• 복식문화연구
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• 제27권1호
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• pp.11-19
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• 2019

The mass production after the industrialisation and the fast changing fashion cycles in today's world resulted in buying clothes and home textiles more than we need and discarding them before they complete their life cycles. This causes vast amounts of textile waste that creates environmental issues. Upcycling is the creative process of transforming clothing and textile waste by reusing deadstock or used fabric to create new garments and products. It holds importance in terms of sustainability, reducing waste and environmental pollution. During the process of upcycling, certainly the creativity and innovation are the key words because to reuse a product to a better value needs a creative mind, aesthetic consciousness, innovative look and knowledge and it is quite different from a normal design procedure. There is a delicate level of aesthetics which carries the reused materials to a higher value. The handling of the materials, knowing how to manipulate the waste material, the techniques available to apply to surfaces, the concept of two and three dimension on textiles and clothing, contributions of other branches of art such as sculpture and painting all help the designer to reach a higher aesthetic value in the upcycled product in this process. In the study; it was aimed to raise awareness, to attract attention to sustainable fashion and also to contribute to sustainable development as an upcycling design project realized with students in textile and fashion design education taken as an example.

• Human Ecology Research
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• 제61권4호
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• pp.599-613
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• 2023

This study investigated female consumers' attitudes toward the general and fashion-specific climate environments and analyzed the relations between the attitudes and the variables such as values, knowledge, and climate cognition. The data was collected from a sample of 450 women in their 20s, 30s, and 40s via quota sampling from a selfreported online survey in 2023. The measurement comprised the attitudes toward the general and fashion-specific climate environments, Rokeach's 18 terminal values, Holbrook's 8 consumer values regarding fashion products, climate environmental knowledge related to fashion, the cognition concerning the climate crisis, and several demographic variables. Descriptive statistics, factor analysis, reliability analysis, and correlations were applied to the data using SPSS. As a result, two factors were determined for the attitudes toward the general and fashion-specific climate environments, respectively: social and personal. Family security, happiness, and self-respect were identified as important terminal values. Quality, efficiency, aesthetics, and ethics were considered important when the current sample group purchased fashion products. The mean score of climate environmental knowledge related to fashion was lower than neutral; however the cognition of the climate crisis was considerably high. Attitudes toward the general and fashion-specific climate environments showed positive relations with values, knowledge, and climate cognition. The results were discussed to provide some insight and suggestions to carbon neutrality and the related studies.

• 한국조경학회지
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• 제43권2호
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• pp.105-113
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• 2015

조경은 스스로 환경적 지위를 확보하기 위해 환경윤리를 이론으로 흡수하였다. 그러나 환경윤리는 자연 보전에 집중한 나머지 조경을 인공물로 취급하며 도덕 대상에서 배척하였다. 그 과정에서 조경은 인간과 자연의 중도적 입장을 주장하나 도덕적 정체성을 의심하게 한다. 오히려 조경은 '자연의 대리인'으로 자처하며 '인간을 위한' 조경의 전통적 도덕관을 밀어내고 있다. 따라서 본 연구는 환경윤리의 비판적 해석을 통해 인간중심으로서 조경의 도덕적 위치의 재정립을 연구의 목적으로 삼는다. 환경윤리의 여러 분파 중 하그로브의 '약한 인간중심주의'는 조경처럼 자연미학을 윤리적 덕목으로 삼는다. 그러나 상이한 자연관 때문에 환경윤리는 조경을 비판적 대상으로 삼는다. 그러한 이유로 필자는 하그로브의 조경 비판 내용을 살펴보고 그에 대한 반론을 도덕적, 미학적, 조경적 입장에서 살펴본다. 비판 내용은 다음과 같다. (1) 자연은 존재 자체로서 미적이고 도덕적인 반면 조경은 모조품으로서 자연에 대한 완화된 태도를 취한다. (2) 자연은 자기창조적이기에 완전한 미적 실체인 반면 조경은 상상을 통해 인간적 결함을 감추는 설계된 자연이다. (3) 자연에 기술을 부여하는 환경관리는 무의미하기에 도덕적 허무주의를 발생한다. 이에 대한 반론으로 환경윤리는 '도덕적 자율성'을 배제하고 '도덕적 선'을 단순화함으로써 조경이 내포하고 있는 자연을 넘어선 도덕적 실천 능력, 창조와 상상의 폭 넓은 도덕적 의미, '돌봄'으로서 환경관리의 도덕적인 면을 간과하고 있다. 그 결과, 현실에서 자연의 문제는 인간의 삶과 분리할 수 없기에 더 이상 보전만이 미덕이 될 수 없다. 또한 조경은 '선한 삶'을 기반으로 하기 때문에 중도적 위치보다는 인간중심적 도덕적 위치가 타당하다.

