• 스마트미디어저널
• /
• 제5권4호
• /
• pp.63-68
• /
• 2016

텍스처전이(Texture Transfer) 기법은 타겟영상의 고주파 성분인 텍스쳐를 소스영상에 적용시키는 영상처리 방법이다. 이 텍스쳐 전이기법은 입력 영상에 표현되고 있는 질감 등의 스타일을 대상 영상에 전이시키는데 사용 될 수 있다. 본 연구에서는 이러한 텍스쳐 전이기법을 비디오에 적용시키기 위한 방법을 제안한다. 특히 동영상에 적용시키기 위한 실시간 병렬 처리 알고리즘을 제안한다. 이를 위해서 기존 텍스쳐 전이기법에 사용되는 커널의 모양을 변경하여 병렬화가 가능하도록 하였으며, 동영상 적용 시 발생하는 시간적 일관성문제를 해결하기 위한 방법으로 비디오 프레임 영상의 다중해상도를 사용한 광류측정법을 제안하여 적용함으로써 실시간 비디오 처리를 가능하게 하였다.

• 한국정보처리학회:학술대회논문집
• /
• 한국정보처리학회 2019년도 춘계학술발표대회
• /
• pp.475-478
• /
• 2019

Although the work of neural style transfer has shown successful applications in transferring the style of a certain type of artistic painting, it is less effective in transferring Oriental paintings. In this paper, we explore three methods which are effective in transferring Oriental paintings. Then, we take a typical network from each method to carry on the experiment, in view of three different methods to Oriental paintings style transfer effect has carried on the discussion.

• Journal of Information Processing Systems
• /
• 제20권1호
• /
• pp.53-66
• /
• 2024

With the continuous advancement of computer technology, deep learning models have emerged as innovative tools in shaping various aspects of architectural design. Recognizing the distinctive perspective of children, which differs significantly from that of adults, this paper contends that conventional standards may not always be the most suitable approach in designing urban structures tailored for children. The primary objective of this study is to leverage neural style networks within the design process, specifically adopting the artistic viewpoint found in children's illustrations. By combining the aesthetic paradigm of urban architecture with inspiration drawn from children's aesthetic preferences, the aim is to unearth more creative and subversive aesthetics that challenge traditional norms. The selected context for exploration is the landmark buildings in Qingdao City, Shandong Province, China. Employing the neural style network, the study uses architectural elements of the chosen buildings as content images while preserving their inherent characteristics. The process involves artistic stylization inspired by classic children's illustrations and images from children's picture books. Acting as a conduit for deep learning technology, the research delves into the prospect of seamlessly integrating architectural design styles with the imaginative world of children's illustrations. The outcomes aim to provide fresh perspectives and effective support for the artistic design of contemporary urban buildings.

• KSII Transactions on Internet and Information Systems (TIIS)
• /
• 제16권4호
• /
• pp.1166-1186
• /
• 2022

Artistic font design has become an integral part of visual media. However, without prior knowledge of the font domain, it is difficult to create distinct font styles. When the number of characters is limited, this task becomes easier (e.g., only Latin characters). However, designing CJK (Chinese, Japanese, and Korean) characters presents a challenge due to the large number of character sets and complexity of the glyph components in these languages. Numerous studies have been conducted on automating the font design process using generative adversarial networks (GANs). Existing methods rely heavily on reference fonts and perform font style conversions between different fonts. Additionally, rather than capturing style information for a target font via multiple style images, most methods do so via a single font image. In this paper, we propose a network architecture for generating multilingual font sets that makes use of geometric structures as content. Additionally, to acquire sufficient style information, we employ multiple style images belonging to a single font style simultaneously to extract global font style-specific information. By utilizing the geometric structural information of content and a few stylized images, our model can generate an entire font set while maintaining the style. Extensive experiments were conducted to demonstrate the proposed model's superiority over several baseline methods. Additionally, we conducted ablation studies to validate our proposed network architecture.

• 한국조경학회:학술대회논문집
• /
• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
• /
• pp.162-167
• /
• 2007

The courtyard life style ever existed as the major traditional living form in wide north China areas. The research made case study and specific analysis on the space organization, constitution and order of the courtyard living, as well as the dwelling accessory manners and transfer space patterns both inside and outside of the courtyard. Pingyao ancient city as the research sample (object), its courtyard composition, classification and characteristic are studied profoundly to explore local traditional cultural traits. On upon the analysis, the research is concluded that the civil courtyard in the ancient Pingyao city bears the feature of in a continuous changing process, which represented as 'from confined to opening', 'from narrow to wide', 'from public to private'. Despite of the courtyard dwelling location and direction, all accessories architectural items on the main room roof were influenced by the geomantic omen culture. As of the inside wall body, entrance and side wall of the courtyard, the woodcraft, stone carving, brick carving on above not only could functioned in architecture artistic, but also express the traditional education spiritual feature.

