• 한국농촌건축학회논문집
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• 제22권4호
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• pp.17-25
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• 2020

This preliminary study examines historical background of construction, establishment process, and destroy process for the Goryeo-sa-haeng-guan in Myeong-Ju during the Song Dynasty. The research was conducted based on local journals at that time. The Myeong-Ju is one of the famous port cities for marine trade. The Myeong-Ju had a good relationship with the Goryeo. Especially, the Song Dynasty built the Goryo-sa-haeng-guan for Goryeo envoys and traders to maintained a good partnership with Goryeo. A comprehensive review on records and historical issues of the Goryeo-sa-haeng-guan helps us to understand foreign policy and inter-relationship between Korean and China.

• 건축역사연구
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• 제25권5호
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• pp.15-25
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• 2016

The color that painted on the ground of Dancheong becomes Gachil(basecoat)-Dancheong and underpainting of Moro-Dancheong or Geum-Dancheong. So, the color of underpainting is the most important element that determines impression of the building. Thus, the architecture after using "Sangrokhadan" has different characters from what it had been. In the existing perception toward the background color of Dancheong, it was considered the characters of Korean Dancheong so-called "Sangrokhadan" that paint vertical elements like columns red and upper part of the columns green. But this study examined the color of Dancheong according to the era and region before and after Goryeo Dynasty era, then it reveals that Sangrokhadan technique was applied from the 14th century in the late Goryeo Dynasty. One of the Goryeo architecture, Geungnakjeon Hall of Bongjeongsa Temple is thought to be a previous style that is not applied "Sangrokhadan" technique because old elements are painted red pigment.

• 복식
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• 제59권10호
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• pp.1-9
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• 2009

One piece of Jeogori and several books of the Goryeo dynasty were found inside of the wooden Buddhist Goddess of Mercy Statue of the Bogwang temple and they were designated as national treasure of Korea, No. 1571. The jeogori was the Jeogsam as the kind of underwear and conjectured as for women by considering its size. The collar of the jeogori was 3cm-wide square-shaped collar without gussit and the sleeve was close to straight line. Also the jeogori was designed without breast ties and could be adjusted by knot button. The fabrics for the jeogori showed similar pattern as complex silk gauze in 1302. It has not been reported yet that the complex silk gauze was used for the Jeogsam from Goryeo Dynasty to Joseon Dynasty. Comparing the Jeogori of the Bogwang temple to those of Goryeo Dynasty, it can be appropriately estimated as the remains of the Goryeo Dynasty since its shape and materials are very similar to those found in the Jeogori's of the Goryeo Dynasty and it was found between the books of the Goryeo Dynasty inside of the knee part of the wooden Buddhist Goddess of Mercy Statue of the Bogwang temple. Although only one piece of Jeogori was found, it's importance in cultural value or in the study of the fabric history cannot be underestimated considering the fact that the Jeogories of the Goryeo Dynasty are scarce, and that the used fabric was not commonly used complex silk gauze, and especially that this Jeogori is the only existing Jeogsam made of complex silk gauze.

• 인삼문화
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• 제5권
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• pp.21-31
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• 2023

우리나라의 특산품인 고려인삼은 삼국시대 이래 가장 중요한 수출품 중 하나였다. 그러나 고려 시대까지 우리 역사에서 인삼에 관한 기록은 그리 많지 않다. 본 고에서는 고려 시대의 인삼에 관한 국제 수교 및 교역 기록과 당시 출판된 것으로 알려진 의약서에 대하여 정리하였다. 고려시대에는 주변 국가인 발해, 송, 왜, 후진, 원나라와 외교적 예물로 또는 교역품으로 인삼이 활발하게 거래되었다. 주로 고려에서 주변 국가로 인삼이 수출되었지만 발해와 거란으로부터는 인삼을 외교적 예물로 받기도 하였다. 아라비아 상인은 고려의 대표적 국제무역항이었던 벽란항에 와서 인삼을 교역하였다. 몽골 침입 이후 원나라의 인삼 요구량이 지나치게 많아서 큰 사회적 문제가 되기도 하였다. 고려시대에는 『제중입효방』, 『어의촬요방』, 『향약고방』, 『삼화자향약방』, 『향약혜민경험방』, 『향약구급방』, 『비예백요방』 등 여러 의약서가 출판되었다. 『향약구급방』은 조선시대에 중간된 것이 전해지고 있으나 나머지 책들의 원본은 현재 전해지지 않고 있다. 최근 후대의 여러 의약서에 인용된 것들을 연구하여 그 일부가 복원되기도 하였다. 궁중에서 사용되었던 의약서에는 인삼을 포함한 처방의 비중이 높았던 반면 주로 평민을 위한 『향약구급방』에는 인삼 처방이 한 건도 수재(收載) 되지 않았다. 이는 당시 인삼이 매우 귀하고 고가이어서 평민이 접하기는 어려웠기 때문으로 생각된다.

