• 지구물리
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• 제4권1호
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• pp.57-69
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• 2001

경상북도 경주시 불국사 삼층석탑(석가탑)의 구조 안전 진단을 목적으로 탑의 각 부재에 대한 비파괴 정밀 조사가 실시되었다. 암석의 역학적 성질을 추정하기 위하여 전체 44개 부재의 456개 지점에서 초음파 속도를 측정하였다. 측정된 속도의 범위는 1217～4403 m/sec의 분포를 가지며 평균 속도는 3227 m/sec이다. 각 부재의 일축 압축강도가 초음파 속도와의 관계를 나타내는 경험식을 이용하여 구하여 졌으며 범위는 134～844 kg/cm^2이고 전체 평균치는 463 kg/cm^2이다. 암석의 파괴강도가 각 부재에서 정상분포를 보인다고 가정하고 석가탑의 각 부재에 대하여 파괴확률을 구하였다. 각 부재가 상위 하중에 의해 전단 파괴가 일어날 확률을 지극히 미약하지만 부재 사이의 접촉면적이 적어 부분파괴의 가능성이 있으며 실제적으로도 접촉면 부근의 모서리 부근에서 부분파괴가 발생하였다. 본 탑의 기단부는 구조적으로 가장 취약하며 하대갑석의 인장 파괴확률은 6～18%로 나타나며 대부분의 부재에서 대각선 방향으로 한 개 이상의 인장 파괴면이 관찰된다.

• 한국토양비료학회지
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• 제18권4호
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• pp.386-391
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• 1985

사질답(砂質畓)에서 시비방법(施肥方法)과 질소시비량(窒素施肥量)을 달리 하였을 때 도열병발생(稻熱病發生)에 미치는 영향(影響)을 구명(究明)하기 위(爲)하여 전국(全國) 8개도(個道)와 인근(燐近)3요소(要素) 시험지(試驗地)에서 시험(試驗)한 결과(結果)를 요약(要約)하면 다음과 같다. 가. 잎도열병과 목도열병 이 병율은 질소 20kg/10a 수준까지 고도의 유의성(有意性)있는 증가를 보였다. 나. 잎도열병(稻熱病)과 목도열병(稻熱病) 발생률(發生率)과의 관계(關係)는 질소(窒素)20kg/10a 수준(水準)에서 정(正)의 상관(相關)이었다. 다. 목도열병(稻熱病)의 방제효과는 발병율(發病率)을 93.5~62.5%까지 방제(防除)가 가능(可能)하였다. 라. 인근(燐近) 3요소(要素) 시험구(試驗區)에서 최고수량(最高收量)은 무방제(無防除)의 경우(境遇) 정조(精租) 604kg/10a, 방제구(防除區)에서 719kg/10a였으며 그 때의 질소적정시비량(窒素適正施肥量)은 각각(各各) 14.5 및 18.5kg이었다. 마. 같은 3요소(要素) 시험지(試驗地)에서 정조수량(精租收量)은 목도열병(稻熱病) 이병수준(罹病收準)이 15.6% 이상(以上)에서는 감수(減收)되었다.

• 한국콘텐츠학회논문지
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• 제21권9호
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• pp.471-476
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• 2021

