• 복식
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• 제58권8호
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• pp.13-29
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• 2008

This study analyzes the patterns of Baekje accessories, including pattern kinds, symbolic meanings and pattern types. And also this study shows the characteristics of accessory patterns and gives a chance for reflecting upon the patterns of Baekje costume. This study is qualitative research using documentary records related with the accessories of Baekje and evacuated data. The results of the study are as the followings: First, the kinds of patterns were classified four groups, floral, animal, geometrical and other patterns. Also, the symbolic meanings of its were authority, prolificacy, longevity and protection against evil spirit. Floral pattern was expressed most frequently. Second, the types of patterns were classified two groups, individual and compound type. Both of them was variously expressed. Third, The major material was copper with gold. Most work techniques were boring and hammering. The patterns were the composition of floral or animal patterns as a main design and geometrical patterns as a section or border design. Forth, the expressive characteristics of Baekje accessory patterns were to prefer floral patterns and to express symmetrical composition of patterns, therefore the patterns of Baekje accessories showed their esthetic sense like elegance, mild, serenity, a sense of stability and the sense of balance. In conclusion, the expressive characteristics of Baekje accessory patterns would be expressed on the Baekje costume.

• 복식
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• 제52권7호
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• pp.1-11
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• 2002

The shape of floral Pattern in the Period of Baroque could be divided single. bunch and vine. The style of representation was stylized, abstract and realistic. the most of style was stylized. The type of composition was fullness, independent and scattered. Floral patterns were shaped simple and complex and components of design could be classified into flower and leaf. flower and fruit. flower and band. bunch of flower, flower and geometry. flower and pot, flower and animal. flower and crest. Kinds of flower were tulip. common marigold, lily, carnation, small bel]flower. lotus, acandus leaf, pomegranate, strawberry. pine cone and abstract anonymous flower which were unfolded by repeat. Characters of floral Pattern were classical elegance, taste of royalty and lively and damask, velvet, brocade which made with gold and silver so, those were a very brilliant and gorgeous. Characters of design were illustrated plane style and stylization where developed arranged on front by repeat or repeat symmetric of vertical. Art, costumes and textiles in this era were a very rich and colorful. The result of study on Baroque's floral pattern will be used to develope a various textile design and chance to be adopted classical pattern into aesthetic value in our time.

• 원예과학기술지
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• 제30권6호
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• pp.617-625
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• 2012

Tree peony is a traditional famous flower of China, and plays an important role in Chinese traditional culture. But the floral scent of tree peony in vivo is little known. In this study, in order to explore the floral composition of tree peony, floral volatiles of six cultivars, including Paeonia suffruticosa 'Zhaofen' (ZF), P. suffruticosa 'Luoyanghong' (LYH), P. ostii 'Fengdanbai' (FDB), P. ${\times}$ lemonei 'High noon' (HN), P. ${\times}$ lemonei 'Renown' (R), and P. rockii 'Gaoyuanshenghuo' (GYSH) were collected by dynamic headspace and then identified by Automated Thermal Desorption-Gas Chromatography/Mass Spectometry. The results showed that floral fragrances of the six cultivars were qualitatively and quantitatively distinct. A total of 105 volatiles involving ten categories were detected. But not all volatile categories were emitted from these cultivars. The six peony cultivars emitted some shared compounds and peculiar compounds. The total released amounts of volatiles emitted from six cultivars were found significantly different, which was greatest for 'GYSH'. The most abundant volatile compounds detected from 'ZF', 'LYH', 'FDB', 'HN', 'R', and 'GYSH' were respectively ${\alpha}$-pinene, 2,3-dihydroxy propanal, 3-methyl-1-butanol, 2-ethyl-1-hexanol, acetic acid 1-methylethyl ester, and 5-ethyl-2,2,3-trimethyl heptane. This result may contribute to exploring the biosynthesis and emission mechanism of floral scent in tree peony.

