• 한국조경학회지
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• 제20권1호
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• pp.13-17
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• 1992

This study aims to explain the image of historic objects in matters of the artistic impulse. Two Pagodas in the Temple Bulguksa, those have a concrete character of the "matter & form" in the structure and buddhistic background, are chosen for this study. With analysis and synthesis of the form and structure, those must be handled by overlaping, lifting and comparing in plan, elevation and mass, the structural pattern of them can be theoretically explained and aesthetically interpreted. Conclusively, this study would be expected to make some references to the historic scene of the Temple Bulguksa.

• 한국조경학회지
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• 제29권4호
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• pp.53-66
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• 2001

Modern art has had a great impact on the concepts and the formal attributes of modern landscape design. This study aimed at examining the origins of modern landscape design languages especially in relation to the influence of find art during the modernist age. The formal reductionism of Cubistic paintings finally lead to the formulation of Geometrical Abstractionism which became the basic formal model for ˝Regular Style˝; one of the representative modern landscape style. This Regular Style is mostly based on the formal structure of ´Grids´, which was developed by many landscape designer like Eckbo, Kley and Halprin. On the other hand, the ´Bio-morphic Form´ originally used in Surrealistic Art became the formal model for ˝Organic Style˝; the other representative modern landscape style, developed mostly by the landscape designers like Church, Burle-Mark and Bye. Thus, ´Grids´ and ´Bio-morphic Form´ became the dual icons of modern art and modern landscape design. Although these modern landscape design styles were ground breaking departure from the conventional formal/informal tradition and expanded possibilities in formal experimentations, They also produced several crucial limitations originated from the scientific reductionism and autonomous aesthetics of modern art, like the physical and cultural discontinuation from surrounding environments and the formal alienation from the real life world, which gave rise to the emergence of post-modern thinking of landscape design.

• 한국조경학회지
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• 제28권5호
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• pp.68-75
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• 2000

The purpose of this paper is to define the spatial scope and landscape structure of the capital city of Shilla Dynasty. We have tried to analyze the locational characteristics, the location and landscape form of the Yonggang-Dong pond site which was assumed a part of a king's place, and had the important implicitness in delineating the spatial scope of capital city of Shilla Dynasty. The research took the theory of landscape cognition as a tool, and processed with the book review related simultaneously. The results of study are as follows; 1) It has been almost conformed that the Yonggang-Dong Pond Site was a part of the North Palace of Shilla Dynasty, and it took the form of fully enclosed by the forest, such as the names of Imjungsu and Gosungsu, and so on. This fact has leaded to the special landscape form of 'Forest with Palace' that is an similar pattern of Forest with Tumulus, Forest having Well, Forest having Well, Forest having Mountain. Each of them is symbolizing the place of holiness in the Shilla Dynasty. 2) The Yonggang-Dong Pond site and its surrounding forests made them together be the north border of the Capital City of Shilla Dynasty. This fact made it possible to consider the form of landscape of the Najung Forest with Posugjung Pavilion as the same on which was on the southern border of the city. 3) The above mentioned facts lead to clues that the border of the capital city of Shilla Dynasty does mean that it was not the mere functional one, but symbolic one. Thus, this paper suggests that the spatial scope of the capital city of Shilla Dynasty should include not only the area of block system, but also the surrounding natural area of mountains, forests, and so on, including the artificial elements of palace and pavilion. 4) This type of borders with the natural elements show basically the different type and function. We could find out some examples from China's and Japan under the same block systems and in the same era. It should be more identifiable in the form and the meaning of landscape of the capital city of Silla Dynasty in ancient Korea.

