• Journal of the Korean Society of Costume
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• v.63 no.6
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• pp.140-149
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• 2013

The study aims to suggest new skirt designs through a modernistic application of the silhouette of Hanbok skirts. It also aims to promote the aesthetic beauty and excellence of Hanbok to the world by using Hanbok skirts that best express the beauty of Korea as motifs, and to promote a pride in Korean culture through a reinterpretation of Hanbok skirts. The study was focused on examining Hanbok skirts from the Three Kingdoms era to the Joseon Dynasty, and the skirts in each era were compared to western silhouettes to suggest design centering on the characteristics of each silhouette. As for the theoretical background, shapes were classified according to waist-grip, the width and length of a skirt, wrinkles and ornamental lines, before being compared to skirt silhouettes of western costume. As a result, it was found that Hanbok skirt silhouettes in the Three Kingdoms era were similar to the A-Line silhouette of western costume, the Empire silhouette of unified Silla, the H-Line silhouette of the Goryeo Dynasty, the Bell-Line silhouette of the Joseon Dynasty and the Bustle Style applied to ceremonial costume in the early Joseon Dynasty. The researcher suggested five skirt designs by applying the above-mentioned five silhouettes, confirming the research premise that Hanbok skirt silhouettes are as diversified as those found in western costume. Designs were suggested for each silhouette, and are expected to lead to the development of designs befitting future trends and concepts through detailed research and development on Hanbok skirt silhouettes.

• Proceedings of the Korean Information Science Society Conference
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• 2005.11a
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• pp.682-684
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• 2005

본 논문에서는 동적인 실제 객체로부터 얻어진 깊이 맵으로부터 3차원 메쉬 모델을 생성할 때, 영상의 경계정보를 기반으로 효율적인 비정규 메쉬를 생성하는 기법을 제안한다. 우선 깊이 맵으로부터 소수의 특징점과 경계영역에서의 실루엣 점을 추출한다. Delaunay 삼각화 기법을 적용할 때 경계 피부에 발생하는 불필요한 삼각형들을 효율적으로 제거하기 위해 실루엣점으로 구성된 경계 라인을 제약조건으로 사용한다. 즉 깊이 맵으로부터 경계 영역 정보를 추출하고 이를 기반으로 관심 객체의 비정규 삼각 메쉬에 존재하는 불필요한 외부 삼각형을 제거한다. 최종적으로 생성된 3차원 메쉬에 포함된 형상 노이즈를 제거하기 위해 메쉬 스무딩 기법을 적용하고, 깊이 맵과 동시에 획득된 컬러 영상을 텍스쳐링하여 3차원 메쉬를 생성한다.