• 한국방사선학회논문지
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• 제12권4호
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• pp.519-524
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• 2018

CR시스템을 이용한 흉부검사 및 집단 흉부검사는 임상에서 자주 이용되고 있다. 흉부영상 획득과정에서 영상의 품질을 저하시키는 요인은 노후된 IP의 사용과 장시간 방치된 IP를 사용할 때이고 보관 시간에 노이즈가 대량 발생한다. 연구에서는 화질의 복원을 위해서 본 연구에서는 직접적인 계산방법인 위너필터와 개선된 위너필터를 적용하고 평가하였다. 실험결과 잡음의 변동이 작은 곳에서는 wiener의 방법이 우수하였고 잡음의 변동이 큰 곳에서는 개선된 방법이 우수하였다. 3일간 CR판독기로 잠상처리 않은 IP를 사용시 흉부CR 영상에 대해서 알고리즘 적용한 결과 잡음은 효과적으로 제거되었다 개선된 방법보다 고전적인 위너필터의 결과가 좋았다. CR영상 프로세스 과정에서 잠상처리를 하지 않고 다수의 환자를 검사했을 경우 제안한 알고리즘은 좋은 화질의 영상으로 복원가능하고 영상판독에 도움을 줄 것으로 판단한다.

• 한국생활과학회지
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• 제23권3호
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• pp.501-514
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• 2014

In this study, visual images were analyzed with the representative seven kinds of selected skirts, by the differences of shape and length which are affecting to the images of skirts. In addition, the purpose of the study is to present the basic data for the skirt design and patterns those are appropriate to the preferred images of 20-30s. The results of this study are as follows. First, analyzed by the visual evaluation about the composing factors are as follows. Factor 1 is a Cute image factor, factor 2 is a charming image factor, factor 3 is a transversal factor, Factor 4 is active image factor, Factor 5 was classified as a longitudinal factors. Second, analyzed by the visual evaluation according to the shape and length of the skirt, 20-30s women's most preferred form of the skirt is pleated skirt which was highly evaluated looks good, beautiful, favorite, attractive factors. Non-prefered skirts are gored skirt which was highly evaluated not corny, not pretty, heavy, unattractive factors and gored skirt which was negatively evaluated with classic and dislike factors. In the length of skirt, the knee length short skirt is attractive, active and positively evaluated by the 20-30s women than long skirt. Therefore, the results of this study, there are almost no differences according to the age groups of 20-30s women. They are more affected from the length of the skirt rather than the shape.

• 한국의류학회지
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• 제14권2호
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• pp.129-136
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• 1990

The purpose of the study was to develope brand positioning map for ladies' ready-to-wear, to find out evaluative criteria in perception and preference to brands, and to persent the relationship between consumer's characteristics and brand preference. Subjects were selected for the housewives of middle and high socioeconomic classes living in Seoul area. A questionnaire including items of life style, self image, similarity between brands, preference degree to brands, and demographic variables was developed for the empirical study. The questionnaire was administrated to 137 housewives during fall in 1989. Data were analyzed by cluster analysis and multidimensional scaling method. The study had two research problems. The first research problem was to construct a brand perceptual map for ladies' ready-to-wear brands, selected for the study The perceptual map was constructed on the basis of brand similarity scores by multidimensional scaling method. As a result, brands were grouped into 4 clusters, and evaluative criteria for perceptual map were found to be fashionability (classic- fashionable) and familiarity (familiar-unfamiliar). The second problem was to construct a brand preference map for ladies' ready-to-wear brands, selected for the study. The preference map was constructed on the basis of brand preference scores by multidimensional scaling method. As a result, the brands were grouped into 4 clusters and evaluative critiera for preference map were found to be fashionability (unfashionable-fashionable) and image to age (mature-young directed). Also was shown the relationship among self image, age, socioeconomic class, and brand preference. The multidimensional scaling method was found to be useful as well as valid instrument for brand positioning research and the result can be utilized for establishing strategies for ladies' ready-to-wear brands.

