• Journal of Conservation Science
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• v.37 no.5
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• pp.536-544
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• 2021

In the present study, safe management and value improvement of bamboo sunblind, which is an item of cultural heritage, were performed by adopting stable conservation treatment methods. The bamboo sunblind used in the present study was excavated from No. 1 catchment site in Baesanseongji, Busan. It was determined that the main material used to make the sunblind was bamboo, and herbal plants were used to weave the bamboo using lacquer as an adhesive agent. All contaminants and soil adhered to the sunblind was removed. Thereafter, the sunblind, which was recovered in the form of blocks, was washed separately after fixing it to a temporary plaster frame and to avoid the blocks from breaking during washing. Then, polyethylene glycol (PEG) impregnation was utilized for the reinforcement treatment. Based on the preliminary test results, the shape of the sunblind was fixed using a stainless-steel frame to prevent physical damage that may occur during the drying process. Thereafter, the bamboo sunblind was vacuum freeze-dried. PEG 20% (in ethyl alcohol) was applied as a surface treatment agent for stabilization the sunblind. After the surface treatment, the bamboo sunblind were joined together to fit the maximum width, and the rectangular shape of the sunblind was restored-as best as possible-while filling in the missing parts by maximizing the use of unknown members such as in the disturbed layers below bamboo sunblind surface. The conservation treatment was completed by fixing the bamboo sunblind into the fabricated frame.

• Journal of the Mineralogical Society of Korea
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• v.21 no.2
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• pp.183-192
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• 2008

Stone cultural heritages in Korea are mostly situated out door without any notable protection thus there are severe damage from chemical and biological weathering. This in turn, causes deformation and structural damage. To counter act this problem and to increase durability, various kinds of conservation materials are used in the conservation and restoration treatment. However, there are not many practical and technological experiment done on this subject. This paper attempts quantitative evaluation of effectiveness of ethylsilicate based resin for Namsan granite in Gyeongju. When two different materials with different ethylsilicate concentration were compared, the result indicated decrease of absorption and porosity with increase of ultrasonic velocities, uniaxial compressive strength, elastic constant, tensile strength and Poisson's ratio. In addition, comparison of physical characteristic of the conservation material resulted favorably toward ones with higher concentration of ethylsilicate. This is due to the ethylsilicates characteristic to fill the internal pores of stone. There is discolouration of stone surface after treatment with conservation material. This was more prominent with the product of higher ethylsilicate concentration.

• Journal of Conservation Science
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• v.33 no.3
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• pp.155-165
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• 2017

As interest in the public display of art and outdoor sculptures is increasing, the conservation and treatment of these sculptures is becoming increasingly crucial. Long-term exposure to the natural elements and atmospheric pollution can cause corrosion and deterioration in outdoor sculptures. In the case of Kim Chan Shik's "Feeling", which was exhibited in the outdoor sculpture park at the National Museum of Modern and Contemporary Art (MMCA), the patina of the sculpture was damaged during a long outdoor exhibition. Therefore, the treatment process was as follows: recording of condition, sanding, repatination, and wax coating. Consequently, the sculpture was restored similar to the original. Chemical analysis revealed that the sculpture was crafted from bronze and was cast from a quaternary alloy of Cu-Pb-Sn-Zn. The welding is lower in Zn, Sn, and Pb content than the metal used in the sculpture itself. Bright strains contain about 13.0 wt% Sn and 10.5 wt% Pb. The strains are higher in Sn and Pb content than the rest of the metal in the sculpture (7.0 wt% Sn and 4.4 wt% Pb). As a result of component analysis and microstructure observation, the material is estimated to have been made by casting without artificial treatment.

• Journal of Conservation Science
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• v.34 no.5
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• pp.319-331
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• 2018

The collection of the National Museum of Modern and Contemporary Art, Korea, features a sansu folding screen that was created in 1940 to commemorate the sixtieth birthday of Soseok Kang Jin-Koo. It was created by six oriental painters, who were among the ten best painters in that era. The folding screen has been previously repaired and restored; however, owing to damage such as twisting of its wooden frame, abrasion, and moisture stains, rigorous conservation treatment is required. Hence, scientific research was conducted to analyze the textile, paper and pigments employed while creating the folding screen, to identify the associated material properties. Results showed that the textile used in the screen's picture and janghwang comprise synthetic fibers and natural fibers such as cotton and silk. Various types of papers were used in the folding screen, such as those from mulberry, herbaceous, and coniferous fibers. Furthermore, calcite deposits were found on the base of every picture, and certain colors employed by the artists appear to be produced from different pigments.

