• 한국식생활문화학회지
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• 제32권6호
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• pp.487-497
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• 2017

This study was conducted to examine the 2nd broadcasting cooking program of Gyeongseong Radio from April 26th 1933, when the 2nd broadcasting for Koreans started, to December 1941. From its opening date, there were continuously regular cooking programs such as 'Recipes' and introducing 'Japchae'. Analysis of names broadcasted in cooking programs included a total of 452 foods (328 types); specifically, 332 Korean foods, 71 Western foods, 24 Japanese foods, 18 Chinese foods, and seven other foods. Korean foods included 35 staple foods, 223 side dishes, 64 deserts, and 11 sauces. Western foods included seven soups, 25 main dishes, and 25 deserts. Main dishes included many deep-fried dishes, while diverse types of desserts were also introduced. In the case of Japanese food, there were many foods combined with Western food. Chinese food included many types of dumplings and fried rice, as well as many dishes using pork. Among people broadcasting cooking programs, there were 11 whose names were shown in the schedule, all of whom were recognized as the best cooking specialists and educators of the time.

• Ocean and Polar Research
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• 제41권3호
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• pp.169-181
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• 2019

The purpose of this study is to develop geochemical tracers to identify a specific source desert of mineral dust in China using the published data. In addition, we tested the applicability of these tracers to wet-deposits and soil samples collected in Jeju, Korea. Because of similarity in trace elemental compositions of mineral dust from the major arid regions in China, such as Taklimakan, West Ordos (Badain Jaran), East Ordos (Mu Us and Hobq), East Northern China (Horqin), West Northern China (Gurbantunggut), and Chinese Loess Plateau, there has been limited to the use of geochemical data for source identification. Here we propose the four (4) plots using combination of seven (7) geochemical variables as a source indicator to distinguish one from other source regions in China: $\frac{Y}{Tb_N}$ vs. $\frac{Th}{{\Sigma}REE_N}$, $\(\frac{La}{Gd}\)_N$ vs. $\frac{Y}{{\Sigma}REE_N}$, $\frac{Th}{Tb_N}$ vs. $\frac{Y}{Nd_N}$, and $\frac{Th}{Tb_N}$ vs. $\(\frac{Ce}{Ce}\)_N^*$, where $_N$ and $\(\frac{Ce}{Ce}\)_N^*$ stand for values normalized to Post-Archean Average Shale composition and Ce anomaly, respectively. Mineral dusts from aforementioned six major deserts are distinguished one from the others by the combined use of these variables. Jeju rock and soil samples form a separate domain from Chinese mineral dusts in all four plots. In contrast, most of Jeju dust samples were comparable with the West Ordos desert (Badain Jaran) domain, indicative of strong influence of Badain Jaran dust in Jeju in spring season when the mineral dust was collected. A weak positive Ce anomaly in Jeju samples implies minimal local contribution. Our study suggests that the combination of $\frac{Y}{Tb_N}$ vs. $\frac{Th}{{\Sigma}REE_N}$, $\(\frac{La}{Gd}\)_N$ vs. $\frac{Y}{{\Sigma}REE_N}$, $\frac{Th}{Tb_N}$ vs. $\frac{Y}{Nd_N}$, and $\frac{Th}{Tb_N}$ vs. $\(\frac{Ce}{Ce}\)_N^*$ can be used to identify a specific source region of mineral dust in China as well as Jeju mineral particles.

• 융합정보논문지
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• 제9권2호
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• pp.115-120
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• 2019

선협영화는 무협영화와 판타지(奇幻) 영화라는 장르의 융합을 통해 발생한 새로운 장르이다. 본고는 중국선협영화의 대표작인 서유기류 영화의 미장센을 통해 선협영화의 탄생과 변화 및 선협 영상미학을 분석하였다. 특히, 서유기류 영화의 선협공간은 인간계와 요계, 요계와 신선계, 천계와 인간계로 구분되어 서로 대립하는 공간으로서 비록 톨킨이 제시했던 환상적인 제2의 공간(Middle Earth)의 모습과 닮아있지만 전통적인 무협서사에서 주로 나타나는 산, 사막, 동굴, 초원 등 자연환경(강호세계)을 중심으로 지극히 중국적인 모습과 중첩된 세계를 보여준다는 점에서 차별적이다. 최근 선협영화로서 서유기류 영화의 유행은 서구 판타지 장르의 영향아래 중국의 디지털 기술 발전에 따른 IP(Intellectual Property)소설이 매체와 장르를 넘나들며 확장되어 메타 서사화 된 결과라고 볼 수 있다. 이러한 변화는 장르의 혼종을 통해 원작 서유기 세계를 넘어서는 현시대정신을 지닌 새로운 중국적 판타지인 "선협"장르의 탄생을 의미한다.

• 건축역사연구
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• 제31권4호
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• pp.71-86
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• 2022

This study examines the process of the introduction of stupa, which has originated in India, to the Xinjiang Uyghur region and the features of the stupas in the Xinjiang Uyghur region in detail. This study examines the layout of the buildings in temple compounds and the types, structural elements, and construction methods of the stupas in the Xinjiang Uyghur region in particular by looking into the content of the Da Tang Xi Yu Ji and remaining stupas, which provide examples of stupas at the time. This study finds that due to the characteristics of dry deserts, stupas in Xinjiang Uyghur region, where assimilation between Eastern and Western cultures is seen, were mostly made by pressing clay into a mold and had no interior spaces. Also, construction materials and techniques had been developed and improved in a way that enabled stupas to combat the challenging desert conditions. However, the stupas in this region differed significantly from the wooden tower-like stupas discovered in central China(zhongyuan 中原). The shape of the dome of most stupas in Xinjiang Uyghur region was chosen under the influence of the Gandharan style. Some of the stupas in the region have taken the general forms of the wooden stupas and the others have taken many forms, from cylindrical drums to towers. Also, there have been forests of stupas and stupas similar in form to chaityas and stupas of Vajrayana. Such different forms were transformed and modified through regional history and it was related to the peoples and cultures that produced and used stupas. Stupas evolved into distinct forms in Xinjiang Uyghur region in this way.

