• Title/Summary/Keyword: Fabio Novembre

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Expressive Characteristics of Depaysement in Interior Space - Focused on the Interior Projects by Fabio Novembre and Marcel Wanders - (실내공간에 나타난 데페이즈망 기법의 표현특성 - 파비오 노벰브레와 마르셀 반더스의 실내디자인 사례를 중심으로 -)

  • Seo, Ji-Na;Kim, Jin-Woo
    • Korean Institute of Interior Design Journal
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    • v.24 no.1
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    • pp.3-11
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    • 2015
  • I paid attention to the fact that surrealism emerging in early 20th century has been resurfacing in the 21st century. It may be because of the increasing interest on the space showing the surrealistic features as people in these days prefer the experimental and dramatic space beyond repetitive daily life. I tried to identify the expressive characteristics in the interior space adopting the depaysement technique among a variety of expression techniques of surrealism. To this end, this paper selected 10 interior design projects by Fabio Novembre and Marcel Wanders since 2000s. As the methodology, chapter 2 examined the theories to identify the expression targets and approaches of depaysement around the art paintings. Next, the standard for case analysis in this paper was established by investigating the existing theses related to interior and space design with depaysement as the key word. The expressive characteristics of depaysement identified from the existing researches were classified into morphological, figurative, material and space program. Those programs were developed as the classification system in this paper. Chapter 3 described the design background and features of Fabio Novembre and Marcel Wanders. On the basis of the features and analysis framework identified in chapter 2 and 3, chapter 4 analyzed the features of depaysement observed in the works by both designers. The conclusion was presented in chapter 5. For the expressive characteristics of depaysement observed in the space by both designers, Novembre created optical illusion using distortion or overlap on the morphological aspect. Wanders showed mainly the feature of changing the scale. In accordance with the analysis on expression principles, the features including spatial continuity, ambiguity of border, visual amusement and uncertainty were differentiated in all spaces.

A Study on the Characteristics of Organic Design Applied to Interior - Centering on Organic Design by Zaha Hadid, Karim Rshid, Fabio Nobembre and Nox - (실내공간에 나타난 유기적 디자인 표현 특성에 관한 연구 - 자하 하디드, 카림 라시드, 파비오 노벰브레, 녹스의 유기적 디자인 작품을 중심으로 -)

  • Lee, Yeon-Sil;Lee, Chang-No
    • Korean Institute of Interior Design Journal
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    • v.19 no.3
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    • pp.46-56
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    • 2010
  • The nature is the foundation of human life and arts, and human beings have found order and principle amid ceaseless change and harmonization of the nature and diversified patterns and directly or indirectly applied the nature to interior through discovered principles. Interior space to which the organic factors of the nature is an expression of the vitality of the nature and expresses live forms as seen in change, development and growth of living organisms in addition to human feelings. The study aims to recognize the necessity of studies on interior space to which organic expressive characteristics of the nature are applied in uniformed space, suggest expressive characteristics and propose needed basic data required at a time of designing interior space. In this regard, the study has examined works by five contemporary designers including Zaha Hadid, Karim Rashid, Fabio Novembre and Nox with an aim to analyze expressive characteristics of interior design and figure expressive characteristics of organic design found in interior space. According to analyses on preceding literary studies and case studies (14 places), it has been found that organic expressive characteristics in interior space include vision, tactile sensation and auditory sense in terms of sensitivity, immateriality in terms of a property of matter, metaphor and abstraction in terms of the form of natural objects and non-linear curves and free curves in organic design. Organic spaces were characterized by symbolism, directionality, continuity, pattern and superimposition. This conclusion is expected to be useful in subsequent studies on the application of organic expressive characteristic factors at a time of planning interior space in the future.