• 한국정보과학회논문지:소프트웨어및응용
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• 제31권4호
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• pp.505-515
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• 2004

육하원칙은 신문기사를 기술하는데 있어서 가장 기본적인 요소로서 기사 내용 파악에 핵심적인 역할을 수행한다. 본 논문은 이러한 육하원칙에 기반 하여 기술되는 신문기사의 특성에 주목하여, 육하원칙 활성화도를 이용한 신문기사 요약 방법론을 제안한다. 제안하는 방법론은 기존의 요약 기법 중 가장 우수한 방법으로 알려진 두문 기반 기법(lead-based method)과 제목 기반 기법(title-based method)의 문제점을 극복하기 위해, 제목과 두문의 정보를 결합시켜 충분한 어휘정보를 확보하도록 하였다. 특히 육하원칙 활성화도, 육하원칙 범주 개수, 문장 길이, 문장의 위치 둥과 같은 다양한 요소들을 문장 중요도 계산에 반영함으로써 보다 중요한 정보를 포함하면서도 가독성이 높은 문장들이 요약문으로 선택될 수 있도록 고려하였다. 제안된 방법론의 정확률은 74.7%로서 기존의 두문 기반 기법보다 우수한 성능을 보였으며, 신문기사를 자동 요약하는데 있어서 충분히 효과적으로 사용될 수 있는 방법론임을 실험을 통해 입증하였다.

• 비교문화연구
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• 제22권
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• pp.7-27
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• 2011

This article is devoted to little-studied play of M.A. Bulgakov "Adam and Eve". By the end of 1920's - the beginning of 1930's soviet society is differentiated again, its construction is rebuilded. In the new condition drama is needed as much as possible. Drama on the stage is ideal model for instruction of "Mass". Thereupon soviet society asked "New Hero", "New play", which can rebuild soviet citizen in the new construction of government. Thereby the play of M.A. Bulgakov "Adam and Eve" is created by order of soviet society. In this play typical soviet people are represented: Adam Krasovsky(engineer), Daragan(pilot-terminator), Ponchik-Nepobeda(writer), Zahar Markizov(proletarian-baker). They are different from each other by their occupation and formation, but they have same consciousness and they think identically. Bulgakov makes stand such problems: impersonality and unfreedom of human being in the government of communism. Bulgakov, using Parody, doubt the possibility of realization of utopia of Soviet government. Bulgakov show to us that Adam Krasocsky is not real Adam-first human being. In the play we can see the real Adam is the scientist-intelligent Efrosimov. Bulgakov change the place of Ponchik with the place of Markizov. The idiot and the fool is recognized not Markisov-drinker, tyrant, but Ponchik-writer. After the disaster Markisov, reading a Bible, is changing and by the end of play he started writing his own novel. Indeed if Ponchik wrote hoked-up novel, Markisov writes a real own history. Request of Leningrad Theater for Bulgakov to write about the future war comes from the spirit of the time. But Bulgakov in this play "Adam and Eve" could insist that the "Life" is a supreme value.

• Journal of the Korean Association of Oral and Maxillofacial Surgeons
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• 제45권5호
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• pp.241-253
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• 2019

This study evaluated and compared the donor site morbidity following minimally invasive and conventional open harvesting of iliac bone for secondary alveolar bone grafting in cleft palate patients. A thorough electronic search of PubMed, Google Scholar, EMBASE, and an institutional library and manual search of various journals was done; Inclusion criteria: 1) full-text articles using a minimally invasive or conventional open harvesting technique for iliac bone for secondary alveolar grafting in cleft palate patients and 2) articles published between January 1, 2001 and June 30, 2017 and Exclusion criteria: 1) articles published in languages other than English, 2) case reports, case series, animal studies, in vitro studies, and letters to the editor, and 3) full-text article unavailable even after writing to the authors. Preliminary screening of 274 studies excluded 223 studies for not meeting the eligibility criteria. Of the remaining 51 studies, 19 were removed for being duplicates. Of the remaining 32 studies, 15 were excluded after reading the abstract. Of the 17 studies that were left, 2 were excluded because they were in a language other than English, and 2 were excluded because the study group did not mention cleft palate patients. Thus, 13 studies providing results for a total of 654 patients were included in this qualitative synthesis. Minimally invasive bone graft harvest techniques are better than the conventional open iliac bone harvest method because they offer shorter operative time, decreased requirement for pain medications, less pain on discharge, and a shorter hospital stay.

