• 한국실내디자인학회논문집
• /
• 제33호
• /
• pp.62-67
• /
• 2002

Architecture and Film have been interested in each other since 1895. This concern manifests various aspects and is continued up to now. If we examine into detail of relationship between film and architecture, those share the integration of time and space as the art of time and space. Film makes inexpressible time into space by showing the change of space in the issue that is the merger of time and space. Then, this is the issue of movement that compiling element was intervened. And the creative space of film which is the timely expression stimulates the person to experience whole form through spatial experience. Consequently, the architecture as an image maker must be developed through a research about film as an image creator. Also a discussion about film and architecture do not apply one to the other but must be focused on the mutual relationship.

• 복식문화연구
• /
• 제23권3호
• /
• pp.353-367
• /
• 2015

This study analyzed consumers' awareness, preference levels, and effect expectations in relation to fashion art marketing according to the types of such marketing (collaboration between fashion and art in fashion products, called product collaboration; sponsorship for art foundation; artist sponsorship; collaboration for the design of a space/store/display; ad/promotional film collaboration). The study also investigated the influence of consumers' attitudes toward fashion art marketing with respect to purchase intention. The study was implemented through a descriptive survey method. The sample consisted of 342 men and women between the ages of 20 and 45. The data were analyzed by factor analysis, one-way ANOVA, and multiple regression analysis. The results revealed that there are significant differences in consumers' awareness and effect expectations in relation to fashion art marketing according to the types of fashion art marketing activities. While no differences were found in preference levels according to the type of fashion art marketing, all the types of art marketing showed overall high levels of preference. The collaboration between fashion and art in fashion products, which had the highest awareness, also showed the highest expected effect. In all the types of fashion art marketing, consumers' attitudes had a significant influence on purchase intention. In cases of sponsorship for an art foundation, artist sponsorship, collaboration for the design of a space/store/display, and ad/promotional films, consumers' effect expectations had the most significant influence on purchase intention, followed by preference and awareness level. These results could be used to provide appropriate proposals to fashion brands when they plan to set up an art marketing strategy.

• 한국엔터테인먼트산업학회논문지
• /
• 제13권4호
• /
• pp.131-138
• /
• 2019

영화는 흑백영화부터 컬러영화로 접어들면서 스크린영상이 질적인 변화를 가져왔다. 영화 속의 색채는 물상의 객관적인 모습을 원한재현기능을 가지고 있을 뿐만 아니라 다른 주관적인 감정을 전달하는 기능도 가지고 있다. 색채 외에는 표현할 수 없는 예술적인 효과를 표현할 수 있고 스토리 자체가 전달하지 못하는 컨텐츠도 전달할 수 있다. 그러므로 영화색채는 영화언어의 중요한 구성요소가 되었다. 영화 속에 색채는 단화면색채, 신색채, 영화전체의 색채기조 및 줄거리에 따라 만드는 여러 가지 색채체인으로 스크린에서 나타났다. 영화예술 수법은 몽타주조법을 사용해서 화면 속에 색채도 몽타주형식이 형성되며 이것이 색채몽타주라고 부른다. 대중들이 색채에 주관적인 평가가 색채언어에 대한 받아들인 수준은 각 부분적인 색조사이에 상호작용에 의해 표현할 수 있다. 색채의 독특한 속성은 색채가 구조상태에 들어가야 하는 것을 결정하였다. 그래야 색채의 고유한 매력을 표현할 수 있다. 영화색채가 이런 '색채구조'의 층면에 들어가야 진정한 신미가치를 가질 수 있다. 본문은 동서양감독들의 색채사유와 동서양 영화색채에 담고 있는 문화의 차이 두 가지 측면을 통해 동서양영화 색채에 대해 비교적 연구를 하고자 한다. 서양감독들은 색채의 구조성을 강조하여 색조몽타주방식으로 인물의 감정을 표현하는 것을 중시하며 주관적 색채를 부여하는 특징을 구체적으로 드러낸다. 중국영화의 경우는 제5대 감독으로부터 영화색채언어의 새로운 장이 열리기 시작한다. 감정과 경치가 서로 융화하다가 '의상합일'의 영화 특징을 알렸다.

• 한국게임학회 논문지
• /
• 제5권1호
• /
• pp.45-52
• /
• 2005

조선시대의 기생의 기원과 제도, 기생의 역할, 평양기생학교를 통한 기생의 원래의 의미인 전통적인 조선시대의 아티스트(Artist)임을 재조명하고, 기생학교의 제도와 규칙, 교육과정, 수업시간표, 졸업 앨범, 각종 사진첩을 통해서 조선시대의 기생의 역할과 평양기생학교 등의 재조명 및 분석을 통하여 전통적인 문화를 디지털콘텐츠의 창작소재로 발굴하므로 이를 디지털콘텐츠인 게임콘텐츠, 디지털애니메이션, 드라마, 영화화 할 수 있도록 소재화 하는 것이 본 논문의 목적이다. 특히, 조선의 기생의 아름다움과 아트적인 재능, 사회제도 및 기생학교 등을 발굴하여 원화기획(컨셉 디자인) 및 디지털시나리오 화하므로 경제성이 강한 문화콘텐츠로 발전시키며, 평양기생학교의 교육시스템, 교육내용, 학생 현황 등을 발굴하여 육성 및 경영시뮬레이션 게임의 제작 컨셉 도출 및 게임제작, 애니메이션 및 TV드라마, 디지털 애니메이션 및 영화 제작의 문화콘텐츠의 창작소재로 활용할 수 있도록 제안한다.