• 한국식품영양학회지
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• 제30권2호
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• pp.363-370
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• 2017

This study investigated the chemical composition of headspace gas from white-flowered lotus (Nelumbo nucifera Gaertner). Volatile flavor compositions of headspace from white-flowered lotus (floral leaf, stamen, flower stalk, stem) were investigated through the solid-phase microextraction method using polydimethylsiloxane-divinylbenzene fiber. The headspace was directly transferred to a gas chromatography-mass spectrometry. Sixty-three volatile flavor constituents were detected in the headspace of lotus floral leaves, and undecanoic acid (7.81%) was the most abundant component. Fifty-three volatile flavor constituents were detected in the headspace of lotus stamina, and isobutylidene phthalide (7.94%) was the most abundant component. Forty-four volatile flavor constituents were detected in the headspace of lotus flower stalks, and 3-butyl dihydrophthalide (11.23%) was the most abundant component. Fifty-nine volatile flavor constituents were detected in the headspace of lotus stems, and ligustilide (16.15%) was the most abundant component. The content of phthalides was higher in the headspace of flower stalks and stems, while alcohols and acids were the predominant compounds in lotus floral leaves.

• 원예과학기술지
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• 제16권3호
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• pp.381-384
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• 1998

Hibiscus속 (아욱과)의 27개 종에 대한 안토시아닌분포를 조사한 결과 절(section)간 안토시아닌조성의 차이를 관찰하였다. 가장 대표적으로 발견되는 안토시아닌은 delphinidin과 cyanidin의 3-xylosyglucoside와 3-glucoside로, Trichospermum, Fucaria, Trionum, Abelmoschus, Ketmia절에 속하는 종들에서 나타났다. Cyanidin 3-sophoroside는 Lilibiscus절의 종들에서 발견되는 대표적인 안토시아닌이었다. Bombycella절에서는 6가지의 common anthocyanidin의 3-glucoside와 3-malonylglucoside가 검출되었다. 이러한 안토시아닌의 절간 분포 차이는 기존의 형태적 자료에 기초를 둔 section의 구분 범주와 잘 일치하였다. 또한 자가불화합성을 나타내는 section에서 다양한 안토시아닌의 변이를 나타내었다. 이러한 안토시아닌의 변이결과들을 수분생태학과 관련지어 논의하였다.

• 한국화예디자인학연구
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• 제40호
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• pp.63-75
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• 2019

본 연구에서는 융합 및 융합예술교육에 대해 고찰하고 이를 바탕으로 융복합교육 강의모델을 연구 및 제안하고자 하였다. 이학 분야인 색채에 대한 전반적인 이해를 바탕으로 예술 분야인 화예디자인에 접목시켜 실제적으로 표현할 수 있는 융복합 교과과정을 운영하기 위하여 강의모델을 구성하였다. 학습자는 두 분야(화예디자인, 색채)가 융복합된 강의 구성과 이론과 실습을 진행하는 방식에 대해서 만족감이 높은 것으로 나타났다. 또한 한 과목을 통하여 다양한 영역을 접할 수 있음에 타 수업과 차별된 강의 구성이라고 느꼈는데 이는 본 연구의 목적 및 필요성을 학습자 스스로 인지하고 있음을 나타낸다. 반면 전공자와 비전공자간의 배경지식, 수준차이가 있어 학습자의 이해도를 높일 수 있도록 지속적인 피드백과 실습난이도의 조정은 계속적으로 필요한 것으로 보인다. 화예디자인분야의 발전을 위해서 다양한 학문간의 융합을 통한 교육과정 개발과 교육모델이 구축되어야 한다. 본 연구가 향후 화예디자인교육과정 개발에 기초자료로 활용될 것을 기대한다.