• 한국조경학회지
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• 제50권2호
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• pp.102-115
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• 2022

이 연구는 조경설계의 특수성에 기반한 설계개념의 유형을 제시하고 이를 토대로 국내외 도시공원 설계공모 수상작에 나타난 설계개념을 분석하여 조경설계 개념에 대한 이론적 틀을 도출하는 것을 목적으로 한다. 문헌 연구를 통해 조경설계의 설계개념 유형을 가치와 비전, 분석과 해석, 형태와 구조, 프로그램과 요소, 과정과 운영의 다섯 가지로 유형화하고, 이 틀을 활용하여 국내외 공원설계공모 18개에 출품된 96개의 작품에 나타난 설계개념을 분석하였다. 연구 결과를 요약하면 다음과 같다. 첫째, 현대 도시공원의 복합성으로 인해 설계개념은 주개념과 보조개념의 여러 층위로 제시된다. 둘째, 도시공원 설계에 있어 형태적 개념이 가장 많이 활용되며, 그 다음으로 프로그램적 개념, 가치와 해석적 개념이 도입되는 것으로 파악되었다. 셋째, 형태적 개념이 주개념과 보조개념으로 많이 활용되는 이유는 디자인의 핵심 결과물인 공간의 형태가 설계안의 정체성에 중요한 영향을 미치기 때문으로 판단된다. 넷째, 프로그램적 개념 유형이 다음으로 많이 활용되는 이유는 불특정 다수인 이용자를 대상으로 하는 도시공원이 타 디자인 분야에 비해 프로그램을 생산하는 기획적 특성이 강하기 때문이다. 다섯째, 대상지 속성이 전적으로 설계개념 유형에 영향을 준다고 보기 어려운데 설계개념은 대상지의 객관적 속성을 설계가가 주관적으로 해석하는 복합적이며 창의적인 과정의 결과이며, 특히 설계공모의 경우 공모지침에 영향을 받을 수 있기 때문이다. 이 연구는 조경설계 과정에서 심도 있게 논의되지 않았던 설계개념을 유형화하여 설계창작 과정과 설계작품 비평에 유용한 틀로 활용될 수 있는 기반을 마련했다는데 의의가 있다.

• 한국조경학회지
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• 제26권4호
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• pp.105-112
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• 1999

Landcover change is an important factor that changes structure and function of regional ecosystem. As the rise of concern on environment quality, many studies are trying to quantify and evaluate the landsacpe in recent days. In this study, using landscape indices with RS(Remote Sensing) and GIS(Geographic Information System) technology, spatio-temporal variations of areas and distribution of forest patches were examined in the Chonan from 1985 to 1996. Fragstats 2.0 was employed to analyze and compute 31 landscape indices from 52 landcover maps. A result of this study showed that area of forest and paddy decreased as a result of urban sprawl. Especially from 1993 to 1996, the change of land use progressed rapidly because of merging a city and a country in Chonan. The size of patch in forest had been smaller and irregular form, heterogeneity of size of forest patches within sub-basin increased, and variety of patch types around forest patches increased from 1985 to 1996.

• 한국조경학회지
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• 제23권4호
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• pp.97-110
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• 1996

This study is about the application of visual structure and presentation of film as one of new methods for design of sequential landscape. The primary objective of the study is to present the basis of applicable and reasonable D니. In applying components of film to DSL, if it is compared with sequential landscape, the film is collection of shots while sequential landscape is accumulation of sceneries. Film and sequential landscape give us a whole meaning different from the meaning itself of a shot or scenery in its experience. The study build a tentative technique of DSL which has the following stages : 1) Goal setting and making out a scenario 2) Analysis and investigation 3) Selection process of definite form 4) Drawing up conti., sketch and notes, It is expected that the technique presented in this study could be a basis for further study of DSL.

