• 제목/요약/키워드: Euclidean geometry

검색결과 87건 처리시간 0.024초

비유클리드 기하의 정신적 표상을 위한 S/W Cinderella (S/W Cinderella for Student's mental Representation about Non-Euclidean Geometry)

  • 계영희;신경희
    • 한국수학교육학회지시리즈A:수학교육
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    • 제44권2호
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    • pp.297-306
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    • 2005
  • In this paper, we propose a computer environment class for student's mental representations about non-Euclidean geometry. Through the software Cinderella, students construct knowledge about non-Euclidean geometry and recognize differentness between Euclidean and non-Euclidean geometry. Also they recognize an existence of non-Euclidean geometry newly and its mental representations with images represented in Cinderella. In geometry class, we make students can use many representations systematically and can figure a visual internal image by emphasizing a transform process. And then students can reason about non-Euclidean geometry.

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비유클리드 기하학에서 이차곡선의 이해를 통한 예비교사교육 (Research on Pre-service Teacher Education Through Understanding of Conic Sections in Non-Endidean Geometry)

  • 강지은;김대환
    • 과학교육연구지
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    • 제47권3호
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    • pp.263-272
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    • 2023
  • 예비교사가 비유클리드 기하학에서 수학적 정의를 이용한 이차곡선의 학습으로 유클리드 기하학의 다양한 개념을 어떻게 이해하고 활용할 수 있는지를 살펴본다. 본 연구에서는 D 대학교 수학교육과 3학년 수업에서 수학적 정의를 이용하여 택시기하, 민코프스키 거리공간과 같은 비유클리드 공간의 이차곡선 학습이 예비교사들에게 새로운 기하학적 개념을 습득하고 수용하는 능력 향상에 도움을 줄 수 있음을 보였다. 이러한 결과로부터 택시기하와 민코프스키 거리공간에서의 정의를 활용한 이차곡선 학습이 창의적이고 유연한 사고를 유도하여, 예비교사들의 유클리드 기하학 교육 전문성 향상에 기여할 것으로 기대된다.

집합과 평면기하를 활용한 공간기하의 3대 문제 증명 (Proof of the three major problems of spatial geometry using sets and plane geometry)

  • 도강수;류현기;김광수
    • East Asian mathematical journal
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    • 제39권4호
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    • pp.479-492
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    • 2023
  • Although Euclidean plane geometry is implemented in the middle school course, there are three major problems in high school space geometry that can be intuitively taken for granted or misinterpreted as circular arguments. In order to solve this problem, this study proved three major problems using sets, Euclidean plane geometry, and parallel line postulates. This corresponds to a logical sequence and has mathematical and mathematical educational values. Furthermore, it will be possible to configure spatial geometry using sets, and by giving legitimacy to non-Euclidean spatial geometry, it will open the possibility of future research.

GeoGebra를 활용한 논증기하와 연결된 해석기하 수업자료 개발 및 적용 (Designing and Implementing High School Geometry Lessons Emphasizing the Connections between Euclidean and Analytic Geometries)

  • 김은혜;이수진
    • 한국학교수학회논문집
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    • 제19권4호
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    • pp.373-394
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    • 2016
  • 현 고등학교 1학년 기하교육 실제를 보면 도형의 방정식에 대한 개념 이해와 그와 관련된 문제를 대수적인 방법에 치중하여 해결하도록 지도하고 있는데, 이러한 접근방법은 좌표평면이 도입되는 해석기하의 특성을 고려하더라도 개념을 처음 다루는 학생들에게 자연스럽지 않으며 너무 추상적이다. 본 연구에서는 학생들이 중학교에서 경험한 논증기하 중심의 사고를 고등학교에서 자연스럽게 연결하여 사용할 수 있도록 문헌연구를 토대로 논증기하와의 연결성을 강조한 GeoGebra 기반 해석기하 수업자료를 개발하고 이를 실제 학교 수업 현장에 적용하여 그 안에서 나타나는 학생들의 특징을 관찰하였다. 분석 결과, 학생들은 자신들의 직관적인 이해를 기반으로 중학교에서 학습한 삼각형 닮음의 성질을 이용하여 직선의 기울기가 일정하다는 성질을 유도해 낼 수 있었으며, 학생 주도적인 정당화 활동을 하는 모습을 보였다. 물론 그 안에서 교사의 적절한 발문과 GeoGebra의 활용이 중요한 역할을 하였다. 본 연구결과를 토대로 향후 중 고등학교 기하 영역 수학교과서의 변화 방향을 제시하고 이를 통해 고등학교 1학년 학생들이 도형의 방정식 단원에서 배우게 될 해석기하의 수학적 의미를 좀 더 깊이 이해하고, 기하 영역 내 연결성을 인식하여 수학적 사고력을 길러주는데 도움을 줄 것으로 기대한다.

