• 제목/요약/키워드: Digital Acting

검색결과 86건 처리시간 0.024초

빅데이터 분석 기법을 활용한 농촌지역 유휴공간 인식 분석 - 청년창업 공간으로써 폐교 활용성을 중심으로 - (Analyzing Perceptions of Unused Facilities in Rural Areas Using Big Data Techniques - Focusing on the Utilization of Closed Schools as a Youth Start-up Space -)

  • 도지윤;김수연
    • 환경영향평가
    • /
    • 제32권6호
    • /
    • pp.556-576
    • /
    • 2023
  • 본 연구에서는 농촌소멸 대응을 위해 농촌 유휴공간을 활용할 수 있는 방안 모색을 목적으로 하였다. 연구는 '유휴시설', '폐교' 주제어를 통해 농촌지역 유휴시설에 관한 인식을 파악함과 동시에 '창업', '청년창업', '청년창업+농촌' 키워드를 토대로 유휴시설의 청년인구 유입을 위한 활성화 방안을 마련하고자 하였다. 연구는 빈도분석 및 주요 키워드 분석, 연결망분석, 감성분석과 국내·외 사례를 검토함으로써 정책 방향 및 방안 모색을 위한 기초자료 제시를 실시하였다. 분석된 결과 첫째, 유휴시설 및 폐교는 지역재생을 위한 요소로서 중요하게 작용하고 있음을 알 수 있었다. 둘째, 농촌지역 청년창업의 경우 농업에 대한 교육뿐만 아니라 거주를 위한 문제가 함께 해결되어야 함을 알 수 있었다. 셋째, 청년계층의 경우 디지털을 활용한 창업에 적극적임으로 농업을 대상으로한 디지털 활용 구축이 필요한 것을 확인할 수 있었다. 마지막으로 국내·외 우수사례를 통해 청년 유입 및 지역활성화를 위해서는 지역주민과 연계되어 창업뿐만 아니라 문화와 교육 등 다양한 플랫폼 역할을 할 수 있는 정책적 방안이 제시되어야 할 것으로 나타났다. 이와 같은 결과는 유휴시설 활용 및 지역재생을 위한 대안 중 하나로 청년인구 유입을 위한 창업인식을 검토함으로써 농촌지역의 청년창업에 관한 시사점을 제시했다는 점에서 의의가 있으며, 현장조사를 통하여 추가적인 해결 방안을 제시한다면 현실에 맞는 정책 목표 설정에 활용될 수 있을 것으로 판단된다.

지속적 관여도 및 인지된 위험이 소비자의 온라인 상인선택 프로세스에 미치는 영향에 관한 연구: 요구신뢰 수준 개념을 중심으로 (How Enduring Product Involvement and Perceived Risk Affect Consumers' Online Merchant Selection Process: The 'Required Trust Level' Perspective)

