• 제목/요약/키워드: Culture Belt

검색결과 88건 처리시간 0.019초

17~18세기 의원군과 심익창 묘 출토 광다회(廣多繪)의 양식과 제작기법 (The characteristics and making techniques of the woven belts excavated from the tombs of Uiwon-gun and Sim Ikchang in the 17th and 18th centuries)

  • 박윤미
    • 복식문화연구
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    • 제29권5호
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    • pp.735-746
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    • 2021
  • Uiwon-gun (1661-1722) and Sim Ikchang (1652-1725) were people of the upper classes of the Joseon Dynasty, who's belts woven with thread were found in their graves. The purpose of this study is to find a term suitable for the belts of these two people and to reveal the characteristics of the two belts and decipher the 8-character text marked on Shim Ikchang's belt to understand its meaning. The terms used during the Joseon Dynasty related to woven belts include "Gwangdaho", "Daeja", "Bunhapdae", "Sagagda", "Bangseungah", and "Samunjikdae". Among these terms, "Gwangdahoe" is the most suitable to indicate the belts of for both belts. The belts are made of a silk fabric of narrow width. The size of Uiwon-gun's belt is 2.8×199cm, and because it is folded in half lengthwise and sewn, the original width is 8cm. It was woven in the imitation gauze technique. Sim Ik-chang's belt measures 10.5×258cm and is decorated with a woven net at the end. There are water and mountain patterns on both ends of the belt, with 11 lines of flower patterns equally spaced between. The belt is damask, the inscription part is made of brocade with letters expressed in golden thread. The meaning of the inscription is "Made in Hanbu. May you live a long and healthy life".

신도시형 혁신도시 문화공간의 복합화 조성 방안 -나주혁신도시를 중심으로- (Building Culture Complex Belt of Innovation City through Mixture of Cultural, Educational and Public Space)

  • 김항집
    • 한국콘텐츠학회논문지
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    • 제10권9호
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    • pp.421-431
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    • 2010
  • 지속가능한 국토개발과 지역균형발전을 위하여 세종시(행정중심복합도시), 기업도시(기업중심), 혁신도시(혁신클러스터) 등 다양한 형태의 신도시가 개발되고 있다. 특히, 세종시가 원안대로 추진되게 됨으로써, 혁신도시의 건설은 보다 탄력을 받게 될 전망이다. 기존 수도권의 신도시와는 달리 혁신도시는 공공기관 및 연구기관을 중심으로 혁신클러스터가 조성되고, 주로 지방의 중소도시 및 농촌지역에 신도시가 형성된 다는 측면에서 도시개발의 차이가 있다. 또한 인구는 대부분 2만 내외의 중소규모 신도시 및 신시가지로 개발되고 있다. 그러므로 혁신도시 내의 교육시설 및 문화시설은 도시규모 및 도시기능상 독립적인 수요를 확보하기에는 한계가 있다. 따라서 다양한 시설을 복합화하여 문화수요를 확대하는 것이 바람직하고 기존 모도시와의 공동이용을 도모하는 것이 도시관리의 차원에서 효율적이라고 할 수 있다. 본 논문에서 는 다른 혁신도시와는 달리 2개 광역지자체의 공동혁신도시이자 혁신도시 중에서 가장 규모가 큰 신도시형으로 조성되는 나주혁신도시를 사례로, 혁신도시 문화교육시설을 활용한 기능과 공간의 융복합적 복합 문화벨트의 조성을 기존의 분산적 문화시설계획방식에 대한 새로운 대안으로 제시하였다.

三國史記의 服飾硏究 Ⅵ -色服의 服飾 附屬品을 中心으로- (A Study on the Costume Accessories of Shilla in Sam Kuk Sa Ki(三國史記))

