• 아동학회지
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• 제19권1호
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• pp.169-182
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• 1998

This study investigated the verbal responses of kindergarten children to fantasy and realistic picture books. The subjects were 60 five-year-old children divided into small groups of 4 children each. Each group was read four picture books of which two were fantasy and two were realistic. Transcripts of the children's responses were analyzed for number, content, and type of verbal response. Mean scores and standard deviations were measured and the data were analyzed by repeated one-way ANOVA. Results showed that the children showed (1) more verbal responses to the fantasy than to the realistic picture books. (2) They gave more verbal responses to fantasy picture books than to realistic books in terms of character, scene, event, and vocabulary. They also gave more verbal responses to fantasy picture books than to realistic books in terms of informative, heuristic, and imaginative types.

• 한국보육지원학회지
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• 제11권5호
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• pp.215-235
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• 2015

이 연구는 팝업책과 일반 평면그림책에 대한 만 5세 유아들의 읽기 양상을 비교함으로써 그림책 제작방식에 따라 유아의 읽기시간, 흥미, 반응, 이해, 회상에 차이가 있는지 살펴보았다. 연구의 결과는 다음과 같다. 첫째, 유아들은 팝업책과 일반평면책에 대해 모두 높은 수준의, 유사한 정도의 흥미를 보였다. 둘째, 팝업책을 읽은 유아들은 일반평면책을 읽은 유아들에 비해 자발적으로 책을 더 오랫동안 보았고, 그림에 초점을 두는 반응 수준이 더 높았다. 셋째, 일반평면책을 읽은 유아들은 팝업책을 읽은 유아들에 비해 사실적 이해와 회상에서 더 높은 수준을 보였다. 이 연구는 만 5세 유아의 독립적 그림책 읽기에 초점을 맞추어 실제적인 정보를 제공한 점과 두 유형의 책을 읽은 유아들의 읽기 반응을 여러 측면에서 비교하여 팝업책의 특징과 관련된 구체적인 시사점을 도출하였다는 의의를 갖는다.

• 가정과삶의질연구
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• 제25권4호
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• pp.57-66
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• 2007

This study purposed to examine the effects of integrated activities based on wordless picture books on increase in children's creativity. As for the subject of this study, 20 five-year old children(9 boys and 11 girls), who go to D Kindergarten in Ulsan-si, were selected as a experimental group and 20 five-year old children(8 boys and 12 girls) as comparative group, who attend B Kindergarten in Ulsan-si. For this study, all children of the groups were taken pre-test. After this experiment, difference in creativity of two groups was examined through post-test. The total of 42 sessions were conducted for 14 weeks from the first week of April to the second week of July, 2005. The test tool for this study was Creativity Scale developed by Kim Sang-yun (2003). To verify study questions, the mean of the two groups and the standard deviation were calculated and independent-sample t-test was carried out using SPSS WIN 11.5. The results of this study were as the following: First, integrated activities based on wordless picture books showed statistically significant difference in children's creativity between the experimental group and the comparative one(p<.001), which suggested that the activities affected increase in children's creativity in general. Second, integrated activities centering around wordless picture books indicated statistically significant difference in fluency(p<.05), flexibility(p<.01) and originality(p<.001), sub-factors of children's creativity, between the experimental group and the comparative one. This result revealed that these activities were effective. Third, integrated activities based on wordless picture books did not show significant difference in elaboration, a sub-factor of children's creativity, between the two groups. As the result of this study, integrated activities based on wordless picture books had positive effects on increase in children's creativity.

• 정보관리학회지
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• 제29권4호
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• pp.251-271
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• 2012

주제명은 이용자가 어린이 그림책을 효과적으로 접근하도록 지원한다. 그러나 어린이 그림책은 다른 자료에 비해 표제나 목차와 같이 자료 자체에서 주제명을 선정하기가 어렵다. 또한 텍스트 외에 그림이 주는 정보량이 큰 편이다. 따라서 그림책의 주제접근을 위해서는 별도의 주제명 목록을 작성할 필요가 있다. 그런데 어린이 그림책에 일반 도서용으로 개발된 주제명을 그대로 사용하기는 적절하지 않을 수 있다. 주제명의 유형과 수준이 상이할 수 있기 때문이다. 이에 본 연구에서는 어린이 그림책에 적합한 주제명표를 개발하고자 하였다. 기본 주제명의 선정을 위해서는 영미권에서 발행된 그림책 주제명표를 참고하였는데, 이 과정에서 우리 문화와 언어에 맞도록 기존의 표목을 수정 추가하였다. 또한 그림책의 주요 독자층인 어린이에게 적합한 표목을 선정하기 위해 초등국어사전과 같은 참고자료도 활용하였다. 그리고 시범적으로 구축된 주제명표를 어린이 그림책을 대상으로 한 권장도서 목록에 적용하여, 주제검색이나 브라우징, 도서 추천 등에 활용하는 방안을 제시하였다.

• 대한가정학회지
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• 제46권9호
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• pp.71-85
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• 2008

This study examined the effects of a picture book literature education program in order to assess preschool children's recognition of and attitude towards picture books. The subjects were 56 five-year-old children, 30 of whom allocated to the experimental group and 26 to the control group. The literature education program lasted for 14 weeks. The control group children participated on the national early childhood education curriculum. Children were interviewed about their concepts, preferences, and attitudes towards picture books. The results indicated that compared to control group, children who participated in this program developed enhanced and richer concepts of picture books, displayed specific preferences, and put forward clearer reasons for their preference. ANCOVA result showed significant overall differences between the two groups. Children who participated in the ptrgram displayed more voluntary and active reading and applied the contents of the picture books to their real life situations.