• Archives of Plastic Surgery
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• 제49권2호
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• pp.184-194
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• 2022

The face and the external nose define an individual's physical appearance. Nasal deformities can cause facial disfigurement along with unwanted psychological repercussions. Nasal deformities range in severity, with the most severe cases being indications for a rhinectomy, due to the complexity of the nasal defect. According to published literature, there is no consensus among otolaryngologists and plastic surgeons on which technique or flap use is preferred in terms of complications, aesthetic outcome, or patient satisfaction. The goal of this study is to provide a comprehensive analysis of published studies on nasal reconstruction following rhinectomy. Using the Preferred Reporting Items for Systematic Review and Meta-Analysis Protocols guidelines for writing systematic reviews, a systematic review was conducted. Four databases were searched using a search strategy. These articles were then imported into the COVIDENCE software and went screening and thorough article review. After screening 2,237 articles, 23 studies were then extracted for data collection analysis. We collected data from 12 case series, 4 case studies, 1 prospective case series, and 4 retrospective chart review studies. The most commonly reported flaps were forehead flaps, superior extended nasal myocutaneous island, forearm free flaps, anterolateral thigh (ALT) free flap, medial femoral condyle free flap (n = 8), and zygomaticus implants (n = 6), and retained nasal prosthesis. Although not specifically indicated by a certain number, the most common indication for the rhinectomy was malignancy, followed by traumas, postsurgical complications, radionecrosis, and congenital nasal malformations.

• 수완나부미
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• 제10권1호
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• pp.63-91
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• 2018

One of the goals of this article is to continue the momentum begun by emerging scholarship on theory and practice of writing about visual culture of and in Southeast Asia. I hope to offer culturally sensitive and embodied ways of looking at images and objects as sites/sights of cultural knowledge as further theoretical intervention. The argument put forward in my essay is three-fold: first, I critique the prevailing logocentric approach in the field of Southeast Asian Studies and I argue that in a postcolonial, global, and transnational period, it is important to be inclusive of other objects as sites/sights of social, political and cultural analysis beyond written and oral texts. Second, I argue that although it has its own political and theoretical problems, the evolving field of Visual Studies as it is practiced in the United States is one of many ways to decolonize the prevailing logocentric approach to Southeast Asian Studies. Third, I argue that if one reads these Euro-American derived theories of vision and visuality through the lens of what Walter Mignolo calls "colonial difference(s)," then Visual Studies as an evolving field has the potential to offer more nuanced local ways of looking at and understanding objects, vision, and visuality. Last, I point out that unlike in the West where there is an understanding of pure, objective and empirical vision, local Southeast Asian perspectives on objects and visions are more embodied and multi-sensorial. I argue that if one is ethically mindful of the local cultural ways of seeing and knowing objects, then the evolving field of Visual Studies offers a much-needed intervention to the privileged, lingering logocentric approach to Southeast Asian Studies. Moreover, these alternative methods might help to decolonize method and theory in academic disciplines that were invented during the colonial period.

