• 제목/요약/키워드: Glazes

검색결과 46건 처리시간 0.022초

Tialite계 세라믹 안료의 합성 및 유약에서의 발색 (Synthesis of Tialite Ceramic Pigments and Coloring in Glazes)

  • 김연주;이병하
    • 한국재료학회지
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    • 제21권8호
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    • pp.450-455
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    • 2011
  • [ $Al_2TiO_5$ ]has a high refractive index and good solubility of the chromophore in the $Al_2TiO_5$ lattice, which allows this structure to be a good candidate for the development of new ceramic pigments. However, pure $Al_2TiO_5$ is well known to decompose on firing at $900{\sim}1100^{\circ}C$. However, this process can be inhibited by the incorporation of certain metal cations into its crystalline lattice. In this study, the synthesis of gray ceramic pigment was performed by doping cobalt on the $Al_2TiO_5$ crystal structure. The $Al_2TiO_5$ was synthesized using $Al_2O_3$ and $TiO_2$, and doped with $Co_3O_4$ as a chromophore material. In order to prevent the thermal decomposition during the cooling procedure, MgO was added to samples by 0.05 mole, 0.1 mole, and 0.15 mole as a stabilizer. The samples were fired at $1500^{\circ}C$ for 2 hours and cooled naturally. The crystal structure, solubility limit, and color of the synthesized pigment were analyzed using XRD, Raman spectroscopy, UV, and UV-vis. $Al_2O_3$ was available for the formation of $CoAl_2O_4$, which should also be considered in order to explain the small amount of this phase detected in the sample with the higher $Co^{2+}$ content (${\geq}$ 0.03 mole). It was found that the solubility limit of $Co^{2+}$ in the $Al_2TiO_5$ crystal was 0.02 mole% through an analysis of Raman spectroscopy. Through the addition of a pigment with 0.02 mole% of $Co^{2+}$ to lime-barium glaze, stabilized gray color pigments with 66.54, -2.35, and 4.68 as CIE-$L^*a^*b^*$ were synthesized.

Co-Doped Augite 보라색 유약의 발색기구 (Investigation of Color Mecchanism in Co-Doped Augite Purple for Color Glaze)

  • 권영주;이병하
    • 한국재료학회지
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    • 제23권5호
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    • pp.271-275
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    • 2013
  • Cobalt (Co) compounds have been used for centuries to impart rich blue color to glass, glazes and ceramics. Cobalt monoxide (CoO), an oxide of Co, is an inorganic compound that has long been used as a coloring agent in the ceramic industry. Unlike other coloring agents, CoO can be used to develop colors other than blue, and several factors such as its concentration in the glaze and firing condition have been suggested as possible mechanisms. For example, CoO produces a typical blue color called "cobalt blue" at very low concentrations such as 1 wt% in both oxidation and reduction firing conditions; a higher concentration of CoO (5 wt%) develops a darker blue color under the same firing conditions. Interestingly, CoO also develops a purple color at high concentrations above 10 wt%. In this study, we examined the applicability and mechanism of a novel purple glaze containing cobalt(II, III) oxide, one of the well characterized cobalt oxides. Experimental results show that an Augite crystal isoform (Augite-Fe/Co) in which Fe was replaced with Co is the main component contributing to the formation of the purple color. Based on these results, we developed a glaze using chemically synthesized Augite-Fe/Co crystal as a color pigment. Purple color glaze was successfully developed by the addition of 6~15 wt% of $Co_3O_4$ to magnesia lime.

