• 한국의류산업학회지
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• 제15권5호
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• pp.682-693
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• 2013

Camouflage is evaluated by scientific principle in the fields of biology, military science, and art. It has a strong influence on contemporary fashion and means exposure with concealment. This study analyzed the visual characteristics of camouflage patterns in fashion design through documentaries and fashion photos. The fashion design results areas follow. The simple blending of a disruptive motif indicated an inaccurate repetition of a disruptive motif, the discontinuous or continuous connection of disruptive motif, the irregular repetition of a disruptive animal silhouette, the collage of a different disruptive motif, the craft of a disruptive motif and the intensive color match of a disruptive motif. It represented the maximization of complication, fantastic and fanciness. The overlap of a disruptive motif showed the overlap of disruptive print patterns with transparency and an overlap of different fabrics with a disruptive pattern. It represented spatial relationships of three dimensions as well as the maximization of visual illusion and the reinforcement of attractiveness. The blurring of a disruptive motif showed the pointage of disruptive motif, the pointage of image, value gradation, the whole blurring of a disruptive pattern cluster and stained appearance. It represented the obscurity of motif form, the uncertainty of object and double meaning. The trompe l'oeil of a partial background object showed the realistic and the painterly imitation of color and texture for partial objects through a close-up. It represented amazement and pleasure by illusion, scarcity and the decoration of surface and synecdochical remind. In conclusion, camouflage in fashion was weakened and modified from a classical military context by a unique expression of various motifs.

• 한국의류학회지
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• 제32권8호
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• pp.1264-1273
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• 2008

The purpose of this study is to analyze protection functionality of supermodern fashion which is shown by responding to supermodern environment, where non-spaces increases in the 21st modern city. The theoretical background is drawn for supermodern environment theory. For the study, he researcher used existing study and specialized book and analyzed photograph materials by selecting them in specialized fashion book, internet site and designer's collection. The works from 1995 S/S collection to 2008 S/S collection are analyzed. The result of this study is as follow. First, supermodern design is adopting the shape of high-functional element, electronic device, protective device to protect wearer in non-space. Second, in order to mentally protect individual anonymous leadership of interaction is granted by adopting hood, veil or mask. Third, supermodern design is creating independent and user-based space by shape transformation in change of urban environment. Fourth, in order to protect wearer through camouflage or concealment, camouflage pattern or neutral color are used.

• 융합보안논문지
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• 제24권1호
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• pp.77-82
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• 2024

최근 연구를 통해 다양한 물체 탐지 및 분류 모델은 전반적으로 크게 성능 향상이 이루워졌지만, 물체가 부분적으로 노출된 상황에서의 물체 탐지 및 분류에 대한 연구는 미흡한 실정이다. 특히, 군사 분야에서 무인전투체계가 물체를 탐지하고 분류하는 데 사용되는 경우, 군사적 상황에서 물체는 일반적으로 부분적으로 가려진 상태나 위장된 상태일 가능성이 높다. 본 연구에서는 부분적으로 가려진 물체의 분류 성능을 향상시키는 방법을 제안한다. 이 방법은 물체 이미지 상에 특정 부분을 주변 환경을 고려하여 가리는 부분을 추가하여 은·엄폐 및 위장된 물체에 대한 분류 성능을 개선시켰다. 실험결과로 제안 방법을 적용하였을 때 은·엄폐 및 위장된 물체에 대해서 기존 방법에 비해 물체 분류 향상이 있음을 볼 수가 있었다.