• 한국실내디자인학회논문집
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• 제23권4호
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• pp.42-51
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• 2014

The research aims to analyze the structural meaning of mobility design on 'Furnitecture' with the works of Andrea Zittel. The study consists of the literature review and the analysis of Zittel's works. The framework for the analysis is divided into four steps: identification of visual forms/structure/function, analysis of the principles of delivering the concept of mobility, interpretation & synthesis of the relational meanings derived from the concepts of mobility, and evaluation of Zittel's tendency toward design/social background/design history, etc. Total fifteen cases are selected from Zittel's works, and each case is analyzed following the above steps. The finding shows that Zittel likes to play with geometrical forms, grid & modular system to create a minimum space for living equipped with critical furnishing. Secondly, Zittel's works deliver the concept of mobility by applying movability, adaptation, combination and transformation. Thirdly, through the concepts of mobility, Zittel reflects the ideas of high efficiency and functionalism, harmony with natural environment, search for liberty, simple & humble life and success of the designers of American modernism. Finally, it is found that modernism from the era of Bauhaus, utopian values derived from constructionism, utilitarianism inspired by Shakers and homestead act & mobile home/capsule unit suggested since 19th century in America mainly affect Zittel's works to reflect the dynamic concepts of mobility through the design of furnitecture.

• Earthquakes and Structures
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• 제20권4호
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• pp.445-455
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• 2021

Lake Van Basin, located in Eastern Turkey, is worth examining in terms of seismicity due to large-scale losses of property and life during the historical and instrumental period. The most important and largest province in this basin is Van. Recent indicators of the high seismicity risk in the province are damage occurring after devastating earthquakes in 2011 (Mw=7.2 and Mw=5.6) and lastly in 2020 Khoy (Mw=5.9). The seismic hazard analysis for Van and its districts in Eastern Turkey was performed in probabilistic manner. Analyses were made for thirteen different districts in Van. In this study, information is given about the tectonic setting and seismicity of Van. The probabilistic seismic hazard curves were obtained for a probability of exceedance of 2%, 10% and 50% in 50-year periods. The PGA values in the Van province vary from 0.24 g - 0.43 g for earthquakes with repetition period of 475 years. Risk priorities were determined for all districts. The highest risk was calculated for Çaldıran and the lowest risk was found for Gürpınar. Risk priorities for buildings in all districts were also determined via rapid seismic assessment for reinforced-concrete and masonry buildings in this study.

• 문화기술의 융합
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• 제7권1호
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• pp.145-150
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• 2021

본 논문은 무용작품을 통해 인간의 기계화와 기계의 인간화 그리고 공존된 형태를 살펴보고자 하였다. 무용작품은 오스카슐레머의 <3화음 발레>와 펠린드롬 댄스컴퍼니의 작품 와 를 부분 발췌하여 살펴보았다. 또한 공존의 형태가 내재되어 있는 무용작품 을 살펴보았다. 위의 작품을 통해 로봇과 같은 과학기술과 융. 복합형태로 공존하는 다양한 무용공연이 인간에게 지속적인 창의력을 제공하고, 데이터를 토대로 한 다양한 형태의 감성과 독창적인 움직임이 인간에게 풍성한 공연을 제작가능하게 함을 알 수 있었다. 본 연구자는 과학기술을 내포한 무용공연이 구체화 된 상호 작용 통해 시대변화를 수용하고 반영하는 수많은 작품이 나오길 기대한다.

• Structural Engineering and Mechanics
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• 제83권2호
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• pp.195-206
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• 2022

Significant structural damages due to earthquakes reveal the importance of seismic design provisions. This paper presents a comparison between the seismic design provisions of Albania, Croatia, Iran, and Turkey for the design of mid-rise reinforced-concrete (RC) frames. Information on the historical development of the considered provisions are given. The code provisions are compared, illustrating the main differences in the minimum requirements for column and beam detailing and analysis for mid-rise RC frames. 4-story, 5-story, and 6-story buildings are designed according to each design code, and their performance is evaluated comparatively by using a displacement-based adaptive pushover procedure and eigenvalue analysis. It is observed that recent Turkish code has the highest and Albanian code has the lowest level of requirements in terms of member size and reinforcement detailing. The considered models indicate 15%, 20% and 50%, lower period values than the Croatia, Iran and Albania buildings, respectively. Additionally, building models per Croatia, Iran and Albania codes have 30%, 35% and 65% less base shear capacity when compared to Turkish building codes. Building models per Croatia and Iran codes indicate similar properties both in terms of strength and stiffness.