• Conservation Science in Museum
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• v.9
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• pp.85-93
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• 2008

Conservation science team of the National Museum of Korea has conducted conservation treatment for 3 pieces of portraits as a part of project for publishing illustration book of relics of paintings and writings. Among them, portrait scroll of Jo Gyeong is a representative portrait of Seonmoogongsin rank in 17th century of Chosun, which was donated in 1997 and its whole body painted on silk was scrolled. This portrait was in poor state including the silk of portrait got loose from lining paper completely and exfoliation of the pigments. Accordingly before preservation treatment, production technique and the quality of the material lining were surveyed through scientific study(investigation through microscope, XRF, X-ray) and preservation treatment was conducted in order of disassembly, cleaning, removal of lining paper, infiling of the missing parts, lining, finishing.

• 보존과학연구
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• s.30
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• pp.79-91
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• 2009

Stone cultural heritages are mostly situated in field, so they are damaged from mechanical, chemical and biological weathering, and their degree of strength is also weaken. Therefore, the scientific conservation of the stone cultural heritages are necessary in order to the long-term maintenance and safety conservation. In this study, we attempt to estimate on the field application of consolidants which are Wacker OH 100, Remmers KSE 300 and 1T1G according to the quality of the rocks. Based on the ultrasonic velocity, conditions of weathering damage before treatment are mainly ranked completely weathering condition (CW) or partly highly weathering condition (HW). After the first treatment, weathering damage conditions are changed by the high weathering condition (HW). These results shows that the internal pores of stone are filled with consolidant materials, so average ultrasonic velocities increases after treatment. And Remmers KSE 300 which is consolidant material is highest rate of increase of average ultrasonic velocities.

• Conservation Science in Museum
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• v.15
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• pp.26-37
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• 2014

The Department of Conservation Science at the National Museum of Korea carried out conservation treatment on a prized glass ewer ^{Designated as Korean National Treasure No.193} in order to enhance the ewer's structural stability and restore its true color and transparency. Prior to the conservation treatment, experiments were conducted on various materials ^{e.g., Epoxy Resin, Acrylic Resin, Photopolymer Resin, Water Glass} in order to select the most suitable materials for glass conservation. As a result, cyanoacrylate, acrylic, and photopolymer resin were found to be the most appropriate as adhesives, and acrylic resin was an appropriate restoration material. Notably, however, cyanoacrylate resin must not be used solely, and epoxy resin must be detachable.

• 보존과학연구
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• s.29
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• pp.5-18
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• 2008

Hanji among paper, which is material for support of the organic artifact such as painting and Thangkas, is given as much importance as the original material in the conservation treatment of artifacts. This lining paper can go through physical and chemical deterioration due to its organic nature, and inflict serious damage to the original materials of the artifact. There is a lot of difficulty in keeping continuous production of the paper mulberry fiber based on lining paper due to a short supply of raw material and discontinuation of traditional method. Also restoration and conservation treatment is done by relying only on the knowledge and skill of few experts without any recognized manual based on scientific analysis. In this study, we evaluated the stability of lining paper which is used to support organic artifact. As the result of experiments, this lining paper was made from mulberry tree in Korea and produced by means of oebal method, but was not treated by starch in its surface.

• Conservation Science in Museum
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• v.14
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• pp.115-124
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• 2013

Disassembly and restoration work of Janghang-ri Stone Standing Buddha in the outdoor exhibition hall of Gyeongju National Museum were conducted for safe management of the collection due to problems like weathering of bonding materials by the outer environment, fixation of pollutants on the surface, and cracks by unidirectional load of rocks. A drawing was made through three-dimensional precise actual measurement, basic material research was conducted, and cement mortar and resin of the weathered part were removed. The restored part was bonded and restored by new stones using the same kind of rock. In addition, in order to prevent damages from microorganisms, fumigation treatment was made. It is under continuous observation.

• Journal of Conservation Science
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• v.26 no.1
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• pp.43-60
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• 2010

This study was investigated quantitative and objective making techniques for molding clay of Four-guardian statues in Songgwangsa temple. Also, basic data about the provenance of molding clay was acquired for the restoration using same materials when the conservation treatment is carried out. As a result, molding clay used the Four-guardian statues was identified the very similar soil regardless of layers and objects. But molding clay differed in particle sizes and contents of organic matters according to the first layer to finish layer in relatively thick parts. Also, it was used one kind of soil without the layer distinction in thin parts. The restoration soil was applied to genetically similar soil as molding clay of the Four-guardian statues, and showed a difference of careful selection degree according to the layers. As a result of the provenance interpretation, the soil distributing presumed provenance was confirmed the same origin as molding clay. Therefore, the soil is appropriate for the materials of conservation treatment. This result will contribute inorganic material research and conservation treatment for the clay molded Four-guardian statues in Korea.