• 한국의류산업학회지
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• 제22권6호
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• pp.739-751
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• 2020

This study compares and analyzes bridal wedding styles in Korean and Chinese SNS. For this, 715 photos (362 in Korea and 353 in China) collected on social media (Instagram and Xiaohongshu) were used for analysis. The bridal wedding style was divided by item into wedding dress, makeup, and hairstyle, and detailed characteristics of images and designs were examined through content analysis and statistical analysis. First, in the case of Korea, many wedding dresses showed ball gowns and mermaid silhouettes, white colors, and no details and trimmings. As for the makeup, transparent and natural skin expression, straight eyebrows, and pink and peach lip colors were highlighted; and as for hairstyles, many long hair with half-covered ears appeared. Second, in China, a ball gown, mermaid silhouette, and white color are often seen in wedding dresses, and point colors and use of various details and trimmings are noted. The makeup showed a lot of bright skin expression, brown and black eyebrows, and red and brown lip colors. As for hairstyle, a lot of long hair with completely exposed ears appeared. Third, the comparison of bridal wedding styles between Korea and China indicated that China used relatively more details and trimmings in wedding dresses. As for makeup, Korea has a natural image, and China has a classic image. As for the hairstyle, there were many styles in which Koreans had half the ears covered, and Chinese had no bangs and completely exposed ears.

• 복식문화연구
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• 제7권6호
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• pp.129-139
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• 1999

This paper analyzes the trend of fashion and make-up in 1990s and their relevancy to each other. Based on the chronological analysis, we propose a new category for the fashion and make-up trend in 1990s, which is 1) traditional ecology period(1990∼1994), 2) versatile trial or decadent period(1995∼1997), and 3) soft landing period based on the minimal neo-ecology and romanticism(1998∼2000). Between 1990 and 1994, there was no differentiation in seasons. It appeared that spring/summer and fall/winter trend have had no big differences. At the beginning in 1990s, it was basically based on ecology concept that emphasizes the natural image. However after 1995, seasonal differences in trend are appeared and there were various make-up designs. The trends of spring/summer in 1996 could be named as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel, and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. In 1998, pastel tone, pink, and purple color expresses the glamorous look based on the romantic feminism. S/S of 1999 is mainly represented by minimalism and avant garde. For fall/winter trends, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors in 1995 and 1996. These colors were the symbol of property and sentiment. Gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image. At that time, ethnic and romantic image appeared with vivid color lines, gold, red and violet. In 1998, romanticism was popular again with modernism and ethnic mood. It expressed the romantic elegant image. The trend has returned to the ecology mood again in 1999. This ecology is somewhat different from the previous ecology. It adds a sofistaiced feeling and sportic fashion. To express natural and sportic image, they choose pink blush. In coming 2000 as a new millennium, the yellow color will be main the stream to express vision, dream, and happiness in both fashion and make-up as an accent color. The minimal design and minimal tools will be used for the design and make-up, respectively. In addition, the fusion concept will dominate the fashion and make-up industry in the globalized and boundariless age. Through this paper, we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people and industry.

• 한국한의학연구원논문집
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• 제15권2호
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• pp.101-109
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• 2009

The Pulse diagnosis is in the boundary of the Four Examinations, and it is called 切診, or palpation. It has a great impact on people in reminding of the Traditional Medicine that it is probably the first thing that people think of when they hear about Traditional Medicine. Hu-Jun quoted in the Treasured Mirror of Eastern Medicine "東醫寶鑑" that the doctor finds out the deficiency and the excess of the meridian of the patiant through the pulse, and that it is of the utmost necessity to know the "deficiency and the excess" of the meridian to decide the formula (君臣佐使) of the herbal medicine and the acupuncture/moxibustion treatment. The research on the studies of pulse diagnosis have been concentrated on the origin, history, and the theory of the pulse diagnosis throughout the years; however, the number of research on the image from the classics on pulse diagnosis have been less. With this in mind, this paper was written to study more on the origin and the history of the pulse diagnosis as well as to study on the image of pulse diagnosis shown on the classics on Traditional Medicine in China and Korea. The history of the pulse diagnosis has its root on the attempt to find out what is happening inside the body through the indication of the small changes of the pulse that is shown on the outer boundaries of the body. There were various kinds of pulse diagnosis including "Three positions and nine indicators method" and "Carotid pulsation and wrist pulse method" in the ancient period, and wrist pulse-taking method became the most popular since the completion of studying on palpation by 初보. The image of the palpation helps the rudimentary practitioners of Traditional Medicine. They are divided into two large categories, which are the area of diagnosis and the shape of the pulse itself. The historical classics including the image of the pulse diagnosis can be found since the Song Dynasty of China. There are various kinds of image of pulse diagnosis in the classic such as "The picture of the hand meridian" from "脈訣指掌病式圖說", "The picture of the image of meridian" from "察病指南", "The picture of the Seven exterior and Eight interior" from "校正圖注脈訣", and "The picture of the six parts of meridian" from Treasured Mirror of Eastern Medicine "東醫寶鑑". The Treasured Mirror of Eastern Medicine "東醫寶鑑" have analyzed the basic theories and made up the standards of pulse diagnosis by establishing "The picture of the six parts of meridian" based on "The method of placing the viscera and bowels corresponding to cun-guan-qi, or the meridian".

