• Journal of information and communication convergence engineering
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• v.8 no.5
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• pp.595-601
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• 2010

The strategy through visual sense is one of the ways that subject builds the outside world and communicates. The visual sense seems higher level of dependence than the other senses and contributes to intercommunication. For this reason, the desire of image dates back to primitive art and visual image(visual media and visual culture) has dialectically developed in the history of mankind. Visual subject, based on perspective of Renaissance, was moved from God to human beings. Andre Bazin's 'la genese automatique' through technical art has epochally changed the paradigm of visual art and visual culture. From primitive art to photo and film, the image, based on visual sense, has reflected human wish, appealed visual desire and led to evolution of image. In the late 20 century, without dialectical evolution of technology and culture, rapidly progressive digital image has changed social and cultural implication over rational strategy of production and distribution and it strengthened authority of image through visual approach of endless desire. The goal of this study is to analyze the value change of digital image developing a new Renaissance through production, reading, communication, and implication of evolution due to digitalized image, which has evolved as object and tool of desire.

• Journal of Korea Society of Digital Industry and Information Management
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• v.11 no.2
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• pp.131-139
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• 2015

This study suggests that the application of split screen as visual media can attain the effect of diversity through providing rich information and accepting diverse contents as gorgeous aesthetics. Single images are analyzed as appropriate to a demanded concentration genre such as news and dramas, entertainment. In contrast, images with natural images and ads images those are more appropriate and analyzed as the genre of the split-screen which is highly efficiency to the contents and also highly efficiency to the spatial diversification. In introducing various genres of digital contents into split screen, the synergy of contents is induced by placement in consideration of the characteristics of split screen position. In order to increase the concentration of the split-screen image, using the left area and right area above it, can increase the effectiveness of the content.

• Journal of Digital Convergence
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• v.14 no.11
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• pp.495-500
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• 2016

Since 2016, the VR market has been on the rapid growth. The most critical and arising issue in the VR market is VR contents. That is because it is necessary to develop making techniques and various VR contents to satisfy users' immersion and interaction as much as possible. Therefore, this study focused on VR image contents, conducted domestic and foreign cases of the components of visual and auditory inducement to keep and improve immersion, and thereby tried to find a right direction of visual and auditory inducement. As a result, the visual and auditory components of visual and auditory inducement were found to be photographing, edition, lighting, stitching, graphics, effect, voice actor's narration, dubbing, character voice, background sound, and sound effect; its technical and content components were found to be photographing technique, edition technique, lighting, stitching, graphics and effect, sound and sound effect, and theatric direction based on Mise-en-Scene, lines and narration of characters, and movements of characters and objets. For VR image contents, not only visual and auditory components, but technical and content components are necessary to improve immersion. In the future, it will be necessary to continue to research them.

• Proceedings of the Korea Information Processing Society Conference
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• 2010.11a
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• pp.807-810
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• 2010

본 논문에서는 복수 개의 터치 입력 장치를 통해 각각의 제스처를 입력하고, 입력된 제스처와 화면에 출력되는 제스처의 일치여부 및 정확도를 판단하는 제스처 기반의 게임 시스템을 제안한다. 구현된 시스템은 복수 개의 터치 패널과 Desktop 또는 Embedded Board 등의 프로세싱 장치의 하드웨어와 SDL(Simple Directmedia Layer) 라이브러리를 기반으로 한 소프트웨어로 구성된다. 시스템은 미리 정의된 방향을 가지는 3가지의 제스처를 제공하며 사용자의 제스처 입력을 받아 화면에 출력된 제스처와 비교해 일치여부, 정확도를 판단하여 4가지의 결과를 출력한다. 구현된 시스템에 기존의 콘텐츠를 변환 적용하거나 새로운 기획을 이용하여 새로운 게임 시스템을 개발할 수 있을 것으로 기대된다.

• Proceedings of the Korea Information Processing Society Conference
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• 2011.04a
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• pp.540-543
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• 2011

최근 멀티 터치 인터랙션을 반영한 인터랙티브 인터페이스에 대하여 많은 연구가 진행중에 있다. 손을 이용한 터치 인터랙션은 여러 가지 제약이 따르므로 본 논문에서는 증강현실 기술의 하나인 마커인식 인터페이스와 멀티 터치 인터랙션 인터페이스를 이용한 체감형 적외선 멀티 카드 터치 기반 인식 시스템을 제안한다. 이를 위해 DI기반의 인식 알고리즘을 적용하여 카드의 고유한 정보와 위치정보, 각도 등을 인식 할 수 있도록 하였다. 또한 사용자의 손 제스처 정보를 트래킹 하여 다양한 인터랙션 메타포를 제공한다. 다양한 인터랙션 메타포는 시스템에 높은 몰입감을 제공하여서 아케이드 게임기기 에도 활용이 가능하다.

