• 보존과학회지
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• 제29권1호
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• pp.47-54
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• 2013

본 연구에서는 손상된 지류문화재의 수리복원 과정에서 사용되는 염색보수지의 제작에 있어 매염제가 바탕종이에 어떠한 영향을 주는지 확인하고자 현재 시판되는 대표적인 합성매염제 4종류 [$K_2CO_3$, $AlK(SO_4)_2{\cdot}12H_2O$, $Cu_2SO_4{\cdot}5H_2O$, $FeSO_4$]를 선정하여 시료를 제작하고 자외선, 온 습도를 이용한 인공열화를 통해 열화 후 색도 측정, 인장지수 측정, pH측정(산성화 정도)을 실시하고 그에 따른 물성변화를 확인하였다. 색도 측정 결과 $K_2CO_3$매염 시료의 ${\Delta}E^*ab$값이 가장 크게 나타났으며 인장지수 측정 결과 열화시간에 따라 염색시료의 강도는 모두 저하하였으나 매염제에 따른 변화는 뚜렷하지 않음을 알 수 있었다. 산성도 측정 결과 $Cu_2SO_4{\cdot}5H_2O$와 $FeSO_4$로 매염한 시료의 pH값이 6이하로 감소하였다. 실험 결과를 통하여 보수지 염색에서 사용되는 매염제는 바탕종이의 염색 특성 및 노화에 영향을 주는 것으로 확인 되었다.

• 복식
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• 제50권5호
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• pp.131-142
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• 2000

The philological consideration of Korean Buddhist Monk's robe and its reviving have been investigated in traditional way. The configuration and colour of Korean Buddhist monk's robes have been properly adapted for an period, territory, and atmospheric phenomena. In case of Korea, introduced Buddhism from China realize modern robe from under the influence of fusion of Chinese ornament culture and Korean traditional ornament culture. As a result of this modern robe has been consisted of a Buddhist monk's robe and a cope. The modem robes has been significantly affected by industrialization, contrary to ancient time taxed robes as public imposts. At present be familiar in mass production we have a preference for the easier way in making and even color forming. In this paper it is focused on dyeing part, which recognized its important in latest time, at first declined according to appearance of chemical dye, evaluated its convenience in use. That is, it is increased natural dye, people begin with recognition of difference of physical properties for dress dyed with chemical pigment and that with natural pigment. In consequence, I have presented that both making colour of gray using traditional method, and three demolished-color prescribed by Buddhist law. Of course, though it become generally know that dyeing of robes occupied significant part of traditional natural dyeing. But in case of religion, it also is important to know symbolical meaning involved in its colour. Most of Buddhism-believers or even Buddhists who actually be dress in robe are without knowing the meaning of colour, or its revealing method. There, I have considered mating three colour of demolished- color included blue, black, and red, and also represented dyeing method of Buddhist monk's robe using both charcoal and ink-spick. From religious font of view, as robes contains involving of blessing, I have an intention of improvement way in dyeing and succession and development of traditional culture through consideration of traditional dyeing method. And I have also intended to restoration the value of robe's colour, disappeared by the time. moreover, I have shown that dyeing with natural pigment is profitable for both environment and sanitary aspect.