• 한국초등과학교육학회지:초등과학교육
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• 제30권3호
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• pp.340-352
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• 2011

The purpose of this study was to analyze effects of teaching materials for elementary science gifted conception about object recognition. Elementary science gifted have misconceptions that they can see in lightness. They can not explain how a shadow is made. This paper reports in-depth investigation on elementary science gifted's understanding of object recognition focusing on process of light. A program is developed to elementary science gifted in the subject matter. The tutorial emphasizing the process of light consists of pre-test, worksheet, and post-test. The Tutorial has 4 steps; darkness and light, light on things, light reached eyes, structure of the eyes. Each steps has 2~4 experiments. Through the tutorial, we expect their misconceptions can be changed into scientific conceptions. For the research and analysis, a questionnaire is posed to 39 elementary science gifted at M Elementary School in D Metropolitan City. The first method of product analysis makes a comparative study of pre-test, post-test score, and hake gain each test. As a result, total score of all student was raised. And hake gain of pre-test(II) is 0.6, hake gain of post-test is 0.68. It is Medium gain. Also, elementary science gifted could understand how we see through the tutorial emphasizing process of light. And their misconceptions can be changed into scientific conceptions.

• 디지털융복합연구
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• 제16권12호
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• pp.123-135
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• 2018

본 연구는 플랜트 엔지니어링 산업에 속하는 대기업들의 공급망관리 도입과 운영에 대한 문제점을 살펴보고 이를 개선하기 위한 기본틀을 제시하는데 목적이 있다. 관련 자료의 축적을 위한 사례연구결과, EPC 형태의 사업운영과 더불어 프로젝트 관련 결정의 조정능력 및 정보공유 부족, 적절한 위험 및 변화시스템의 부재 등은 납기지연 및 예산 초과로 이어진다는 것도 알 수 있게 되었다. 공급망의 정보화는 경쟁력 제고와 직결되므로, EPC 프로젝트 공급망의 협업관련 정보화와 정보공유 수준을 살펴보기 위해 공급망을 구성하는 협력업체에게 설문조사를 실시하였다. 통계적 분석결과, 정보공유, 디자인과 설계활동의 조기참여 및 SCM에 대한 인식은 공급망 상의 협업에 긍정적 영향을 미치나 협력업체의 정보화나 평가는 유의미한 영향을 미치지 않는 것으로 나타났다. 이외에도 설계 및 엔지니어링, 조달, 시공의 여러 부문을 통합하는데 기여할 수 있는 프로젝트 공급망관리 모형을 제안했으며 이를 통해 몇 가지 실무적 시사점도 기술하였다.

• 한국초등과학교육학회지:초등과학교육
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• 제34권4호
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• pp.357-371
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• 2015

Even after learning electric current, elementary school students have various non-scientific conceptions and difficulties. Because flow of charge is not visible. Also elementary school students do not learn theory but phenomena, so they cannot transfer theoretical perspective to new situation. In this research, we have designed instruction based on PhET simulation visualizing flow of electric charge and applied it to 37 science-gifted students in elementary school for measuring conceptual understanding. As a result, six out of the seven Hake gains of question set are high gain and just one is middle gain because the students have understood the flow pattern of the charge through circuit elements such as light bulbs, wire, as well as battery with PhET simulation and it gives a chance to create various questions spontaneously about electric current. Also they become able to do spontaneous mental simulation without PhET simulation about flow of charges. This research, suggest that developed materials using PhET simulation could be used as not only program for gifted students in elementary school, but also the electrical circuit section in an elementary science curriculum.

• 한국도서관정보학회지
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• 제33권3호
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• pp.193-214
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• 2002

이 연구는 최근, 대학도서관 뿐만 아니라 특수ㆍ전문도서관 등에서도 자주 나타나고 있는 PDL의 등장 배경과 지식기반사회에서 PDL의 개념이 어떻게 형성되었는가를 살펴보았다. 또한, 이와 관련한 사례들을 함께 살펴봄으로써 현행 PDL 개념의 확장에 관한 발전적 제안을 발견하게 되었는데, 이것은 향후, 이용자 중심의 PDL모형을 개발하는데 있어 중요한 기초 자료가 될 것이라 생각한다. 이 연구에서 밝혀진 PDL모형 개발시 유의점은 다음과 같다. \circled1 개인화가 발생하게 된 사회 환경의 변화에 그 의미를 찾아야 한다. \circled2 제공되어지는 콘텐츠는 제한을 두지 않아야 한다. \circled3 개인의 요구조건을 충분히 만족할 수 있는 시스템이어야 한다 \circled4 시스템구현 방법은 공개적이어야 하며, 계속적인 지원이 가능하도록 오픈소스 개념으로 개발되어져야 한다.

• 한국실내디자인학회논문집
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• 제14권2호
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• pp.169-177
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• 2005

The purpose of this study was to find the characteristics of the exhibition space planning methodology as 'Spatialization of Knowledge' through analyzation of the spatial structure in the contemporary museum architecture. The result of this study is expected to apply in designing an exhibition space and may become a target point. Further more this study can result a museum design to assist actual museum to fully function and play a role as a service facility for users by containing broad knowledge and fair understanding of user's needs in museum planning. Basic survey of museum architecture history will help visualizing conceptual structure of the museum exhibition and the 'Space Syntax' method has been used to make this conceptual data more objective. This study found that the contemporary museums most likely to include in its planning the various spatial organization in order to convey knowledge. The result reflects the needs of modern society which shows the design accepting individuality in society with variety of needs. And this also explains that museum space organization has to reflect various ways or methods of conveying knowledge. In addition, users have tendency to prefer more open space organization for easy access and approach in exhibition environment. It is clear to see the change in today's viewing pattern that the users prefer flexible exhibition space where they can be more proactive in receiving knowledge by following their own circulation over architecturally constrained circulation pattern within the exhibition area.

