• 한국한의학연구원논문집
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• 제13권1호통권19호
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• pp.53-61
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• 2007

When Ojuyeonmunjangjunsan'go, which we may call the ocean of data in Chosun Dynasty, referes to the matter related tobacco, it often quotes from Enroku. Enroku is a technical book of tobacco in Japan. It not only often quotes from Jibongyuseol, an encyclopedia published in Chosun Dynasty, but also embodies literary works related tobacco written by Koreans. We are so interested, because even the first literary work related tobacco written by a Korean is included in it. But on the ground of foreign book, Koreans have not made a deep study on it. So, In this treatise We will picture a broad outline of Enroku, and introduce literary works related tobacco written by Koreans in it. It would be little aid for the deep study on tobacco itself and on literary works related tobacco in Korea.

• 복식문화연구
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• 제5권1호
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• pp.29-42
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• 1997

Our ancestors had done their best for the moral training and home management, further more for the governing a country through observing the decorums. The 4 main decorums, i. e. the Coming-of-Age Ceremony, Wedding Ceremony, Funeral Rites and the Ancestor worship Ceremony during the Chosun Dynasty had guided well our ancestors'life harmoiously. The Wedding Ceremonies of them was one of the most happy events in their lives meaningful of the filial piety and the union of two families. The Wedding ceremonies consist of the 6 etiquetes, i. e., Eui-Hon (matchmaking), N뮤-Chae (present), Nab-Pye(bride's presents to her parents-in-law), Chung-Gi(ask the other part about an auspicious day), Moon-Myung(choice of an auspicious day), Chin-Young(take and meet a bride) in order of sequence. Chin-Young consists of Cho-Hon, Sa-Dang-Go-Woo, Sung-Bok, Cho-Rye, Boo-Myung-Ji & Mo-Song, Jun-An-Rye, Hab-Geun-Rye, Sin-Bang-Chi-Reu-Gi, Hyun-Goo-Rye, Myo-Hyun and Jae-Haeng ete, considerably complicated programs in order.

• 건축역사연구
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• 제11권3호
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• pp.53-68
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• 2002

Since the 17th century, the finance for the government construction was demanded unlike the early chosun dynasty. It was consequent upon a transition in the supply method of materials and labors for the construction. The government construction being enforced in chronic financial difficulties had to undergo lack of funds. Especially, a rising construction cost by purchasing lots of materials including wood, and by employing labors weighted the difficulties. In order to put forward a construction, new and various efforts besides diversification in sources of finance ad been looked for. The efforts were driven in three parts which were to be the management of labor and materials, and the way of construction execution. As a result of spending a great effort to save cost, an extinguished improvement in the way of construction execution came out with 'Injungjeon-yeongkweon' in the year 1805.

• 건축역사연구
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• 제7권4호
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• pp.9-27
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• 1998

The urban form of Korean cities significantly changed in the late Chosun dynasty. The influence of commercial development was the main cause of these changes. Commerce became a important function of existing cities, and the new type of commercial towns emerged at the important spots of traffic routes. In both cases streets became dominant element of urban form. Mainly commercial buildings aggregated along the streets, and to obtain higher land use intensity shape of lots became narrow and deep. Koyang(高陽) shows the most significant example of this new type of lot and lot pattern. Approximately 30 narrow and deep type of lots lined on each side of street forming about 390 meters long linear commercial town. Similar examples were found at the outside of south gate of Suwon(水原), Nuwon(樓院), and Pangyo(板橋).

• 건축역사연구
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• 제7권1호
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• pp.9-30
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• 1998

In the Chosun Dynasty, the wooden building materials for constructing the official buildings within a capital city were supplied by way of water transport, and they were stored at Hangang riverbanks. After being firstly treated with primary processed-goods there by several craftmen groups, they were carried in the relevant site of construction by cart. The purpose of this paper is to study the process of those supply, the roles of merchants and craftmen in the process.