  • 김진구
    • 복식문화연구
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    • 제7권3호
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    • pp.1-16
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    • 1999
  • This study in concerned with the costume accessories appeared in Sam Kuk Sa ki. The accessories of both sexes were analized. Results of this research can be summarized as follows : It was appeared that names of accessories of men were fewer in number than those of women. Men\`s accessories such as a hat, bok-du, a belt,boots, shoes, and sock were mentioned in Sam Kuk Sa Ki. Women\`s accessories appeared such as a hat, a comb, a hair pin, a belt, shoes, and sock. A bok-du, boots, and a hared belt were used exclusively by men, while a hat, kwan(冠), a comb, a hair pin, a scarf, pyo( ) were worn exclusively by women. All men from different classes including true bone class as well as the common class wore bok-du, a hat, a hard belt, boots, sock ; however, class distinctions were made from materials used for those items. Also women\`s accessories were used as means of differentiating social status of the wearer by means of materials employed for each item. Especially, woman\`s hat and scarf were a symbol of the noble class. Only two classes of women from the true-bone class and women from the sixth du-pum class entited to wear hats. Wearing a scarf was not allowed to women from the common class. Class dirrernetiations were made by the materials used for hats and scarves. Materials for a scarf such as gold and silver leaf, pecock tail, and king fisher fly feather were restricted to women from true-bone class. Such as man\`s hat bok-du( 頭), use of women\`s comb and hair pin, scarf, leggings were items drived from Tang China. It clearly showed that costume accessories of Silla were heavily influenced by the Chinese. At the same time the costume accessories were sued to make sex difference among the people of Silla. Woman wore a soft belt made of cloth while man wore a hard belt. Woman\`s hat, a scarf, a comb, a hair pin, a belt or sash for a shirt, and leggings were woman\`s sex symbol. Thus, costume accessories of Silla appeared in Sam Kum Sa Ki functioned as means of differentiating social status of the wearer such as sex,class and rank in the society. Also, they showed that Silla kingdom had close cultural relationship with Tang China.

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금관가야의 복식 연구 -관모(冠帽), 허리띠, 신발을 중심으로- (A Study on the Costume of Geumgwan Gaya -Focused on Headgear, Belt, Footwear-)

  • 권준희
    • 한국의류학회지
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    • 제43권4호
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    • pp.532-548
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    • 2019
  • This study examines Geumgwan Gaya's headgear, belt, and footwear. The relics excavated from tombs were examined first, then earthenware and clay figurines, followed by the visual data of related neighboring countries. The results are as follows. The headgear of Geumgwan Gaya, identified in the relics, is daegwan (帶輪式立飾冠) and lip (笠). Daegwan is a diadem with branch-shaped ornaments. It has an organic cap with fabric and leather as well as ties the strings to both ends of the diadem. Lip can be seen in the mounted figure of the earthenware. In neighboring countries, the top of lip is round or straight, but Geumgwan Gaya's lip is pointed and curved slightly backward. In addition, from neighboring countries' data, it is considered that the conical hat and gun (巾) are worn in Geumgwan Gaya. The belt is made of cloth or leather. Geumgwan Gaya also uses a belt with an animal-shaped hook and Jin style belt. Jin style belt shows the association with three-Yan culture of the Seonbi people in patterns and forms. Footwear of Geumgwan Gaya is li (履) and boots. Li included leather shoes, lacquer shoes, straw shoes and wooden shoes. In addition, there are leather boots decorated with round ornaments.

"일대일로(一帶一路)" 전략 아래의 중의약(中醫藥) 해외 전파의 현실적인 딜레마와 대책 (The Predicament and The Solutions to Overseas Dissemination of Chinese Medical Culture Under the Background of "The Belt and Road")

  • 왕관은
    • 국제교류와 융합교육
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    • 제3권1호
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    • pp.77-86
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    • 2023
  • "일대일로" 전략을 세운 이래 중국은 중의약(中醫藥)을 해외에 보급하였고 더불어 중의약 교육 및 중의약 문화의 현대화라는 큰 성과를 거두었다. 그러나 중의약의 해외 보급 및 발전은 여전히 중국의 문화 강대국으로 발전시키고자 하는 국가의 전략적 요구와 중의약의 역사적 사명 사이의 격차가 여전히 존재하고 있다. 특히, 중의약의 문화 이론, 해외 전파 방식, 전문용어 번역 등에는 여전히 어려움과 이를 해결하고자 하는 도전은 여전히 잔존하고 있다. "일대일로" 전략의 맥락에서 중의약 종사자는 문화적 이상과 자신감을 강화하여야 한다. 또한 중의약 이론의 대중화를 미디어를 충분히 이용하여 강화하여야 한다. 더불어 중의약의 해외 보급 수단을 개선하고, 다문화 언어 교류를 가속화 해야 한다. 이에 중의약 문화의 혁신을 의사 소통 실천으로 실현하고 중의약의 대외 교류와 협력을 강화하며 중의약의 해외 발전을 촉진할 것을 제언하였다.