• 한국도서관정보학회지
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• 제39권2호
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• pp.493-514
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• 2008

이 연구는 어린이도서관 전용 분류표 개발을 위한 기초자료로 활용하기 위해 국내 어린이도서관의 분류표 적용 현황 및 적용상의 문제점과 어려움을 분석하였다. 설문조사를 통해 국내 96개관의 어린이도서관을 조사해본 결과, KDC 적용 도서관이 53개관으로 가장 많았으며 자관분류표 개발 도서관이 22개관 어린이도서관 분류표 적용 도서관이 13개관으로 나타났다. 또한 어린이도서관에서 표준으로 사용될 수 있는 분류표가 개발되어야 한다는 의견이 높게 조사되었다. 분류표적용상의 문제점과 어려움에 대해서는 만화와 그림책과 같은 어린이도서의 여러 형태를 수용하기 어려운 점, 특정 주제에 장서가 편중되는 점, 장서 성격에 맞는 주제 항목이 부족한 점등이 제기되었으며, 이에 대한 추가적인 논의를 통해 향후 어린이도서관 전용 분류표 개발을 위한 기초자료로 활용될 수 있도록 하였다.

• 영어영문학
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• 제56권3호
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• pp.501-517
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• 2010

This paper examines the British imperialism found in Edith Nesbit's fantasy stories by looking at the function of magic and of the hierarchical relationships seen in the books. Although Edith Nesbit is relatively unknown in Korea, she is widely recognized as having had a great influence on the 20th century British literary world, and is also well-known for her political position as a socialist. Nesbit's fantasy books are commonly differentiated from other Victorian children's books written before her in that she created realistic and liberal children characters and rejected the adult didactic tone. While Nesbit's books have been recognized as revolutionary and being distinguished from other Victorian children's books, I suggest that the ideas found in her fantasy novels largely include the dominant Victorian message of British imperialism. This imperial ideology is delivered by the logic of magic and the multilateral hierarchies. The two magic creatures (The Psammead and the Phoenix) and the two magic items from an Oriental background (the Carpet and the Amulet) all have a magic power to grant people's wishes, wholeheartedly exercising their power and knowledge for the sake of the British characters. While the magic agents serve to fulfill the children's wishes, the children aim to please their parents and to benefit their family, showing layered hierarchies among the characters. Also, there is a hierarchical distinction between the magic items and the magic creatures in that the magic items have no voice to express themselves but only serve and obey the British children. The foreign characters that the children encounter in their adventures also cooperate with the British characters to help them to fulfill their goals. In short, magic frees the children from the adult-centered world but ultimately their free adventures serve their parents and other adults, and represent the ideals and hierarchical concepts of British imperialism. Thus, Nesbit's position as a modern writer seems to be ambiguous, switching between modern characterization and style, and the old Victorian imperial messages that also exist in her fantasy novels.

• 아동학회지
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• 제32권2호
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• pp.123-148
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• 2011

The purpose of this study was to explore children's experiences in a series of creative drama activities based around the use of picture books. The subjects were a total of 17 children 4 years of age. The research, implemented over the courses of 10 weeks, was integrated into their daily education curriculum. The children's drama activities were collected by participant observation, field notes, audio and videotape transcriptions, documentation of the young children's drama activities (eg. pantomimes, role plays & improvised expression, improvisations). The analysis reveals the following findings : 1) even shy and passive young children tried to participate in pantomime activities after reading books. 2) In role play & improvised expression activities, young children were immersed in the improvised situation and spontaneously expressed their emotions and thoughts as actors without the use of any scripts, in an impromptu manner. 3) In improvisation, young children collaborated with other children to create the improvisation by extending or transforming the content of the picture books through their own ideas.

• 아동학회지
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• 제35권4호
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• pp.249-262
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• 2014

This study investigated differences in children's story comprehension as they related to the types of reading media. The participants comprised 62 four-years-olds from two child-care centers located in a middle-income region of Seoul and Gyeonggi Province. In order to control the experience effect, newly developed stories published into two formats of reading media (paperback books and electronic books) were provided to the participants. The results indicated that there were no significant differences in children's story comprehension depending on the types of reading media. Paperback book readers and electronic book readers did not show any significant difference in story comprehension, which consists of recall, recognition and reasoning tasks. As literature pertaining to children's usage of electronic books is limited, the present study offers guidelines for the development of children's reading media and may serve as a useful resource for future studies.

• 아동학회지
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• 제21권1호
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• pp.235-252
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• 2000

This study investigated the effects of story making activity with wordless picture books on the language abilities of 5- and 6-year-old children. The 52 subjects attending a kindergarten in Kwangju were randomly assigned to an experimental group or a control group of 26 children each. The experimental group made stories with wordless picture books while the control group listened to stories. Experimental treatments were given twice a week for 6 weeks. Assessment was by The Language Comprehension-Cognition Test(1994), The Picture Vocabulary Test(1995), and The Sentence-Comprehension Test(1996). Qualitative level of the stories was analyzed by Morrow's(1985) revised Instrument Assessing Children Understanding of Stories(Chae, 1996). The vocabulary, language-comprehension, and story-composing ability of children who made stories with wordless picture books were higher than those of children who listened to stories told by teachers.