• 한국수산과학회지
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• 제41권5호
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• pp.371-380
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• 2008

This study elucidated the floral composition of marine algae and community structure at Hallyeo-haesang National Park, on the southern coast of Korea. In all, 89 species, comprising 10 green, 30 brown and 49 red algae, were identified. The dominant species in terms of importance value were Ulva pertusa, Colpomenia sinuosa, Undaria pinnatifida, Padina arborescens, Hizikia fusiformis, Sargassum sagamianum and Amphiroa dilatata. The vertical distribution of marine vegetation was characterized by Enteromorpha linza - Ulva pertusa - Gelidium divaricatum in the upper intertidal zone, Hizikia fusiformis - Sargassum thunbergii in the middle intertidal zone, and Amphiroa spp. - Hildenbrandtia rubra - Corallina pilulifera in the lower intertidal zone. Functional form group analysis showed that coarsely branched forms comprised 50.3% of the algal community, whereas thick leathery forms, sheet forms and filamentous forms comprised 11.9-13.1%. R/P, C/P and (R+C)/P values were 1.91, 0.74 and 2.64, respectively. A cluster analysis of species occurrence suggested that the number of marine algal species differed greatly among the sampling sites.

• 한국화예디자인학연구
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• 제43호
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• pp.19-37
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• 2020

본고의 목적은 현재 국내에서 열리고 있는 화예디자인의 단선적인 전시구성 방식을 탈피하여, 스토리텔링이 가미된 기획전시를 제안함으로써 형식 중심주의를 가로지른 화예디자인의 새로운 전시형식을 모색하는 것이다. 여기서 스토리텔링이란 기·승·전·결의 4단계 구성법 혹은 처음·중간·끝의 3단계 구성법 등의 활용을 통해 이해가 쉬운 전시를 구성하는 것으로, 이를 공간디자인의 전시구획에 활용하고 이를 통해 창작자와 감상자의 상호소통을 효율적으로 제안하고자 한다. 화예디자인의 다각화를 모색하기 위해서는 밀레니얼 이후 불고 있는 융합적 시야를 확보하여 타 분야와의 콜라보 혹은 스토리텔링을 반영한 전시기획을 시도하는 것이 중요하다. 전시의 주요 기능은 대중들과 직접 만나고 소통하는데 있다. 본 연구에서는 스토리텔링을 적용한 기획전시에 주목하여 2017년 성균관대학교박물관에서 열린 '화왕계(花王戒)' 사례를 통해 화예 전시가 취해야할 전시구조와 실행 방향에 대해 제안하고자 한다. 나아가 언택트 시대의 최대 화두인 유튜브 및 인스타그램을 활용한 SNS중심의 온라인플랫폼과의 연동까지 조망한다. 이 연구를 통해 화예분야의 담론이 확장되고, 스토리텔링을 갖춘 미학적 제언 및 화예디자인의 다양한 네트워크가 활성화되기를 기대한다.

• Journal of Applied Biological Chemistry
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• 제51권5호
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• pp.177-178
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• 2008

• The Korean Journal of Ecology
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• 제18권1호
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• pp.31-41
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• 1995

Floral analysis about vegetation of Kimpo landfills and its periphery region was carried out. The study area was defined to a square $(81km^2)$ of which center was located at 250m in front of Andongpo, Komdan-myon, Kimpo-gun in the northwest part of the Kyunggi Province. This study was accomplished by analyzing five qualitative traits such as ecological strategy, reproductive strategy, distribution type, native/foreign division and life-form throughout actual investigation of the flora. The flora was composed of 536 taxa which comprise 105 families, 343 genera, 458 species, 1 subaspecies, 70 varieties and 7 forms (including 92 species of horticultural plant). Lythrum salicaria community, Spiraea salicifolia community, ottelia alismoides community and woods of Alnus japonica were recorded ？ 새 retrictive distribution according to habitat characteristics. Owing to severe anthropogenic interferences such as construction of the Kimpo landfills in the study areas, a high proportion of ruderal plants and neophytes in the floral composition was recognized. The proportion of individual distribution type and therophyte was very high throughout whole study areas, and plant communities in the reclaimed areas were characterized by high proportion of phalanx plant species. Analysis of the correlations between meshes with ecological traits of plant species showed that Kimpo landfills and its periphery region was divided into two vegetation types, coastal type and inland type, as a result of possible saline effects.