사영기하학과 르네상스 미술

  • 계영희
    • 한국수학사학회지
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    • 제16권4호
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    • pp.59-68
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    • 2003
  • Mathematics and arts are reflection of the spirit of the ages, since they have human inner parallel vision. Therefore, in ancient Greek ages, the artists' cannon was actually geometric ratio, golden section. However, in middle ages, the Euclidean Geometry was disappeared according to the Monastic Mathematics, then the art was divided two categories, one was holy Christian arts and the other was secular arts. In this research, we take notice of Renaissance Painting and Perspective Geometry, since Perspective Geometry was influenced by Renaissance notorious painter, Massccio, Leonardo and Raphael, etc. They drew and painted works by mathematical principles, at last, reformed the paradigm of arts. If we can say Euclidean Geometry is tactile geometry, the Perspective Geometry can be called by visual geometry.

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수학교육을 위한 비유크리드 기하의 지도에 관한 연구

  • 김도상
    • 한국수학교육학회지시리즈A:수학교육
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    • 제4권1호
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    • pp.1-15
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    • 1966
  • In accordance with the tendency of Modern Mathematics laying emphasis on Mathematical structure, that is, on axioms, it is necessary for students to be interested in structure of Geometry on Mathematics Education. In fact, it is of importance not only to obtain new ideas but also to forget old ones in the development of Mathematics. Most students do not understand the Mathematical significance of axioms, and do not know what Mathemetical truth is. Now Non-Euclidean Geometry offers opportunity to understand the essence of Mathematics better, and is no less effective than Euclidean Geometry in training student in logical inference. This thesis is a study with regard to what should be taught and how student should be guided at High school Mathematics. Chiefly Hyperbolic Geometry is discussed in connection with Abosolute Geometry. As Non-Euclidean Geometry has not appeared in our curriculum, some experiments are required before putting it into actual curriculum to find out how much students understand and how much pedagogically useful it can be. This is only a. presentation of a tentative plan, which needs to be criticized by many teachers.

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복식에 표현된 초공간의 비유클리드기하학적 특성 (Non-Euclidean Geometrical Characteristics of Hyperspace in Costume)

  • 이윤경;김민자
    • 복식
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    • 제60권5호
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    • pp.117-127
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    • 2010
  • In this study, hyperspace is a result of imagination created by means of facts and fiction, represents a transfer to determination and indetermination, and means an extension to an open form. In other words, hyperspace is a high dimensional space expanded to imagination through the combination of the viewpoint on facts in this dimension and fiction. When the 2D plane surface or 3D symmetry is destroyed, or when the frame is twisted or entangled, the non-Euclidean geometry is created eventually. And when the twisting leads to transmutation and the destruction of the form reaches the extreme; this in turn became the twisting like Mbius band. Likewise, the non-Euclidean geometry is co-related to the asymmetry of the Higgs mechanism. When the 'destruction of symmetry' is considered, symmetric theory and asymmetric world can be connected. The asymmetry in turn can maintain balance by arranging the uneven weights at different distances from the shaft. Moreover, at this the concept of the upper, lower, left and right, which was included in the original form, may be crumbled down. The destruction of the symmetry is essential in order to present forecast that coincides with the phenomenon of the real world. Non-Euclidean geometry characteristic is expressed by asymmetry, twists, and deconstruction and its representative characteristic is ambiguity. The boundary between the front, back, upper, lower, inner and outer is unclear, and it is difficult and vague to pinpoint specific location. The design that does not clearly define or determine the direction of wearing costume is indeed the non-oriented design that can be worn without getting restricted by specific direction such as front and back. Non-Euclidean geometry characteristic of hyperspace have been applied to create new shapes through the modification of the substance from traditional clothing of the eastern world to modern fashion. The way of thinking in the 'hyperspace' that used to be expressed in the costumes of the east and the west in the past became the forum for unlimited creation.

유클리드 기하학과 그리스의 미술

  • 계영희
    • 한국수학사학회지
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    • 제16권2호
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    • pp.23-34
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    • 2003
  • In this paper, we consider relationship between the mathematics and the fine arts. The former is one of the advanced sciences, the latter is one of the arts. But there is correlation between the mathematics and the arts. Here, we concern with the ancient greek mathematics, Euclidean geometry and the ancient greek arts. The ancient greek arts is classified with Geometric Style, Archaic Style, Classical Style and Hellenistic Style. The Geometric Style, Classical Style and Hellenistic Style are very effected by Euclidean geometry. Because the greek artists as keep the geometric proportion as the Euclidean's 5th postulates. The artist's cannon in just golden ratio 1:(1+$\sqrt{5}$)/2.

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피타고라스의 정리 III : 등각사각형의 관점에서 (Pythagorean Theorem III : From the perspective of equiangular quadrilaterals)

  • 조경희
    • 한국수학사학회지
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    • 제33권3호
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    • pp.155-165
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    • 2020
  • Pythagorean theorem is a proposition on the relationship between the lengths of three sides of a right triangle. It is well known that Pythagorean theorem for Euclidean geometry deforms into an interesting form in non-Euclidean geometry. In this paper, we investigate a new perspective that replaces right triangles with 'proper triangles' so that Pythagorean theorem extends to non-Euclidean geometries without any modification. This is seen from the perspective that a rectangle is an equiangular quadrilateral, and a right triangle is a half of a rectangle. Surprisingly, a proper triangle (defined by Paolo Maraner), which is a half of an equiangular quadrilateral, satisfies Pythagorean theorem in many geometries, including hyperbolic geometry and spherical geometry.