ZnO-Fe2O3계 Spinel안료에 대한 연구 (Synthesis of Spinel Pigment on ZnO-Fe2O3 System)

  • 이진성;이응상
    • 한국세라믹학회지
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    • 제26권2호
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    • pp.187-194
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    • 1989
  • Synthesis of spinel pigment on ZnO-Fe2O3 system. The object of this research is the synthesis of new spinel pigments on the basic of ZnO-Fe2O3 system which was substituted by ZnO-Fe2O3 by MgO-Al2O3. This research was progressed by measuring the X-ray diffraction and the reflectances of the substitued ZnO-Fe2O3 group. Which was obtained by sintering at the temperature of 1,00$0^{\circ}C$, 1,10$0^{\circ}C$, 1,20$0^{\circ}C$ and 1,25$0^{\circ}C$ and them by regrinding. In order to coloring test, here basic compositions of Barium glaze, Zinc glaze, Lime glaze, Lead glaze and Talc glaze used in this experiment are obtained from the ceramic work. Adding synthetic stains in these basic glazes with 3%, mixing and glazing on the specimen. The specimens was fired at 1,28$0^{\circ}C$ in reducing and oxidizing atmosphere in the gas kiln. The results of the research as follow. 1. Many kinds of spinel pigment was produced on ZnO-Fe2O3 system that is to say, not always only spinel. 2. Spinel peak was observed strongly on the ZnO-Fe2O3 system withsubstituting by MgO-Fe2O3 and MgO-Al2O3 group(the ratio of MgO, Al2O3 being increased, observed more strongly). 3. The most effective temperature ranges was 1,20$0^{\circ}C$~1,25$0^{\circ}C$. 4. The color of spinel pigments on this system was observed by "stable YR". 5. It was yellow red in oxidizing and green in reducing atmosphere on the coloring test.ring test.

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Spinel Pigment의 생성반응에 관한 연구 (A Study on the Formation of Spinel Pigment(Green Pigment based on Magnesium-Chrome))

  • 이응상;박철원;황성연
    • 한국세라믹학회지
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    • 제12권1호
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    • pp.29-36
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    • 1975
  • This study was conducted to research the formation, color development and application for colored glazes of the spinel solid solutions of the green pigment. On specimens prepared by calcining the oxide and basic carbonate mixture at 1250℃ for 1.5 hour, the x-ray analysis, measurement of reflectance and the test of their stabiality as a glaze pigment were carried out. The results are summarized as follows 1) Each sample is composed of single spinel and not of mixture of spinel. 2) Formation of continuous soild solution, except for a few instances, pertaining to Vegard's law was confirmed by means of the x-ray analysis. 3) The more difference between absorption and reflectance lies, the lighter colors are. When the absorption occurs at the high-reflectance, the excitation purity becomes low. On the contrary when the absorption takes place at the low-reflectance, the excitation purity becomes low. On the contrary when the absorption takes place at the low-reflectance, the excitation purity is higher. 4) Colors obtained in the CdO-MgO-Cr2O3-Al2O3 system, as the amounts of Al3+ increased, change from green through brown to pink, and the absorption peak shifts towards violet region. 5) An increase in Co2+ in the CoO-MgO-Cr2O3-Al2O3 system, changes the color from blue green to dark blue. The excitation purity is higher, and the absorption peak shifts toward regions. 6) Colors are green in the NiO-MgO-Cr2O3 and CdO-MgO-Cr2O3 systems in general, but in the ZnO-MgO-Cr2O3 system brillant hue is not obtained. 70 According to the results of the colored glaze test, the spinels turn outto be stable as brilliant glaze pigment in the calcium-magnesia glaze.

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여러 가지 나무재를 이용한 도자기용 유약제조와 색상 특성 (Glaze from Wood Ashes and their Color Characteristics)

