• Spatial Information Research
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• 제19권1호
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• pp.51-59
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• 2011

라인빙식의 항공디지털 카메라인 ADS 80의 후방(backward)영상으로 정사영성을 제작하고 건물의 기복 변위와 폐색영역을 보정 후, True Ortho Photo을 제작하였다. 또한 제작된 정사영상과 True Ortho-Photo을 검증을 위해 지상검사점, 사진기준점을 이용하여 평면 위치정확도 평가 및 분석한 결과, 프레임방식과 비교하여 상대적으로 소량의 지상기준점을 이용하여 고품질의 정사영상을 제작할 수 있었다. 또한 라인 방식 카메라의 True Ortho Photo 제작 시, 종중복도가 100%이므로 폐색영역 보정시에 효과적임을 검증 할 수 있었다.

• 대한후두음성언어의학회지
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• 제21권2호
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• pp.133-138
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• 2010

Background and Objectives : High-speed imaging can be useful in studies of linguistic and artistic singing styles, and laryngeal examination of patients with voice disorders, particularly in irregular vocal fold vibrations. In this study, we introduce new laryngeal imaging systems which are commercially available high speed cameras connected with a laryngoscope. Materials and Method : The laryngeal images were captured from three different types of cameras. First, the adapter was made to connect with laryngoscope and Casio EX-F1 to capture the images using $2{\times}150$ Watt Halogen light source (EndoSTROB) at speeds of 1,200 tps (frame per second)($336{\times}96$). Second, Phantom Miro ex4 was used to capture the digital laryngeal images using Xenon Nova light source 175 Watt (STORZ) at speeds of 1,920 fps ($512{\times}384$). Finally, laryngeal images were captured using MotionXtra N-4 with 250 Watt halogen lamp (Olympus CLH-250) light source at speeds of 2,000tps ($384{\times}400$) by connecting with laryngoscope. All images were transformed into the Kymograph using KIPS (Kay's image processing Software) of Kay Pentex Inc. Results: Casio EX-F1 was too small to adjust the focus and screen size was diminished once the images were captured despite of high resolution images. High quality of color images could be obtained with Phantom Miro ex4 whereas good black and white images from Motion Xtra N-4 Despite of some limitations of illumination problems, limited recording time capacity, and time consuming procedures in Phantom Miro ex4 and Motion Xtra N-4, those portable devices provided high resolution images. Conclusion : All those high speed cameras could capture the laryngeal images by connecting with laryngoscope. High resolution images were able to be captured at the fixed position under the good lightness. Accordingly, these techniques could be applicable to observe the vocal fold vibration properties in the clinical practice.

• 대한전자공학회논문지SD
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• 제46권1호
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• pp.85-91
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• 2009

최근 LCD가 TV 시장에서 높은 점유율을 보이고 DMB, PMP 그리고 휴대폰과 같이 LCD를 디스플레이로 사용하는 휴대용 기기에서의 동영상 이용이 급격히 늘어나고 있다. LCD의 응답시간을 향상시킬 수 있는 방법의 하나로 Overdrive 기법이 있으나 프레임 메모리의 사용이 필수이기 때문에 메모리의 사용량이 많아진다. 본 논문에서는 Overdrive 기법에 사용되는 프레임 메모리 사용량을 줄이기 위하여 Color Conversion과 수정한 DWT-IDWT를 제안하였다. 이를 통해 화질의 큰 열화가 생기지 않으면서도 프레임 메모리의 사용량을 50%로 줄일 수 있었고, 기존의 방법과 비교하여 메모리 사용량의 약 15%를 더 줄일 수 있었다. 제안한 방법은 Xilinx FPGA로 구현하였고 메모리를 제외하고 2172개의 Slice가 사용되었다.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제8권12호
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• pp.4568-4587
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• 2014