• 한국콘텐츠학회논문지
• /
• 제22권6호
• /
• pp.247-260
• /
• 2022

한국 영화산업에서 '다양성 영화'는 '저예산영화', '독립·예술영화' 등과 혼용되어 사용됐다. 영화의 개념이 온오프라인의 멀티플랫폼 시대로 전환되며 영화산업에서도 미디어 다양성에 대한 논의가 중요해졌다. 이와 함께 영화산업에서 소수자에 대한 포용성과 다양성을 확대하려는 움직임 역시 뚜렷하다. 최근 세계 영화산업은 활발해진 여성서사와 여성 핵심창작인력에 대한 성인지 관점의 연구와 정책을 기반으로 포용성 영화정책을 수용하며 발전해 가는 중이다. 본 연구는 영화산업을 둘러싼 여러 가지 차원의 다양성에 대한 선행연구와 논의를 바탕으로 한국 영화산업에서 다양성 개념을 재정립하고 소수자에 대한 포용성과 다양성을 확대하기 위한 정책방향을 제언한다.

• 한국가구학회지
• /
• 제11권1호
• /
• pp.37-44
• /
• 2000

This work was done to investigate problems of cashew coating in a wooden-art industry such as ritual vessels and to improve a curing property of cashew film. The main problem in the cashew coating industry was a small-scale business, insufficiency of facilities, lack of knowledge about cashew resin and painting, and lack of a technology of productivity improvement by accelerated drying time of cashew film. In present, cashew coating for ritual vessels mostly used the petroleum as a thinner. The time of set to touch of cashew film thinning with petroleum on glass plates was increased with the increasement of the thinning proportion, but retarded from 3 to 11 times compared to that of an exclusive thinner according to thinning level. The addition of 20% aceton to petroleum contributed to the high reduction rate up to about 60% at the thinning level of 100%, which was effective to accelerate the drying time of cashew film. Even though only the petroleum or the petroleum-aceton(20%) mixture was used as a thinner, it did not exhibit any distinguishable differences in crack and appearance of cashew-film coated on Frexinus rhynchophylla after 5 cycles of soak under the vacuum-drying treatment.

• 보존과학연구
• /
• 통권23호
• /
• pp.179-196
• /
• 2002

Sangyangmun is a written record which inform the date, time, history and reason of constructing a wooden building. We have conserved Sangyangmun which was discovered during the repairment and restoration of wooden building. From 1998 to 2002, We have completed the conservation of 27 pieces of 13 cases, for example Daeung-jeon, Bongjeonsa-Temple. First We investigated the material or damage condition of Sangyangmun, and carried out fumigation in order to prevent insects and fungi. Then Sangyangmun must be sealed hermetically using escal film in order to prevent the second damage.

• 패션비즈니스
• /
• 제9권1호
• /
• pp.99-112
• /
• 2005

The purpose of this study is to create party wear of heroine Satine's image. This study analyzed the costume and its image of the film "Moulin Rouge" which the director Baz Luhrmann filmed the club 'Moulin Rouge' has existed in Paris, France. Catherine Martin, who got the Academy awards in movie costume and art director with this film, made the costume which was added more gorgeous and modern sense for the image beauty for costume in film from the costume design which appeared in the art work of Toulouse-Lautrec painted Moulin Rouge. In the costume form, S-silhouette robe with gored skirt was appeared as usual garment and gorgeous corset style costume which was outer garment like underwear exposed of the body, pleasant apolaustic and decorated excessively was appeared for costume design. Based on the above study, this study created the party wear of the graceful eroticism image and the prostitute eroticism image of heroine Satine. The costume design of Satine's image was planned along the character which was analyzed through this study.

• 한국의류학회지
• /
• 제43권4호
• /
• pp.474-490
• /
• 2019

Fashion films with screen limits have a way of changing communication methods through sensorial organs in order to go beyond limits. This study shows that such change is possible if fashion films are based on haptic factors. This study examines haptic factors of fashion films from the three perspectives of filming factors of different shot size, synesthetic, and cinematic screen methods. First, when the subject to be emphasized is enlarging, the observer comes to project themselves to the situation and incurs a haptic sensation. Second, when associating an experience by personal recollection or social customs when more than two senses are stimulated simultaneously, haptic sensations, triggered by multiple senses, takes place. Third, a blurred image shows haptic sensations through inducing observers to see into the meaning of a shot. As a result, the senses of the observer enlarge and enhance a communication ability through absorbing and accepting a fashion film. Furthermore, fashion films are effective in understanding the cultural forms of the age.

• KSII Transactions on Internet and Information Systems (TIIS)
• /
• 제17권11호
• /
• pp.3121-3144
• /
• 2023

As interest in the metaverse has grown, there has been a demand for avatars that can represent individual users. Consequently, research has been conducted to reduce the time and cost required for the current 3D human modeling process. However, the recent automatic generation of 3D humans has been focused on creating avatars with a realistic human form. Furthermore, the existing methods have limitations in generating avatars with imbalanced or unrealistic body shapes, and their utilization is limited due to the absence of datasets. Therefore, this paper proposes a new framework for automatically transforming and creating stylized 3D avatars. Our research presents a definitional approach and methodology for creating non-realistic character avatars, in contrast to previous studies that focused on creating realistic humans. We define a new shape representation parameter and use a deep learning-based method to extract character body information and perform automatic template mesh transformation, thereby obtaining non-realistic or unbalanced human meshes. We present the resulting outputs visually, conducting user evaluations to demonstrate the effectiveness of our proposed method. Our approach provides an automatic mesh transformation method tailored to the growing demand for avatars of various body types and extends the existing method to the 3D cartoon stylized avatar domain.