유행의상과 예술의상의 조형적 특성 비교-미래주의 예술의상을 중심으로- (The Comparison of formative Characteristics Clothing in Fashion and Art to Wear.-focused on Art to Wear of Futurism in 1910~1930)
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- 복식
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- 제38권
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- pp.51-72
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- 1998
Futurists objected the existent style, that is the conventional fashion, and took part in these disciplines of fashion to make clothes the instruments being able to represent the individuality. Giacomo Balla and fortunato Depero, pain-ters who in 1915 were to work with Diaghilev's company, were the first to see clothing as a dynamic interfaced between th body and the atmosphere, between physical gestures and the urban context, which could be translated into encounters between forms and colours, volumes and architecture. For them, clothing began to exist as an object and an event, something to be removed from a mainly static conception and made mobile, active. The interaction between movement and clothing was based on the relativity of perception : the appearance and disappearance of the body produced points without dimension or duration which served, as Balla wrote in the Futurist Mnaifesto of Men's Clothing to“renew incessantly the enjoyment and impetuous movement of the body”. The historical achievement in the effort for the reformation of Futurist, Art to Wear. First, for Futurist, clothing is removed from a static conception and focused on dynamics. Second, Balla used asymmetry in men's clothing. Moreover he supposed dynamic men's clothes by using optical intersection. Third, the after image of Chronophotograph represented rapidity. This rhythmic expression is the fore-runner in Optical and Kinetic Art of Visual Art. Fourth, Futurist emphasized flexibility in fashion. They aimed to create‘Clothing Machines’whose parts would interact to aceelerate the real and virtual, inner and outer movement of the human being. Fifth, the variety and short life of cutting skills and colors are focused and‘Fast Substance’in fashion is admitted by Futurists. Futurist concern with clothing was not lim-ited its appearance in terms of cut and colour. What important was also the way it appeared and disappeared according to fashion. It was a“fast substance”, able to reflect rapid, sudden changes of social and aesthetic taste. To reach to the aim of internationalization, Gesamtkunstwerk in our Art to Wear, it is extremely meaningful to examine art fashion which is created under the conception of Gesamtkunstwerk production of avang garde artist in the early 20th century and look at formative conscious of truth, goodess and beauty synthetically which they faced on their works of art.
The purpose of this study were to see what is the color preference for college students and the meaning of color, based on color psychology. The subjects are the male and female university students in Busan and the survey is conducted in March 2009, September 2009. Analysis is based on eight kinds of colors such as red, orange, yellow, green, cyan, blue, purple which are used in the psychological analysis of Howard & Dorothy Sun Corporate CRR (Colour reflection reading), and words representing the meaning of colors. A total of 259 questionnaires were used to analyze data and analysis was conducted by using SPSS 14.0 statistical package. First, by examining the best three colors among eight colors, the red which represents sociable and passionate leadership and a lot of energy was the first. Second, in terms of positive and negative sense, the green is stable, protected, red is passionate, strong', yellow is bright, happy and green is' clean, young. The Blues has peaceful, tranquil image', the orange is lively animation, cheerful, and the purple shows a positive meaning of beautiful, precious, often mature, loving. Third, the preferences of boys and girls to compare colors in the first preferred color, there were significant differences between boys and girls. Most boys prefer blue, while the girls like red the most. Both boys and girls look at the meaning of green color with the most positive sense and especially male students have the negative connotation about the green color than female students.
Bumblebees have apposition compound eyes (one on either side of the head) of about 6,000 ommatidia and three small single-lens ocelli on the frons of their head capsule. The surface of the eye is smooth and interommatidial hairs, as in the honeybee, are not developed. Each ommatidium (approx. 26 ㎛ in diameter) is capped by a hexagonal facet and contains in its centre a 3 ㎛ wide, columnar light-perceiving structure known as the rhabdom. Rhabdoms consist of thousands of regularly aligned, fingerlike microvilli, which in their membranes contain the photopigment molecules. Axons from each ommatidium transmit the information of their photic environment to the visual centres of the brain, where behavioural reactions may be initiated. Since bumblebee eyes possess three classes of spectrally different sensitivity peaks in a ratio of 1:1:6 (UV= 353 nm, blue= 430 nm and green=548 nm) per ommatidium, they use colour vision to find and select flower types that yield pollen and nectar. Ommatidial acceptance angles of at least 3° are used by the bumblebees to discriminate between different flower shapes and sizes, but their ability to detect polarized light appears to be used only for navigational purposes. A flicker fusion frequency of around 110Hz helps the fast flying bumblebee to avoid obstacles. The small ocelli are strongly sensitive to ultraviolet radiation and green wavelengths and appear to act as sensors for light levels akin to a photometer. Unlike the bumblebee's compound eyes, the ocelli would, however, be incapable of forming a useful image.