• Proceedings of the Korea Information Processing Society Conference
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• 2010.11a
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• pp.803-806
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• 2010

본 논문에서는 스크린을 터치를 하지 않고 또한 스크린의 영역의 크기에 상관없이 제스처를 이용하여 인터랙션이 가능한 제스쳐 인식 모듈을 이용한 대규모 멀티 인터랙티브 디스플레이 시스템을 제안한다. IR laser를 이용하여 인터랙션 영역을 생성하고 band pass filter를 장착한 적외선 카메라를 이용하여 인터랙션 영역 안의 영상을 획득한다. 획득되어진 영상은 제안하는 영상처리모듈을 이용하여 이진화->블랍-라벨링 과정을 거쳐 잡음을 제거한 후 인터랙션 영역 안에서 이루어지는 인터랙션 좌표를 획득한 후 Packet으로 저장한다. 저장 된 Packet은 네트워크 통신 시스템을 이용하여 Server로 보내어지고 Server에서는 메타포분석모듈을 이용하여 분석하여 결과를 메타포이벤트로 저장한 후 콘텐츠에 보낸다. 콘텐츠에서는 받은 메타포이벤트에 따라서 콘텐츠 결과를 보여 줌으로써 스크린을 터치 하지 않아도 터치 인터랙션이 가능하며 스크린 영역에 제한 없이 많은 사용자가 동시에 사용이 가능한 시스템 사용이 가능하도록 한다. 본 시스템은 향후 보다 다양한 인터랙션과 시스템 크기의 확장으로 보다 많은 사용자가 동시에 사용가능하며 다양한 인터랙션을 사용할 수 있는 인식 디바이스로써 활용이 가능하다.

• Journal of Digital Convergence
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• v.11 no.12
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• pp.697-708
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• 2013

This study suggests the need of 'policy design' that aims to develop visual contents with competitiveness in a global market by comparing and analyzing the programs of promoting the visual content industry of each local government. Moreover it focuses to derive a policy implication so that the local government in its role could develop and promote programs of the industry to enhance its competitiveness. The scope of the study covers local governments of the national capital region and the five metropolitan cities of Korea. The support programs on the visual content industry have been compared and analyzed in 2012. A case study of the policy program of the UK, USA and France has been conducted. In conclusion, we must recognize visual industry as regional strategic industry. The policy orientation, organizations and the scale of support should be designed to make the most of regional characteristics and lead to sustainable growth in response to a rapidly changing IT convergence technology and the new digital environment.

• Journal of Korea Multimedia Society
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• v.22 no.10
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• pp.1208-1214
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• 2019

4th industrial age! 5G-based video content has changed rapidly. How do you view and understand VR/AR/MR/holograms in the age of convergent technology media represented by digital convergence in the 21st century beyond the modern visual system of Descartes? It predicts extension to an interactive visual system. This study proposes a methodology to visualize the Lacanian visual acuity after applying it to the L-System and to understand the visual system of the 21st century.

• Proceedings of the Korea Contents Association Conference
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• 2018.05a
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• pp.49-50
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• 2018

본 논문은 깊이 이미지 이용한 페이셜 애니메이션 제작 방법을 소개한다. iPhone X의 true depth카메라를 사용하여 사람 얼굴의 심도를 정확하게 파악하고, 균등하게 분산된 도트를 통해 얼굴의 모든 표정변화를 모바일 데이터로 기록하여, 페이셜 애니메이션을 제작하는 제작한다. 본문에서의 방식은, 기존 페이셜 애니메이션 제작 과정에서의 rigging 부분을 생략하여, 기록된 얼굴 표정 데이터를 3D 모델링에 바로 전달할 수 있다. 이런 방식을 통해 전체 페이셜 애니메이션 제작 과정을 단축시켜, 제작 방법을 더욱 간단하고 효율적이게 하였다.

• The Journal of the Korea Contents Association
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• v.17 no.7
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• pp.22-30
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• 2017

CGI not only performed a crucial role to make cinema and animation evolved into digital cinema and digital animation but also CGI, an important visual format, settled realism-centric spectacle image culture in public commercial cinema and animation. The fact that CGI visual format could be structuralized in three different view points is discovered through Iconicity, photorealism, verisimilitude, uncanny valley, hyperrealism, and spectacular realism discourse research which explain image culture. First, a formative viewpoint that comes up in an iconic difference between drawing and photograph. Secondly, a cognitive viewpoint that sees visually perceived naturalness and abnormality as a realistic probability issue. Lastly, a customary viewpoint which is rooted in aesthetic tradition of cinema and animation. After that, the features of CGI which is used in the movie 'jungle book'(2016) were analyzed using the structured visual format. Consequently, this movie has hyper-realistic photographic iconicity on the base of realistic probability. Also, by following image-aesthetic convention which uses overstated and amplified narrative as a visual format, at the same time, the movie also has sufficient image-aesthetic convention in animation by personified animal character.