• Title/Summary/Keyword: Electronic Music

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Adaptive Kernel Function of SVM for Improving Speech/Music Classification of 3GPP2 SMV

  • Lim, Chung-Soo;Chang, Joon-Hyuk
    • ETRI Journal
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    • v.33 no.6
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    • pp.871-879
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    • 2011
  • Because a wide variety of multimedia services are provided through personal wireless communication devices, the demand for efficient bandwidth utilization becomes stronger. This demand naturally results in the introduction of the variable bitrate speech coding concept. One exemplary work is the selectable mode vocoder (SMV) that supports speech/music classification. However, because it has severe limitations in its classification performance, a couple of works to improve speech/music classification by introducing support vector machines (SVMs) have been proposed. While these approaches significantly improved classification accuracy, they did not consider correlations commonly found in speech and music frames. In this paper, we propose a novel and orthogonal approach to improve the speech/music classification of SMV codec by adaptively tuning SVMs based on interframe correlations. According to the experimental results, the proposed algorithm yields improved results in classifying speech and music within the SMV framework.

A Study on the Characteristics of Celtic Music Elements in Tropical House (트로피컬 하우스에서 나타나는 켈틱 음악의 특징 연구)

  • Lee, Shin-Ae
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.21 no.9
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    • pp.575-583
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    • 2020
  • This research approach is different from the existing definition of Tropical House. It was derived from an electronic music genre (deep house, chill out, dance hall). However, this study explains that Tropical House contains elements of other art forms as well as electronic music. These are the elements of Ireland's traditional music (Celtic music). This study explains why the fusion of Tropical House and Celtic music was easy. And it shows that elements of Celtic music are included in Tropical House through eight popular songs. It can be confirmed that the melody, harmony, rhythm, singing method, instrumentation, and structure of Tropical House are intertwined with the elements of Celtic music. The key point of this research is to suggest that Celtic musical elements are found in the Tropical House genre. In addition, creators need to pay attention to various types of music, including traditional music from around the world. It is suggested that creators need to think about how to combine today's music with various other genres to create original music.

A Study on Desired Signal Estimation in Correlation Signal of Array Antennas (배열 안테나의 상관성 신호에서 원하는 신호 추정 방법에 대한 연구)

  • Lee, Min-Soo
    • The Journal of Korea Institute of Information, Electronics, and Communication Technology
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    • v.8 no.4
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    • pp.275-280
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    • 2015
  • In this paper, we studied for modified MUSIC algorithm of direction of arrival (DOA)estimation. Modified MUSIC algorithm search optimal covariance matrix using singular value decomposition and Bayes method, and desired signals are estimated by updating weight. In order to estimation of desired signals, we used sub spatial method of MUSIC algorithm. General MUSIC algorithm can estimate a desired signal in case of non-correlation signal. But, general MUSIC algorithm in case of correlation signal can not estimate a desired signals and resolution is decreased. Though simulation in case of correlation signal, we analyze to compare proposed MUSIC algorithm with general MUSIC algorithm.

Extraction of Chord and Tempo from Polyphonic Music Using Sinusoidal Modeling

  • Kim, Do-Hyoung;Chung, Jae-Ho
    • The Journal of the Acoustical Society of Korea
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    • v.22 no.4E
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    • pp.141-149
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    • 2003
  • As music of digital form has been widely used, many people have been interested in the automatic extraction of natural information of music itself, such as key of a music, chord progression, melody progression, tempo, etc. Although some studies have been tried, consistent and reliable results of musical information extraction had not been achieved. In this paper, we propose a method to extract chord and tempo information from general polyphonic music signals. Chord can be expressed by combination of some musical notes and those notes also consist of some frequency components individually. Thus, it is necessary to analyze the frequency components included in musical signal for the extraction of chord information. In this study, we utilize a sinusoidal modeling, which uses sinusoids corresponding to frequencies of musical tones, and show reliable chord extraction results of sinusoidal modeling. We could also find that the tempo of music, which is the one of remarkable feature of music signal, interactively supports the chord extraction idea, if used together. The proposed scheme of musical feature extraction is able to be used in many application fields, such as digital music services using queries of musical features, the operation of music database, and music players mounting chord displaying function, etc.

Constructive music creation: the process and effectiveness of sampling in computer-based electronic music production (구성적 음악 창작: 컴퓨터 기반 전자적 음악 프로덕션 상에서 샘플링의 과정과 효과)

  • Han, Jinseung
    • Proceedings of the Korea Contents Association Conference
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    • 2009.05a
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    • pp.127-134
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    • 2009
  • In spite of controversial debates on aesthetic issues of computer-generated electronic music, rapid advancement of music technologies in the past decade have resulted proliferation of using virtual software synthesizers and samplers in music composition. Computer-based music production platform has become not only a norm among some of contemporary music composers but also vital apparatus for their compositional process. There are two imperative parts of this compositional process involving sampling in computer-based music production, which are commercially available sample libraries that include pre-recorded audio samples, and music production software that processes them. The purpose of this study is to investigate the process and effectiveness of reconstructive compositional process utilizing distinctive features of sampling on computer music production software. This study addresses issues such as: the definition of audio sampling, how sampling is incorporated in compositional process, and what features of music production software are particularly effective in various musical expressions. The result of this study will hopefully accommodate and fulfill the needs of electronic and acoustic musicians' creativeness.