개인교통수단(PM, Personal mobility)이란 신개념 교통수단으로 전기를 이용하여 1인 또는 2인이 이용하는 교통수단이다. 개인교통수단은 목적지까지 차를 타기에는 너무 가깝고 걷기에는 멀게 느껴지는 애매한 거리를 빠르고 편리하게 이동하는 것을 목적으로 한다. 특히 최근에는 전동킥보드 공유서비스가 보편화되면서 시민들에게 큰 호응을 얻고 있다. 그러나 이용자들은 물론 거리의 보행자, 도로의 운전자에게도 위험요소로 작용하고 있어 이에 대한 대안 마련이 필요한 상황이다. 이에 본 연구에서는 안전한 퍼스널모빌리티 이용환경 구축 및 개선 방안을 제시하고자 다음과 같이 연구를 진행하였다. 첫째, 공유 전동킥보드의 GPS 데이터를 기반으로 일상 속 이용실태를 세밀하게 살펴보고 분석하였다. 둘째, 공유 전동킥보드는 시간에 구애받지 않고 어플리케이션으로 직접 대여 반납 할 수 있어 편리하며 이동 할 때 자신의 위치에서 가장 가까운 곳에서 대여하고 목적지 앞까지 도달할 수 있다는 점에서 접근성도 굉장히 높은 편이기 때문에 주된 대여, 반납 장소를 찾고자 분석하였다. 본 연구에서는 이러한 연구 결과를 토대로 무질서한 기기 배치, 이용지역 확장 보다는 사용이 많은 장소에 거치대를 설치하여 대여와 반납에 대한 세심한 접근을 한다면 이용자와 보행자에게 더욱 긍정적인 효과를 불러일으킬 수 있을 것으로 보인다.

• Journal of Korea Trade
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• 제25권7호
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• pp.92-107
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• 2021

Purpose - This paper analyzes the relationship between trade facilitation and agricultural products exports and estimates the effects of trade facilitation in importing countries on Chinese agricultural products exports, which is of great significance for promoting agricultural trade between China,Japan and Korea and the governments of the three countries to formulate targeted trade facilitation policies. Design/methodology - Based on Wilson (2003) theoretical framework, this paper sets up its own trade facilitation level measurement system by involving four primary indicators and fifteen secondary indicators to evaluate the trade facilitation levels of Japan and Korea from 2011 to 2018 respectively. The paper selected the data on China's agricultural exports at the HS4 level from 2011-2018 and used a fixed-effects model to estimate the effect of changes in trade facilitation levels in trading partner countries on China's agricultural trade. Findings - Our main findings can be summarized as follows: the level of trade facilitation in importing countries has a significantly positive effect on China's agricultural exports. The higher the level of trade facilitation in trading partner countries, the more Chinese agricultural exports trade, i.e. for every 1 percentage point increase in the level of trade facilitation, the volume of exports will increase by 2.299%.The sub-sample test shows that China's main agricultural products exported to Japan and Korea, such as aquatic products, vegetables, fruits and other perishable fresh products, are particularly significantly affected by the level of trade facilitation. Originality/value - First, from the innovation of the research perspective, which is different from the analysis of the existing paper on the overall trade facilitation of all traded commodities. This article is based on the close trade relations between China, Japan and Korea, and the particularity of agricultural products, from the perspective of China's agricultural exports to Japan and Korea, discuss the impact of importing countries-Japan and Korea's trade facilitation levels on China's agricultural exports;Secondly, in this paper, the hierarchical data of the HS4 quartile is used to avoid the information loss of the industry, and to analyse the impact of the importing country's trade facilitation level on the export of different types of agricultural products more scientifically.

• Journal of Animal Science and Technology
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• 제63권6호
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• pp.1247-1264
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• 2021

