• 반도체디스플레이기술학회지
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• 제16권3호
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• pp.82-86
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• 2017

High dynamic range (HDR) imaging offers a radically approach of representing colors in digital images. Instead of using the range of colors produced by given devices, HDR imaging method manipulates and stores all colors and brightness levels visible to the human eye. To faithfully represent, store and then reproduce all these effects, the original scene must be stored and treated using high fidelity HDR techniques. Then, tone mapping is required to accommodate HDR image to low dynamic range (LDR) devices, and tone mapping operation of HDR image for realistic display is commonly researched. However, color visualization for analyzing scene luminance in HDR imaging has less attention from researches. This paper presents and implements a method for reproduction and visualization of the false color in HDR images. We produce a color visualization framework with several mapping functions, and evaluate their effectiveness by using RMAE and SNR with commonly used HDR image data. Experiment reveals that the sigmodal mapping function shows better performance in the false color visualization, compared to other methods.

• 한국수산과학회지
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• 제56권6호
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• pp.923-929
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• 2023

This study investigated the optical characterization of water types based on Jerlov's classification, employing the CIE colorimetric system. Digital visualization techniques were applied to articulate watercolor manifestations intuitively. The L^* luminance parameter exhibited a discernible reduction from optical water type I III and from type 1 to 9, registering a range between 66 and 84. Analysis of color attributes in each optical water type revealed that in the transition from type I to III, the color a^* values spanned from -7.43 to -8.32, while color b^* values ranged from -2.97 to -3.33. a^* values for optical water types 1 to 9 varied between -6.28 and -10.50, with corresponding b^* values ranging from -2.51 to -4.20. Consequently, optical water type I, IA, IB, II, and III were discretely categorized by independent color values, as were optical water types 1, 3, 5, 7, and 9. The digitized representation of watercolor in this inquiry facilitated comprehensive information asso,o;atopm. The study highlights limitations in Jerlov's classification for representing watercolors in different ocean conditions. It emphasized the need to collect color data from various marine areas and formulate a novel color standard or method for comparing colors.

• 한국의류산업학회지
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• 제16권1호
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• pp.55-65
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• 2014

This study analyzes music visualization characteristics in modern fashion based on Wassily Kandinsky's music visualization theory. Alexander McQueen's 2014 Spring Ready-to-wear Collection (as inspired by Mondrian's paintings) was selected as the research subject. First, an analysis of Mondrian's paintings based on Wassily Kandinsky's theory shows that music visualization characteristics can be categorized into spatiality, mobility, and duality. Second, McQueen applied Mondrian's paintings to the overall design, structured the model's shape in the painting, or created patterns using colors and lines that introduced them in clothes; symbolic forms were also introduced as part of or a decorative factor of the clothes. Third, spatiality refers to the creation of a feeling of space through emptiness or fill using lines, colors, and shape. Musical atmosphere such as dissonance were expressed in clothing through the application of color contrast, lines and silhouette dynamics, and symbolic format and patterns by Mondrian. Fourth, mobility generally refers to motion caused by a certain stimulus. Mondrian expressed vibration, internal resonance, sound level in music that emphasized color irregularity, primary color contrast, and rough brush touches as well as free and organic patterns. McQueen expressed this with primary color contrast using different materials, rough touch based on texture, and pattern repetition through transformation. Fifth, duality generally refers to the artistic effect caused by overlap. Mondrian created a resemblance of dissonance and music through line and color as expressed through the duality of clothing design components based on the artistic sense of the designer.

• 복식
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• 제66권5호
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• pp.16-32
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• 2016

This study examines music visualization characteristics appearing in Giorgio Armani's S/S 2000 Collection and Genny's F/W 2000 Collection, which elicited and reinterpreted the characteristics through an analysis of Kandinsky's paintings. Study results are as follows. First, music visualization characteristics were extracted through an analysis of Kandinsky's works to examine music visualization that appears in contemporary fashion. Further analysis of Kandinsky's works were done in regards to music visualization (Impression, Improvisation, and Composition), and music visualization characteristics were categorized into 'spatial element', 'mobility', and 'overlap'. Second, the analysis of contemporary fashion with a spatial component showed that space was often clothed through color contrasts that highlighted concise and playful effects. Emphasis on line and three-dimensional effects were shown by overlapping lines and costume pleats with exposure expressed by semiotic forms and fabric character4istics. Third, the analysis of clothes that express mobility shows that they commonly express mobility through free color arrangements and a shading of colors with playfulness. The effects of emphasis, uniformity, and exposure were shown through the gloss and transformation of fabric that emphasized fabric characteristics; in addition, the effect of simplicity, three-dimensionality, and uniformity were expressed by adopting the forms of geometric shapes. Fourth, the analysis of clothes that manifest the overlap showed a predominant overlapping of colors and fabric. The esthetic effects of playfulness and exposure were emphasized through colors, shapes, and lines.