• 디자인학연구
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• 제12권3호
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• pp.29-40
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• 1999

Walter Gropius, famous architect of Bauhaus, once treated of pure mind which was revealed in the system of object and its phenomena through sense of sight while examining material being and illusive being. And Thomas Aquinas said that man can have a creative power only with modest mental state void of prejudice saying that he expected God to come to him after his soul went out of him. The same thing was said by so many great philosophers and thinkers other than him. I think his saying, "God comes after Soul's escape from the body for a new creation", has a real truth for all times and places and beauty itself beyond expression. Why\ulcorner The reason why the saying is so true is because it has a Yin and Yang Idea, that is, the Soul means a dark spirit correspondent to Yin between both oriental ideas and God does a bright spirit correspondent to Yang between them. By reason of this idea, I would like to assert that we should take it granted that we stand in need of the same bright Yang's spirit as God has for the new creation, and let the Yang's bright spirit come to our minds. We can call it divine 'Providence', or call it God's guidance, which we cannot help accepting as a man's fatality. As God was pleased after he made man and all the creatures by dint of his design, so man was pleased after he made everything he needed by the same design that he accepted from God. In spite of pleasure of different dimensions from what God and Man has each other, their way of empathies were all the same. In this paper I compared a worldly lower conception by which man designed his products for his sensuous satisfaction with a higher conception by which God designed his creatures for his mental satisfaction. I intended to infer what destined relation there must be between both God's and man's creations, trying to remind designers that they have to confess to have not so divine a providence as God has for creation because I think the real truth is that they had regarded their works of product design as a routine occurrence for their physical convenience in the industrial plans.ial plans.

• 디자인학연구
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• 제16권3호
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• pp.263-272
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• 2003

모션그래픽스는 짧은 영화가 아니며 디자인 특유의 커뮤니케이션방식을 갖는다. 그래픽디자인에서 공간구성이 필요한 것처럼 모션그래픽스에서는 시간구성이 요구된다. 이미 1920년대 독일 바우하우스의 예술가들은 추상에니메이션을 위한 계획안에서 시간구성을 시도한 바 있다. 같은 시대에 러시아의 몽타주영화에서는 서로 이질적인 이미지들을 연속적으로 충돌시킴으로써 새로운 의미를 발생시키는 움직이는 이미지 구성이 시도되었다. 오늘날 디지털 시대를 맞이하여 모션그래픽스에서는 동영상, 사진, 일러스트레이션, 타이포 등 다양한 요소들이 구성(Composition)된다. 몽타주영화에서 편집이 이미지들을 시간의 막대에 한 줄로 늘어놓는 1차원적인 구성이라면 오늘날 모션그래픽스에서 편집은 수많은 레이어(Layer)를 통해 여러 요소들을 복합적으로 구성하는 특징을 갖는다. 모션그래픽스에서 시간구성을 위해서는 시나리오나 스토리 보오드 이외에 시간구조를 짜고 시각적인 리듬을 만드는 일이 필요하다. 시간구성은 음악에서 작곡과 같은 원리를 갖는다. 추상애니메이션이나 몽타주영화의 시간구성이 간단한 단음의 멜로디라면 모션그래픽스에서 시간구성은 여러 개의 음이 한꺼번에 울리는 교향악과 같다. 다양한 구성요소들이 각기 다른 속도로 동시에 전개되는 것이다.

• 한국실내디자인학회논문집
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• 제17권1호
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• pp.3-10
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• 2008

This study is concerned with the process of development and architectural characteristics of secular stained glass in the 20th century. Stained glass had been architectural art from the origin. But it had declined since the Renaissance era, and began to revive in the early 20th century. Stained glass work is very flourish in Korea today, but it is still treated as simple decoration or 2-dimensional mosaic. Architect and interior designer even have little understanding of architectural character of stained glass. In order to recover the architectural nature of stained glass, I have considered the process of development of secular stained glass in the 20th century, and analysed the works of Frank Lloyd Wright, the postwar German artists, Georg Meistermann, Ludwig Schaffrath, Johannes Schreiter, and English artist, Brian Clarke. Major findings of the study are as followings : First, stained glass has come to life again from the secular glass painting decoration in the end of the 19th century, through Art-Nouveau, De Stil, Bauhaus in the beginning of the 20th century, and L'Art $Sacr\acute{e}$. Second, Frank Lloyd Wright, the postwar German artists and Brian Clarke have established the architectural concept and potentiality of the modem stained glass in the secular field. Third, They have done by coming back to the basic creative method by traditional lead-came technique in spite of the development of various materials and techniques. Forth, stained glass fundamentally has architectural characteristics as the characters of Space, Time, Place, Context, and they have showed the new possibility of stained glass by recovery of these characters.