Anabolic steroids are frequently used to increase the growth rate of meat-producing animals. Exposure to an anabolic-androgenic steroid, nandrolone decanoate (ND), is associated with expressional reduction of testicular steroidogenic enzymes. However, the effect of withdrawal of ND exposure on the expression of these testicular molecules has not been thoroughly explored. The current research investigated expression changes of testicular steroidogenic enzymes in rats at several recovery periods (2, 6, and 12 weeks) after the stop of ND treatment with different doses (2 and 10 mg/kg body weight) for 12 weeks. Body and testis weights were recorded, and transcript levels of molecules were determined by quantitative real-time polymerase chain reaction (PCR). The immunohistochemistry was used to examine the changes of immuno-intensities of molecules. At 6 and 12 weeks of the recovery period, the 10 mg/kg ND-treated rats were lighter than other experimental groups. The interstitial compartment vanished by ND treatment filled up as the recovery period became longer. The expression of steroidogenic acute regulatory protein was returned to the control level at 12 weeks of the recovery period. Expression levels of cytochrome P450 side-chain cleavage and 17a-hydroxylase were increased in 2 mg/kg ND-treated group at 6 weeks of the recovery period, and transcript levels of these molecules in 2 and 10 mg/kg ND-treated groups at 12 weeks of the recovery period were significantly lower than the control. Expression levels of 3β-hydroxysteroid dehydrogenase (HSD) type I and 17β-HSD type 3 in 2 mg/kg ND-treated group were comparable with those of control at 12 weeks of the recovery period, but not in 10 mg/kg ND-treated group. Expression of cytochrome P450 aromatase (Cyp19) was reverted to the control level at 2 weeks of the recovery period. Except for Cyp19, there was a visible increase of immuno-staining intensity of other testicular steroidogenic enzymes in the Leydig cells as the recovery period progressed. This research has demonstrated that the cease of ND administration could restore the expression of testicular steroidogenic enzymes close to the normal level. Nevertheless, a relatively long recovery period, compared to the ND-exposure period would be required to retrieve normal expression levels of testicular steroidogenic enzymes.

• 비교문화연구
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• 제47권
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• pp.1-26
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• 2017

본 논문은 1990년대 이후 발표된 여화(余華)의 "재세우중호함(在細雨中呼喊)"(1993), 소동(蘇童)의 "성북지대(城北地帶)"(1994), 왕강(王剛)의 "영격역사(英格力士)"(2004)에 나타난 가족결핍과 그 서사적 대응방식을 살펴보는 것을 목적으로 삼는다. 소설에 공통적으로 등장하는 소재인 결핍된 가족은 존재의 부재를 뜻하기도 하지만 그 기능과 역할의 부재를 의미하기도 한다. 결핍을 야기하는 원인은 작품마다 서로 다르며 대응 양상 또한 차이를 보인다. 중국의 성장 서사는 오랜 시간 동안 전통의 유제와 여러 가지 정치적 압박 속에서 성장과정에서 일어나는 부모와의 갈등, 성장자 자신의 내면의 고통들을 집단의 경험 속에 매몰시켰다. 성장의 기억을 개인에게 돌려주기 시작했던 1980년대의 선취에 힘입어 1990년대 성장 서사는 지나간 연대의 강박과 피로에서 벗어난 작가들의 다양한 시도 속에서 더욱 풍부한 함의를 지니고 있다. "가랑비 속의 외침"은 친부모와 양부모에게 의도치 않은 '버려짐'을 당한 주인공의 심리적 고아의식을 보여주었고, "성북지대"는 부재된 가족에게 염증을 느끼고 또래 집단 속에서 위안을 받는 아이들의 서로 다른 성장의 이야기를 들려준다. "오, 나의 잉글리쉬 보이"는 동일시의 대상을 등장시킨다는 점에서 중국 성장소설의 주류적 서사와 구분된다. 개인의 성장은 그를 통해 진일보하고 결국 성장자 자신의 정체성을 확립하게 된다는 점에서 이 소설은 성장소설의 모범사례로 여겨진다.

• Annals of Coloproctology
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• 제34권6호
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• pp.286-291
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• 2018

