• 한국주거학회논문집
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• 제19권4호
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• pp.41-48
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• 2008

In this study, an analysis is carried out on the acoustic design for an indoor gymnasium scheduled to be built at Buan County, Chonbuk Province. By way of background, the study examines the case of a large-scale indoor gymnasium that has been constructed in the local area of Hangan-myeon. There are many examples whereby this gymnasium could be used not only as a sporting facility for the residents, but also as a multipurpose space for public performances such as leisure activities, lectures, assembling activities, theatre and concerts etc. In order to maximize the functional utilization of such an indoor gymnasium, it is important to simultaneously verify the acoustic capabilities of the space in terms of Definition of both Voice and Music. However, as a large-scaled athletic facility, the building was designed with a high ceiling-height to accommodate its functional characteristics. The space forms a Sound Focus whereby the sound is concentrated at a specific part, and because the vibration of sound is too loud due to its broad volume, acoustic defects arise such as a significant number of Echoes. Using this gymnasium as a precedent, this study proposes an acoustic design based on the drawings of the indoor gymnasium that is scheduled to be built at B County, Chonbuk Province. The gymnasium is equipped with an optimized acoustic condition passing through the Acoustic Simulation Phase. From the results of an Acoustic Simulation, we can design an indoor gymnasium that is equipped with a considerably satisfying and improved acoustic performance compared with the building before it was reformed. It is also considered that the use of such materials can fundamentally reduce construction costs and can improve acoustic performance, at the planning and design stages for similar sporting facilities in the future.

• 한국건축시공학회지
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• 제20권3호
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• pp.289-296
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• 2020

본 연구는 철근 배근과 관련된 증강현실을 구현할 수 있도록 2D 도면에서 배근 정보를 자동으로 추출하여 3D 배근 모델을 생성하는 방법론을 제시하였다. 사용자가 쉽게 도면정보를 획득할 수 있도록 휴대용 단말기에 내장된 카메라를 이용하여 도면을 촬영한 후 화상 인식(Image Recogni-tion)과 문자 인식(OCR; Optical Character Recognition) 도구를 활용하여 배근 정보를 추출하는 방법을 제시하였다. 또한, 게임 엔진을 활용하여 도면에서 추출된 정보를 입력받아 자동으로 3D 부재를 모델링하고 이를 실제 이미지와 중첩해서 배근 모델을 검토할 수 있는 증강현실 앱을 구현하였다. 기존에 개발된 프로그래밍 도구를 활용하여 제시한 방법론에 적용할 수 있도록 세부 내용을 기술하였으며, 건설현장에서 전형적인 부재를 대상으로 철근 배근 증강현실 모델을 구현한 결과를 검토하였다. 제시된 증강현실 배근 모델 자동 생성 방법론은 배근 교육이나 시공검토에 활용될 수 있을 것으로 기대된다.

• 건축역사연구
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• 제7권3호
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• pp.9-26
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• 1998

Architectural Drawing has been settled down the very effective means of exchanging their architectural ideas and data on the construction process. However, it was not easy to conserve the original drawings, which aims had been accomplished, at the same time, building was built. The same phenomena were occurred in our traditional architectural construction project, especially before pre-modern age. And do not understand soundly building documentation accepted by craftsmen in the period of earliest Chosun dynasty and how to present their idea and information of architectural as means of sketches and drawings. So, this paper aimed to clarify the drawing occurrence and the development steps of their rendering, representation methodology in the construction process in Sannungdogam-Uuigue, which were the construction documents of government based on the royal family's tomb and building projects in the late Chosun Dynasty. There are three development stages of architectural space representation, pre-drawing stage, drawing occurring stage and drawing settlement stage, They had been adapted unique drawing presentation method which were drawn by artisan, so called Doseol(圖說)and Painter Hwawon(畵員) The results are 1. In the Pre-drawing stage, they had been used the systematic explanation method of character 2. Do not have the evidence of adapting drawing before 17th centry, it was originated in early 17's century started with Onga(甕家). Onga's Drawing was drawn very elementary skill, and became development, settlement and standardization of their drawing representation around 19th century 3. The drawing presented by client's recognition view of space and building, integrated data within a sheet of drawing with practical and hierarchy and using graphic and description.