  • 홍일유;이정민;조휘형
    • Asia pacific journal of information systems
    • /
    • 제22권1호
    • /
    • pp.29-52
    • /
    • 2012
  • Consumers differ in the way they make a purchase. An audio mania would willingly make a bold, yet serious, decision to buy a top-of-the-line home theater system, while he is not interested in replacing his two-decade-old shabby car. On the contrary, an automobile enthusiast wouldn't mind spending forty thousand dollars to buy a new Jaguar convertible, yet cares little about his junky component system. It is product involvement that helps us explain such differences among individuals in the purchase style. Product involvement refers to the extent to which a product is perceived to be important to a consumer (Zaichkowsky, 2001). Product involvement is an important factor that strongly influences consumer's purchase decision-making process, and thus has been of prime interest to consumer behavior researchers. Furthermore, researchers found that involvement is closely related to perceived risk (Dholakia, 2001). While abundant research exists addressing how product involvement relates to overall perceived risk, little attention has been paid to the relationship between involvement and different types of perceived risk in an electronic commerce setting. Given that perceived risk can be a substantial barrier to the online purchase (Jarvenpaa, 2000), research addressing such an issue will offer useful implications on what specific types of perceived risk an online firm should focus on mitigating if it is to increase sales to a fullest potential. Meanwhile, past research has focused on such consumer responses as information search and dissemination as a consequence of involvement, neglecting other behavioral responses like online merchant selection. For one example, will a consumer seriously considering the purchase of a pricey Guzzi bag perceive a great degree of risk associated with online buying and therefore choose to buy it from a digital storefront rather than from an online marketplace to mitigate risk? Will a consumer require greater trust on the part of the online merchant when the perceived risk of online buying is rather high? We intend to find answers to these research questions through an empirical study. This paper explores the impact of enduring product involvement and perceived risks on required trust level, and further on online merchant choice. For the purpose of the research, five types or components of perceived risk are taken into consideration, including financial, performance, delivery, psychological, and social risks. A research model has been built around the constructs under consideration, and 12 hypotheses have been developed based on the research model to examine the relationships between enduring involvement and five components of perceived risk, between five components of perceived risk and required trust level, between enduring involvement and required trust level, and finally between required trust level and preference toward an e-tailer. To attain our research objectives, we conducted an empirical analysis consisting of two phases of data collection: a pilot test and main survey. The pilot test was conducted using 25 college students to ensure that the questionnaire items are clear and straightforward. Then the main survey was conducted using 295 college students at a major university for nine days between December 13, 2010 and December 21, 2010. The measures employed to test the model included eight constructs: (1) enduring involvement, (2) financial risk, (3) performance risk, (4) delivery risk, (5) psychological risk, (6) social risk, (7) required trust level, (8) preference toward an e-tailer. The statistical package, SPSS 17.0, was used to test the internal consistency among the items within the individual measures. Based on the Cronbach's ${\alpha}$ coefficients of the individual measure, the reliability of all the variables is supported. Meanwhile, the Amos 18.0 package was employed to perform a confirmatory factor analysis designed to assess the unidimensionality of the measures. The goodness of fit for the measurement model was satisfied. Unidimensionality was tested using convergent, discriminant, and nomological validity. The statistical evidences proved that the three types of validity were all satisfied. Now the structured equation modeling technique was used to analyze the individual paths along the relationships among the research constructs. The results indicated that enduring involvement has significant positive relationships with all the five components of perceived risk, while only performance risk is significantly related to trust level required by consumers for purchase. It can be inferred from the findings that product performance problems are mostly likely to occur when a merchant behaves in an opportunistic manner. Positive relationships were also found between involvement and required trust level and between required trust level and online merchant choice. Enduring involvement is concerned with the pleasure a consumer derives from a product class and/or with the desire for knowledge for the product class, and thus is likely to motivate the consumer to look for ways of mitigating perceived risk by requiring a higher level of trust on the part of the online merchant. Likewise, a consumer requiring a high level of trust on the merchant will choose a digital storefront rather than an e-marketplace, since a digital storefront is believed to be trustworthier than an e-marketplace, as it fulfills orders by itself rather than acting as an intermediary. The findings of the present research provide both academic and practical implications. The first academic implication is that enduring product involvement is a strong motivator of consumer responses, especially the selection of a merchant, in the context of electronic shopping. Secondly, academicians are advised to pay attention to the finding that an individual component or type of perceived risk can be used as an important research construct, since it would allow one to pinpoint the specific types of risk that are influenced by antecedents or that influence consequents. Meanwhile, our research provides implications useful for online merchants (both online storefronts and e-marketplaces). Merchants may develop strategies to attract consumers by managing perceived performance risk involved in purchase decisions, since it was found to have significant positive relationship with the level of trust required by a consumer on the part of the merchant. One way to manage performance risk would be to thoroughly examine the product before shipping to ensure that it has no deficiencies or flaws. Secondly, digital storefronts are advised to focus on symbolic goods (e.g., cars, cell phones, fashion outfits, and handbags) in which consumers are relatively more involved than others, whereas e- marketplaces should put their emphasis on non-symbolic goods (e.g., drinks, books, MP3 players, and bike accessories).