• 영어영문학
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• 제53권2호
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• pp.243-260
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• 2007

This article explores how Richard Powers' The Gold Bug Variations, an interdisciplinary novel through the new concepts of biocriticism and bioliterature is connected with literature/art and science/technology. Powers uses Edgar Allen Poe's "The Gold Bug" and Johann Sebastian Bach's "The Goldberg Variations" for decoding DNA in order to analogize a genomic metaphor. He imagines literature as "the book of life" genome, written by DNA code due to the complexity and multiplicity of the genome. His novel, as 'genomic narrative,' shows the articulation of the genomic reading, and expression in the life language through the discourses of the information technology and the rhetorical tropes in biology. New biological ideas are continually required to articulate these processes. In the present tendency of the Human Genome Project, such advanced devices as biocybernetics offer the potential to open up new possibilities to researching the complexity of the genome. This can only happen if the following two ideas are followed: One is to comply with advanced technologies for processing the rapidly increasing data of the genome sequence; The other is to admit the necessary paradigm shift in biology. As shown above, the complexity and multiplicity of the genomic reality is not so simple. We must go beyond determinism, even if representation of a biological reality reveals the possibility of expressing its constituent elements by the advanced biotechnology. Consequently, in the unstoppable advances of the art of decoding the genome, The Gold Bug Variations interrelates to the interdisciplinary approaches through the rhetorical tropes that unfold the complex discursive world of the genome. Powers shows that the complex mechanisms of the genome in the microworld of every cell as the plot of "the book of life" can be designed and written using DNA language. At the same time, his genomic reading and writing demonstrate the historical processes of the shifting center of new genomic development and polysemous interpretation.

• 영어영문학
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• 제58권4호
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• pp.565-588
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• 2012

This paper aims at reconsidering 'suture,' a key concept in early Lacanian film criticism, with a view to narrowing a supposed gap between early Lacanian and later Lacanian film criticism. Early Lacanian film theorists, among whom Jean-Pierre Oudart, Jean-Louis Baudry, Laura Mulvey and Daniel Dayan, to name a few, are prominent, focus on cinematic signifying system as well as its ideological effects on shaping subjectivity of the audience. Initiated by Jacques-Alain Miller's article on suture as the logic of signifier and grafted into film as the logic of the cinematic by Oudart's writing, the concept of suture was established as a key word in early Lacanian film criticism. In their taxonomy, suture refers to the processes by which the audience are stitched into the story-world of a film. The audience are drawn into the film and take up positions as subjects-within-the-film such that they make sense of and respond to what the film represents as they are encouraged to do so by the film itself. On the other hand, later Lacanian film critics, who are much influenced by Lacan's later emphasis on the Real, focus on concepts such as gaze, petit objet a, fantasy, rather than suture. They are more concerned with the failure of suture and the disruption of the Symbolic than the ideological effects of suture and the consolidation of the Symbolic. They require a break from the previous approach of Lacanian film theory which centers around the Imaginary and the Symbolic. However, early Lacanian and later Lacanian film theory do not manifest as much disparity as they are supposed to do, for both are against the ideological manipulation of suture. Slavoj Žižek, a leading scholar of later Lacanian psychoanalysis, revives the concept of suture as a patch of the Symbolic which covers the gap, if not always successful.

• 한국환경농학회지
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• 제42권4호
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• pp.450-456
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• 2023

The National Forest Seed and Variety Center aims to write a manual for cultivation and characteristic inspection of new seed varieties in Korea, serving dual purposes. The first is the enhancement of the test guidelines, particularly the distinctness, uniformity and stability (DUS) test, for new seed variety, where research and examination are conducted based on the test guidelines. However, if the crop-specific test guidelines are initially reorganized, the details are unclear. Therefore, it seeks to maintain a written record to prevent confusion when the person in charge is changed. The second is to encourage the development of new varieties. By incorporating general characteristics and cultivation techniques in the manual, it seeks to encourage breeders to develop new varieties. Additionally, it serves as an important chronological record of the creation process, thereby helping future manual authors. This article introduces the current status of new plant variety protection and outlines the significance of creating a manual for cultivation and characterization of Actinidia arguta for screening new varieties.