• 한국의류학회지
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• 제10권1호
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• pp.1-8
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• 1986

This study was undertaken to explore the relationship between the personality characteristic (the self-esteem) and tao clothing behaviors according to the sex and the five environmental variables. This study was designed with the hypothetic model regarding the age and the five environmental variables as Independent Variable, the self-esteem as Intervening Variable, the eight clothing behaviors as Dependent Variable. For the testing hypothesis, the questionnaries were adminstered to 335 high school boys and 308 high school girls in Pusan. The data was analyzed statistically at the B.N.U. Computer Center using to the Path Analysis (by Multiple Regression Analysis Method). The results were as follows : 1. There was significant difference in the self-esteem according to the sex. Boys had higher scores than girls. 2. There was no significant relationship between the self-esteem and all the environmental variables of this study. 3. There were significant differences in the clothing behavior subscales according to the sex. Girls had higher scores than boys in every clothing behavior subscales. 4. There were partial relationship between the clothing behavior subscales and the environmental variables. 5. There was a highly significant relationship between the self-esteem and the clothing behavior subscales except Comfort and Modesty. A negative significant aubscale were Interest, Psychological Dependence, Social Approval and Special Attention. 6. There were positively significant relationship among the clothing behavior subscales except Modesty-Aesthetics, Modesty-Interest, Modesty-Psychological Dependence and Modesty-special Attention.

• 한국환경과학회지
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• 제28권12호
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• pp.1101-1110
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• 2019

This study investigated Post-Occupancy Evaluation (POE) of cherry blossom trails 'Cherry Road' in Daegu Catholic Univ. campus, at Gyeonsan-city, Korea. The evaluation focused on image preference and satisfaction of users i.e., students, using questionnaire surveys. A total 201 questionnaire samples were analyzed and most of the respondents were in the age group of 20. Frequency analysis was conducted on demographics, use behavior, reliability, and means. Factor analysis and multiple regression analysis were conducted for user satisfaction and image preference. Over 80% of visitors came with companions during daytime. The most common motives for use were strolling and walking, event and meeting, passing. For user satisfaction the mean scores were highest for landscape beauty (4.22), image improvement (4.14), campus image (4.08). Night lighting facility received the lowest score (3.32). Factor analysis concerning user satisfaction was categorized into environment-human behavior and physical factors. Multiple regression analysis showed that the overall satisfaction of user was significantly influenced by five independent variables: 'harmonious' (β=.214), 'night lighting facility' (β=.173), 'landscape beauty' (β=.208), 'lawn care' (β=.154), and 'walking trails' (β=.123). The mean scores of image variables were highest for 'beautiful' (5.81), 'bright' (5.67), and 'open' (5.64). The lowest scores was for 'quiet' (4.47). Exploratory factor analysis led to three factors being categorized: aesthetics, comforts, and simplicity. Result of multiple regression analysis indicated that the preference of space image was significantly influenced by five variables: 'bright' (β=.397), 'refreshing' (β=.211), 'cool' (β=.219), 'clean' (β=.182), and 'natural' (β=.-142). Hence, Cherry Road has a high level of user satisfaction and image evaluation, which is interpreted as having various cultural events and value for students on campus. To improve the satisfaction of Cherry Road in the future, it is necessary to secure night lighting, to manage trash cans, and to secure rest space.