• 디지털콘텐츠학회 논문지
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• 제19권8호
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• pp.1463-1469
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• 2018

스마트기기와 같은 카메라를 내장한 멀티미디어 기기의 발달과 함께 그 기기로부터 얻어지는 영상관련 멀티미디어 데이터(이미지, 동영상)를 활용한 다양한 연구들이 활발히 진행되고 있다. 이러한 연구들은 이미지 데이터를 다루고 있으며 이미지들은 화소라고 하는 디지털 센서로부터 얻어지는 색상정보들의 집합으로 정의될 수 있다. 이미지에는 색, 조명, 객체 등 다양한 인지 정보가 들어있으며 이러한 정보들을 추출하거나 가공하기위해서는 색의 구성을 명확히 이해할 필요가 있다. 본 논문에서는 영상의 정보와 함께 영상처리 연구들의 결과물을 효과적으로 표현할 수 있는 3차원 정보시각화 방법을 소개한다. 본 연구는 영상관련 멀티미디어 데이터의 특징은 물론 그로부터 나오는 다양한 분석 데이터들의 특징정보를 직관적으로 이해할 수 있도록 시각화하여 연구자들에게 영상 정보를 보다 명확하고 효과적으로 전달할 수 있도록 하였다.

• 대한조선학회논문집
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• 제29권3호
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• pp.15-20
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• 1992

이 논문에서는 화가의(Painter's) 알고리듬을 사용하여 3차원 자유형상곡면(Three dimensional free form surface)을 가시화하는 방법을 개발하였고, 특히 선체형상은 Open 균일 B-Spline 곡면으로 정의하였다. 컴퓨터그래픽스를 응용하여 와이어프레임, 숨은면제거, 묘영등의 가시화를 위한 프로그램을 완성하였다. 또한 선체곡면의 순정을 검토하기 위해 Gaussian 곡률값을 15등급으로 구분하여 등급별 색(color)처리 하였다.

• 한국콘텐츠학회논문지
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• 제9권6호
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• pp.53-61
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• 2009

새로운 미디어를 통한 예술작품의 속성 중 관람자와의 상호작용성(interactivity)은 현재 넷아트(netart)에 있어서 가장 큰 이슈가 되고 있으며 예술전반에서 그 영향력이 점점 강조되고 있다. 이러한 영향으로 디지털 미디어 기술을 매체로 한 다양한 실험적인 예술작품들이 네트워크 공간 속에서 제작되고 있으며 이는 예술과 멀티미디어 기술의 다양한 접목을 통한 시도이다. 본 연구자는 넷아트에 관련된 연구 사례를 분석하여 이를 바탕으로 사용자와 작품 간에 상호작용이 가능한 색 데이터의 시각화 표현 방법을 제안한다. 이러한 작업은 이미지에서 추출한 색 데이터를 분석한 후, 이를 바탕으로 조형 요소에 기초한 유동적 형상을 제작하는 것은 데이터를 회화적으로 표현하는 실험적 접근이고, 데이터의 미적 시각화 기법에 대한 다양성을 추구하였다.

• 한국가시화정보학회:학술대회논문집
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• 한국가시화정보학회 2001년도 Proceedings of 2001 Korea-Japan Joint Seminar on Particle Image Velocimetry
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• pp.151-163
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• 2001

A two color PIV technique has been developed for visualization of complex and high speed flow in a ramjet combustor. Two color PIV has the advantages that velocity distributions in high speed flowfields can be measured simply by varying the time interval between two different laser beams and a directional ambiguity problem can be solved by color separation, and then a signal-to-noise ratio can be increased through nearly perfect cross-correlation. As a basic research of the ramjet engine, a 2-D shaped combustor with two symmetric air intakes has been manufactured and an experimental study has been conducted using a two color PIV technique. The flow characteristics such as recirculation zones, intake air mixing and turbulent kinetic energy have been investigated varying inlet angles and dome heights. It was found that the primary recirculation zone is affected mainly by the dome height, whereas the secondary recirculation zone is influenced by the air inlet angle.

• 대한치과의사협회지
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• 제56권10호
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• pp.538-547
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• 2018

ITK-SNAP (http://www.itksnap.org) and 3D Slicer (CMFreg extension module; www.slicer.org) are open-source softwares which can be used for superimposition of cone-beam CT images. For superimposition, segmentation of bone is done with ITK-SNAP, and then voxel based superimposition of CBCT images can be performed using 3D Slicer. 3D Slicer has various visualization modules which are not provided in common commercial programs. 'Models' module is used to visualize two overlapping three-dimensional images, and this allows various visualizations by changing view mode and color of the model. In addition, differences between two CBCT images can be represented in a color map using 'ShapePopulationViewer' module. This report introduces how to superimpose and visualize CBCT images using ITK-SNAP and 3D Slicer, and the usefulness and limitations of both softwares will be discussed in comparison with commercial softwares.

• 한국전산유체공학회:학술대회논문집
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• 한국전산유체공학회 2002년도 춘계 학술대회논문집
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• pp.158-163
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• 2002

In the present study a 3D data visualization and analysis program with stereoscopic viewing is introduced. The GUI of the program is based on Qt-library, while all the graphic rendering is performed with OpenGL library. The program allocates memory dynamically according to the data size so that the problem size is only limited by the computer's hardware memory. The stereoscopic viewing is realized by carefully-calibrated projection and color-masking of red and blue color for the left and right eye, and the only hardware needed for the stereoscopic visualization of 3D data is a cheap and easily-available red/blue glasses. Further work for addition of more functions and options to the present program will be continued.