• KSII Transactions on Internet and Information Systems (TIIS)
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• v.5 no.2
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• pp.390-407
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• 2011

Three-dimensional (3D) video technologies are becoming increasingly popular, as it can provide users with high quality and immersive experiences. However, color inconsistency between the camera views is an urgent problem to be solved in multi-view imaging. In this paper, a perception-based color correction method for multi-view images is proposed. In the proposed method, human visual sensitivity (VS) and visual attention (VA) models are incorporated into the correction process. Firstly, the VS property is used to reduce the computational complexity by removing these visual insensitive regions. Secondly, the VA property is used to improve the perceptual quality of local VA regions by performing VA-dependent color correction. Experimental results show that compared with other color correction methods, the proposed method can greatly promote the perceptual quality of local VA regions greatly and reduce the computational complexity, and obtain higher coding performance.

• Journal of Korea Multimedia Society
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• v.20 no.1
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• pp.32-42
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• 2017

This paper proposes a new haze removal method for moving image sequence. Since the conventional dark channel prior haze removal method adjusts each color component separately in RGB color space, there can be severe color distortion in the haze removed output image. In order to resolve this problem, this paper proposes a new haze removal scheme that adjusts luminance and saturation components in HLS color space while retaining hue component. Also the conventional dark channel prior haze removal method is developed to obtain best haze removal performance for a single image. Therefore, if it is applied to a moving image sequence, the estimated parameter values change rapidly and the haze removed output image sequence shows unnatural glitter defects. To overcome this problem, a new parameter estimation method using Kalman filter is proposed for moving image sequence. Experimental results demonstrate that the haze removal performance of the proposed method is better than that of the conventional dark channel prior method.

• Journal of Korea Multimedia Society
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• v.10 no.11
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• pp.1507-1515
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• 2007

Many people have already mentioned the works of the Video Art. This is the age, video image is not a particular thing. We should not follow easily those things having been studied by a lot of people again. However, nowadays after he passed away, they voice their opinions that we should reanalyze his works properly. Therefore, it may be not new to make video image a subject of discussion. However, this study intends to look into the works of Paik Nam June once again from a new aspect that no preceding researchers did not pay much attention. It will be the main theme of this study to try to discover the expansion of nature and educational effects through technology by analyzing his works from another aspect as one person who lives in the age that video image is no more special.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.14 no.7
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• pp.1708-1714
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• 2010

In this paper, the full color LED billboard or a general quality improvement methods of quality gamma correction, brightness, and brightness adjustment, etc., regardless of the overall color of images uniformly bright or dark have been taken care of. The video itself, but simply expressed as a uniform brightness of a certain size, how to adjust the brightness of input video signal does not reflect the characteristics of the entire screen with just a lighter or darker line is only feeling was brought. So, unlike conventional video transmission system with new LED display technology in the histogram analysis of image data is input by the input image data by determining the luminance values of the attributes are reflected, as appropriate based on the histogram of the distribution of brightness values By controlling the LED display is expressed in the uniform image can improve the brightness control, histogram distribution of the image as full color billboards driven processing technology is proposed.

• Journal of Broadcast Engineering
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• v.20 no.5
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• pp.687-696
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• 2015

JCT-VC (Joint Collaborative Team on Video Coding) continues developing HEVC/Screen Content Coding (HEVC/SCC) as an extension for efficiently coding screen content videos, including computer animations, graphics, and electrical documents, based on HEVC/Range extension (HEVC/RExt.). Color space conversion from RGB space being captured from CCD sensors is popular in natural video coding. However, the conversion is often undesired for screen contents because of a significant loss in perceptual quality. Therefore, several coding tools including cross-component prediction (CCP) and in-loop adaptive color space transform (ACST) have been developed for an efficient screen content video coding in order to reduce the redundancies between color spaces while maintaining the original color space. In this paper, we review the two coding tools, i.e., CCP and ACST exploiting the correlation in the RGB color space and conduct the performance analysis of the coding tools. In our simulation results, CCP and ACST provide 11.7% BD-rate saving and 16.4% BD-rate saving, respectively, while the two coding tools provide 18.2% BD-rate saving in total. Following this idea, if the two coding tools are exclusively selected, we provide 93% encoding measurement time with a 0.3% coding loss.