Authentication of videos and images based on the content is becoming an important problem in information security. Unfortunately, previous studies lack the consideration of Kerckhoffs's principle in order to achieve this (i.e., a cryptosystem should be secure even if everything about the system, except the key, is public knowledge). In this paper, a solution to the problem of finding a relationship between a frame's index and its content is proposed based on the creative utilization of a robust manifold feature. The proposed solution is based on a novel semi-fragile watermarking scheme for H.264/AVC video content authentication. At first, the input I-frame is partitioned for feature extraction and watermark embedding. This is followed by the temporal feature extraction using the Isometric Mapping algorithm. The frame index is included in the feature to produce the temporal watermark. In order to improve security, the spatial watermark will be encrypted together with the temporal watermark. Finally, the resultant watermark is embedded into the Discrete Cosine Transform coefficients in the diagonal positions. At the receiver side, after watermark extraction and decryption, temporal tampering is detected through a mismatch between the frame index extracted from the temporal watermark and the observed frame index. Next, the feature is regenerate through temporal feature regeneration, and compared with the extracted feature. It is judged through the comparison whether the extracted temporal watermark is similar to that of the original watermarked video. Additionally, for spatial authentication, the tampered areas are located via the comparison between extracted and regenerated spatial features. Experimental results show that the proposed method is sensitive to intentional malicious attacks and modifications, whereas it is robust to legitimate manipulations, such as certain level of lossy compression, channel noise, Gaussian filtering and brightness adjustment. Through a comparison between the extracted frame index and the current frame index, the temporal tempering is identified. With the proposed scheme, a solution to the Kerckhoffs's principle problem is specified.

• 한국정보통신학회논문지
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• 제6권6호
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• pp.951-957
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• 2002

동영상데이터의 대용량 검색을 할 때 사용자가 원하는 검색점을 추출하여 인덱싱과 재생하기 위해서는 동영상 데이터의 프레임 리스트 제공이 필요하다. 평균오차를 적용하여 프레임의 대각선으로부터 픽셀값을 추출한다. 각각의 프레임으로부터 추출된 픽셀의 RGB값은 행렬구조로 저장하고, 저장된 프레임은 두 지정을 비교하여 장면전환점을 추출한다 또한 동영상의 전체적인 구조를 파악할 수 있는 알고리즘과 장면전환설을 구현하였다. 본 연구에서는 제안한 방법의 성능 우수성을 기존연구와 비교하여 분석하고 증명했다

• 비교문화연구
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• 제19권
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• pp.39-77
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• 2010

The cinema of Peter Greenaway has consistently engaged questions of the relationship between the arts and particularly the relations of image and writing to cinema. When different types of images are correlated and merged with each other on the borders of painting, photography, film, video and computer animation, the interrelationships of the distinct elements cause a shift in the notion of the whole image. This analysis proposes to articulate the complex relationship between the 'interartial' dimension and the 'intermedial' dimension in Peter Greenaway's film, (1991). If the interartiality is interested in the interaction between various arts, including the transition from one to another, the intermediality articulates the same type of relationship between two or more media. The interactional relationship is the same on both sides; on the contrary, the relationship between art and media does not show the same symmetry. All art is based on one or more media - the media is a condition existence of art - but no art can't be reduced to the status of media. This suggests that if the interartiality always involves the intermediality, this proposal may not be reversed. First, we analyse a self-conscious investigation into digital art and technology. Prosospero's Books can be read as a daring visual essay that self-consciously investigates the technical and philosophical functions of letters, books, images, animated paintings, digital arts, and the other magical illusions, which have been modern or will be post-modern media to represent the world. Greenaway uses both conventional film techniques and the resources of high-definition television to layer image upon image, superimposing a second or third frame within his frame. Greenaway uses the frame-within-frame as the cinematic equivalent of Shakespeare's paly-within-play : it offer him the possibility to analyse the work of art/artist/spectator relationship. Secondly, we analyse the relationship between the written word, oral word and the books. Like the written word, the oral word changes into a visual image: The linguistic richness and nuances of Shakeaspeare's characters turn into the powerful and authoritative, but monotone, voices of Gielgud-Prospero, who speaks the Shakespearean lines aloud, shaping the characters so powerfully through his worlds that they are conjured before us. Specially each book is placed over the frame of the play's action, only partially covering the image, so that it gives virtually every frame at least two space-time orientations. Thirdly, we try to show how Peter Greenaway uses pictorial references in order to illustrate the context of the Renaissance as well as pictorial techniques and language in order to question the nature of artistic representation. For exemple, The storm is visualised through reference to Botticelli's : the storm of papers swirling around the library is constructed to look like a facsimili copy of Michelangelo's Laurentiana Library in Florence. Greenaway's modern mannerism consists in imposing his own aesthetic vision and his questioning of art beyond the play's meta-theatricality: in other words, Shakespeare''s text has been adapted without being betrayed.