• 조형예술학연구
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• 제13권1호
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• pp.61-86
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• 2008

불교와 불교미술은 인도에서 발원하였지만, 그것들은 각 나라에 전파되면서 국제적인 환경을 만들어 냈다. 불교는 각 나라에 일종의 꾸러미의 형식으로 전파되었다. 예를 들면 불경, 불상과 불화의 도상과 양식, 건축과 그 기법, 복잡한 의식, 승려나 여승이 기거하는 사찰에서 건축적 요소와 그 기법들이 함께 소개되었다 불교의 시작은 인도의 아쇼카 왕조시기(reign of King Asoka)로 거슬러 올라가지만, 이후 각 나라의 정치적, 지적, 예술적, 종교적, 사회적, 자연적 환경, 지리적, 지질적 환경에 맞게 전개됐다. 불교미술은 토착화하면서 그 지역민을 닮은 상이 만들어 졌고, 또 지역마다 독특한 특색을 나타내면서 발전하기 시작했다. 스투파(stupa)와 차이챠 홀(chaitya hall)은 수도원의 독특한 분위기를 만들어 내곤 중앙아시아의 대상인들은 인도의 문화가 중국에 전해지는데 공헌했을 뿐만 아니라, 그들이 지나던 교역루트의 자연환경 덕분에 화려한 색채의 벽화들이 제작되고 보존될 수 있었다. 불교와 불교 미술이 중국과 한국, 일본에 전해졌을 때, 불교는 국가 제도와 사회적 조직의 일부가 되었다. 정치적 목적에 의해 거대한 불상들이 산속의 동굴에 만들어 지기도 했다. 중국은 스투파를 사각형의 기둥으로 변형시켰고, 기와를 얹은 지붕 형식의 탑을 만들어 냈다. 한국은 불교미술을 중국에서 일본으로 전파시켰을 뿐만 아니라, 고유한 방식으로 그것을 변형시켰다. 석굴암의 깊은 명상에 잠긴 듯한 보살상들의 이미지가 그 좋은 예이다. 중국에서는 신유교 철학이 국-가의 공식적인 이념이 되면서 선종의 부흥하기도 했으며, 일본의 선승들은 신도들의 명상을 북돋기 위해 선종 형식의 정원을 만들어 냈다. 티벳의 밀교에서도 불교미술의 중요한 발전양상을 확인할 수 있다. 밀교의 미술은 예술적 환경 뿐만 아니라, 지적이고 종교적인 것에도 속한다. 한편 티벳의 신들이 그들의 배우자를 안고 있는 모습은 신과 신자들의 융합을 상징하기도 한다. 불교미술은 독창적인 환경을 만들어 냈고, 여라 나라에 전파되면서, 상당한 변화를 낳았다.

• 한국환경복원기술학회지
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• 제3권3호
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• pp.45-76
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• 2000

The purposes of this study were to investigate and understand the present status of various types of "deserts", such as sand desert, gravel desert, rock desert, earth desert, salt desert, desert, rocky desert, gobi desert, sandy desert, clay desert, etc., and the general countermeasures for the combating "desertification" "desertization", and to develop the technologies on the revegetation and restoration for the combating desertification in China. The methods of this study were mainly composed of field surveys on the several experimental sites and research institutes related to combating desertification in China, and examinations on the various technologies for the combating desertification at the Daxing Experimental Station of Beijing Forestry University. The conclusion from this study may be summarized as follows; 1. Status and tendency of desertification in China : China is one of the countries seriously threatened by desertification. Desertification affected areas in China are mainly distributed in arid, semi-arid and dry sub-humid areas in China, covering the most regions of the Northeast China (eastern region of Inner-Mongolia), the northern part of the North China (middle and western region of Inner-Mongolia, Shaanxi, Ningsha, Gansu) and the western part of the Northwest China (Xinzang, Qinghai, Xizang). The total area affected by desertification in China is approximately 2.622 million $km^2$. It covers 27.3% of the total territory of China. Until recently, it is estimated that the annual spreading ratio of desertification in China is 2,460 $km^2$. Therefore, desertification is mostly serious problems facing to the Chinese people. 2. The causes and environmental effect of desertification : The desertification in China is mainly caused by compound factors, including natural condition and human activities. In China, the desertification is started by the decrease of precipitation, continuous dry and drought, strong wind, wind and water erosion, land degradation and loss of natural vegetation caused by climate variation, and accelerated by the human activities, such as over-cultivating, over-grazing, over-cutting of woods, irrational use of water resources. Because desertification has affected the geographical features, soil nutrients contents, salinity, vegetation coverage and the functions of ecosystem, the environmental deteriorations in the desertification affected areas are very seriously. 3. The fundamental strategies of combating desertification in China are the increase of education and awareness of people through various mass media, the revision of laws to guarantee operation of Desertification Combating Law and to improve many relating laws and regulations, the application of advanced technologies and training of experts, the establishment of discriminative policies, and increasing arrangement of budget-investment, and so on. China, as a signed country in UNCCD, has made efforts for the combating desertification. Korea is also signed country in UNCCD, so we should play an important role in the desertification combating projects of China for the northest asia and global environmental conservation as well as environmental conservation of Korea.