  • PDF

상호작용적 작품에서 놀이속성: 모리스 베나윤(Maurice Benayoun)의 작품을 중심으로 (Attributes of "Play" in Interactive Art: Interpreting Maurice Benayoun's Artworks)

  • 박연숙
    • 미술이론과 현장
    • /
    • 제15호
    • /
    • pp.83-109
    • /
    • 2013
  • The study mainly discusses appreciation of interactive art works seen from the perspective of play attributes that make spectators glimpse the truth of things. The general studies of interactivity, as one of remarkable features in contemporary art, are regarding the relation between the effects of digital media and interactivity as well as video games. From the preceding discussion, I analyze the effects of the appreciating interactive art works which are focused on new sensory systems, the methods to intuit the essence of the art works. Based on the concept, as I investigate the play attributes found in the interactive art works, this study gives attention to the possibility that if the spectators can reach the inherent aspects of interactive art works, while interacting them. Thus to discuss the properties of the play, this article studies play concept of Johan Huizinga(1872-1945), psychologist and anthropologist and play theory of Hans Georg Gadamer(1900-2002) who considers play as a metaphor for art. As Huizinga thinks acting is the important attribute of play, Gadamer argues whenever the term 'play' is used, we should think about 'to-and tro movement' and the movement is absence of goal as well as endlessly renews through repetition. Then what we should pay attention to, seeing the essence of art and play as similar? That is, Gadamer claims, we can understand the truth of things through the play. To apply the play concept to the interactive art works, I research the works of Maurice Benayoun(1957 - ), French interactive artist. By employing interactivity, he attempts to extend and affect the experience of his art works to one of social phenomenon. Striving this, spectators can widen and deepen the breadth of their intuition and recognize the essence of art works. It is the interactive art works that can be the apex of the transformation of structure from the play to the art. The endless repetitive process of play, which is free creation-annihilation process, is similar with the interactive experience of spectators that is variable, de-centered, and multi-sensory. The pure action of the play lets us recognize, sense and accept the world and through the system of interactive art experience, we can expand the horizons of perception. Interactive art works with these play attributes are capable of playing the role that the spectators glimpse the truth of things and experience the world around them.

  • PDF

Super-Peer 네트워크에 기반을 둔 Peer-to-Peer 시스템의 계층적 구성 (A Hierarchical Construction of Peer-to-Peer Systems Based on Super-Peer Networks)

  • 정원호
    • 한국인터넷방송통신학회논문지
    • /
    • 제16권6호
    • /
    • pp.65-73
    • /
    • 2016
  • 수퍼피어 네트워크에 기반을 둔 P2P 시스템은 기존의 하이브리드 P2P 시스템과 순수 P2P 시스템이 결합된 장점을 나타내고 있다. 수퍼피어는 어떤 일반 피어들의 집단에 대해 서버처럼 동작하는 특수한 피어이다. 수퍼피어들의 네트워크를 구성하는 문제는 수퍼피어 네트워크에 기반을 둔 P2P 시스템에 있어서 중요한 문제 중의 하나이다. 기존의 P2P 시스템들은 2 계층으로 구성된 피어들에 기반을 두고 있다. 하나는 일반피어들로 구성된 계층이고 다른 하나는 수퍼피어들로 구성된 계층이다. 수퍼피어 네트워크는 랜덤 그래프의 형태를 가지고 있는 것이 일반적이다. 그러나 대규모 일반 피어들을 수용하기 위해서는 수퍼피어 네트워크 또한 그에 맞도록 확장되어야 한다. 본 논문에서는 이러한 대규모 P2P 시스템을 위한 트리 기반의 수퍼피어 네트워크의 계층적 구성 방법이 제안된다. 먼저 두 개의 계층으로 구성되는 단순 수퍼피어 네트워크의 구성이 소개되고, 그것을 일반화 그리고 확장 시키면서 다중 레벨 수퍼피어 네트워크로 확장하는 알고리즘이 제안된다. 단순 수퍼피어 네트워크도 좋은 특징을 가지고는 있으나, 제한된 레벨의 수 때문에 규모성에 문제를 나타낼 수 있어, 좋은 규모성과 클라이언트 노드들에 관한 관리의 용이성을 보여주는 확장 수퍼피어 네트워크라고 하는 k-레벨의 수퍼피어 트리로 확장 시킨다.