  • 한영순;이병하
    • 한국세라믹학회지
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    • 제41권2호
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    • pp.158-164
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    • 2004
  • 우리 주변에서 쉽게 구할 수 있는 12가지 나무와 참나무잎, 소나무껍질 등을 나무 부위별로 구분하여 나무재를 만들어 한국적 천연 재유의 특성을 연구ㆍ분석한 결과 나무재의 주성분은 CaO이며 소나무껍질재는 $SiO_2$, 참나무잎재의 주성분은 CaO와 $SiO_2$이다. 아카시아나무재, 미루나무재 및 대추나무재는 다른 나무재에 비해 MgO와 Fe$_2$ $O_3$ 성분이 많이 함유되어 있어 노랑색기를 띤 녹색유약으로 나타났으며 UV에 의한 4분류 중 가장 채도가 높아 맑은 색을 지닌 투명유 제조에 적합하다. 포도나무재, 배나무재 및 참나무재는 재 안에 많이 함유된 Fe$_2$ $O_3$, MgO 및 MnO의 영향을 받아 UV 분석결과 노랑색기를 띤 녹색 현상이 나타났으며 다른 나무재보다 P$_2$ $O_{5}$의 함량이 많아 온화하고 안정된 느낌을 주는 유백현상이 강하게 나타나 유백유 제작에 적합하다. 소나무재, 플라타너스나무재 및 느티나무재는 다른 나무재에 비해 CaO 성분과 P$_2$ $O_{5}$ 성분이 많아 12가지 나무재 중 가장 선명하고 푸른색기가 많은 녹색 현상이 나타나 청자유약제조에 적합하다. 자작나무, 참나무, 밤나무는 소량으로 유약의 색상에 많은 영향을 주는 MnO가 가장 많이 함유되어 있고 아카시아나무재, 미루나무재, 대추나무재 보다는 약하지만 노랑색기를 띤 녹색유 현상이 나타나 이라보 유약 제조에 적합하다.

세라믹 표면의 감성 평가 연구: 촉감과 시각적 촉감의 비교를 중심으로 (A Study on Sensibility Evaluation of Ceramic Surface: Comparison between Tactility and Visual Tactility)

  • 김지현;송민정
    • 감성과학
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    • 제19권2호
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    • pp.101-112
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    • 2016
  • 제품은 사용된 소재에 따라 이미지가 달라지며 전달되는 감성 또한 다르게 느껴지기 때문에 적절한 소재의 선정은 매우 중요하다. 세라믹 제품의 표면에 사용되는 소재는 유약과 소지가 있으며 각각이 가진 속성뿐만 아니라 둘의 조합에 따라서도 표면의 촉감과 색상이 달라진다. 본 연구에서는 감성어휘를 통한 평가 방법을 활용하여 세라믹 표면에 대한 시 촉각적 감성을 알아보고 시각을 활용한 촉감 감성과 촉각을 활용한 촉감 감성을 비교하고자 한다. 국내외 유명 세라믹 제품 기업의 홈페이지에 나타난 제품의 마케팅 어휘 중 감성과 관련된 어휘를 중심으로 수집하여 총 13개의 대표어휘를 선정하였으며 소재의 색상 및 균일도, 광택의 유무에 따라 3개의 유약과 4개의 소지를 조합하여 총 12개의 자극물을 제작하였다. 촉각을 활용한 실험에서는 응답자(그룹T)가 제시된 자극물을 문지르기, 만지기, 들어보기의 행동을 거쳐 감성을 평가하였다. 시각을 활용한 실험에서는 촉감 평가에서 유의미한 차이가 나타나지 않은 자극물 3개를 제외한 9개로 평가를 진행하였으며 응답자(그룹V)는 촉각을 활용하지 않고 눈으로 보는 행동만으로 감성을 평가하였다. 촉각을 활용한 감성평가(그룹T)에서 가장 높은 감성 수치를 보인 표면은 백자와 투명유의 조합에 대한 '순수한' 감성이었으며 가장 낮은 감성 수치를 보인 표면은 흑토와 투명유의 조합에 대한 '순수한' 감성으로 나타났다. 한편 시각을 활용한 감성평가(그룹V)에서 가장 높은 감성 수치를 보인 표면도 그룹T와 마찬가지로 백자와 투명유의 조합에 대한 '순수한' 감성으로 나타났으며 가장 낮은 감성 수치를 보인 표면은 흑토와 청자유의 조합에 대한 '캐주얼한' 감성으로 나타났다. 두 그룹의 비교결과 촉각을 통한 감성과 시각을 통한 감성이 모두 유사하게 나타나지는 않으나, '예술적인', '고급스러운', '감각적인', '낭만적인', '신비로운' 감성에서는 시각을 활용하여 촉각을 통한 감성 경험이 가능한 것으로 나타났다.