• 한국과학교육학회지
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• 제33권2호
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• pp.501-510
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• 2013

창의적 문제 해결 과정의 핵심은 독특하고 다양한 아이디어의 생성이다. 따라서 아이디어의 생성을 어려워하는 학생들에게 이를 도와줄 수 있는 구체적 방안 마련이 요구되며, 이에 역발상적 사고 기법을 고려해 볼 수 있다. 이에 이 연구에서는 역발상적 사고 기법을 기반으로 한 아이디어 생성 과정의 특징을 대학생을 대상으로 조사하였다. 연구 결과, 역발상적 사고기법은 학생들의 관점 전환을 유도하며, 새로운 아이디어의 산출을 도왔다. 이에 학생들의 아이디어 산출을 지원해 주는 사고 틀로서 역발상적 사고 기법의 가능성을 확인할 수 있었다. 그러나 역발상적 사고가 좀더 효과적으로 이루어지기 위해서는 학생들이 산출된 아이디어에 대한 이론적 판단이나 가치 개입, 경험 등으로 인한 편견을 배제할 수 있도록 지도할 필요가 있다. 또한 학생들이 역발상적 아이디어에 대한 다른 사람들의 반대나 비판 등을 감수하면서 새로운 아이디어를 실행시키고자 하는 과제집착력이나 용기 등을 함양할 수 있는 방안 마련도 요구된다.

• 복식
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• 제60권9호
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• pp.95-105
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• 2010

The purpose of this study is in allowing thinking about the design development process which is more towards the visual and perceptional aspects related to the form structure by more diverse methods by typology of idea generation. To accomplish such goal, researches in the psychology, pedagogy, engineering, and consilient studies as well as related precedent researches and reference data in architecture, promotion, industrial design, and other art fields and fashion designs are collected and analyzed to see the study trend. In addition, in the content analysis method based on such, the idea generation was classified into types in consideration of relevancy, usefulness, and suitability with fashion. First, a concentrated thinking of a limited space is a method of leading an optimal design by focusing on solving the cause of a problem within a space which generates the problem. Second, plan thinking per section of structure decomposition is a method of dismantling the design problems per organization, thinking type, factor, and characteristic into sub-modules to re-interpret and re-organize the problems in various aspects. Third, an associated thinking through interpreting relationships among vocabularies is a method of selecting the marginal languages that allow a person to come up with concrete forms and the key words related to fashion to import the characteristics and attributes of the marginal languages and thematic relationship between the two terms to search the relevancy. Lastly, the free integrated thinking of language extension is a method of groping integration between other fields and fashion by free integration among the extended terms by extending the vocabularies through inferring metaphorical expressions founded upon individual's memories or knowledge concepts regarding theme words that do not allow concrete forms to come up.

• 복식
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• 제62권5호
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• pp.1-15
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• 2012

In a fast changing postmodern society, contemporary fashion is becoming more complicated and ambiguous along with other genres of art than ever before. This phenomenon reigning as a sociocultural paradigm can be defined as 'indeterminacy' and it means 'undecidability'. The purpose of this study is to clarify and analyze the indeterminate characteristics of contemporary fashion reviewing the theoretical background and the architectural formativeness as a comparative research. The core idea of deconstructivism dismantles a causal relationship between function and form in fashion and the conventional notion about clothes. Complexity theory, which is the study of chaotic dynamical systems, suggests the creative idea and concept of infinite possibilities on a formative method. Meanwhile, catastrophe theory of discontinuous change can be used as interpretative strategies for the process of deconstruction and reconstruction. As a result of this study, the indeterminacy of fashion can be analyzed into five semantic categories: irregularity, immateriality, randomness, complexity and changeability. The intrinsic value of the indeterminacy in contemporary fashion is the interaction with a sociocultural ideology and a technological environment as well as an expansion of formative expression. To conclude, it can be said that the indeterminacy in fashion is a new interpretation of the relationship among body and space, clothes and society.

• 한국의류산업학회지
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• 제19권3호
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• pp.259-266
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• 2017

In a contemporary fashion along with the advance of high technology, development of a new material is being increasingly emphasized and the need of creative convergence using a computer is being expanded. As a global designer who appeared through association between Japan and the West, Issey Miyake has been continually pursuing a new challenge and a solution using high technology, leading the globalization of Japanese fashion. This research aims at examining design characteristics of Issey Miyake collection's A-POC showing a new paradigm, that is, an innovative clothing manufacture system to input information on materials, colors and shapes into a textile machine based on the computer program and manufacture a cylindrical fabric for completion of seamless clothing without sewing or cutting. A-POC is evolving continually through the development of new materials including recycled fibers and organics together with diversification of processing technology. Besides, it shows design characteristics including an integrated manufacturing method, autonomy for customers' selection, practicality for comfortable wearing by the majority, environment friendly idea to reduce waste of fabrics and materials and a new presentation through convergence of exhibition concepts of modern art. This research on Issey Miyake's A-POC characteristics is expected to present a role of fashion designers in a new design idea and paradigm of contemporary clothing using high technology.

• 한국콘텐츠학회논문지
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• 제8권5호
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• pp.184-191
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• 2008

본 연구는 백제 무령왕릉 유물에서 장신구 문화원형을 디자인 소스화 하여, 예술적인 가치가 있는 장신구 개발을 목적으로 한다. 또한 백제문화의 다양한 이미지를 응용하여 전통성, 실용성, 예술성을 가미한 도자장신구를 제작하고자한다. 이에 본 연구는 백제 무령왕릉 전통 유물에서 장신구 소재를 찾아, 충남 공주 지역의 대표 문화유적 유물인 무령왕릉의 문화원형으로 도자장신구로 개발하여, 문화상품으로써 부가가치가 있다는 점을 제시하려 한다.

