• 복식
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• 제51권1호
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• pp.145-162
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• 2001

This study focuses on how fashion products of our contemporary society of consumption are taking on a kitsch look, and on what kind of social and cultural meanings this phenomenon connotate. In general, kitsch is understood as an expression with a negative meanings such as aesthetic inadequacy or bad tastes. In our dairy life however kitsch has been highlighted as an another expressions of subjective beauty and gains positive meaning as almost all the people satisfy their desires through consumption of kitsch products. In order to prove the kitsch phenomenon in fashion products and social and cultural meanings, the researcher has Performed a case study on actual consumption of fashion products and the internal psychological meanings in fashion consumption. The internal psychological meanings of kitsch on consumption of fashion products are emotions and needs such as escape from reality. substitutional satisfaction, belonging confirmation, expression of individual taste, and fun, sexual amusements.

• Acta Via Serica
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• 제4권1호
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• pp.125-146
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• 2019

This paper deals with the question of the origin of polo. Although it is a sport that has been mainly active in the West since the nineteenthcentury, it is well known that British troops in the northern part of Pakistan learned about the sport from the local people there. Most agree that the origin of polo is Iran. However, in this paper, rather than specifying a specific area as the birthplace of polo, it is argued that polo was a cultural phenomenon commonly found on the Silk Road. This is based on the fact that polo has been known for centuries in China, the Korean Peninsula, and Japan, as well as throughout Iran, northern India, Tibet, Central Asia, and the Uighur Autonomous Region. Yet, the transmission of polo cannot be traced chronologically according to the supposed propagation route. This cultural phenomenon has changed over a long period of time according to the local environment, and the change was caused by mutual exchanges, not by one party. Therefore, there are limitations to interpreting cultural phenomena linearly. Thus, the origin of polo could also be identified with another area, namely Baltistan in modern day Pakistan, instead of Iran. These results support the argument that to understand Silk Road civilization, a process-centric approach based on 'exchanges', not a method of exploring archetypes to find 'the place of origin', should be utilized. Polo is undoubtedly an important cultural artifact with which to read the Silk Road as a cultural belt complex, as well as an example of the common culture created by the whole Silk Road.

• 산경연구논집
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• 제10권5호
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• pp.37-47
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• 2019

Purpose - It is well known that chemyon, referred to by Westerners as face, naturally penetrates the daily life of Asians and influences their cognition, emotion, and behavior. Studies related to chemyon have been conducted in marketing and consumer behavior fields (e.g., luxury products or brands, service failure and recovery, brand preferences, consumer decision making, wedding ceremony, gift giving). A bulk of studies demonstrate that chemyon influences consumption behavior in Asian consumers. Although chemyon significantly influences consumption behavior of Asian consumers, it is also a cultural phenomenon that is not completely explained within the Western viewpoint. Whereas a number of researchers have approached cross-cultural studies of Asian and Western consumers, a limited number of studies have examined it from the perspective of chemyom. The purpose of this study is to compare the phenomenon that chemyon (face) not only affects the consumption behavior of Asia and the West universally (pan-culturally), but also distinctively (culture-specifically). That is, the purpose of this study is to describe that chemyon (face) is not only a culture-specific phenomenon but also a universal phenomenon in the consumption behavior of Asian and Western consumers, even though the extent that chemyon (face) impacts consumption behavior is differentiated. This study aims to understand commonalities and differences between Asian and Western consumption behavior in terms of chemyon (face), and to suggest how to enhance marketing effectiveness in a global market based on understanding the consumption behavior of Asia and the West. Research design, data, and methodology - Using systematic literature review and meta-analysis, this study investigates consumption behavior of Asian and Western consumers from the perspective of chemyon (face). Systematic literature review was used to compare face (chemyon) consumption of Western consumers with that of Asian consumers. To verify systematic literature review, meta-analysis was also accomplished. Results - First, the influence of face (chemyon) on consumption behavior is observed in Western consumers as well as Asian consumers. Second, Asian consumers are more influenced by face (chemyon) than Western consumers. Conclusions - Overall, chemyon (face) can affect the consumption behavior of Asians as well as the consumption behavior of Westerners.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2000년도 Proceeding of CIN-KIN Joint Symposium 2000 on M.E.T. Under STCW 78/95 and SINO-KOREA MARITIME CONTACT IN MID-CENTURIES
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• pp.185-190
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• 2000

The concept of Chang Po-Go phenomenon is put forward and discussed in this paper from the point of view of international rationships in north-east Asia. Superfically, Chang Po-Go phenomenon showed trade prosperity on north-east Asia seas, but he nature of the phenomenon lies in the rising and strengthening of korea sea power. As works of the combination of general environment and individual heroism Chang Po-Go phenomenon can bring us some enlightenment on reform and open policy.

