• 한국콘텐츠학회논문지
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• 제15권6호
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• pp.148-156
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• 2015

체호프는 그의 단편들 중 여성들의 '육체적 욕망과 부정(不貞)'을 강하게 묘사한 작품들을 통해서 그가 그리고자 했던 '있는 그대로의 삶' 속에서 그만의 에로티시즘을 탄생시켰다. 체호프의 에로티시즘은 남녀간의 '관능성의 문제'를 부각시키면서도, 동시에 에로티시즘만이 요구하는 표현들에 국한되지 않는다. 체호프는 그 특징적 작품들 속에서 여성들이 왜 부정하게 되었는지 근본적 원인에 대하여 밝히고 있으며, 육체적 욕망과 도덕성 사이에서 겪게 되는 심리적 갈등에 집중한다. 체호프에게 성적 욕망에 있어 불완전한 여성들의 '부정과 일탈'은 결국 그들의 더한 '불행함'으로 귀결된다. 본 필자는 체호프 단편들 중에서 에로티시즘적 특징이 두드러진 세 작품 <약사의 아내>, <아가피아>, 그리고 <불행>을 중심으로 체호프식 에로티시즘의 배경과 정의, 그리고 특징들에 대하여 알아보고, 각 단편의 텍스트 분석을 통하여 작품 속에 녹아있는 그만의 에로티시즘적 특징들을 구체적으로 살펴보고자 한다.

• 한국실내디자인학회논문집
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• 제18권6호
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• pp.85-95
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• 2009

Since the early stages of philosophy in ancient Greece, reason has prevailed over sensation, based on the idea that it was the recognition of the ideal world existing as the archetype of objects. Abstract concepts followed geometric models, though they be invisible. However, from the beginning of 20th century, people began to be interested in the idea in metaphysical philosophy, that reason might not be a characteristic best representing the human spirit, and that a human being is composed of emotion, desire and the physical body, in addition to reason. The study shows that paintings and constructional space have shown similar changes through the stream of time, and have a synchronistic relationship within the range of the formative arts, based on the contemporary philosophy. First of all, it defines the change of contemporary thought and its analysis words. And consider the Corporality which is one characteristic of contemporary thought. This study shows the characteristic of the Corporality in the architectural space of Rem Koolhaas whom it selected the architecture who is influenced by Post-structuralism. In conclusion, It compares paintings and architectural space and looks into the correlations among them in the category of the Corporality which is a pont of view from contemporary thought. As a result of the comparison, the Corporality in paintings is defined as (1) An escape form Reason, (2) An emphasis of experienced events and (3) A destruction of forms. It defines the architectural space of Rem Koolhaas corresponding with the Corporality in paintings has a characteristic of (1) The space of Body without Organs, (2) Becoming spatial concept of events and (3) An Unrestrained Form.