• 동양고전연구
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• 제63호
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• pp.43-82
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• 2016

본고는 16세기 호남 한시의 의상을 연구하는 데 목적을 두었다. 이를 위해 박상 임억령 고경명을 연구의 대상으로 삼고 의상(意象)을 방법론으로 고찰하였다. 본고가 파악한 호남 한시의 특징은 다음 두 가지이다. 첫째, '문재불용(文才不用)'의식과 변새(邊塞) 의상(意象)이다. 박상 임억령 고경명은 16세기 호남의 인재들로 뛰어난 문재(文才)를 가지고 중앙정계에 진출하였다. 그러나 당대는 훈구파가 정국을 주도하는 시기로서 3인은 좌절을 겪게 된다. 그러한 과정에서 그들은 부정(不正)의 현실인식(現實認識), 현실비판(現實批判) 및 회재불우(懷才不遇) 의식(意識)을 드러낸다. 그런데 3인에게 주목되는 개성적 면모는 회재불우(懷才不遇) 의식(意識)이다. 그들의 회재불우(懷才不遇)는 그 기저에 '근본적으로 문재(文才)를 인정받지 못해서 불우하다는 문재불용(文才不用)' 의식이 자리잡고 있기 때문이다. 이들이 '문재불용(文才不用)'에 민감했던 것은 그들의 중앙진출수단이 뛰어난 문재(文才)였기 때문에 문재(文才)가 차단 당하자 좌절도 그만큼 켰기 때문이다. '문재불용(文才不用)' 의식은 특히, 외직을 맡거나 실질이 없고 명분만 있는 군직(軍職)을 맡았을 때 두드려지게 나타나는데, 검(劍), 극(戟), 장군(將軍) 등의 변새(邊塞) 의상(意象)을 통해서 시화(詩化)되고 있었다. 둘째, '화이불류(和而不流)' 의식과 절조(節操) 의상(意象)이다. 박상 임억령 고경명은 정치현실에서 '문재불용(文才不用)'을 토로하면서도 지속적으로 정치에 참여하였다. 이는 도(道)가 행해지면 나가서 벼슬하고 도(道)가 행해지지 않으면 은거하여 학문과 인격을 닦는 유자 일반의 수기치인(修己治人)의 자세와는 변별되는 것이다. 이는 3인이 유하혜(柳下惠)의 '화이불류(和而不流)'를 정치적 삶의 표본으로 삼았기 때문이다. 따라서 3인은 부정(不正)의 현실이라고 외면하거나 떠나가지 않고 자신의 도를 곧게 세워 지속적으로 현실에 참여하고자 했던 것이다. 이러한 정신지향은 접붙인 매화, 꾀꼬리, 지주석 등의 의상을 통해 시화(詩化)되고 있었다.

• 동양고전연구
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• 제41호
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• pp.91-120
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• 2010

본고는 여헌(旅軒) 장현광(張顯光)의 한시 속에 등장하는 주요 이미지인 '대나무(죽(竹))'의 이미지를 분석하여 그것이 가지는 상징적 의미를 밝히는 데에 목적을 두었다. 이를 위해 먼저 은거의 계기로서 여헌의 현실인식과 출처관을 살펴보았다. 여헌은 당대의 현실을 '강상(綱常)이 실추(失墜)된 것'으로 인식하였다. 여헌이 살았던 선조, 광해군, 인조대는 4번의 전란과 인조반정, 이괄의 난, 정치세력 간의 대립과 갈등, 사회경제구조의 변화, 지배질서체제의 이완 등 대내외적으로 불안정하고 어려운 시기였다. 이러한 현실 속에서 위로는 위정자로부터 아래로는 백성에 이르기까지 모든 사람들이 인륜의 근간이 되는 강상윤리를 무시하고 일신의 안위와 이익만을 추구하기에 급급하였다. 따라서 여헌은 강상이 실추된 현실 속에서 출사할 마땅한 의리를 찾지 못하고 은거를 선택하게 된 것이다. 그리고 여헌이 은거 후에 지향한 삶의 태도는 대나무의 이미지를 통해 드러나고 있는 바, 완성된 인격을 바탕으로 강상(綱常)의 사표(師表)로 살아가고자 하는 의지라 할 수 있다. 여헌의 시에는 일반 대나무와 길재가 심은 대나무가 그 의미에 있어서 차이를 드러낸다. 일반 대나무는 불변함과 고결함의 이미지를 지니고 있지만, 여헌이 지향한 삶의 태도로서 길재의 대나무는 백이숙제의 고죽과 기욱의 대나무의 이미지를 동시에 지니고 있었다. 즉, 백이 숙제의 고죽은 부정한 현실에 동참하지 않고 변함없이 은거하는 삶을 살아가겠다는 은거에의 확고한 의지를, 기욱의 대나무는 학문 수양을 통해 완성된 인격의 경지에 이르는 것이었다. 여헌이 금오산 정상에서 길재가 심은 대나무를 찾아보고는 '어느 곳인들 대나무가 없겠는가마는 나는 선생이 심으신 이 대나무를 사랑한다오'라고 하며 대나무의 이미지를 빙(氷), 철(鐵), 옥(玉) 등의 더 차갑고, 더 단단하고, 더 강인한 것으로 강화시킨 것도, 단단해진 인격을 바탕으로 강상의 사표로 살아가고자 삶의 지향이었던 것이다.