• 비교문화연구
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• 제48권
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• pp.135-191
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• 2017

본 연구는 프랑스 고유의 문화가 담긴 '공유문화 적재어'들을 선별하여 그 단어 속에 숨겨진 문화 콘텐츠들을 연구하고 이 단어들이 한국어에 차용되면서 새롭게 탄생한 문화 현상들을 탐구함으로써 프랑스와 한국 간의 상호문화교육을 위한 기초 자료를 형성하고자 하였다. 이를 위해 선별된 '공유문화 적재어'들을 프랑스 문화 내부적 관점과 상호문화적 관점이라는 두 가지 관점에서 연구하였다. 우선 프랑스 문화 내부적 관점에서 어휘문화적 접근으로 프랑스어 단어들 가운데 한국어에 차용된 단어들 중에서 의 식 주에 해당하는 프랑스어 '공유문화 적재어' 들을 선별하여 그 단어 속에 담긴 프랑스 고유의 문화를 사전적 의미, 문화적 현상, 숙어나 관용어 표현 속에 나타난 특별한 문화 현상에 대해 탐구함으로써 그 단어의 사전적 정의를 뛰어넘는 특별한 공시를 밝혀주었다. 나아가 상호문화적 접근으로 프랑스 문화와 한국 문화의 접촉으로 동일한 프랑스어 단어가 새로운 의미로 탄생하게 되는 과정들을 차용어의 변용 양상과 문화적 현상을 중심으로 탐구함으로써 두 문화 속에 작용하는 언어적 문화적 요소들의 유사성과 차별성을 살펴보았다. 그 결과 다음과 같은 현상들을 탐구할 수 있었다. 프랑스 '공유문화 적재어' 속에 다양한 문화와 역사가 담겨 있어 개별 단어들에 대한 탐구가 프랑스 문화를 깊이 있게 탐구하도록 할뿐 아니라 이들 단어가 사용된 숙어나 관용어 표현들을 통해 개별 단어 속에서 발견하지 못한 새로운 문화 현상들이 담화 속에 존재함을 알 수 있었다. 나아가 한국어로 차용된 프랑스어 단어들은 대부분 문화 간 교류에 의해 이루어지기 때문에 부정적인 이미지를 지닌 경우보다 긍정적인 의미로 사용되는데 의미의 왜곡이 일어나는 경우가 상당수 있었다.

• International Journal of Advanced Culture Technology
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• 제12권1호
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• pp.108-115
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• 2024

Contemporary Chinese "micro-perspective" painting is an artistic phenomenon that we cannot ignore. It is the young artists who focus on themselves and their communities, record their stories and emotions in their life fragments into the coming history, and diary paintings as "micro-perspective" paintings allow "marginal people" to find their place. Based on the analysis of the aesthetic form and aesthetic characteristics of Chinese contemporary art, this paper explores the three aesthetic dimensions and their inherent aesthetic value, and explains its significance from the perspective of "micro-view" aesthetics. In the contemporary context, "micro-perspective" painting has become a unique cultural phenomenon, a consciousness situation. However, this phenomenon has a very unique artistic value and cultural value for the youth art group and even the formation of aesthetic culture and zeitgeist in China's current society.

• 한국농촌건축학회논문집
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• 제21권3호
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• pp.25-32
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• 2019

This study is to derive the types of displacement and damage that occur in wooden architecture cultural assets. Although the wooden architectural cultural assets are being repaired through continuous maintenance, secondary problems frequently occur. This is because the root cause of the problem has yet to be solved. The types of displacement and damage that occur in the wooden architecture cultural asset are classified into three parts: the foundation section, the gagu section, and the roof section. In turn, the three main factors that lead to displacement and damages are the structures' load impact, the durability deterioration, and the imbalance. Load impact is a phenomenon in which the member is subjected to a load that causes deformation or cracks. Durability decline is a natural phenomenon that reduces the performance of lumber as a result of check shake, termite damage, and decay. The imbalance is a condition in which the lumber is twisted and the force balance is lost, due to either drying shrinkage or displacement of the gagu section.