영화 <아바타>가 보여주는 극사실적 애니메이션 스타일의 특이성 연구 (A study on the uniqueness of 's hyper-realistic animation style)

  • 이윤희
    • 만화애니메이션 연구
    • /
    • 통권20호
    • /
    • pp.47-61
    • /
    • 2010
  • 언캐니 밸리는 로봇학자 모리 마사히로에 의해 도입된 가설로, 사람들은 대상이 인간과 유사성이 있을수록 호감을 느끼지만, 인간과의 유사성이 매우 높지만 똑같지는 않은 지점에서 급격한 기괴함을 경험한다는 주장이다. 그 과학적 타당성에 대해서는 논란의 여지가 있지만 지금까지 관객들은 극사실적 스타일을 사용한 애니메이션에 대해 어느 정도 이상의 거부감을 표현해온 것이 사실이다. 본 논문은 최근 언캐니 밸리를 넘어 대대적인 성공을 거둔 영화 <아바타>의 성공요인을 분석하고, 무엇이 이 차이를 가지고 왔는지를 연구하였다. 이 영화들의 가장 큰 차이는 그들이 재현하는 것의 지시체라고 볼 수 있다. 기존의 극사실적 애니메이션들은 현실적 장면을 똑같이 재현하려고 노력하였는데, 그 결과 완전하게 성공적인 장면은 평범하게 느껴지는 반면 덜 성공적인 장면에서 나타나는 오류는 극도로 눈에 거슬린다는 단점을 낳았다. 극사실적 캐릭터들과 현실적 배우 사이에 느껴지는 미세한 차이는 관객의 몰입을 방해하기 때문에, 매우 설득력 있는 내러티브로 그것이 보상되지 않는 한 흥행에서 실패해왔던 것이다. 반면 <아바타>는 똑같이 극사실적 시각 스타일을 추구하면서도, 그것이 지시하는 대상은 관객들이 잘 알고 있는, 그래서 비교가 가능한 지시체가 아니기 때문에 언캐니 밸리로부터 자유롭다.

  • PDF

햄릿 공연을 위한 무대의상 디자인 (II) - 패턴 및 실물제작 - (Stage Costume Design for Performance Hamlet (II) - The Study on Pattern and Manufactured Product -)

  • 김순구;황성원
    • 한국의류산업학회지
    • /
    • 제6권1호
    • /
    • pp.41-50
    • /
    • 2004
  • This research proposes the on-stage costumes for the play Hamlet of Shakespeare performed by Yunheedan Guhri Pae - the Street Theater Troupe. Stage costumes have an important role in displaying the characteristics of each characters to the audience and has big visual effects. However, in order to design the costumes in the object viewpoints of the audience, the survey on the images of the characters who had actually watched the performance was taken place and proposed the costume design according to the results of the survey. Hamlet a: This result was applied to propose a sweater in black color, black leather pants and vest. Hamlet b: This result was applied to propose hooded coat in purple in middle level of brightness and color spectrum and yellow coat. For free image, loose pants in blue and vest in the same color tone were proposed. Gertrude a: This result was applied to use purple (violet) with reddish tone to propose the formation of a dress applying tailored suit. Gertrude b: This result was applied to propose purple gown and the one-piece dress with black laces. Ophelia a: This result was applied to propose feminine white dress and cape in purple color tone. Ophelia b: This result was applied to propose dyed and weaved clothes. Through the surveys as above, the images of each character was driven in adjectives, and using the results driven from the brightness, coloration, and color, color images were proposed. Only one costume cannot make up for the stage costumes and because it exists as an element of stage production, it is true that costumes are limited in some areas. However, that limit can become the motive of the costume. There is a limit, which the designer cannot produce the costumes as he or she had designed but I believe it is the center of the on-stage customers to display the characteristics of the characters according to the given concept. The limit of this research is the fact that because the costumes were designed so they fit the conditions already given, thus it was difficult to regard the process of designing and producing the costume as a project done according to the interaction. And in the future, if it is possible, I wish for the joint research with the people responsible for stage art to take place as a practical stage art. It was possible to produce practical costume since they were produced for actual performance and the production of costumes considering the dance steps, line of flow, and acting, was able to reduce the trial and error on stage. Through this research, I felt that the understanding and smooth interaction on diverse other areas not limited to the costume design should be taken place and believe that this was a research that proposes new research method since there had been only a few previous research regarding the on-stage costumes for actual performances. Therefore, this research had depended on the surveys given to the audiences to endow objectivity, however, I wish this research can contribute to defining effective process and methods for the on-stage costumes with more active researches with diverse methods and in diverse areas. I am sorry that the costume production for all the characters and all the scenes in Hamlet couldn't be done due to many limitations. As the following research assignment, I am planning on designing the costumes for all the scenes.