• 천문학논총
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• 제31권1호
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• pp.1-9
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• 2016

We investigate the records related to the reign style and the calendar day from the epigraphs of the Goryeo dynasty (918 - 1392) in Korea in order to verify and supplement the sexagenary cycle data of the first day in the lunar month of the dynasty. The database of the National Research Institute of Culture Heritage contains a rubbed-copy image, transcription statement, and translation statement for Korean epigraphs as well as 775 epigraphs corresponding to the Goryeo dynasty. The epigraph records are valuable in that, during this time, they were written differently from other historical literature such as the Goryeosa (History of the Goryeo Dynasty), which was compiled in the next dynasty. We find that the Goryeo dynasty, in general, had adopted the reign styles of Chinese dynasties at that time. We also find 159 calendar day records all showing good agreement with the work of Ahn et al. except for dozens of records. Through this study, we can verify the reign styles and the calendar days of the Goryeo dynasty.

• 복식
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• 제59권9호
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• pp.71-86
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• 2009

This study examines plant patterns expressed on the fabrics during the Goryeo Dynasty and many countries in the Chinese continent and analyzes their symbolism and formativeness. This study deals with clothes which is one of the most fundamental aspects in a culture and plant patterns on them; it examines the overall formativeness of plant patterns in East Asia from the 10th century to the 14th century by studying plant patterns in the Goryeo Dynasty and the contemporaneous dynasties in the Chinese continent - Five Dynasties, Song Dynasty, Western Xia Dynasty, Liao Dynasty, Jin Dynasty and Yuan Dynasty. The plant patterns of each country were categorized by the type of plant. The composition and expression of plant patterns were examined and statistically analyzed. Small flowers were found in Goryeo fabrics twice more than other types that could be clearly identified, and peony was the most popular flower used in Chinese fabrics. In terms of composition of plant patterns, both Goryeo and Chinese fabrics had plant only patterns more frequently than the patterns mixed with animals or jewels. Regarding expression methods of plant patterns, the most common one in Goryeo fabrics was the petal-type, while the branch-type is the most common one in Chinese fabrics. The plant patterns of the Goryeo Dynasty show beauty of simplicity with minimalism and simplification while expressed with brilliant sold threads on dark background, such as purple or light green, so the overall feeling of fabrics was simple yet nobel.

• 건축역사연구
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• 제25권6호
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• pp.45-60
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• 2016

Sangnyang-mun(上樑文) is not only a memorial address for the ceremony of putting up the ridge beam, namely the sangnyang-ceremony(上樑式) but also the executional record of building construction. This paper aims at researching on the oldest five sangnyang-muns written for the constructions of palaces and government offices in Goryeo Dynasty, especially viewed in the architectural history. The results of that are as follows: First, it is supposed that sangnyang-mun originated in the ancient Chinese ceremonial songs for the celebration of building construction. Second, as compared against the former times, the sangnyang-muns in Goryeo Dynasty were written to the advanced establishing forms and literary patterns, so to speak, these were the more developed styles. Third, in the 12th century, sangnyang-mun was introduced from Chinese Song to Goryeo. To the late period of J oseon Dynasty, sangnyang-mun had been to write for the sangnyang-ceremony as necessary memorial address. Fourth, the writers of five sangnyang-muns in Goryeo Dynasty were the new civil ministers appointed by the soldier rulers. They wrote the contents of their sangnyang-muns, especially focused to the king's achievements. And in the yugwi-song(六衛頌), they recited six poems in which were complicated the world view and aesthetics of the time.

