• 복식문화연구
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• 제15권3호
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• pp.541-549
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• 2007

Goguryo is the ancient dynasty which established the system of ancient state earlier than Baekje and Sila, and was a strong political and military power. Unlike the rock carving works of prehistoric times, mural paintings composed of line and color tones in tombs are characterized more by its social aspect and symbolism as a serious form of art than other cultural heritage of Goguryo. In response to that, this study analyzed the dress and ornaments of women found in Anak No. 3 ancient tomb, Susan-ri ancient tomb, Ssangyeongchong, which are the ancient tombs in Pyeongyang from 4th century to 5th century, have relatively more ancient tombs than any other places and preserved the mural paintings well, by using the plate, slide, literature and data related to relics in order to figure out the characteristics of women's dress and ornament in Goguryo, and the lifestyle and social aspect of Goguryo.

• 한국지역지리학회지
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• 제13권3호
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• pp.341-354
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• 2007

우리 한민족은 오랫동안 고구려를 우리의 선대 국가로 인식해왔다. 그런데 중국측은 '동북공정'을 통하여 고구려가 중국의 일개 지방 소수민족정권이었다고 주장함으로써 우리나라 사람들을 분개시키고 있다. 중국이 '동북공정'을 추진하는 이유 중에서 가장 중요한 이유는 오늘날 만주 땅이 중국의 통치 영역이라는 점에 있을 것이다. 중국은 중국의 현재 영토에서 일어난 역사를 모두 중국사에 포함시키려는 시도에서 만주 땅의 역사를 중국사의 맥락에서 설명하고자 한다. 중국측의 주장 중에서 상당한 부분이 중국인의 국수주의 역사관에서 비롯된 것임에 틀림없지만, 우리는 '과학적 역사'에 근거하여 중국측의 주장을 비판해야 한다. 섣부르게 우리 민족의 국수주의 역사관에 근거하여 중국측의 주장을 비판해서는 안 된다. 오늘날 동아시아의 국가들이 국수주의 역사관을 갖고 있다는 사실은 동아시아의 협력체제 구축이라는 점에서 걸림돌로 작용하고 있다. 한 중 양국은 국수주의 역사관을 극복하고 미래지향적 협력관계를 구축하기 위해 노력할 필요가 있다.

• 대한가정학회지
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• 제32권3호
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• pp.217-226
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• 1994

Cloth culture is one of the basic unit of constructing man's culture in a life of human being. One of the fundamental elements to construct cloth culture is the silk-fabric from the ancient time-Sam Han period B.C 2∼4 Korea. This study is to survey the growing aspects of the silk-fabric influence Goguryo & Bakje dynasty. It is an attempt to manifest that how silk-fabric influence through a trade or as means of currency between the two nations at that time. through a trade or as means of currency between the two nations at that time. To certify I use material such as San guo zhi, Hou Han han shu from China Samkuksaki Dong-kuk-tong-gam from Korea and NiHon Shoki from Japen and I concerned the cultural relations of politics economics and socity of the two dynastics so as to prove a relations of politics economics and socity of the two dynastics so as to prove a relative relation between the two. It is reached to the conclusion that silk fabric had been a constituent role at cloth culture at that time of Goguryo & Bakje. It is pointed out that silk-fabric had been an important role to construct the culture of social economic and politic through a trade and as a precious currency.

• 건축역사연구
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• 제15권2호
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• pp.77-94
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• 2006

"Mixed construction of platform" means the platform which was constructed by mixing heterogeneous materials such as roof tiles or bricks with divided stone of trimmed stone. This kind of construction technique was not known or found from the building sites of Goguryo or Silla so far and therefore it used to be understood as a unique platform construction technique or the product of technology and creativeness of Baikje's craftsman. The mixed construction of platform of Baikje came to position itself as one of the patterns of platform mainly used over Sabi period and we found the pattern from the sites including Imryugak site in Gongju, temple for royal tomb in Gwanbuk-ri, Wangheungsa Temple site, building site in Keumseong Mountain, Ohapsa Temple site in Byryeong. From the fact that they used a variety of materials which they could easily get around them such as roof tiles or bricks in addition to stones for the construction of platforms, we can see the feasibility and decoration characteristics of their material supply at that time. On the other hand, this mixed construction of platform was not popular in Goguryo and Silla, the major reason for which is judged to be non-existence of platforms to construct using bricks or roof tiles which could be constructed together with platform using divided stones. This is supported by the results of excavation of Hwangryongsa Temple site, Bunhwangsa Temple site, Heungryunsa Temple site of Silla which gave us comparatively abundant excavation data, and Jeongreungsa Temple site, Cheongamsa Temple site, Toseongrisa Temple site and building site in Daeseong Mountain castle and Anhak Palace site of Goguryo. For further progressive study on the mixed construction of platform of Baikje in the future, we will have to review more on the social background and technical background with the linkage with archeology and architecture at that time which led to the creation of such platform.