• 한국산업정보학회:학술대회논문집
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• 한국산업정보학회 2009년도 춘계학술대회 미래 IT융합기술 및 전략
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• pp.138-143
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• 2009

본 논문에서는 감성 공간에서 mean shift clustering과 user feedback을 이용하여 영상 검색 결과를 개선하기 위한 시스템을 제안한다. 제안된 시스템은 사용자 인터페이스, 감성 공간 변환, 검색결과 순위 재지정(re-ranking)으로 구성된다. 사용자 인터페이스는 텍스트 형태의 질의 입력과 감성 어휘 선택에 따른 user feedback에 의해 개선된 검색결과를 보인다. 사용된 감성 어휘는 고바야시가 정의한 romantic, natural, casual, elegant, chic, classic, dandy, modern 등의 8개 어휘를 사용한다. 감성 공간 변환 단계에서는 입력된 질의에 따라 웹 영상 검색 엔진(Yahoo)에 의해 검색된 결과 영상들에 대해 컬러와 패턴정보의 특징을 추출하고, 이를 입력으로 하는 8개의 각 감성별 분류기에 의해 각 영상은 8차원 감성 공간으로의 특징 벡터로 변환된다. 이때 감성 공간으로 변환된 특징 벡터들은 mean shift clustering을 통해 군집화 되고, 그 결과로써 대표 클러스터를 찾게 된다. 검색결과 순위 재지정 단계에서는 user feedback 유무에 따라 대표 클러스터의 평균 벡터와 user feedback에 의해 생성된 사용자 감성 벡터에 의해 검색 결과를 개선할 수 있다. 이때 각 기준에 따라 유사도가 결정되고 검색결과 순위가 재지정 된다 제안된 시스템의 성능을 검증하기 위해 7개의 질의의 각 400장, 총 2,800장에 대한 Yahoo 검색 결과와 제안된 시스템을 개선된 검색 결과를 비교하였다.

• 한국의류산업학회지
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• 제16권2호
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• pp.235-244
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• 2014

This study investigates the effect of visual merchandising congruity perception on brand attitude and purchase intention. In addition, this study examines the mediating role of perceived risk in the process. Four retail fashion brands with classic image were selected in the previous research to avoid the influence of different brand images. Questionnaires were distributed to 200 customers leaving the four fashion retail stores which were chosen by the previous research. A total of 167 completed questionnaires were analyzed using SPSS 18.0 and AMOS 7.0 statistical packages. The results were summarized as follows. First, visual merchandising congruity perception positively affected brand attitude. This result supports the match-up hypothesis. Second, brand attitude positively influenced purchase intention. Third, visual merchandising congruity perception did not directly affect purchase intention. Visual merchandising congruity perception indirectly influenced purchase intention by mediating brand attitude; however, it did not directly influence purchase intention. Therefore, the strategic approaches to enhance favorable brand attitude through visual merchandising congruity perception should be tried. Fourth, visual merchandising congruity perception negatively affected perceived risk. Fifth, perceived risk negatively affected brand attitude. Sixth, visual merchandising congruity perception affected brand attitude by mediating perceived risk. Therefore, it is needed to devise the visual merchandising strategy that lowers the perceived risk in order to make a positive brand attitude.