• 한국농촌건축학회논문집
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• 제17권1호
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• pp.19-26
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• 2015

The old Samcheok construction company housing in Donghae City was built for employees of Nitrogenous lime factory with railway construction in 1939. The 31 company houses are arranged in a rows including a House A, two No. 2 and 3 Houses, a dormitory, 12 row houses of two households, and 15 row houses of four households. At present, they are preserved with prototype at that time of building as a private company. Researching the architectural characteristics from A and No. $2{\cdot}3$ detached houses of them, the results are as follows. The tea room, living room, and kitchen are centralized and connected with toilet, bathroom, and maid's room by corridor. The exterior wall was finished with paintwork on cement mortar on stud wall framing plastered. The key exterior elements such as diamond shaped asbestos slate, large openings, corner bay window, lintel cornice are in accordance with drawings that they were first designed. The wooden roof structure is based on the structure that supports transverse load with a beam and beam plate instead of thrust. The kitchen and toilet are remodelled and only seem to be a mere shadow of their former self, but the position of sink and toilet bowl is the same as before.

• 한국실내디자인학회논문집
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• 제41호
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• pp.11-18
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• 2003

This study was carried out to find the cases of change in the Anglican Church including its rectory in Onsuri, Gangwha island, which was built in Korean traditional architecture style. The materials used for the study were published books, old photos taken before the change, drawings, and field survey. The result are as followings. 1) Painting concealed natural wooden grain should be removed as well as carpet on the wooden floor. The way of ceiling finishing is to be restored as traditional way. 2) Refer to the rectory, it needs to be restored totally, since it has been changed many times through partial renovation. It lacks unification of design in entire elevation, windows and door. The practical spaces such as indoor flush toilet and boiler room are desirable not to be revealed or designed in harmony with other spaces. 3) Stript flooring in the rectory are to be restored to frame flooring, room finishing including vinyl flooring, vinyl wall paper and moulding along the cornice to the traditional paper finish. Lattice patterns of windows and doors are recommended to be restored according to the traditional design.

• 한국농촌건축학회논문집
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• 제14권3호
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• pp.109-119
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• 2012

This study aims to analyze architectural characteristics of railway station facilities which were built with development of railroads from Japanese Colonial Period to 1950's. To achieve this goals, 7 railway stations in Gyeongju area that are worth preserving were set up as research targets. For this study, I analyzed literature of the railway station and drawings which the KORAL Daegu Branch is keeping. Railway stations without a construction drawing investigated a direct visit. After analyzing the railway station facilities, the architectural properties such as plan, elevation and section have been identified. The results are as follows. First, Each modern railway station is usually consisted of waiting room and office, and ancillary spaces have been added. Over the years, however, the space was expanded horizontally. In that case, the structure and finish materials have been changed, like now. Second, Most of the roof shape is 'Matbae'(gable roof), especially Gyeongju station and Bulguksa Station are 'Woojingak roof. The roof structure is truss structure, especially as Pratt and Scissors type, but Gyeongju Station's structure is a reinforced concrete. Third, main doorway of waiting room is located in the center of the front gable. However, small stations like 'Ahwa' and 'Ipsil' station to ensure the passengers' waiting area are placed next to the office area.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2014년도 춘계 학술논문 발표대회
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• pp.308-309
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• 2014

A lot of very complex free-form buildings such as Seoul City Office and DDP(Dongdaemun Design Plaza) have been recently built nowadays in domestic. However, as construction methods and cost data are decided without enough discussion and collaboration with specialized subcontractors during design stage, construction quality problems and cost overrun of the free-form buildings are thus occurred during construction stage. Therefore design system and process or contract and ordering system should be developed participating the specialized subcontractors during design stage in order to perfect the free-form design and construction. Especially US has thus an effort to apply IPD(Integrated Project Delivery) system which can solve the problems of construction quality, productivity decrease and cost overrun by constructing the buildings based on exact drawings and collaboration as well as activating BIM(Building Information Modeling). Therefore this study reviews cases of the free-form buildings in domestic and then presents necessity review of IPD in domestic.

