• Korean Journal of Oriental Medicine
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• v.13 no.3
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• pp.69-78
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• 2007

King Se-Jong, who had put much effort into maintaining the national structure, published geological documents to reinforce his authority and through these documents could see the nationwide distribution of medicinal resources. Since then the regional geological documents published in each region included information on the local medical environment of those times. This study is one that focuses on how to specifically understand oriental medicine resources and the contents of ancient medicine by applying the appropriate geological information.

• Journal of the Korean Society of Fashion and Beauty
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• v.5 no.3
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• pp.92-98
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• 2007

This study analyzes the women's hair style and costume in late Chosun Dynasty appeared in Shin Yoon Bok' genre painting. Conclusions are as follows; First, in case of woman costume, the Jergori was short and the Chima was too long. The trend of simplified clothes on upper body and abundant clothes on lower body appeared. In addition, as 'geodulchima' became popular, women came to of en show an erotic beauty by exposing their underwear below chima. Second, in the women's hair style appeared in Shin Yoon Bok' genre painting, a unmarried woman did the braids and a feme covert did 'Ungeon Meori' and 'Tremeori'(a swept-back hair with the chignon) regardless of status. We can imagine the women's hair styles of a higher class who imitated those of 'Kie-sangs' through the features of Kie-sangs who were illustrated by Shin yoon bok.

• Journal for History of Mathematics
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• v.11 no.1
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• pp.1-9
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• 1998

This article explores what is the genuine Koreanness in Korean arithmetic by examining what kind of influence the Chinese arithmetic had on the Korean arithmetic and how the Korean arithmetic scholars had accepted and utilized it. Because the main stream of Korean culture before the end of Chosun dynasty was located under the umbrella of the Chinese philosophy, technique, and culture, it is necessary to make researches on the historical documents and materials in order to establish the milestone in the Korean arithmetic history for the Korean arithmetic scholars. For this research, the arithmetic books published in between the sixteenth century and the end of Chosun dynasty are mainly consulted and discussed, dealing with the bibliographical introduction in the arithmetic Part in Re Outline History of the Korean Science & Technology written by Prof. Yong-Woon Kim.

• Journal of the Korean Society of Food Culture
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• v.4 no.3
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• pp.221-227
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• 1989

The introduction of six kinds of teas in Chosun dynasty and tea-making in domestic were investigated. The results were certified as follows. 1. Jasmine tea, blue tea, black tea which are scented tea were introduced from China, red tea was introduced from Japan. 2. Among them, scented tea, yellow tea, black tea were also produced in domestic.

• Journal of the Korean Society of Food Culture
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• v.6 no.1
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• pp.21-29
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• 1991

To analyze tableware in wedding ceremonies of royal prince(1744, 1819) of Chosun Dynasty, the author studied the historic book-Gare Dogam Euigwae, in which wedding feast dishes for King and prince in Chosun Dynasty were described. The results obtained from the study were as follows, 1. For wedding feast dishes for prince, black lacquered table was used, and for King's wedding feast red lacquered table was used. 2. In wedding ceremony red silk table cloth was used. 3. Tables arranged in wedding ceremony had high legs. 4. Tablewares used in wedding ceremony were footed dishes. 5. Wedding ceremony arrangement was made up of four kinds of main table, a small boiled beef table, a large boiled beef table, four small round tables, a dining table, a candle stick, a incense holder, a vase with vaseholder and a liquor bottle with a holder.

