• Title/Summary/Keyword: Choi Seung-Hee

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A Study on the Style of Dancer Choi Seung-hee (무용가 최승희의 스타일 연구)

  • Park, Ae-Lan;Park, Hye-Won
    • Journal of Fashion Business
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    • v.15 no.1
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    • pp.20-33
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    • 2011

  • The purpose of this study is to inquire into social and cultural background of modernization and the new woman's life centered around a new woman and a dancer, Choi Seung-hee and its style. The study was carried out centered around analysis of content through photos of 179 pieces and a documentary DVD. We analyzed collected photo data and came to know various bobbed hair style, clear makeup style and Art-Deco fashion. Accordingly, Choi Seung-hee has external appearance as a new woman and we came to know she is a representative woman in Korea. Because she crossed over into North Korea, the study has not been actively carried out but if we consider Choi Seung-hee's influence over the dance world, her women's leader and fashion roles at that age, it is considered that the study on Choi Seung-hee's external style has a significant meaning.

  • https://doi.org/10.12940/jfb.2011.15.1.020 인용 PDF KSCI

A Study on the Attribute of Seun-Hee Choi′s Dancing Costumes and Its Interrelationship with Modern Costumes (최승희 무용의상의 특성과 현대패션과의 상관성)

  • 임영자;박유신
    • The Research Journal of the Costume Culture
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    • v.8 no.5
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    • pp.638-647
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    • 2000

  • The purpose of this study is to discover the interrelationship between modern costumes and Seung-Hee Choi's dancing costumes in 1930s. Seung-Hee Choi, who was a dancing pioneer in Korea, introduced the modern dancing costumes for the first time in Korea. The results are as followed ; First, we can find Eroticism in Choi's dancing dress. Choi's dancing costume had used gold thread, silver thread, spangle, see-through and a half-naked body clothing that decorated with beads and cords. It is similar to modern costumes in ubjet mtter, silhouette, design, and so on. Second, the influence of Futurism was in her dancing costumes, that is, it represented asymmetry designs and rectilineal figures. Third, not only beauty but also a Functionalism was expressed in her dancing costumes. Functional beauty was shown through bias cut, pleats, slit, and so on.

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