• International Journal of Advanced Culture Technology
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• 제11권1호
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• pp.232-240
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• 2023

The ecological expression of art in modern society takes the harmonious developmental relationship between man and nature as an element and combines it with the various manifestations of painting as an expression of ecological artistic development. The necessary relationship for the harmonious development of nature is accurately articulated, and the ecological changes in people are expressed in integrated materials that inspire human reflection. In the pursuit of material pleasures, mankind is neglectful and indifferent to the environment. The development of composite painting in art and ecology is a process that more reveres the harmony between man and nature as well as satisfying the creative value of the work. After systematic evaluation and research, people have engaged in various structural forms of composite art painting development in the long history of art development, focusing on the integration of environmental and ecological culture. In the process of nature education going through development, the comprehensive practical development of nature education is enhanced and efforts are made to feel new ecological art ideas and new ways of valuing environmental protection. In this paper, an observational study of eco-art will be carried out, starting from the theory of hierarchical division and analyzing the contradictory relationship between man and nature. Recognize nature, understand it and feel it through eco-art painting. The analysis of the contradictory relationship between man and nature is combined with the identification of various types of information that give value to the environmental protection public, and the combination of ecological painting and nature art to achieve an upgrade of the environmental protection idea of the value of painting. In the development of artistic ecological comprehensive painting, it is necessary to put forward technical requirements and standards that meet the development of modern industry according to the characteristics and methods of ecological painting. The author of this paper discusses the necessity and social value of artistic ecological painting creation from the artist's point of view, expounds the practical achievements of ecological painting from the perspective of the history and present situation of the development of ecological aesthetics at home and abroad, and gives the concept and creative method of contemporary art comprehensive material painting in combination with his own actual situation.

• 예술경영연구
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• 제58호
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• pp.121-152
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• 2021

본 연구는 상업공간에 환경적 자극으로 설치된 미술품 색 계열이 방문객의 만족도에 미치는 영향과 그 영향 관계의 조절효과를 분석하고자 하였다. 이를 위해 환경 심리학 분야의 매장환경 연구에 적용된 자극(Stimulate).유기체(Organism).행동 반응(Response)의 SOR 모형과 이를 이용한 선행연구를 토대로 미술품 색 계열(S) .기분 및 공간 어메니티(O).만족도(R)의 연구 프레임워크를 개발하였다. 실험은 미술품의 색 계열에 대해 난색과 한색이 설치된 이미지를 제작하여 두 집단 간 응답자가 반응하는 만족도 차이를 조사했다. 회귀분석을 통해 검증한 결과 미술품 색계열은 난색(vs. 한색)이 설치된 경우 더 높은 방문객의 만족도를 유도한다는 것을 발견했다. 또한, 이러한 영향 관계에 있어서 기분과 공간 어메니티 유형의 조절요인을 분석한 결과 미술품 색 계열의 난색(vs. 한색)이 주는 긍정적 기분을 평균보다 더 높게 느꼈을 때, 공간 어메니티의 네 가지 유형 중 쾌적성과 심미성만을 더 높게 인지했을 때 각각 유의한 조절효과가 나타난다는 것을 발견했다. 본 연구 결과는 상업공간의 물리적 환경을 자극하는 미술품의 난색 계열이 한색 계열에 비해 방문객의 만족도에 더 긍정적인 영향을 미치고, 이것은 긍정적 기분 및 쾌적성, 심미성에 따라 강화된다는 것을 증명함으로써 기존 문헌의 이해를 추가하고 효과적인 마케팅 전략에 유용한 시사점을 제공한다.