• 한국한의학연구원논문집
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• 제10권1호
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• pp.15-29
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• 2004

This paper is the research on the relationship between Lee Kyujoon(李圭晙)'s Shimqi(心氣) Philosophy and medical theory of Buyang(扶陽). Lee Kyujoon is the philosopher and medical doctor in the late Chosun Dynasty. His philosophical hypothesis is that the cosmos constitutes of the only entity, Qi(氣) and Medically, human body is also made of the only one entity, or Qi. The Qi of the body comes from Shim (心:heart). So, Encouraging the Qi(扶陽) of heart is the most critical in maintaining life. He is favorably used to prescribe the medications full of the herbs boosting the ShimYang(心陽) of body. In conclusion, his Shimqi(心氣) Philosophy and Buyang(扶陽) theory is the twins of one Shimqi(心氣) monism.

• 복식문화연구
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• 제9권2호
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• pp.207-222
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• 2001

This study investigates the chulik of Soo Buen's, Heymjo Kim's, Sooncheon Kim's grave in early Chosun Dynasty. The purpose of this study is to revise concretely the relation to Mongolian costume, Zilsun and Chulik, of the distintion of sex to wearer. This paper reviews the general construction form the excavated graves of them. This paper finds that there exist different Chulik forms according to the ratios between upper portion and lower portion in Early Chosun Dynasty. Eventhough they were a kind of Mongolian costume, in relation to Zilsun(質孫) and Chulik(帖 ) they are different form each other. They have a lot of pleats coat( 積袍), but they are different clothes, and also, even if Chulik were excavated in womens grave, because their husbands presented them to their wives, Chuliks were not women's, and they were used for men.

• 한국실내디자인학회논문집
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• 제4호
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• pp.5-9
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• 1995

In this study, the relationships between the interior space of the upper class residence of Korean late Chosun dynasty and human dimensions based on their life styles of that era are analized. As an object of the study, the interior space of Yunkyungdant in Changduk palace is selected. The major analytical frame works of this study are : the analysis of Space-Human Body System, the analysis of Space-Objects-Human Body System, and the analy-sis of Space-Objects-Human Body System, and the analy-sis of Space-Objects-Life Activities of Human Body System. As a result, it was verified that there are certain quantitative relationships between the interior space of the residence and the human dimensions of Koreans lived up to their life styles and activities of Chosun dynasty era, specialized as 'Confucian life style'.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 1999년도 춘계학술발표대회 논문집
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• pp.114-117
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• 1999

The purpose of this study was to compare with the characteristics of Wumul-maru components in upper class Chosun dynasty. Physical trace method was used for this study. The samples were taken from the Sarang-taechong of 6 traditional Korean houses, Yunkyungdang, the ancient Chusa estate, Sunkyojand, Chunghyodang, Yangjindang, Unjoru. The major findings were summarized as follows; 1) Regarding to the scale characteristics, the number of changguit'ul(long board) was 1, chungguit'ul(middle-length board) 5, tongguit'ul(center board) 8m and maruno. 98, and the size of changguit'ul was 253$\times$4478mm, chungguit'ul 182$\times$2396mm, tongguit'ul 179$\times$2310mm, and marunol 247$\times$574mm. 2) Regarding to the proportion characteristics, the proportion of changguit'ul was 1:18.2, chungguit'ul 1:16.7, tongguit'ul 1:12.9, and marunol 1:2.62 and the proportion of components was 1:3:4:17.

• 복식
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• 제42권
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• pp.173-186
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• 1999

the object of this thesis is to find out the Chosun Dynasty's Fabrics of 17th century which founded in the buddhist statutes. The total 43 pieces of fabrics can be classified chronologically as follows; 14 pieces in the year of 1641, 18 pieces of 1679, and 12 pieces of 1701, These fabrics also categorized by the weaving method as follows; 25 plain weaved 8 twill weaved and 5 pieces of satine weaved. I could confirmed the width of fabrics are 38cm and 38.5cm through these fabrics. Because of the fabrics were composed of mainly plain weaved silk Chu. There weren't many fabrics with motif. The fabrics within the buddhist statues have their own meaning.