• The Journal of the Korea Contents Association
• /
• v.21 no.10
• /
• pp.322-331
• /
• 2021

This article has attempted to explore the topic of everyday life and memory based on theoretical and methodological discussions on daily life, everydayness, sociology of everyday life, memory, social construction of memory, and social memory. In order to do this, Koreeda Hirokazu's debut feature film (Hirokazu Koreeda, 1995) which inquires about the encounters and separations, life and death in everyday life was selected as a research subject. According to the results, structured with 61 scenes talked that Yumiko's daily life was shattered in an instant due to Ikuo's death and her memory was also fragmented. But after that, her social memory can reconstruct a new daily life through the 'light' of will or hope for life. Hirokazu Koreeda tried to confirm that human encounters and partings, life and death are daily life itself or a part of it through 'light' such as sunlight and moonlight, street lamps and electric lamps in this film.

• Korean Institute of Interior Design Journal
• /
• v.22 no.5
• /
• pp.11-21
• /
• 2013

The development of modern industry and the production of new materials of architecture have recognized as an important aspect. This study intended to discuss about the meaning of main elements of the architecture materials, its implications for properties, and, highlighted meaning of the properties of modern interior design. The purpose of this study is to analyze the case studies of Place and Physical materials of synaesthesia of modern architecture as well as modern architecture is not only concentrated in the visual aspect but also the larger ramifications of sensory. Synesthesia in architectural space can be called experiential existence that built in the space of human perception and based on the human emotion that targeted by physical architectural space. Accordingly, these case studies are to consider about how the materials being passed by any effect in a modern interior space presented, In order to find the essential meaning in modern interior space, this studies focused on Swiss architect Peter Zumthor's cases. Following analyze of Peter Zumthor's place of architectural space and materials, this study structured by the six kinds of synesthesia characters. First, time and remember to infer changes, Second, traditional and regional ingredients involve the substitution of one empirical space, Third, non-materiality through the neutralization, Fourth, auditory memory through the embodiment of everydayness, Fifth, trail through the sense of smell for the presence, Sixth, the relationship of natural and industrial products. Peter Zumthor's characteristics of these works are result of factors on the synesthetic relationship with the human response to architecture, the five senses, memories, experiences, and temperature. Also it is a synesthetic result of all human emotion to clarify of the architecture materials and non-material mediums by which light by a compound.