• 암석학회지
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• 제23권2호
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• pp.145-152
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• 2014

지질유산은 보전가치를 가지는 지질기록들을 총칭하며 지질유산의 보전을 위해서는 지질노두에 대한 조사와 평가가 수행되어야 한다. 각종 개발사업으로부터 지질유산이 훼손되는 것을 방지하기 위한 방안의 하나로서 지질노두에 대해 조사표와 평가표를 작성하여 데이터베이스를 구축함으로써 환경영향평가에 활용하도록 하는 방안을 제안한다. 지질노두 조사표의 내용은 조사지역, 분야, 세부분야, 위치, 규모, 특징, 사진 및 설명, 조사자로 구성되어 있다. 지질노두 평가표는 평가유형, 세부평가, 종합평가, 최종평가등급으로 구성된다. 평가유형은 학술, 교육, 경관으로 구분된다. 학술교육 분야는 대표성, 희소성, 다양성, 전형성을 세부항목으로 평가한다. 지형경관 분야는 특이성, 심미성, 자연성을 세부항목으로 평가한다. 최종평가등급은 5개 등급으로 구분되며 1등급은 보전가치가 가장 높은 등급으로 절대보전을 요한다.

• 한국조경학회지
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• 제24권2호
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• pp.25-42
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• 1996

During the last two and a half decades, philosophical interest in the aesthetics of nature and environment has been gained momentum. One of the most coherent theories in this arena of debate has been developed over a series of articles by Allen Carlson. The purpose of this paper is to examine Carlson's theory critically and suggest an alternative aspect that remains untouched by his model. Briefly stated, Carlson's view of the appreciation of nature is that it is a matter of under standing nature under suitable scientific categories. His argument, based on the objectivist epistemology, is basically a disjunctive syllogism : a) The concept of appreciation, derived from traditional disinterestedness and Stolnitz's aesthetic attitude, provides an insight into the explanation of aesthetic appreciation of nature, and is objectivistic in the light of its object-oriented character. b) Nature must be appreciated as nature itself, and the natural environmental model is the appropriate loci of our nature appreciation. c) The paradigmatic form of our nature appreciation is order appreciation. d) There can be a correct and objective aesthetic judgment of nature, and the sources of guiding categories pertinent to it is natural science and natural history. In regarding nature as an environment and as natural, his natural environmental model is meaningful. Nevertheless, his stance results in some serious problems : a) The natural environmental model excludes certain very common appreciative responses to nature-responses of a less intellective, more visceral sort. Therefore, the arousal model with appropriate emotions might be one of our characteristic forms of nature appreciation. b) Even if we consider the scientific knowledge as an objective source of our nature appreciation, this gives rise to the question of whether the natural science can be objective or not. Is there an objectivist aesthetic appreciation of nature\ Does aesthetic appreciation of nature need to be science-based\

• Structural Monitoring and Maintenance
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• 제2권3호
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• pp.269-282
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• 2015

Civil structures should be designed with the lowest cost and longest lifetime possible and without service failure. The efficient and sustainable use of materials in building design and construction has always been at the forefront for civil engineers and environmentalists. Timber is one of the best contenders for these purposes particularly in terms of aesthetics; fire protection; strength-to-weight ratio; acoustic properties and seismic resistance. In recent years, timber has been used in commercial and taller buildings due to these significant advantages. It should be noted that, since the launch of the modern building standards and codes, a number of different structural systems have been developed to stabilise steel or concrete multistorey buildings, however, structural analysis of high-rise and multi-storey timber frame buildings subjected to lateral loads has not yet been fully understood. Additionally, timber degradation can occur as a result of biological decay of the elements and overloading that can result in structural damage. In such structures, the deficient members and joints require strengthening in order to satisfy new code requirements; determine acceptable level of safety; and avoid brittle failure following earthquake actions. This paper investigates performance assessment and damage assessment of older multi-storey timber buildings. One approach is to retrofit the beams in order to increase the ductility of the frame. Experimental studies indicate that Sprayed Fibre Reinforced Polymer (SFRP) repairing/retrofitting not only updates the integrity of the joint, but also increases its strength; stiffness; and ductility in such a way that the joint remains elastic. Non-linear finite element analysis ('pushover') is carried out to study the behaviour of the structure subjected to simulated gravity and lateral loads. A new global index is re-assessed for damage assessment of the plain and SFRP-retrofitted frames using capacity curves obtained from pushover analysis. This study shows that the proposed method is suitable for structural damage assessment of aged timber buildings. Also SFRP retrofitting can potentially improve the performance and load carrying capacity of the structure.