• International Journal of Fuzzy Logic and Intelligent Systems
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• v.4 no.2
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• pp.142-148
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• 2004

In this paper, we propose the color fuzzy decision algorithm to face segmentation in a color image. Our algorithm can segment without the user's interaction by fuzzy decision marking. And it removes small parts such as a noise using wavelet morphology in the image obtained by applying the fuzzy decision algorithm. Also, it merges and chooses the face region in each quantization image through rough sets. This video object division algorithm is shown to be superior to a conventional algorithm.

• Journal of the Korea Society of Computer and Information
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• v.21 no.9
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• pp.157-163
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• 2016

In this paper, I had studied to focus on the NCS(National Competency Standard) course in the development process of NCS-based curriculum and designed and developed 'Digital Color Correction' course. 'Digital Color Correction' course was come up with in process of development of NCS-based curriculum in a department of university that aims to educate video-broadcasting experts who lead the advanced digital age. The course developed in this paper follows criteria of NCS and is designed to step in course-profile, instruction and evaluation. Also I made an analysis of learning effects after applying to class. And I compared and analyzed NCS-class and non NCS-class. As a result of comparison, NCS-class is better than non NCS-class in student attitude for learning and evaluation method.

• Trans-
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• v.11
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• pp.119-142
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• 2021

Video was a cultural practice based on image. The audience longs to experience new things, not everyday things through by video images. There are many components of the image, but among them, color, a visual representation, plays a big role. Since the advent of color films, color has constantly evolved as an important component of visual art and has become an important role in innovative visual art design. According to film history data, filmmakers were interested in color since the film was created in 1895, but in the early stages of film development, film colors were only black and white. Because these two colors no longer satisfy viewers, more natural colors began to emerge from the film as it was colored. However, with the development of historical paintings, the lack of artistic creation and the public's level increased, making people more active in using colors because simple reproduction of natural colors alone does not satisfy people. The colors in the video are both techniques of expression and can be understood by mind and thought. It is also an indication that colors do not just exist, but they work strongly on human psychology. Now people are so motivated by repetitive and unimportant information that they find that the human intuitive system simplifies the information they receive unconsciously that they have certain customs and characteristics when they see things. Color is part of the film language, or color language can express the film's ideological themes or portray vivid characters in the film, and people are receiving more intuitive messages. This study analyzed the basic color components of bisexual lighting, namely, pink, blue, and purple, and analyzed how human psychology is affected through color, combining the scenes from the video. The purpose of this paper is to explore what color language bisexual lighting is expressed using color properties in images and how bisexual lighting interacts with human psychology through color.

• Proceedings of the Korea Information Processing Society Conference
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• 2016.04a
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• pp.743-744
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• 2016

Object tracking in video sequences is a challenging task and has various applications. Particle filtering has been proven very successful for non-Gaussian and non-linear estimation problems. In this study, we first try to develop a color-based particle filter. In this approach, the color distributions of video frames are integrated into particle filtering. Color distributions are applied because of their robustness and computational efficiency. The model of the particle filter is defined by the color information of the tracked object. The model is compared with the current hypotheses of the particle filter using the Bhattacharyya coefficient. The proposed tracking method directly incorporates the scale and motion changes of the objects. Experimental results have been presented to show the effectiveness of our proposed system.

• Journal of Broadcast Engineering
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• v.18 no.4
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• pp.559-571
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• 2013

This paper has presented a few problems when the 2D video superimposed the overlay text was converted to the 3D stereoscopic video. To resolve the problems, it proposes the scenario which the original video is divided into two parts, one is the video only with overlay text graphic region and the other is the video with holes, and then processed respectively. And this paper focuses on research only to detect and extract the overlay text graphic region, which is a first step among the processes in the proposed scenario. To decide whether the overlay text is included or not within a frame, it is used the corner density map based on the Harris corner detector. Following that, the overlay text region is extracted using the hybrid method of color and motion information of the overlay text region. The experiment shows the results of the overlay text region detection and extraction process in a few genre video sequence.