Purpose: This technical report aims to describe and detail the use of micro-computed tomography for a reliable evaluation of the bulk-fill composite/tooth interface. Materials and Methods: Bulk-fill composite restorations in tooth cavities were scanned using micro-computed tomography to obtain qualitatively and quantitatively valuable information. Two-dimensional information was processed using specific algorithms, and ultimately a 3-dimensional (3D) specimen reconstruction was generated. The 3D rendering allowed the visualization of voids inside bulk-fill composite materials and provided quantitative measurements. The 3D analysis software VG Studio MAX was used to perform image analysis and assess gap formation within the tooth-restoration interface. In particular, to evaluate internal adaptation, the Defect Analysis addon module of VG Studio Max was used. Results: The data, obtained with the processing software, highlighted the presence and the shape of gaps in different colours, representing the volume of porosity within a chromatic scale in which each colour quantitatively represents a well-defined volume. Conclusion: Micro-computed tomography makes it possible to obtain several quantitative parameters, providing fundamental information on defect shape and complexity. However, this technique has the limit of not discriminating materials without radiopacity and with low or no filler content, such as dental adhesives, and hence, they are difficult to visualise through software reconstruction.
본 논문은 좋은 원작의 만화나 웹툰이 흥행에 그다지 성공을 거두지 못하고 있는 상황에서 웹툰의 영화화 중 최고의 흥행 스코어를 기록한 <은밀하게 위대하게>가 어떤 시각적 구성요소를 통해 영화관객을 매료시켰는지, 즉 웹툰과 영화에서 표현되는 시각적 텍스트 분석을 통해 이미지의 유사성을 검토하고자 한다. 이러한 논의는 우선적으로 웹툰과 영화의 싱크로율, 즉 이미지의 유사성에서 기인한 흥행성과의 의미를 도출하고자 한다. 또한 오늘날 웹툰의 영화화가 활성화되고 있는 시점에 그간 흥행의 부침을 겪은 웹툰의 영화화가 일시적인 유행이 아니라 지속가능한지에 대한 물음에 답을 구하고자 한다. 이를 위해 본 연구는 원작 웹툰과 영화화된 <은밀하게 위대하게>의 시각적 구성요소를 비교 분석하여 매체변형에 대한 의미와 가치 그리고 중요성을 제시하고자 한다. 주로 웹툰의 시각적 구성요소와 영화적 요소의 표현형식이 일치하고 있는 장면연출과 칸과 칸의 전환, 그리고 색채와 톤을 위주로 하여 분석할 것이다. 구체적인 구성요소는 화면의 크기, 움직임, 색상과 톤, 배경과 상황, 공간구도와 심도, 콘트라스트, 표현방식과 배열방식으로 텍스트를 나누어 웹툰과 영화의 시각적 표현 방식을 상호 비교한다.
The purpose of this study is to investigate the philosophy behind the Kasaya and its evolution through its clothing material colour structure and sewing. According to the study the results were as follows. 1. The philosophy behind the dressing of the Kasaya can be found in the
본 논문은 뱀파이어라는 널리 퍼진 이미지가 나타내는 문화적 기호가 일본적 혹은 동아시아적인 생산양식 아래서 보여주는 모습과 가능성을 보는데 있다. 서구문화를 일찍이 토착화해 온 일본에서 뱀파이어의 이미지를 어떻게 토착화하여 해석하고 새로이 제시하는가를 일본 만화를 통해 알아보고 이를 통해 우리 문화에 변형과 가능성을 타진하는데 본 논문의 목적이 있다. 아시아적 생산양식은 아시아 여러 지역에서의 사회 및 경제 발전을 특정 짓는 생산양식을 말하며, 마르크스는 "대략적으로 말해서 아시아적 고대적 봉건적 및 근대 부르주아적 생산양식이 경제적 사회구성의 여러 시기로 표시될 수 있다"고 말하였다. 일본근대역사가 가지는 특이성은 아마도 왕-쇼군-사무라이-농노를 잇는 지역기반의 봉건사회에서 메이지유신을 통해 전면적인 서구적인 사회로의 변화를 들 수 있다. 하지만, 우리는 이 서구화가 과연 민주화나 봉건적인 사회구조를 전면적으로 변형시켰는가는 조금 더 깊이 있는 관찰이 필요하고 이에 드러나는 갈등을 <피안도>를 통해 보고자 한다. 일반적인 이미지로, 뱀파이어는 신의 저주를 받아 태양빛을 볼 수 없고, 인간의 생물학적인 생명현상을 보이지는 않지만, 인간의 피를 빨아먹어야 '활동'을 유지하는 존재를 지칭한다. 이들은 보통 인간보다 육체적이고 정신적으로 강하며, 유혹하는 능력과 박쥐로 변하는 능력을 지닌다고 한다. <피안도>가 가지는 동아시아적 뱀파이어 코드가 가지는 특색 있는 독자성과 의의를 알아본다. 마지막으로 <피안도>가 지니는 동아시아적 생산양식의 모습과 한국적 현실 그리고 한국적 뱀파이어 문화에 대하여 모색하며 본 논문을 마치고자 한다.