• 건축역사연구
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• 제15권3호
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• pp.59-79
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• 2006

The architectural characteristics and historical positioning which the historical architecture will be understood better through collecting results from researches which was done on various points of views and positions. Therefore, a study on the layout of the main palace of Goryeo Dynasty also becomes a prerequisite for understanding the architectural characteristics and historical positioning which it possesses. However, the reality is that as the results from the excavation and preceding researches were not integrated together, the understanding of the layout of main palace is remaining on a partial and conceptual level. Therefore, this paper attempted to review in overall the restoration of the layout of the main palace of Goryeo Dynasty using historical documents, precedent researches, excavation maps, topographical map and cadastral maps. Consequently, it was possible to confirm the name of some of the ruins and restore the location and layout of other buildings. The result of this research presented above, will become a basis for understanding the layout of the main palace of Goryeo Dynasty in more realistic and way. Furthermore, it could be used as a fundamental data for related researches.

• 보존과학회지
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• 제29권1호
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• pp.15-24
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• 2013

울산시 북산동 출토 고려시대 칠사관모(漆紗冠帽)는 복식사적으로 상당히 귀한 유물로 고려시대 당시의 관모형태를 알 수 있어 역사적 문화적 사회적 예술적으로 사료적 가치가 큰 귀중한 자료라고 할 수 있다. 또한 본 유물은 상대적으로 유물이 부족한 고려시대의 실증적 정보를 제공하는 자료로 발굴 작업에 의한 출토품이라는 점에 의의가 있다. 본 연구에서는 오랜 시간동안 다양한 환경요인에 의해 영향을 받아온 유물의 보존처리를 통해 본래의 상태로 회복시키고 원형을 보존하고자 하였다. 그 결과, 실존유물이 상대적으로 부족한 고려시대 관모의 원형을 보존할 수 있었으며, 재질 및 구조분석을 통해 섬세한 사(紗)조직의 표면조직과 죽사(竹絲)로 제작된 바탕조직을 확인할 수 있었다.

• 미술자료
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• 제96권
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• pp.224-238
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• 2019

고려 건국 1,100주년을 맞아 국립중앙박물관과 국사편찬위원회는 고려 묘지명 조사·공개 사업을 협업하여 진행하고 있다. 이를 통해 현재까지 새롭게 확인된 고려 묘지명은 모두 4건이다. 그중 국외 소재 고려 묘지명 2건과 국립중앙박물관에 소장되었음이 처음 파악된 고려 묘지명 1건을 소개하고자 한다. 고려 중기 관료의 묘지명인 「김용식 묘지명」은 현재 미국 스미스소니언박물관 프리어새클러갤러리에 소장되어 있다. 이 묘지명은 당시 관료의 전형이라고도 할 수 있는 삶을 보여주고 있어 그 의미가 크다. 현재 남아 있는 이 시기 관료계층의 묘지명은 대개 고급 관료나 그 가족의 것이고, 이처럼 중·하급 관료가 남긴 묘지명은 상대적으로 드물다. 거기에다 주인공의 관력(官歷)과 세계(世系), 행적이 상세하게 기재되어 있어, 앞으로 고려 중기의 사회사·정치사를 연구하는 데 큰 기여를 할 사료로 여겨진다. 현재 일본 교토대학 총합박물관에 소장되어 있는 「상당현군 곽씨 묘지명」은 연대가 분명한 고려관료계층 여성의 묘지명으로 주목된다. 아쉽게도 내용이 소략하나, 당시의 장례문화와 지리 인식 등을 알 수 있는 귀한 자료이다. 국립중앙박물관 소장으로 확인된 「민수 묘지명」은 그 존재와 내용은 오래 전부터 알려져 있었지만, 소재가 분명히 파악되어 앞으로 연구자들이 실물을 열람·활용하는 것이 가능해졌다. 아울러 벼루라는, 흔치 않은 소재에 새겨진 고려 묘지명의 사례를 확보했다는 데도 의의가 있다.