• 한국음향학회지
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• 제37권5호
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• pp.378-386
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• 2018

본 연구는 우리나라의 귀중한 문회유산인 성덕대왕 신종의 종각 복원을 위하여 신종에 대한 역사적 고찰과 문헌을 통한 자료조사와 더불어 음향적 특성에 대한 연구결과를 정리하였다. 전통적인 한국종과 신종의 음향적 특성을 고려할 때 성덕대왕 신종을 위한 종각의 모형은 다음과 같이 제안한다. 첫째, 종각은 종의 아래 움통구조를 가지고 있으며 둘째, 종의 고유진동수가 64 Hz대와 168 Hz에 분포되어 있음으로 인하여 저주파수대역의 흡음이 많은 판재보다는 기둥과 보와 같은 각재 및 선재로 종각의 구조가 이루어 졌을 것으로 판단된다. 셋째, 동시대의 종각구조를 감안할 때, 직달일광과 해풍의 영향을 줄이기 위하여 상방과 중방사이의 공간을 판재로 마감하는 형태도 제안되었으며 넷째, 종의 무게와 크기를 고려하여 전통적으로 종각에 일반적으로 많이 쓰이는 3칸이나 5칸의 홀수칸으로 된 정사각형 형태를 제안하였다. 마지막으로 다섯째, 지붕은 팔작지붕의 형태가 가장 원형에 근접하리라 판단된다.

• 한국농촌건축학회논문집
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• 제25권2호
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• pp.17-24
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• 2023

Seokgojeon(石鼓殿) is a protective pavilion that protects stone drums made in 1902 during the Korean Empire in connection with Emperor Gojong's Mangyuksun (51'st birthday) and the commemoration of the 40th anniversary of his reign. During the Japanese colonial period, Seokgojeon was dismantled and transformed into the bell pavilion of Bakmunsa Temple, which was a memorial temple for Ito Hirobumi in 1935. In November 1945, just after liberation, Bakmunsa Temple was burned down, and the Seokgojeon Hall, which was transformed into Jonggak(鐘閣), was relocated to the Changgyeongwon(昌慶苑). Outdoor Stage in 1966, and was dismantled in 1984 due to the Changgyeonggung(昌慶宮) Palace restoration project, and only the members are currently stored. Therefore, this paper intends to use it as a basic research data to examine the style of monumental buildings during the Korean Empire through literature surveys, absence surveys, and case studies of similar buildings during the same period.

• 건축역사연구
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• 제18권5호
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• pp.81-100
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• 2009

The study on Buddhism architecture in early Joseon dynasty was inactive. The period of King Sejo is important for studying the trend of Buddhism architecture in early Joseon, that was transmitted from the end of Goryeo dynasty, but it was difficult to know its exact situation due to lack of related records. The records were all written by Kim Su-ohn, which are Wongaksabi' 'Sangwonsajungchanggi' 'Bongseonsagi 'Geonginsajungchanggi'. The main hall was mainly second floor and there were necessarily annexed buildings at the right and left of the main hall. So the plane figure of $\Box\Box\Box$ was shown. It was a main stream for main hall. This layout may be referred to search for the origin of the layout in courtyard based structure(中庭形) in the late Joseon dynasty. Most of temples had 3 gates. Some part of horizontal corridor was used as 2 gates and the outer gate, far from main hall, was without corridor. The gate leading to front yard of main hall was called front gate, the next middle gate and the outer gate was Oisamun(外沙門) or Samun(沙門). Im most of the temples, people could enter into the front yard through pavilion which had the function of bell tower. The pavilions were located between front gate and first corridor. It is thought that this layout of the place for making bean curd outside the temple area will contribute to different studies on temples making bean cure in the future. The records about temples's foundation studied above are a little different between temples, but have more similarities. There common denominators represent the architecture tendency of Buddhist temples in the related period. It is thought that such a tendency was also shown on architecture of other temples during the reign of King Sejo as well as Buddhist temples.