• 한국컴퓨터정보학회논문지
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• 제13권7호
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• pp.29-36
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• 2008

본 논문은 프레임 단위의 영상을 탐색하기 위한 이미지 코드 생성 시스템으로, 이를 위해 시스템은 영상 내에 기계판독 및 식별 가능한 코드를 생성한 후, 생성된 코드를 이미지에 삽입한다. 본 논문에서 제안하는 시스템은 녹화일자, 녹화시간, 녹화장소 또는 촬영방향 등을 포함하는 녹화된 영상을 프레임 단위로 외부 노이즈에 상관없이 탐색할 수 있다. 시스템은 CCD 카메라와 전자나침반, GPS로부터 데이터를 입력받는 데이터 입력부와 GPS 위치값 및 방향값과 같은 연속된 값을 표현하기 위해 정해진 코드 생성 규칙을 적용하여 연속성을 갖는 데이터 영상코드를 생성하는 데이터 영상코드 생성부, 영상의 각 프레임에 데이터를 이미지로 삽입하는 이미지 삽입부로 구성된다. 또한 영상 내에 삽입된 이미지를 녹화과정, 복사과정 또는 보관과정에 있어서 외부로부터 추가된 노이즈에 대하여도 실시간으로 판독하며, 검색조건에 의해 영상 정보를 검색하는 영상 판독 검색부 및 제어부로 구성된다. 본 논문에서 제안하는 알고리즘은 디코더를 이용하여 구현되었으며, 이를 이용하여 영상내에 데이터 코드를 손쉽게 삽입하고 검색할 수 있는 시스템을 제공함으로써 영상 검색에 대한 정확성과 사용 만족도를 극대화 시킬 수 있다.

• Smart Structures and Systems
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• 제15권6호
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• pp.1543-1567
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• 2015

In this study, a wireless crack sensor is developed for monitoring cracks propagating in two dimensions. This sensor is developed by incorporating a laser-based optical navigation sensor board (ADNS-9500) into a smart wireless platform (Imote2). To measure crack propagation, the Imote2 sends a signal to the ADNS-9500 to collect a sequence of images reflected from the concrete surface. These acquired images can be processed in the ADNS-9500 directly (the navigation mode) or sent to Imote2 for processing (the frame capture mode). The computed crack displacement can then be transmitted wirelessly to a base station. The design and the construction of this sensor are reported herein followed by some calibration tests on one prototype sensor. Test results show that the sensor can provide sub-millimeter accuracy under sinusoidal and step movement. Also, the two modes of operation offer complementary performance as the navigation mode is more accurate in tracking large amplitude and fast crack movement while the frame capture mode is more accurate for small and slow crack movement. These results illustrate the feasibility of developing such a crack sensor as well as point out directions of further research before its actual implementation.

• 한국의학물리학회:학술대회논문집
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• 한국의학물리학회 2002년도 Proceedings
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• pp.103-105
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• 2002

Whole body stereotactic radiosurgery (WBSRS) technique is believed to be useful for the metastatic lesions as well as relatively small primary tumors in the trunk. Unlike stereotactic radiosurgery to intracranial lesion, inherent limitation on immobilization of whole body makes it difficult to achieve the reliable setup reproducibility. For this reason, it is essential to develop an objective and quantitative method of evaluating setup error for WBSRS. An evaluation technique using image registration has been developed for this purpose. Point pair image registrations with WBSRS frame coordinates were performed between two sets of CT images acquired before each treatment. Positional displacements could be determined by means of volumetric planning target volume (PTV) comparison between the reference and the registered image sets. Twenty eight sets of CT images from 19 WBSRS patients treated in Asan Medical Center have been analyzed by this method for determination of setup random error of each treatment. It is objective and clinically useful to analyze setup error quantitatively by image registration technique with WBSRS frame coordinates.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제11권12호
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• pp.6038-6053
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• 2017

In this study, we propose an automatic melody extraction algorithm using deep learning. In this algorithm, feature images, generated using the energy of frequency band, are extracted from polyphonic audio files and a deep learning technique, a convolutional neural network (CNN), is applied on the feature images. In the training data, a short frame of polyphonic music is labeled as a musical note and a classifier based on CNN is learned in order to determine a pitch value of a short frame of audio signal. We want to build a novel structure of melody extraction, thus the proposed algorithm has a simple structure and instead of using various signal processing techniques for melody extraction, we use only a CNN to find a melody from a polyphonic audio. Despite of simple structure, the promising results are obtained in the experiments. Compared with state-of-the-art algorithms, the proposed algorithm did not give the best result, but comparable results were obtained and we believe they could be improved with the appropriate training data. In this paper, melody extraction and the proposed algorithm are introduced first, and the proposed algorithm is then further explained in detail. Finally, we present our experiment and the comparison of results follows.