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A Computation Reduction Technique of MUSIC Algorithm for Optimal Path Tracking (최적경로 추적을 위한 MUSIC 알고리즘의 계산량 감소 기법)

  • Kim, Yongguk;Park, Hae-Guy;Ryu, Heung-Gyoon
    • The Journal of Korean Institute of Communications and Information Sciences
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    • v.39A no.4
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    • pp.188-194
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    • 2014
  • V2I(Vehicular to Infrastructure) is a one kind of communication systems which is used between the base stations and mobile objects. In V2I communication system, it is difficult to obtain the desired communication performance. Beamforming technology is to find the optimal path. and it can be improved the communication performance. MUSIC algorithm can be estimated the direction of arrival. The directional vector of received signals and the eigenvector has orthogonal property. MUSIC algorithm uses this property. In V2I communication environment, real time optimal path is changed. By the high computational complexity of the MUSIC algorithm, the optimal path estimation error is generated. In this paper, we propose a method of computation reduction algorithm for MUSIC algorithm.

A Study on Signal Analysis of Korean Traditional Music Instrument, Kayakeum and Piri (국악 악기 가야금과 피리의 신호 분석에 관한 연구)

  • Lee Sang-Min;Lee Jong-Seok;Lee Kwang-Hyung
    • Proceedings of the Acoustical Society of Korea Conference
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    • spring
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    • pp.247-250
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    • 1999
  • Like any other music, Korean traditional music make a beautiful compound melody of many music instruments. In this paper, we separate melody especially played by two instruments, that is Kayakeum, Piri(Korean pipe) analysing each audio signal. Kayakeum, Piri have a unique frequency component for each sound height. Therefore each melody of them can be expressed into each sheet of notation separately and MIDI codes. We expect that this paper will benefit all the people studying and instructing Korean music.

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Electronic Music Glove Using Sound Card (사운드 카드를 이용한 전자 음악 장갑)

  • 정의필;이창원
    • The Journal of the Acoustical Society of Korea
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    • v.21 no.2
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    • pp.128-133
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    • 2002
  • We developed a electronic music glove (BMG) system that plays musical scores in real time processing. The EMG system interfaces with the signal coming from the controller to the sound card in the computer, The computer, according to the status of the fingers and foot switches, generates the sound signals and sends them to the speaker systems through the application C++ program and MIDI message. The EMG systems control the velocity and duration of sound and several musical performance expressions such as chorus, reverberation, rhythm, and volume. Finally, we implemented the digital drum set using: the EMG system as example.

DOA Estimation in WCDMA Using MUSIC Algorithm with Low Level Quantization (저레벨 양자화와 MUSIC 알고리즘을 이용한 WCDMA에서의 방향각 추정)

  • Lee, Hyunchul;Lee, Changwook;Gi J. Jeon
    • Proceedings of the IEEK Conference
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    • 2003.11c
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    • pp.289-292
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    • 2003
  • 이 논문은 WCDMA 와 안테나 배열 시스템에서 저 레벨 양자화와 MUSIC 알고리즘을 사용하여 신호의 방향을 추정하는 방법을 제안한다. 추가의 Power-Up Function 이 필요 없는 방향각 방법으로 이동가입자의 위치를 알아내기 위해 안테나 배열을 이용하여, WCDMA 시스템에서 역확산 코드로 다수의 신호를 분리하고, 각 신호를 저 레벨로 양자화 시켜 MUSIC 으로 신호의 방향각을 추정하였다. 이 방법을 이용하면 단말기의 안테나 출력파워가 낮더라도 기존 방법의 에러율과 비슷함을 시뮬레이션 결과로 알 수 있고, 양자화 비트를 처리하기 위해 필요한 메모리 또한 줄일 수 있어 하드웨어의 비용을 줄일 수 있을 것이다.

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Music Programming Language Composition Using Csound (Csound를 이용한 음악 프로그래밍 언어 제작)

  • Yeo Young-Hwan
    • The Journal of the Acoustical Society of Korea
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    • v.24 no.7
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    • pp.365-370
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    • 2005
  • The present study is purposed to establish a systematic theory for user-friendly approach to the creation of using a programming language using Csound. Csound is a world-wide computer music programming language and a software synthesizer specialized for prominent sound designers developed by Barry Vercoe at the Media Laboratory in M.I.T. The introduction and the main body of this paper suggested as the starting point of creating electronic music and musical sound the time of combination of music with natural sound or sound from specific media from the viewpoint of traditional Western music. and presents a systematic method composed of the principle of the operation of Csound and basic data samples.