• 제목/요약/키워드: ChanggyeongGung

검색결과 4건 처리시간 0.018초

창경궁 영춘헌과 집복헌의 건축과 변화 (A study on the construction and change-over of Yeongchunheon and Jipbokheon in Changgyeonggung Palace)

  • 이종서;김버들
    • 건축역사연구
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    • 제31권5호
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    • pp.35-44
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    • 2022
  • Although Changgyeong-gung was devastgated by Japanease invasion in 1592, it was restored during the reign of Gwanghaegun, had remembered of early Joseon danasty's architecturural order. It was destroyed several times by fire after that but was rebuilt immedieately. There are Donggol-do and Donggol-dohyeong, so we can fine the change of architectures in Changgyeong-gung. Jibbokheon(集福軒) and Yeongchunheon(迎春軒) are marked in another location and architectures in Donggon-do and Donggon-dohyeong. The reason has been known that it was rebuilt after the fire in 1830. As a result of reviewing the record of birth of crown prince Sado and movement of coffin of King Jeong-jo in funeral ceremony, it was confirmed that notation of Jibbokheon and Yeongchunhyeon was misprinted. In particular, Yeongchunheon confirmed the possibility that the existing building was built by extending it while applying the asymmetrical building with four-purlins structure method during the reign of King Jeongjo, and that it was reconstructed by moving Yeonyeonghap when it was destroyed by fire 1830. And although now Jibbokheon and Yeongchunhyeon(延英閤) are connected, nothern part of Jibbokheon did not burn in the fire, so it was judged that original architectural plan were maintained until now. The current building north of Jibbokheon was built before 1695 (21st year of King Sukjong), which was first identified in the Gunggeolji(宮闕志), and there is a possibility that it may have been a part of Janggyeongmun(長慶門) inner corridor built before 1633. The present building north of Jibbokheon has great architectural significance in that it maintains the structural method of the early Joseon Dynasty which was often applied to buildings with a small scale of inner palace.

조선시대의 바람 관측기기인 풍기(風旗)의 연구 (A Study on the Punggi (風旗), Meteorological Instrument Made in the Joseon Dynasty)

  • 전준혁;이용삼
    • 대기
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    • 제23권1호
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    • pp.47-61
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    • 2013
  • The Punggi (風旗) is one of the meteorological instruments made in the Joseon Dynasty (朝鮮王朝). Its purpose was to observe the direction of the wind. It is estimated that it started its operation in the $16^{th}$ century at least. But it does not remain in a perfect form, like the Chugugi (測雨器) and the Supyo (水標). The Punggi (風旗) can only be found at old document data, while the stone used to build the Punggi still remains. Since the stone had been named as the Punggi-dae (風旗臺) by 和田雄治 (1917), the name has not been changed until now. The Punggi is currently located in the Gyeongbok-gung (景福宮) and the Changgyeong-gung (昌慶宮). Meantime, there have been several transfers of its position. However, 和田雄治 (1917)'s paper and the "每日新報" (Maeil-Sinbo, 1929) articles have provided new clues. Also, the word 'Hupungso (候風所)' was found in the "朝鮮王朝實錄" (The annals of the Joseon Dynasty) and the "承政院日記" (Daily records of royal secretariat of Joseon dynasty). A designed harbor where the ship was staying was usually considered a special section for wind observations. It is assumed that the Hupungso was in most of the harbors at that time. This paper assumes the Punggi and the Hupungso had a lot of interest in wind observations in the Joseon Dynasty. In this study, we'll look for contained information about the Punggi and the viewpoints about wind during the Joseon Dynasty.

궁중 장식화의 채색 분석과 장황 고찰 (A study in pigment analysis and original mounting of the decorative painting at court)

  • 안지윤;김수연;천주현
    • 보존과학회지
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    • 제30권1호
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    • pp.39-53
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    • 2014
  • 궁중장식화는 궁궐의 안팎을 장식했던 것으로 실용적이고 기능적인 역할을 하였다. 특히 일월오봉도와 해반도도는 왕의 권위와 수복을 기원하여 제작된 대표적인 궁중장식화 이다. 그러나 현존하는 일월오악도와 해반도도 중 19세기 이전에 제작된 것으로 명확한 제작시기와 배설위치 등을 확인할 수 있는 것은 없다. 이러한 점에서 최근 공개된 국립중앙박물관 소장 일월오봉도와 해반도도는 보존과학적인 연구를 통해 그 제작시기와 배설위치 그리고 제작기법 등을 확인하게 된 것으로 그 의의가 크다고 할 수 있다. 복원과정에서 확인한 2곡병 형태의 양면 장황과 장자문의 귀갑창은 지금까지 궁중장식화에서 보고되지 않았던 첫 연구 사례이다. 또 원형 장황 복원에 의한 실측과 현존하는 궁궐 건축물의 대조 그리고 의궤 자료의 조사 등으로 창경궁영건도감의궤(1834년)에 기록된 함인정에 배설되었던 것임을 밝혀냄으로 19세기 초반의 일월오봉도와 해반도도 연구에 기여할 수 있다.

조선 궁궐, 동조(東朝)의 상징성과 $17{\sim}18$세기 대비전 조영에 관한 연구 (A Study on Symbolism of Dongjo in Royal Palaces of Choseon Dynasty and Its Way of Operation - Focusing on Donggwol in 17th-18th century -)

  • 조옥연
    • 건축역사연구
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    • 제16권6호
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    • pp.67-86
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    • 2007
  • Choseon Dynasty, from many aspects, saw the institutional establishment of its royal palaces in the 17th and 18th century, with 'donggwol (east palace)' as the most representative form in the era. In that period, palaces were managed in the best way that fits the royal etiquette and order to maintain the Confucian framework of the times. While the royal palace was the place for the king to conduct state affairs, it was also a compound for the royal family to lead a life in. Since the royal family was also based on the Confucian system, women in the royal palace seldom revealed their existence to outside world. Yet daebi,(a Queen Mother) who was often called 'dongjo,' enjoyed the highest level of honor not only as a member of the royal family but in the hierarchical order of the dynasty. As they often engaged themselves in political affairs, daebi raised their reputation through rites and rituals. So, in the 16th century, they largely used Changgyeong-gung palace in the eastern part of the royal compound since they sometimes had to go out of the royal residence. While it was called 'dongjo' because it was seated in the eastern part, it was also used as a word symbolizing daebi. And, therefore, it has become a general principle of royal palaces to build the palace for daebi in the eastern wing of the compound. However, the residence for daebi was not always built in the eastern part in the 17th and 18th century and, instead, edifices for daebi were sometimes erected in several points within the royal compound. Beside, daebi's residence in this period had additional spaces for ceremonies since they had a number of official events there. Construction of daebi's residences in this era was not confined to the symbolic institutions and they became the peculiar palaces with specific characteristics for official ceremonies of the queen mothers. Consequently, it could be said that the architectural style of dongjo, which was the place of the supreme female in the hierarchical order, stemmed from donggwol where daebi spent the longest time of the royal life.

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