• Journal of the Korean Home Economics Association
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• v.36 no.1
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• pp.51-63
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• 1998

The purpose of this study was to relate confucian ideas in Chosun-Dynasty with ancestral rites in order to recover our traditional rules of propriety and morality which is disappeared in mordern society. For this object, this study reviewed ceremonies of traditional society in examining original literature such as $\ulcorner$Kyung-moon-yokyal$\lrcorner$ by Lee Yul Kok, $\ulcorner$Karae-geep-ram$\lrcorner$, $\ulcorner$Oee-rae-mun-hae$\lrcorner$y Kim Jang Saeng, $\ulcorner$Sarae-pyun-ram$\lrcorner$ by Lee Jae which is written in Chosun-Dynasty. By this literatures, the main idea of ancestral rites represented in literture is that filial piety is the most important thing and a true heart rather emphasized more than formality. From this study, I figured out that our traditional ancestral rites and its performance offered the mode군 good opportunities to learn how to respect other and made a great contribution to create better cultural life in modern home.

• Journal of architectural history
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• v.15 no.4
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• pp.87-105
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• 2006

Dok-Rak-Dang and Hyang-Dan, upper class houses of Chosun Dynasty on the early and mid 16th century, are generally known as specific style houses among traditional residences in Korea. Architectural singularities of these two residences are summarized as double facades, uncertain circulation, self-secluding construction, dilemmatic structure, and rotative circulation that are far from architectonic principle of that time. Characters of Deconstructionist Art, deconstruction of binary oppositions, double session, displacement without reversal, and paradox, are very similar to those of two residences both as a material phenomenon and as a metaphysical idea. Thus, this paper attempt to analyze architectural singularities of Dok-Rak-Dang and Hyang-Dan with the perspective of Deconstructionist Art Theory.

• Journal of architectural history
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• v.3 no.1
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• pp.9-22
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• 1994

In Pyonjon, Kings received high-ranked officials, heard preachings of classical literatures. State affairs were also discussed here. In palaces of the Chosun Dynasty, Pyonjon used to be regarded as the most important building second to the main hall. In Changduk palace, Sonjongjon was the original Pyonjon. But, before the end of the 17th century, Huijongdang began to be called Pyonjon, and after the 19th century, Huijongdang became Pyonjon officially. Sonjongjon was located beside the main hall, while Huijongdang before the King's bedroom. The floor of the former building was covered with brick but Huijongdang covered with ondol and wooden floorings. In Sonjongjon, every man sit on the chair, but in Huijongdang King and officials used to sit down on the floor. The fact that Huijongdang became Pyonjon replacing to Sonjongjon meant change of building arrangement in the palace and usage of inner space.

• Journal of the Korean Home Economics Association
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• v.36 no.3
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• pp.77-86
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• 1998

The aims of this study show the purpose of writing[Ka-ryae] and its transmission and operation from the end of Koryo to Chosun dynasty. And Studying of a traditional marriage ceremony as shown in [Ka-ryae], We intend to find a mental meaning and value in it. The major findings this study are as follows. 1. Though [Ka-ryae] was written by Chu-Ja who lived in the period of South-Song of China, it had greatly influenced the thought, system and life of Korean society from the end of Koryo to Chosun dynasty. 2. Studying the content of [Ka-ryae], we learned the respect, discretion and reghtness as the mental meaning and value of a marriage ceremony.

• Journal of the Korean Institute of Landscape Architecture
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• v.23 no.2
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• pp.44-62
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• 1995

This study investigated the landscape space of Chosun Dynasty pavilions in the Sang-ju Region. Five renowned pavilions were selected for study by Phenomenological and IDRISI (4.1) S/W. The results were as follows ; Pavilions were erected for studying cultivating moral sense admiring the view relieving illness and commemorat memoring people. A total of 248 pavilions were erected in the Sang-ju Region between 1392 and 1895 AD, most of them duing he golden age from 15001670 AD. Pavilions and open space were composed in harmony with nature borrowing natural landscape features. Landscape characteristics were analysised with IDRISI(4.1) S/W; pavilions were ma711y located at the bottom of a mountain with stream The Inner garden was formed by a fence and Lagerstroemia indica or a few trees. The Outer garden was formed by mixed stands of Pinus dentsiflora, Zelkowa serreta, Acer formosum and well conserved natural vegetation.