Purpose: Stage-IIIC colon cancer is an advanced disease; however, its oncologic outcomes and prognostic factors remain unclear. In this study, we aimed to determine the predictors of disease-free survival (DFS) in patients with stage-IIIC colon cancer. Methods: From a multicenter database, we retrospectively enrolled 611 patients (355 men and 256 women) who had undergone a potentially curative resection for a stage-IIIC colon adenocarcinoma between 2003 and 2011. The primary endpoint was the 5-year DFS. Results: The median age was 62 years; 213 and 398 patients had right-sided colon cancer (RCC) and left-sided colon cancer (LCC), respectively. The 5-year DFS in all patients was 52.0%; median follow-up time was 35 months (range, 1-134 months). A multivariate Cox regression revealed that female sex (hazard ratio [HR], 1.50; 95% confidence interval [CI], 1.19-1.90; P < 0.01), right-sided tumor location (HR, 1.65; 95% CI, 1.29-2.11; P < 0.01), lymphatic invasion (HR, 1.52; 95% CI, 1.08-2.15; P < 0.01) and a high (${\geq}0.4$) metastatic lymph node ratio (HR, 3.72; 95% CI, 2.63-5.24; P < 0.01) were independent predictors of worse 5-year DFS. Female patients with RCC were 1.79 fold more likely to experience recurrence than male patients with LCC. Conclusion: Female sex and right-sided tumor location are associated with higher tumor recurrence rates in patients with stage-IIIC colon cancers. Aggressive treatment and close surveillance should be planned for patients in these groups.

• 한국연극학
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• 제53호
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• pp.167-202
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• 2014

When video composes mise-en-scene during the performance, it reflects the aspect of contemporary image culture, where the individual as creator joins in the image culture through the device of cell phone and computer remediating the former video technology. It also closely related with the contemporary theatre culture in which 1960's and 1970's video art was weaved into the contemporary performance theatre. With these cultural background, theatre practitioners regarded media-friendly mise-en-scene as an alternative facing the cultural landscape the linear representational narrative did not correspond to the present culture. Nonetheless, it can not be ignored that video in the performance theatre is remediating its historical function: to criticize the social reality. to enrich the aesthetic or emotional reality. I focused video in the performance theatre could feature the object with the image by realizing the realtime relay, emphasizing the situation within the frame, and strengthening the reality by alluding the object as a gesutre. So I explored its two historical manuel. First, video recorded the spot, communicated the information, and arose the audience's recognition of the object to its critical function. Second, video in performance theatre could redistribute perceptual way according to the editing method like as close up, slow motion, multiple perspective, montage and collage, and transformation of the image to the aesthetic function. Reminding the historical function of video in contemporary performance theatre, I analyzed two shows, Schaubuhne's Hamlet and Lenea de Sombra's Amarillo which were introduced to Korean audiences during the 2010 Seoul Theatre Olympics. It is known to us that Ostermeir found real social reality as a text and made the play the context. In this, he used video as a vehicle to penetrate the social reality through the hero's perspective. It is also noteworthy that Ostermeir understood Hamlet's dilemma as these days' young generation's propensity. They delayed action while being involved in image culture. Besides his use of video in the piece revitalized the aesthetic function of video by hypermedial perceptual method. Amarillo combined documentary theatre method with installation, physical theatre, and video relay on the spot, and activated aesthetic function with the intermediality, its interacting co-relationship between the media. In this performance theatre, video has recorded and pursued the absent presence of the real people who died or lost in the desert. At the same time it fantasized the emotional aspect of the people at the moment of their death, which would be opaque or non prominent otherwise. As a conclusion, I found the video in contemporary performance theatre visualized the rupture between the media and perform their intermediality. It attempted to disturb the transparent immediacy to invoke the spectator's perception to the theatrical situation, to open its emotional and spiritual aspect, and to remind the realities as with Schaubuhne's Hamlet and Lenea de Sombra's Amarillo.

