• Proceedings of the Korean Society of Computer Information Conference
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• 2014.07a
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• pp.457-460
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• 2014

본 작품은 학생들의 캡스톤디자인 작품이다. 현대인들은 자신의 감정을 특정한 문자를 통해서 상대방에게 전달하고자 한다. 하지만, 현재 모바일 폰의 문자 메시지는 텍스트 위주의 평범한 문자를 보내기 때문에 자신의 감정을 표현하기에는 불충분하다. 따라서 본 작품은 텍스트 기반의 문자 서비스를 탈피하여 편지지와 아이콘을 활용하여 지산의 감정을 표현할 수 있는 모바일 편지 서비스 앱이다. 본 작품은 바쁜 현대인의 특성상, 자신의 필체가 악필일 경우가 많아 꺼려하고 있다. 당장 자신의 글씨를 고치기에는 시간이 부족한 경우도 많고 동시다발적으로 메시지를 전하고 싶어 하는 사람들에게 항상 지니고 있는 스마트폰으로 자신의 진심이 느껴지고 특별한 편지를 제작 하여 전송을 하고자 개발하였다.

• (The) Research of the performance art and culture
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• no.19
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• pp.5-33
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• 2009

Jain-Danoje's course since modern is not different with almost all of folk performances, which were restored and reconstructed with a background of the designation of an intangible cultural heritage and National folk arts contest sine the 1960s. Generally, these folk performances were decontextualized in course of extinction and reappearance, and recontextualized in course of new directions on tradition. Also, the performances were interpreted differently and transformed by the main constituents of reappearance. Jain-Danoje nowadays has a regular form just at that time that has been designated as a cultural heritage at 1970s. But, today's Jain-Danoje is clearly different with the last appearance in 1936 and some Literature and jainhyun-eupji. I think such differences would stems from the process of reproduction. From this perspective, I had investigate Old literature and the early days report, and the current text. Especially, I will show the considerable change which has been occurred in the Yeowonmu and Hojanggut, the central role to configure that identity, by comparing past and today. As a result of consideration, today's form of the Yeowonmu and Hojanggut are created texts that mind the designation of an intangible cultural heritage and National folk arts contest. These texts has been reproduced without understanding about structure and current of folk festival and state of performance which has been transmitted on premodern society. some intellectuals search for an archaic form of Jain-Danoje based on jainhyun-eupji that created in 1895, except the other jainhyun-eupji. Moreover, because of the understanding with a bias, they can't grasp the meaning about the religious service for Hanjanggun, and they can't see the facts of Yeowonmoo. In addition, they were aware of 'o-sin' that led by Hojang as a fancy dress parade in a carnival, and that is recognized as a component of Jain-Danoje, so there was other text which is different from our own festival.