• 건축역사연구
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• 제20권5호
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• pp.63-79
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• 2011

The purpose of this study is to understand the architectural space of Gwolnaegaksa (闕內各司), the Government office in the palace, in the early Joseon Dynasty. The Royal palace can be divided into three parts, political space for king, living space for king and his family and government office. So first, we should to understand the characteristics of each space in the Royal Palace. Up to now we have looked at the architectural space of Gwolnaegaksa in Gyeongbokgung (景福宮), one of the Royal Palace, the result of this study is as followings. There were not many Gwolnaegaksas in the early days in Gyeongbokgung. After King Sejong, some office buildings were established in that palace. King's closest guards, like as Seonjeonkwan (宣傳官), Gyumsabok (兼司僕), Naegeumwi (內禁衛) had been on duty in Sajeongjeon Haengrang (思政殿 行廊), a kind of servants' quarters. Bincheong (賓廳), a conference room of high-ranking government officials was situated in Geungjeon Haengrang (勤政殿 行廊). There were also barracks of other palace guards in Geungjeon Haengrang. Gyeongyeoncheong (經筵廳), a place to prepare and wait, was built separately from Geungjeon Haengrang Layout drawings of Gyeongbokgung painted since the 18th century were different from document in some parts. The arrangement of the Gwolnaegaksa was assumed like as the Fig. 9.

• 한국지진공학회논문집
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• 제5권3호
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• pp.29-36
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• 2001

국내 일반 국도상의 교량을 분석한 결과 형상비가 2.5 내외로서 휨-전단 파괴 거동이 예측되는 교각이 다수 존재하는 것으로 나타났으나 기존의 교각 내진 특성 연구는 주로 휨 파괴 거동을 보이는 교각에 대해 수행되어 왔다. 본 연구에서는 휨-전단 복합모드가 작용하여 파괴에 이를 가능성이 많은 형상비 2.5 내외인 기존 교각을 대상모델로 선정하고 실물크기 모형 및 축소모형 시험체를 제작하여 준정적 실험(quasi static test)을 수행하였다. 실험결과로부터 상사효과(scale effect)가 교각 내진 성능평가에 미치는 영향을 분석하였고, 또한 비내진 상세인 실험대상 교량에 대해 역량스펙트럼법을 이용하여 내진성능을 평가하였다.

• 건축역사연구
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• 제20권4호
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• pp.115-134
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• 2011

International Competition for Parc de la Villette has evoked the old architectural question that is about the conflict between unchanging architecture and ever changing time. Tschumi and Koolhaas suggested well-known solutions for it, both of which had started from the criticism of general urban design approach that ignored changing factors in time. However, this study argues that the approaches of Tschumi and Koolhaas are even opposite to each other in spite of their common aims. Influenced by deconstructivists' theories, Tschumi tries to generate the 'text' on the surface of la Villette so that the different users of the park can read it differently. The text is built by 'superimposing' different systems such as points, lines, and surfaces. This study criticizes such formalistic approach since such 'forms' do not generate any dialogue with the real users but just stay as a backdrop for irrelevant events. Meanwhile, Koolhaas concentrates on the 'ground-ness' of la Villette. What he deals with is the real ground which embraces all the potentials on it already. His 'bands' express nothing but the metamorphosis of the ground, and the ground generates the 'differences' out of itself by repeating itself ceaselessly. This study tries to clarify all those happenings and meanings by intimate investigation of various drawing works for the la Villette project by Tschumi and Koolhaas.