• The Journal of the Korea Contents Association
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• v.15 no.6
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• pp.148-156
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• 2015

Some of Chekhov's short stories strongly depicted 'women' physical desire and the sins of the flesh. Chekhov created his own eroticism in life as it is through the stories. While the Chekhovian eroticism naturally emphasized on 'sensual issue' between men and women, it is not limited to the erotic expressions only. In the stories, Chekhov is saying about the fundamental causes that why women must cheat on their men, so that he focused on their mental conflicts between corporalities and morality. Finally, women' infidelity and deviance make them cause misfortunes more than ever. Focusing on the best Chekhovian eroticism short stories, , , and , the writer explores Chekhovian eroticism's background and definition, and characteristics by analysis each text deeply.

• Korean Institute of Interior Design Journal
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• v.18 no.6
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• pp.85-95
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• 2009

Since the early stages of philosophy in ancient Greece, reason has prevailed over sensation, based on the idea that it was the recognition of the ideal world existing as the archetype of objects. Abstract concepts followed geometric models, though they be invisible. However, from the beginning of 20th century, people began to be interested in the idea in metaphysical philosophy, that reason might not be a characteristic best representing the human spirit, and that a human being is composed of emotion, desire and the physical body, in addition to reason. The study shows that paintings and constructional space have shown similar changes through the stream of time, and have a synchronistic relationship within the range of the formative arts, based on the contemporary philosophy. First of all, it defines the change of contemporary thought and its analysis words. And consider the Corporality which is one characteristic of contemporary thought. This study shows the characteristic of the Corporality in the architectural space of Rem Koolhaas whom it selected the architecture who is influenced by Post-structuralism. In conclusion, It compares paintings and architectural space and looks into the correlations among them in the category of the Corporality which is a pont of view from contemporary thought. As a result of the comparison, the Corporality in paintings is defined as (1) An escape form Reason, (2) An emphasis of experienced events and (3) A destruction of forms. It defines the architectural space of Rem Koolhaas corresponding with the Corporality in paintings has a characteristic of (1) The space of Body without Organs, (2) Becoming spatial concept of events and (3) An Unrestrained Form.