• 한국연극학
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• 제40호
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• pp.5-27
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• 2010

The Korean Mask-Dance Theatre has been developed closely related to Korean Shaman rituals. As many scholars noticed, the performers of the Mask-Dance Theatre were closely related to the Shaman family. In addition, there are mask-dance performances in actual shaman rituals. and are the representative performances among them. This essay intends to compare these two mask-dance performances in the shaman rituals to the similar performance of Old Grandpa and Grandma episode in the regional Mask-Dance Theatre. This study would bring us further in proving the close relation between the shaman ritual and the Mask-Dance Theatre. is one episode, Keori, in the shaman ritual of 'Baeyeonsin-kut' and 'Taedong-kut' in the mid-west seashore area. 'Taedong-kut' is the village shaman ritual for fertility and prosperity, while 'Baeyeonsin-kut' is a private shaman ritual for a large catch of the ship. is held in the later part of the whole shaman ritual since the later part tend to be more for entertainment than actual ritual. The story of is very similar that of in Pongsan Mask-Dance Theatre of the mid-west region. In addition, some of their dialogues are very similar. Only the later part is different. These similarities indicate that the Mask-Dance Theatre, which came into being in later period than the shaman ritual, has likely taken the story motif of the shaman ritual. is also a performance in the shaman ritual of east coasts. is more elaborate and recreational than of the west coasts. is also performed near the end of the ritual, and sometimes it is not performed at all. This indicates that has little ritual meaning left. When we compare it with the regional Mask-Dance Theatres such as Keosung Okwangdae, Tongyong Okwangdae, and Suyong Yaryu, the structure and the story lines are also very similar. It is a question why only the motif of the Grandpa and Grandma isfound both in the shaman ritual and the Mask-Dance Theatre. Many other motifs of other episodes in the Mask-Dance Theatre are not found in the shaman rituals. It seems that the Grandpa and Grandma motif is related to the ur-belief in fertility. In other words, this motif seems to be originated from the old belief in the fertility couple of Chonha Taechanggun and Jiha Yeochanggun. The shaman ritual for fertility first picked up this motif, and then the mask-dance theatre also adapted this motif for its recreational purpose. When we compare with , still has more aspects of fertility ritual, while lost its ritualistic meaning and its main purpose is to develop dramatic needs. and are invaluable existent performances to prove theatre's origin in ritual. The existence of mask-dance performances in the shaman rituals shows us the transit performance between theatre and ritual.

• 한국산학기술학회논문지
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• 제20권4호
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• pp.551-563
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• 2019

본 연구는 청주시의 1970년대에 시행된 4개의 토지구획정리사업지구를 대상으로 하며, 물리적 측면에서 가구체계의 개념을 통해 지구특성을 파악하는 것을 목적으로 한다. 연구 결과 첫째, 가구의 가로 특성을 보면, 4개 지구 동일하게 현재의 도시개발 기준 대비 간선도로망과 가구로의 진입을 위한 국지도로체계는 잘 갖춰져 있는 것으로 파악되었다. 그러나 가구내의 개별필지로의 진입로가 제대로 갖춰지지 않아 개별 필지 별 건축이 어려운 상황으로 나타났다. 둘째, 가구의 형태 특성을 보면, 세장비는 평균 1:2의 비율이며, 동서방향의 장방형 가구가 높은 빈도를 나타났다. 1지구부터 3지구까지는 가구면적이 증가하는 추세이었으나 4지구는 다시 감소하여 현대적인 가구구획의 형태로 변화하는 양상을 띠었으며, 가구면적이 클수록 접도율이 일관성 있게 낮아지는 것을 알 수 있었다. 셋째 필지배열 특성을 보면, $4{\times}4$이상의 다열구조를 갖는 가구의 빈도가 1~3지구 까지 높았으며 4지구에서는 상당히 개선된 것으로 파악되었다. 특히 정방형에 가까운 가구는 접도율이 열악한 과다열 필지구획이 되어, 주거환경을 개선하는데 어려움이 있을 것으로 판단되었다. 토지구획정리사업에 의한 택지 개발은 가구구획이 상당히 정형화되어 있고, 그러한 주택지의 면적이 상당한 만큼 이러한 특성을 고려하여 좋은 주거지를 위한 개선방법을 찾는다면, 외곽개발 등의 난개발을 제어할 수 있는 대안이 될 수 있을 것으로 판단된다.