• 박물관보존과학
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• 제12권
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• pp.53-58
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• 2011

국립중앙박물관이 소장하고 있는 고구려 개마총 여인행렬 벽화편에 사용된 안료의 성분 분석을 수행하였다. 분석은 비파괴 성분분석기인 X-선 형광분석기(XRF)를 사용하여 안료의 성분 원소를 확인하였다. 분석결과 벽화의 채색안료 중 적색에는 진사/주(HgS)와 산화철이 사용되었으며 흑색에는 먹, 백색에는 연백이 사용되었다. 얼굴 부분은 진사/주와 연백을 혼합하여 채색하거나 경우에 따라 채색하지 않았을 가능성이 높았다.

• 헤리티지:역사와 과학
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• 제36권
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• pp.157-179
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• 2003

The smith's tool is a tool used for the forging that directly heat-treats and treats ironware. Smith's tools have been thus far excavated from 58 archaeologic sites in Korea, which include 46 hammers, 40 nippers, 5 tweezers, 17 chisels, and 12 anvils, totaling to 120 items. The historic sites from which smith's tools have been excavated indicate 2 sites in Nangnang, 6 in Goguryo, 30 in Silla, 3 in Baekjae, 15 in Gaya, and other 2 sites. Those smith's tools excavated from tumuli in the Three Kingdoms period in Korea are known to be those from the Silla and Gaya areas, and some have been found in the Goguryo and Baekjae areas but require more accumulation of artifacts. Furthermore, the result of having investigated those smith's tools burnt with the corpse in tumulus revealed that smith's tool owners are classified into the blacksmiths who were directly engaged in manufacture and the ruling class who controlled them. Moreover, the smith's tools excavated from large-sized tumulus are presumed to have the potential that symbolically exhibits smithy-iron working, as compared with other funerary objects. Key words: smith's tool, blacksmith, manager.

• 건축역사연구
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• 제20권4호
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• pp.7-28
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• 2011

This study intends to investigate the measuring scales, locations and scales through arrangement plans for a research on construction plans. Through an analysis of the artifacts-measuring scales, the relation of two scales found, which further helped suppose the measuring scales applied during the foundation period. Southern dynasties-scale was still used even after the capital was transferred to Sabi till Tang-scale was introduced. Tang-scale was used for Buddhist temples mostly founded in the 7th century. On the other hand, Goguryo-scale seemed to be used almost at the same period as Southern dynasties-scale used, but it seemed that Goguryo-scale disappeared earlier than Southern dynasties-scale. The locations of Buddhist temples could be classified into mountains, flatlands and mountain valley. Buddhist temples founded in mountains were mostly small-sized, but ones located on flatlands could secure flat fields through mounding operations. In addition, through location conditions of Neungsa and Wangheungsa, it was possible to find out the district setting of Sabi Capital Castle. Finally, the expansion range of Buddhist temples were found to be towards the east and the west. As for the scales of temples according to such conditions of location, it was found a similarity in Temple sites. In general, it was possible to assume that the scales of Buddhist temples tended to be expanded along with spatial expansion and there were regular systems in Buddhist temples related to the Royal family. Through the analysis of arrangement plans between individual buildings, it was found that the basic arrangement of Gate-Pagoda-Main Hall-Lecture Hall was preserved, but the proportion of distances between individual buildings varied depending on cases. As a result, there were differences between scales of entire building sites, construction subjective influences and master plan for each location of a Buddhist temple.

• 동아시아식생활학회지
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• 제13권2호
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• pp.83-97
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• 2003

Yangroyun(養老宴), the ceremony for elderly people, originated with the ancient chinese, but the ceremony was held as almsgiving in the early period of Three Kingdom - Shilla.Goguryo.Backje. During the period, a king participated in the ceremony and gave elderly people grain and cloth. Also, in the unified Shilla dynasty, as it were. According to establish the aristocracy in the Three Kingdom Period, Yangroyun became the royal ceremony. In Goryo dynasty, Yangroyen was developed as a ceremony for awarding a person with filial piety prizes. In Chosun dynasty, Yangroyun was peformed in the rigid regulation. It was begun from the king Sejong, According to$\boxDr$Kyungkukdaejeon(經國大典)$\boxUl$, Yanroyun was held in September of the lunar year for over eighty years old, and queen held a banquet for the wives of the elderly. According to $\boxDr$Chosunwangjosilrok(朝鮮王朝實錄)$\boxUl$,$\boxDr$Gisaji(耆社志)$\boxUl$, and $\boxDr$Jungbomunhunbigo(增補文獻備考)$\boxUl$, Yanguroyun held totally eighty times in Chosun dynasty, however, in the late Chosun dynasty, Yangroyun was held few times.

