung des Hauses nicht als einen wirtschaftlichen Wert sondern als den eigentlichen Wohnraum denken und das Wohnen lernen. Bachelard weist darauf hin, dass das Haus als ein gluekliche Raum ein wesentliches Trauen voraussetzt. Und er versteht das Haus mit dem dialektischen Zusammenhang zwischen dem Haus und der Welt. Bollnow versucht ueber dem Raum in anthropologische Hinsicht zu betrachten. Er behauptet, dass der Mensch seine wesentlichen Bedeutung durch das Wohnen hat. Durch die Vermenschlichung des Raumes muss der Mensch die Verantwortlichkeit ueber den Raum uebernehmen. In der heutigen Gesellschaft bemessen das Haus sich nur mit einem wirtschaftlichen Wert. Wir muessen das Haus lesen, und die eigentliche Bedeutung des Hauses.