• 한국조경학회지
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• 제33권1호
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• pp.33-48
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• 2005

The purpose of this study was to discover the landscape visual image of the slope scene and their harmony with surrounding sceneries. This research utilized the basic study tool of psycho-physics and processed the case study of ten types of slope construction scene along the highway. The analysis was performed by the data obtained from the questionnaires and the photos for the slope construction scene. The questionnaires for analysis the image of the slope construction scene and their harmony with surrounding sceneries were designed using semantic differential scale and 5 point Likert-scale. The major findings were as follows. 1. At the part of the visual preferences analysis, the slope revegetation methods showed high level of preferences generally than on the slope structure methods. While the slope revegetation methods were estimated friendly, continuity, harmonious, soft, light and wide, the slope revegetation methods were estimated unstable, female, static, simple, omnipresent, appeared as policeman of weak inclination. Also the slope structure methods were estimated stable, manly, complicated, steep and healthy but rough, unharmonious, unfamiliar and heavy. 2. Psychological factors, related to the satisfaction for the slope revegetation methods were composed of three factors, aesthetic, individuality and physical character. And the slope structure methods were composed of five factors, aesthetic, individuality, stability, physical character, and complexity. 3. At the part of harmony with surrounding landscapes, the slope revegetation methods were evaluated highly but the slope structure methods received the lowest evaluation. Also the harmony analysis with surrounding view on the slope revegetation methods showed degree of high more than average in all texture, form, color and scale but the slope structure methods showed degree of fewer than average degree in form, scale, color and texture.

• 한국조경학회지
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• 제24권3호
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• pp.29-41
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• 1996

The purposes of this study were to develope some techniques which can be used in the landscape simulation process using PC based computer grahics. As a result, a couple of utilities were programmed in AutoLISP language. The one(DSLINE.LSP) is to digitize 2-dimensional structuer forms in the interactive mode considering error handling, and the other one (IMPOST.LSP) is for superimposing and visualizing the digitized plan data to 3-dimension solids & surfaces referring to topographic elevations of meshes in digital terrain model. By applying utilities to present site, the followings may be described. 1) The utility DSLINE.LSP for digitizing simplified building structure form were proved to be easy to input data of polygons including orthogonal edges by handling user coordinates system and checking invalid intersection and default colsing. 2) IMPOST.LSP utility for superimposing and visualizing tool were proved to be more complicated and speedy in calculating process compared with a practical application of modeling tool before rendering process in landscape simulation of built environment on topographic relief, on specially mesospace level of assessment.

• 한국조경학회지
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• 제33권6호
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• pp.127-139
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• 2006

Mt. Yokmang landscape design awarded first in [North container terminal site furtherance construction in Busan new port], design competition sponsoring in the Korea Container Terminal Authority in 2005. Design guideline was to propose the symbol of new port and to establish landscape plan in consideration of view and geological location. Because landscape plan required establishment of restoration plan for cutting slope, Mt. Yokmang became the major object. The purpose of planning are as follows. The first purpose is to minimize existent natural environment damage, and the second, to connect with ambit and create new image. The third is to provide place of rest and interchange for local resident. Reflecting stratum structure and landscape characteristics, cutting slope consisted of [utilization slope], [presentation slope], [landscape slope], and [ecological slope]. Vegetation design applied ecological restoration method through restoration of stratum, and eve environment-friendly afforestation, planned program that can connect area with existing ecosystem. In process that decides form of the cutting slope, analyze view structure and visual exposure in various access routes, sensitivity etc. was accomplished. Also, symbolic tower(Ocean Polaris) that presents in architecture and landscaping features, night landscape planning could gain synergy effect by keeping consistence with landscape and ecological planning. Passing through final design and construction process, I expect that the Mt. Yokmang will be a new landmark in Busan new port.

• 한국조경학회지
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• 제17권2호
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• pp.57-68
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• 1989

This paper is studied on the korean traditional landscape in the view of the meaning of the contemporary landscape. The landscape architecture is expanding in the various research field of landscape. The seven concept of landscape can be divided as a regional concept, a land- form concept, an ecological concept, a land use concept, a heritage concept, a scenery concept, and a park and garden concept. This paper is deal with 985 kyoung(景) in 104 places and 16 Gok(曲) in 16 places as the korean traditional landscape. The object of landscape is generally focus on a reality as well as an unreality. In kyoung and Gok, the landscape is organized as an order of a small universe. The expression of the structure of korean traditional landscape is the fifth dimensional space which is organized by the third dimensional space with a time, an image and a feeling.