• Advances in Computational Design
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• 제3권4호
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• pp.367-384
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• 2018

The consideration of constructability issues at the design stage can lead to improved construction performance with smooth project delivery and savings in time and money. Empirical studies demonstrate the value obtained by integrating construction knowledge with the building design process, and its benefits for owners, contractors and designers. However, it is still a challenge to implement the concept into current design practice. There is a need for a decision support tool to aid designers in reviewing their design constructability, deploying current technological tools, such as BIM. Such tools are beneficial at the conceptual design stage when there is a room to improve the design significantly with less incurred cost. This research investigates how current process- and object-oriented models can be used to assess design constructability. It proposes a BIM-based model using embedded information within the design environment to conduct the assessment. The modelling framework is demonstrated in four key parts; namely, the conceptual design model, the constructability assessment model, the assessment process model and the decision-making phase. Each is associated with a set of components and functions that contribute towards the targeted constructability assessment outcomes. The proposed framework is the first to combine a numerical assessment system and a rule-based system, allowing for both quantitative and qualitative approaches. The modelling framework and its implementation through a prototype are described in this paper. It is believed that this framework is the first to enable users to transfer their construction knowledge and experience directly into a design platform linked to BIM models. The assessment criteria can be customised by the users who can reflect their own constructability preferences into various specialised profiles that can be added to the constructability assessment model. It also allows for the integration of the assessment process with the design phase, facilitating the optimisation of constructability performance from the early design stage.

• 한국융합학회논문지
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• 제11권11호
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• pp.135-145
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• 2020

4차 산업혁명시대에 진입하면서 디자인은 초연결사회의 다매체간의 융합으로 진행되고 있다. 특히 전통문화와 브랜드의 디자인 이념과의 융합은 디자인 영역에서 큰 화제로 다뤄지고 있다. 이러한 지점에서 중국의 선사상과 디자인이 융합된 무인양품의 디자인은 매우 주목할 만하다. 중국의 선(禅)사상은 노자와 장자의 사상을 흡수하여, "무상(無相)의 모습, 무주(無住)의 근본, 무념(無念)의 종지"를 목적으로 삼아 유가철학과 도가철학, 그리고 미학이 공존하는 독특한 사상 체계를 형성하였다. 그렇다면 전통문화로서 선사상은 무인양품의 디자인 속에서 어떤 모습으로 나타고 있는가? 본 연구는 이러한 문제의식에서 출발해 중국 선사상이 반영된 무인양품의 디자인 특징을 살펴보았다. 그 결과, 중국의 선사상을 지닌 무인양품의 디자인 특징은 미니멀리즘 조형, 단일적 색채, 생태적 소재, 인간성 체험의 네 가지로 귀결됨을 확인할 수 있었다.

• 한국가구학회지
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• 제19권5호
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• pp.328-340
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• 2008

This study examined the characteristics of furniture design in the early Modernism that occurred in the early 20th Century through the relationship with modern arts. The furniture design of the early Modernism was established in the early 20th Century based on the simplicity and honesty of the Art and Crafts Movement and Anti-Historicism in Art Nouveau. During this period, the necessity of mass production became critical due to the radical industrialization and new social demands. In such periodic stream, the furniture design of the early modernism pursued simplicity and geometric beauty based on functionalism. The efforts to discover the fundamental structure of furniture were intensified. It was not limited to furniture design but was also exercised in the huge periodic transformation that progressed in every field of art including architecture. The Modernism art has also been connected to Cubism and spread into an abstract direction. While questioning the potential essence and progressing the study on genuine characteristics, the Modernism art tried to return things into their substantial looks and reorganize them conceptually, rather than reproducing external objects. The furniture that was secondary to a part of architecture and interior accessory transcended its decorative purpose. It pursued the structure to follow its fundamental purpose as furniture. Such tendency corresponded to the direction that Post-Modernism followed. Likewise, both art and design had the revivable and abstract characteristics based on the identical objective in ideology. For this reason, the formative and geometric characteristics of the early modernism furniture design have a mutual relationship with modern arts. Particularly, such tendency intensified and progressed through the Bauhaus in Germany. Based on such facts, this study proved that the early Modernism furniture design in the 20th Century tended to appear in common arts including the art and design according to the social demand of the huge periodic stream. Furthermore, the ideology that was adopted in art and design, as well as its formative characteristics, was examined through the mutual relationship of modern arts and design.