• 한국의류학회지
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• 제37권7호
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• pp.935-951
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• 2013

The recent entry and heated competition of numerous fashion brands in the luxury fashion market have all compelled luxury businesses to change. The issue of brand equity has emerged as one of the most critical areas for luxury marketing management. Despite strong interest in the subject, there is little evidence of how brand equity is created by marketing activities and what their effects are. This study identifies the effects of luxury marketing activities on the brand equity of luxury items, utilizing Keller's (2001) 'CBBE (Customer Based Brand Equity) Model' as a theoretical framework. Based on literature review, a conceptual model for brand signature, heritage, premium price, controlled distribution, and promotion on customers' view on brand equity was tested. To test the hypothesized building paths of luxury brand equity, statistical analysis were performed with an AMOS 7.0 program using a confirmatory factor analysis and structural equation model. The results were: First, luxury brand equity was defined in terms of four components (brand awareness/association, customer judgment, customer feeling, and customer-brand resonance). Second, the proposed conceptual framework of this study was partially significant. We can provide an effectiveness of Keller's CBBE model to conceptualize the building process of luxury brand equity; subsequently, marketers should develop core elements to position a brand strategy to create a competitive advantage.

• 한국도서관정보학회지
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• 제36권2호
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• pp.221-239
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• 2005

FRBR(Functional Requirements for Bibliographic Records)은 개체-관계형 모델을 기반으로한 서지 정보의 새로운 개념 모델로 향후 개정될 AACR 3의 기본 개념으로 자리잡고 있다. JSC(Joint Steering Committee for Revision of AACR)는 FRBR 개념을 수용하기 위한 다각도의 작업을 진행하고 있으며, 특히, 표현형 계층 문제를 해결하기 위하여 통일 표제의 전면적인 용도 변경과 GMD(General Material Designation)의 개선을 건의한 상황이다. 본 연구에서는 FRBR의 발전 과정과 표현형 계층의 문제점을 분석하고 FRBR 개념 수용을 위한 AACR3의 개정 방향을 고찰한다. 또한 이러한 세계적 흐름에 따른 우리 목록 규칙과 목록 레코드의 실제 작성 현황을 분석하고 문제점과 앞으로의 발전 방향을 모색해 본다.

• 한국의상디자인학회지
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• 제13권3호
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• pp.55-67
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• 2011

The purpose of this study is exploring the expressional characteristics of organic fashion design different from the past by analyzing the expressional characteristics of organic fashion design dependent on the digital paradigm and simultaneously suggesting the theoretical data required to understand the changing trend of organic design in relation to the paradigm of the age. The results of the research is as follows; The expressional characteristics of organic fashion design according to the digital age appeared to have same aspects. Pluralism respecting multi-culture, hybrid of multi-meaning image, circulation that can consistently circulated, non-hierarchical post-structure, de-boundary through dissolution of genres, digital nomad considering mobility, human centered through significant sensitivity, de-materialization of assimilation between reality and non-reality, conceptualization given the concept of designer, technology combining with digital technology. This study found that organic fashion design in the digital age has the same conceptual context as periodical paradigm freely circulating consistently by organically combining each individual. This can be understood as the trend of design implied in conceptual context that organic fashion design requires periodical paradigm.

• 한국주거학회논문집
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• 제25권3호
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• pp.115-121
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• 2014

This paper draws the home into the stream of information and communications technology (ICT) development. Considering that homes and our home life are constantly affected by persistent change influenced by ICT, it is remarkable that ICT has been relatively neglected as an object of research in the field of housing studies. This study provides an overview of conceptual movements in ICT/home relationships and their design and social impact through a critical discourse analysis. The conceptual movements must be considered by professionals in the field of housing and built environment to stay attuned to changes in the 21st Century. Diverse debates took place in the discourse about ICT in relation to home. The stream of thought was started by futurists who saw the electronic cottage as a solution to the social problems caused by the separation of work and home life in industrial cities. ICT has now entered a new phase, with WiFi P2P networks and location-based social media that encourage sharable homes. Based on the analysis of the discourse on ICT and home, we drew from three issues related to the paradigm shifts in homes in the context of ICT development to provide future directions for housing studies: from space programming to time scheduling, from individual ownership to shared access, and from live+work dwelling to live+work+community.

• 한국조경학회지
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• 제34권1호
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• pp.59-68
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• 2006

This paper examines the conceptual shift of wilderness and its legacy to the contradictory view of nature in landscape architecture tradition. In hunting and gathering societies, there was no dichotomy between the cultivated environment and wilderness. 'Wilderness' is a word whose first usage marks the transition from a hunting-gathering economy to an agricultural society. We can identify two archetypal responses to wilderness: classical and romantic. In the classical perspective, wilderness is something to be feared-an area of waste and desolation. The conquest of wilderness and the creation of usable places is a mark of civilization. For the romantics, in contrast, untouched wilderness has the greatest significance; it has a purity that human contact tends to sully and degrade. Wilderness for the romantics is a place to revere, a place of deep spiritual significance, and an object of aesthetic experience. In the Western world, the classical position predominated until the last two hundred years when the romantic concept began to gain more ground. The shift was made possible by the change in the way nature is understood. Modernity and modern science objectified nature. The transition of the concept of wilderness exemplifies the objectification and pictorialization of nature. Wilderness in the modern era is not different from the pastoral landscape which can be controlled by landscape architects.