• 복식
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• 제59권7호
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• pp.34-49
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• 2009

Carnival is an allowed chance to express ordinarily suppressed and overlooked emotions. Especially with strong meaning of daily overthrow masks, masquerades, and mask-costumes are essential for expressing methods and festival personality reasons. Carnival in modern society without losing a significant portion religion in a format suitable for the era of secularization and the transformation has been created of nothing, that is not a reflection of society is also a cultural phenomenon of its own internal social and external conditions through a variety of means can analogy cultural phenomenon is a stage. The purpose of this research comes from the carnival festivities, religious background, but the daily routine of life to know who joined his escape with the conduction of the role, going to enjoy the satire and humor, using the Dress to the eruption, which means that the form of the festival variety of analysis and with the victory of the expression of cultural phenomena and features on the festival and the dress for you should you wish to study.

• Perspectives in Nursing Science
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• 제1권1호
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• pp.50-65
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• 2004

Despite the new wave of diverse philosophical thoughts in nursing, the criteria for theory evaluation rarely incorporate the new thoughts in its realm. Especially, feminist thoughts, which have contributed to the development of nursing knowledge through incorporating diversities and complexities of nursing phenomenon and reflecting social, cultural, and historical contexts surrounding nursing encounters, were rarely incorporated into the evaluation criteria. In this paper, a feminist approach to theory evaluation is proposed based on a critical analysis of the existing evaluation criteria. First, a historical review of feminist thoughts is provided, and feminist principles across diverse groups of thinking within feminism are discussed. Then, theory evaluation criteria are historically analyzed and critiqued while considering the feminist principles. The critical points found in the currently available theory evaluation criteria include: (a) the evaluation criteria are based on objectivity, (b) they are ignoring gender differences; (c) cultural differences tend not to be seriously considered; and (d) contexts surrounding nursing phenomenon are rarely considered. Based on the critical points, four additional components for theory evaluation are proposed. The components are: (a) respect for subjectivity; (b) historical and sociopolitical contextual considerations; (c) gender sensitivity; (d) cultural competence; and (e) blueprint for action.

• 지적과 국토정보
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• 제49권1호
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• pp.85-101
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• 2019

컴퓨터기술의 발달, 영상해석 기술의 고도화 및 경량 무인항공기(UAV)가 대중화되면서 'UAV와 각종 센서의 융합을 기반으로 한 응용시스템(UAS)'이 산업계 전반으로 확산되고 있다. 국가문화유산물의 기록, 유지 관리는 물론 파손 시 복구를 위해서는 효율적인 정밀 3차원 현상 모델링 재현과 주기적 육안점검 기술이 필요하다. 본 연구의 목적은 초대형 마애보살입상의 정밀 현상모델링 재현과 육안점검의 대안으로 UAS 영상을 기반으로 한 사진측량방법의 효용성을 검증하는 것이다. 이를 위해 고려시대(918-1392) 제작된 국내 최대 마애불이며 당초문양의 '보관(모자)'이 특징인 보물 제1324호, 시흥 소래산 마애보살입상을 대상으로 UAS 영상을 획득하고 검사점에 대한 UAS 영상해석과 토탈스테이션 측량시스템 간의 측위정확도를 비교하였다. 또한, 실세계좌표계 상의 3차원 현상모델링 및 선각 현상을 도화하여 문화재청의 정량적 규격 값과 비교하며 유지관리를 위한 육안점검 작업의 대체 가능성을 검토하였다. 특히, UAS 영상해석과 지상 레이저 스캐너에 의한 3차원 재현 모형간의 중첩해석을 통해 두 기법간의 활용성은 물론 2년 전 후의 상대적 변동 상태를 검토하였다. 연구결과, 대형 마애보살입상의 정밀 현상조사 및 육안점검의 대안으로 UAS 영상 해석법의 효용성을 확인할 수 있었으므로 향후, 대형 국가문화유산의 현상조사와 유지관리에 그 활용이 기대된다.