다중 플랫폼/센서를 활용한 연안 모니터링은 연안 해양환경 변화와 다양한 재해/재난을 높은 시공간 해상도로 정확하게 이해하기 위한 매우 중요한 수단이다. 하지만 다중 플랫폼과 센서를 복합적으로 이용한 통합 관측 연구는 미비한 실정이고, 통합 관측을 통한 효율성, 융합 한계성 등에 대해 평가된 바 없다. 본 연구에서는 다중 원격탐사 플랫폼/센서를 이용한 모의실험을 통해 통합 관측 방법을 제시하고, 그 효용성과 한계점을 진단하였다. 다양한 해양 재해, 재난을 모사하기 위하여 Rhodamine WT (RWT) 형광염료를 이용하여 통합 현장조사를 수행하였다. 2019년 9월 남해-여수 해역에 형광염료를 주입 후 위성(Kompsat-2/3/3A, Landsat-8 Operational Land Imager (OLI), Sentinel-3 Ocean and Land Colour Instrument (OLCI), GOCI), 무인항공기 (Mavic 2 pro, Inspire 2), 유인항공기 플랫폼을 이용하여 염료 패치의 분포와 이동을 탐지하였다. 형광염료 주입 초기 패치 규모는 2,600 ㎡ 이었고, 약 138분 후 62,000 ㎡ 규모까지 확산되었다. RWT 패치는 처음 주입된 지점으로 부터 점차 남서 방향으로 이동하였고, 이는 현장 모의 실험이 진행되는 동안 조위(고조: 7시 7분(286 cm), 저조: 13시 9분(73 cm))가 점차 낮아짐에 따라 조석이 남동 방향으로 흐르는 것과 유사하였다. 무인항공기 영상은 공간해상도와 시간해상도 측면에서 가장 높은 해상력을 보인 반면 탐지 영역이 가장 좁았다. 위성의 경우 탐지 영역은 넓었지만 재방문 주기가 길기 때문에 운용성 측면에서 타 플랫폼과 비교하여 다소 한계가 있었다. 또한 Sentinel-3 OLCI와 GOCI의 경우 분광해상도와 신호 대 잡음비(signal to noise ratio)가 가장 높았지만 소규모 형광염료 탐지에는 공간해상도 측면에서 제한적이었다. 유인항공기에 탑재된 초다분광 영상의 경우 분광해상도가 가장 높았지만 이 역시 운용성 측면에서 다소 제한적이었다. 다중 플랫폼 통합관측 연구를 통해 시간과 공간뿐만 아니라 분광 해상력 증가 향상을 확인 가능하였다. 향후 이 연구 결과가 연안 수치모델과 연계된다면 오염 물질의 이동확산 예측이 가능할 것으로 생각되고, 수치모델의 입력 및 검증 자료로 활용하여 모델 정확도 향상에 기여할 수 있을 것으로 기대된다.
The wall shear stress in the vicinity of end-to end anastomoses under steady flow conditions was measured using a flush-mounted hot-film anemometer(FMHFA) probe. The experimental measurements were in good agreement with numerical results except in flow with low Reynolds numbers. The wall shear stress increased proximal to the anastomosis in flow from the Penrose tubing (simulating an artery) to the PTFE: graft. In flow from the PTFE graft to the Penrose tubing, low wall shear stress was observed distal to the anastomosis. Abnormal distributions of wall shear stress in the vicinity of the anastomosis, resulting from the compliance mismatch between the graft and the host artery, might be an important factor of ANFH formation and the graft failure. The present study suggests a correlation between regions of the low wall shear stress and the development of anastomotic neointimal fibrous hyperplasia(ANPH) in end-to-end anastomoses. 30523 T00401030523 ^x Air pressure decay(APD) rate and ultrafiltration rate(UFR) tests were performed on new and saline rinsed dialyzers as well as those roused in patients several times. C-DAK 4000 (Cordis Dow) and CF IS-11 (Baxter Travenol) reused dialyzers obtained from the dialysis clinic were used in the present study. The new dialyzers exhibited a relatively flat APD, whereas saline rinsed and reused dialyzers showed considerable amount of decay. C-DAH dialyzers had a larger APD(11.70
The wall shear stress in the vicinity of end-to end anastomoses under steady flow conditions was measured using a flush-mounted hot-film anemometer(FMHFA) probe. The experimental measurements were in good agreement with numerical results except in flow with low Reynolds numbers. The wall shear stress increased proximal to the anastomosis in flow from the Penrose tubing (simulating an artery) to the PTFE: graft. In flow from the PTFE graft to the Penrose tubing, low wall shear stress was observed distal to the anastomosis. Abnormal distributions of wall shear stress in the vicinity of the anastomosis, resulting from the compliance mismatch between the graft and the host artery, might be an important factor of ANFH formation and the graft failure. The present study suggests a correlation between regions of the low wall shear stress and the development of anastomotic neointimal fibrous hyperplasia(ANPH) in end-to-end anastomoses. 30523 T00401030523 ^x Air pressure decay(APD) rate and ultrafiltration rate(UFR) tests were performed on new and saline rinsed dialyzers as well as those roused in patients several times. C-DAK 4000 (Cordis Dow) and CF IS-11 (Baxter Travenol) reused dialyzers obtained from the dialysis clinic were used in the present study. The new dialyzers exhibited a relatively flat APD, whereas saline rinsed and reused dialyzers showed considerable amount of decay. C-DAH dialyzers had a larger APD(11.70