• 한국정보처리학회:학술대회논문집
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• 한국정보처리학회 2013년도 춘계학술발표대회
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• pp.1049-1052
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• 2013

저자들은 1980 년대 후반부터 역사학적 논쟁들을 통계적 수학적 방법을 이용하여 분석해보고자 하는 시도들을 하여 왔다. 최근에는 역사학의 논쟁점 중이 하나인 화랑세기의 진위 여부를 분석하기 위한 일련의 연구를 시도하였다. 이러한 일련의 시도의 일환으로 이 연구는 기획되었다. 이 글에서는 일본의 고대 기년 추정 방법을 참고하면서 세대 평균치와 재위 평균치의 추정이라는 방법을 통하여 "삼국사기" 초기 기년 문제에 대한 해명을 시도해 보고자 한다. 종래에는 세대 평균치라는 개념을 사용하지 않아서 편차가 심한 왕별 재위기간 평균치만 사용하여 재위기간 추정의 오차가 컸다. 또한 여러 가지 추론들이 주관적인 판단에 의지한 부분이 많아서 폭넓은 지지를 얻지 못한 경우가 많았다. 따라서 세대 평균치와 재위 평균치는 반드시 일치하지 않는다는 점을 분명히 하는 한편, 양자를 결합한 추정 방안을 마련해 볼 것이다.

• 복식
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• 제5권
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• pp.41-63
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• 1981

The mural portraits of the ancient Dukheungri tombs are very important for the study of our traditional costume because the tomb contains a stone. with the in-scription of the date of its erection, 408 A.D. and the name, and official status of the buried. The costumes shown in the mural paintings will be the basis on which historical research can be made concerning costumes before and after 400 A. D. The costume in the mural paintings is classified into five different categories; You (jacket), Po (overcoat), Go (trousers), Sang (skirt), and Gwan (hat). Comparing these categories with those of other mural paintings lead us to the following conclusions. 1. The length of the You (jacket) reaches below the buttocks and the sleeves are narrow. The edges of the sleeves are decorated with stripes. The You (jacket) over-laps on the right, center, and left sides, and there are many Jikryong (V-collar) and Danryong (rounded collar) styles, but it has a similar tendency to others of the Pyongyang area which exhibit many foreign influences. In a departure from tradition. the belts on the men's You (jackets) have only 3 knots in the front, with the back having more knots than the front. The belts of the women's You (jacket) seem to have had a band or button for fastening. We must re-evaluate the assumption that the You (jacket) and Go (trousers) of the northern peoples had the common characters of a belted You (jacket) and Po (over-coat) and that the Gorum originated from the Goryo or Unified Silla dynasty. The outside of the sleeves are longer and more to the side than the inner garment (underwear) so that the sleeves of the inner garment frequently overlapped the outer dress. The above mentioned facts have lead to the discovery of the "Hansam," "Tosi" and "Geodoolgi." 2. The Po (overcoat) was used only by the upperclasses and differs from those found in other mural tombs. The Po (overcoat) of the noble on the tomb mural is centered with an overlapping Jikryong (V-collar) while the other Po (overcoats) of the upperclasses are characterized by an overlap on the left, a Danryong (rounded collar) with two types of sleeves (wide and narrow). Foreign influences and traditional influences coexist in Po (overcoat). Belts have frontal knots without exceptions. The facts that the belts on the You (jackets) are on the front and the belts on the Po (overcoats) are on the back must be reexamined. 3. Go (trousers) is usually narrow, being wider in the rear and narrower below the knees. They were used by hunters on the back of horses with similar Go (trousers) from the Noinwoowha tombs being typical of the northern peoples. 4. Sang (skirts) are pleated as commonly seen in the Goguryo murals. The size of the pleat is varied, each pleat being characteristically wider and having different colors. Same types of pleat are discovered in Central Asia and China. It is uncertain whether the pleat of Goguryo was originated in Central Asia and China or only interrelated with those of the areas. 5. There are three kinds of Gwan (hats); Nagwan, Chuck, and Heukgun. Nag-wan was worn by the dead lords and their close relations. Chuck has three cone shaped horns. Heukgun was worn by military bandmen and horsemen. There are two kinds of hair styles. The up-style was used by the upperclass people closely related to lords, and other people used the Pungimoung hair style. The hair styles of the men and women are characterized by the Pungimoung style. which is a Chinese influence, but still retain their originality. The costume has a similar tendency from those from Yaksuri mural tombs, Anak No. 2 and Anak No. 3. We need to reexamine the costumes from $4{\sim}5$ century murals according to the Dukheungri murals. The costumes of Goguryo share many common factors with those of Western Asia, Central Asia and Ancient China (Han). It seems due to the cultural exchanges among the Northern peoples, the Western and Central Asians, and the Ancient Chinese. It may have resulted from the structural identity or morphological identity of the peoples, or their common social and natural environments and life styles. It will be very valuable to study the costumes of Japan, China, and Korea to find out the common factors. It is only regretful that the study is not based on direct observations but reported information made by 77 persons, because Dukheungri is an off-limits area to us.