• 한국컴퓨터정보학회논문지
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• 제10권1호
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• pp.53-58
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• 2005

웹 기반 응용프로그램의 메뉴(Menu) 및 아이콘(Icon)등으로 구성된 인터페이스(Interface)는 사용자 인지체계와 적절히 순응되어야 한다. 특히 본 연구에서는 응용프로그램의 특정 기능이 아동의 효과적인 아이디어의 발상을 목적으로 삼고 있어, 이와 관련하여 사용자 인터페이스(User Interface)에 대한 세심한 연구와 분석으로 보다 합리적인 Web사용 환경을 조성할 필요가 있다. 이 연구에서는 디자이너의 아이디어 발상을 돕기 위해 개발된 CGTS의 전문적인 문자위주의 화면구성을 초등학생이 사용하기 쉽도록 메뉴구성과 아이콘의 유형, 선호하는 용어 등으로 CGTS를 수정하는데 목적을 두고 있다.

• International Journal of Internet, Broadcasting and Communication
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• 제10권3호
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• pp.73-80
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• 2018

This study introduces an interactive drawing system, a tool that allows user to sketch and draw with his own intentions. The proposed system enables the user to express more creatively through a tool that allows the user to reproduce his original idea as a drawing and transform it using his body. The user can actively participate in the production of the artwork by studying the unique formative language of the spectator. In addition, the user is given an opportunity to experience a creative process by transforming arbitrary drawing into various shapes according to his gestures. Interactive drawing systems use the segmentation of the drawing image as a way to extend the user's initial drawing idea. The system includes transforming a two-dimensional drawing into a volume-like form such as a three-dimensional drawing using image segmentation. In this process, a psychological space is created that can stimulate the imagination of the user and project the object of desire. This process of drawing personification plays a role of giving the user familiarity with the artwork and indirectly expressing his her emotions to others. This means that the interactive drawing, which has changed to the emotional concept of interaction beyond the concept of information transfer, can create a cooperative sensation image between user's time and space and occupy an important position in multimedia society.

• 정보관리학회지
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• 제28권1호
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• pp.69-88
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• 2011

연구 이용 수정 재배포를 허용하는 오프소스 소프트웨어(OSS)는 경쟁이 아닌 협력과 공유를 통해 발전해 나가는 도서관 정신과 유사하다. OSS는 사서들의 창의적 아이디어와 표준 업무프로세스를 기반으로 저비용 기술혁신을 실현할 수 있는 대안으로 평가되고 있으나, 지속적 발전을 위해서는 경험과 지식을 공유하는 성숙한 커뮤니티 정신이 요구된다. 본 연구에서는 커뮤니티 중심의 OSS ILS 사례인 KOHA와 Next_L을 심층 분석하고 이를 기반으로 국내 OSS ILS의 실현 방안을 제안하였다. 우리나라의 경우 관종별 도서관 컨소시엄을 중심으로 중소규모 도서관을 위한 OSS ILS 개발을 추진해 나가는 것이 바람직해 보인다. 그러나 아직 생소한 OSS ILS 필요성에 대한 현장의 공감대 형성, 커뮤니티 활성화를 위한 기운의 성숙이 전제되어야 할 것이다.

• International Journal of Costume and Fashion
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• 제6권1호
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• pp.1-19
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• 2006

This case study is to embody the birth of a beautiful goddess out of seashells in a contemporary fashion design collection, on the basis of the mythology of The Birth of Venus. The main theme attempts to reinterpret the image of the goddess of love and beauty and express the organic vitality of seashells and oceanic feelings by swirls in motion. To accomplish this, three dimensional silhouette of layered forms of voluminous outer and fitted inner is applied to design ideas with spiral curves. The opposite texture of something sculptural and transparent versus smooth and shiny is used to express the layered structure of seashells with the delicacy of goddess. Neutral colours and different tones of pink appeal to oceanic feelings and feminine emotion in a modern way. Various techniques by the geometric simplicity of flat patterns and pleating with boning are also performed to express the vital movement of organism. Throughout the whole process of this case study, the conceptual idea of Swirls in Motion - a goddess and seashells is reinterpreted to a contemporary fashion by personal and creative design development process. In particular, it is evaluated by the process of primary researches, various design developments and experimentations to the main theme.

• 한국실내디자인학회논문집
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• 제22호
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• pp.123-131
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• 2000

The purpose of this study is to propose a new design concept and properties within new paradigm. Contemporary students of architectural design seem to redefine the mechanic and reductive approach to design method based upon Euclidean geometry. In this study, the organic space-time and holistic view-point that constitutes the background for all this is radically different from the modern design. It consists of three sections as follow: First, it presents a concept of complex system and properties of complexity that we find in new natural science and tries to combine that news geometry with architectural design to provide a methodological basis for morphogenesis and transformation. Second, the complexity in architecture is defined as a fractal shape, folded space, and irreducible organic system that cannot be fully understood by modernist idea of architecture. Third, the complexity in architecture is strategy based on the electronic paradigm that would enable the emergence of creative possibility. The complexity theory offer new insights to explain not only natural laws but also define dynamic architecture. In fine, this study places a great emphasis on the organic world-view to the spatial organization, which I hope will contribute to generating a greater number of creative possibilities for design.