• 헤리티지:역사와 과학
• /
• 제52권3호
• /
• pp.56-73
• /
• 2019

본 논문은 동아시아 지역의 기와 제작 기술을 관찰함으로써 기술 양식에 대한 본격적인 논의의 필요성을 제시하려는 목적에서 작성되었다. 연구 방법은 기존의 주된 연구 자료인 발굴 성과와 그에 따른 연구방법론인 제작 흔적 분석뿐만 아니라 문헌과 전승 기술 등을 함께 살피려 노력했다. 공정 단위마다 지역별 유사성으로 기술의 권역을 설정하는 작업을 통해 도구, 공정, 인원 편성 등 기술적 요인을 중심으로 접근했다. 따라서 본고는 선행 연구 성과 토대 위에서 기술양식의 파악이 형태뿐만 아니라 문화 교류에 따른 기술의 인과성을 파악할 텍스트로서 작용 가능한지를 논증하는 실험이며, 이러한 논의를 추동하기 위한 시론(始論)이라 할 수 있다. 한국과 중국, 일본 세 나라의 기술 보유 지역을 네 개로 나누어 기와 제작 도구 및 공정을 분석하였다. 토형제작-기와성형-건정 세 공정을 주된 분석 대상으로 삼았으며 한국을 중심으로 주변 지역을 살펴보는 방식으로 진행하였다. 표면적인 현상으로는 양자강 이남과 오키나와가, 한반도 남방과 혼슈 지방이 유사한 기술의 맥을 공유하고 있었다. 그러나 제작 도구와 그에 따른 세부 공정을 유물, 교류관계와 함께 관찰하였을 때, 기와 제작 기술은 지역마다의 특수성만으로 구분할 수 있는 것이 아니었다. 공정별 세부 기법과 인원 편성 관찰은 공정 단위마다 다양한 권역 설정을 가능하게 했으며, 각 권역의 특색이 나타나는 원인과 그에 따른 결과를 추정할 단서를 제공했다. 이를 통해 각 지역의 기술적 특징을 상호 비교하고 그에 대한 원인 규명을 시도하였다. '편절 기법'은 지역이 보유한 기법에 따라서 권역은 구분되었지만, 규구준승(規矩準繩)에 따른 건축 기술에 기반한 기법이었다. 특히 타 지역들과는 다르게 중국을 중심으로 한 중 일만이 공유하던 특수하고도 고유한 제작 기법이었던 것으로 파악되었다. 또한 '타날 기법'은 기술이 전파되고 토착화되면서 다양한 방식으로 분화되는 양상을 드러냈다. 이러한 변화 양상은 기술의 문화적 다변성과 보수성을 관찰할 수 있는 기회가 되었다.

• 복식
• /
• 제6권
• /
• pp.7-26
• /
• 1982

Investigation for industrial revolution has been recognized as an important issue of historical science, since industrial revolution itself was a historical moment in modern economic society and in the forming of modern capitalistic culture. If clothing culture had been developed in close relation to social culture. industrial revolution which gave a base for modern capitalistic culture, would be a birth of modern clothing as well as a moment for modernization of western clothing. As it takes for granted that industrial revolution, historical phenomenon is a developmental base of modern clothing culture. This study tried to enlighten the origin of modern clothing culture phenomenon with investigation of industrial revolution as a historical moment in modern clothing culture through documental study. Historian's point of view and method of studying are important when we investigate the clothing phenomenon. Although culture phenomenon of industrial revolution has been evaluated usually through socialogical aspect, studying for clothing culture phenomenon must be carried out on aethetical as well as well as sociological aspect, on account of dualism of clothing, as it is social and artistic nature. In 19th century, there were technical improvement, changing patterns of production, changing social relation and beginning of mass culture. At the same time clothing culture phenomenon was changed in relation to modern capitalistic society. The findings of the study could be summarized as follows. 1. Technical improvement in textile industry and fitting process brought about mechanization of clothing industry. 2. Appearance of popular clothing culture made it easy to spread to various classes of society. 3. Development of transportation system and communication channel made it internationalization of western clothing. 4. Recognition of importance in functional style of clothing. 5. The pursuit of modern aesthetics made rapid changing mode of clothing. Above distinctive features of modern clothing culture were derived from by-product of machinary culture, mass culture, internationalism, rapidly changing mode of various culture during industrial revolution. Industrial revolution was a change of the material world as well as in industry owing to machine advent, then the culture part that displayed directly these changes was the plastic arts of living that mould the material. The problem of clothing construction caused by industrial revolution was solved by pursuing the functional aesthetics. Clothing phenomenon as a process of value transfer participates mass culture in closs relation to general change of various culture caused by industrial revolution. Therefore western clothing gained the qualities of modern culture, condensed as function, and popularity in the process of modernization.