"기사계첩(耆社契帖)"의 "경현당석연도(景賢堂錫宴圖)"에 보이는 인물들의 복식 고찰 (A Study of Court Dresses Shown in Scene of the Royal Banquet Given by the King at Gyeong-hyeon-dang of Gisagyecheop)

  • 이은주
    • 복식
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    • 제58권1호
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    • pp.45-60
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    • 2008
  • This study reports a court dress culture in 1719 shown in the Scene of a Royal Banquet given by the King at Gyeong-hyeon-dang(景賢堂) of Gisagyecheop(耆社契帖). It can be summarized as follows: First, King Suk-jong(肅宗) attending a Royal Banquet for members of the Hall of Elder Statement wore the Ikseonkwan decorated with flowers, red Gollyongpo, Okdae, and Heukpiwha. The Crown Prince(王世子) also wore the Ikseonkwan decorated with flowers, black Goliyongpo, Okdae, and Heukpiwha. Second, senior statesmen(耆老臣) over the age 70 wore Sarno, Heukdallyeong with a crane rank tablet, belt, and black boots. Royal family members and officers also wore Samo, Heukdallyeong with a crane or silver pheasant rank tablet, belt, and black boots. Third, Sakum(司禁) of King's body guards wore Yungbok and Muyaebyulgam(武藝別監) wore Ja-geon and the green Jikryeong. Ui-jang-gun(儀仗軍) wore Pirip and Hongui, Haengjeon, and Unhae. Saboksikwan(司僕侍官) wore Samo, Heukdallyeong, belt, black boots, and a sword. Fourth, boy dancers(舞童) wore Buyongkwan, Kwanbok, skirt, belt, and black boots. Cheoyong-dancers(處容舞童) wore outfits in fine colors, wide pants, skirt, mask with an earring, gold colored belt, and white colored sandal. Hyeopryulrang(協律郞) wore Sarno and Heukdallyeong. Jipbak(執拍) wore Morabokdu and Noksaui, and Ak-kong(樂工) wore Whawhabokdu, Hongju-ui, Ojungdae, and Heukpiwha. Singer(歌童) wore Jajeok-dugeon, nokju-ui, and jajeokdae.

복식 관련 꿈에 관한 연구 (A Study on Clothing-related Dreams)

  • 정현숙;김진구
    • 복식문화연구
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    • 제10권1호
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    • pp.1-12
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    • 2002
  • The purpose of this study is to manifest the clothing-related dreams and to classify those in terms of the theme. The analysis of dreams which is inherent to Korean nationality can determine which dream is good or bad to men. The factors which influence the empirical way of interpreting dreams are following : the wearing of hat, the appearance, the color, length, and material of costume, the wearing of belt, the wearing of shoes, the wearing of socks, the acquiring of accessories, the cosmetic apparatus and sewing apparatus, the washing of costumes. They are predictive and traditional in Korean nationality.

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老乞大의 복식연구 (A Study on the Dress in Nogultai(老乞大))

  • 김진구
    • 복식문화연구
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    • 제4권1호
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    • pp.1-14
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    • 1996
  • The purpose of the study is to analyze the dresses appeared in Nogultai. In the analysis of this study names and kinds of fabrics, colors, motifs, places of production and names of dresses were examined. In the study various kinds of fabric colors and motifs of fabrics were appeared in Nogulta. Also a variety of silks such s brocade, damask, plain silks, ra, silk gauze, hemp cloth, cotton cloth, wool and fur were found. Colors of fabrics were of blue, green, indigo blue, red, light blue, brown, yellow, black and white were described. Mostly cleouds, flowers and mixtures of floral designs were used in silk brocades, Walrus was motif the only animal revealed in silk brocade. Nanching, Hanchaw, Suchaw were famous production centers of silk damasks, silk gauge and silk ra. Also Shantung and Suchaw produced good quality plain silk. Various kinds of coats, waded coat, wadded short coat, inner jackets, vest trousers, winter cap were included. Also accessories such as belt, cap, boots, socks, money belt, pouch were described. In addition, cosmetics, cosmetic kits and names of semi precious stones were mentioned. Seasonal garments differed according to kinds of fabrics and materials used. Wadded coat, wadded short coat, vest, winter cap and wool socks appeared as winter wear.

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소방차량의 안전벨트 설계 및 정책제안 (Design and Policy of Seat Belt for fire Engines)

  • 박경진;조철희;이봉우
    • 한국산업융합학회 논문집
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    • 제25권6_3호
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    • pp.1173-1182
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    • 2022
  • According to the National Fire Agency, there were 61 traffic accidents of Fire engines in 2021. That is an increase of about 80% compared to the previous year. And the number of injuries and deaths increased by more than 300%. According to the survey of this study, less than 25% of firefighters wore seat belts of Fire engines during dispatch, contrary to the rapid increase in injuries and deaths. About the reasons for why firefighters do not wear seat belts, It can be found in aspects that are related to personal consciousness, organizational culture, and firefighting dispatch. The number of dispatches will increase in the future, this is considered to be a serious problem for the stability of the firefighting organization. In this study, a seat belt should be designed newly and proposed to improve the seat belt wearing policy.