• Korean Journal of Radiology
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• 제24권12호
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• pp.1179-1189
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• 2023

Objective: We aimed to evaluate the reporting quality of research articles that applied deep learning to medical imaging. Using the Checklist for Artificial Intelligence in Medical Imaging (CLAIM) guidelines and a journal with prominence in Asia as a sample, we intended to provide an insight into reporting quality in the Asian region and establish a journal-specific audit. Materials and Methods: A total of 38 articles published in the Korean Journal of Radiology between June 2018 and January 2023 were analyzed. The analysis included calculating the percentage of studies that adhered to each CLAIM item and identifying items that were met by ≤ 50% of the studies. The article review was initially conducted independently by two reviewers, and the consensus results were used for the final analysis. We also compared adherence rates to CLAIM before and after December 2020. Results: Of the 42 items in the CLAIM guidelines, 12 items (29%) were satisfied by ≤ 50% of the included articles. None of the studies reported handling missing data (item #13). Only one study respectively presented the use of de-identification methods (#12), intended sample size (#19), robustness or sensitivity analysis (#30), and full study protocol (#41). Of the studies, 35% reported the selection of data subsets (#10), 40% reported registration information (#40), and 50% measured inter and intrarater variability (#18). No significant changes were observed in the rates of adherence to these 12 items before and after December 2020. Conclusion: The reporting quality of artificial intelligence studies according to CLAIM guidelines, in our study sample, showed room for improvement. We recommend that the authors and reviewers have a solid understanding of the relevant reporting guidelines and ensure that the essential elements are adequately reported when writing and reviewing the manuscripts for publication.

• 동양고전연구
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• 제66호
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• pp.35-73
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• 2017

본고는 그동안 학계에 잘 알려져 있지 않았던 홍천사(紅泉社)라는 시사를 소개하고, 그 시세계를 살펴보았다. 홍천사는 1817년(순조17)에 이만수(李晩秀)(1752~1820)를 맹주로 하여, 이락수(李洛秀)(1755~?) 신진(申縉)(1756~?) 신작(申綽)(1760~1828) 신현(申絢)(1764~1827) 및 박종우(朴宗羽)(1745~?) 정수구(鄭遂龜)(1750~?) 권식(權?)(1753~?) 김계온(金啓溫)(1773~?)이 함께 모여서 결성한 시사이다. 홍천사에서 창작된 시들은 "천사집(泉社集)"으로 엮어져, 이만수의 문집인 "극원유고(?園遺稿)"에 수록되었다. 홍천사는 이만수를 맹주로 하고, 신진 신작 신현 3형제를 주축으로 하여 결성되었다. 이 시사는 1817년부터 이만수가 세상을 떠나는 1820년까지 계속되었다. 홍천사의 동인들은 주로 기대(企臺)의 방운루(放雲樓)에 모여 분운시, 차운시, 연구시 등을 지으며 풍류를 즐겼다. 이들이 지은 시는 "천사집"에 수록되어 있는데, "천사집"이 이만수의 개인 문집인 "극원유고"의 일부로 편차된 탓에, 이만수 이외의 인물들이 시회에서 지은 분운시 차운시는 "천사집"에 실려 있지 않다. 따라서 본고에서는 부득이하게 연구시를 중심으로 홍천사의 시세계를 조망하였다. 홍천사의 연구시는 먼저 홍천사 동인들이 각자의 시재를 겨루는 장으로서 기능하고 있다. 홍천사 동인들은 전고를 화려하게 사용하여 자신들의 능력을 드러냈다. 홍천사 동인들은 연구시를 지을 때, 함축된 시어 안에서 대를 맞추기 위해 다각도로 노력하였다. 특히 <성남연구(城南聯句)>의 형식을 본 뜬 <방운루연구(放雲樓聯句)>에서는 홍천사 동인들이 서로 시재를 각축하며 시상을 매끄럽게 전개해 나가는 모습이 뚜렷하게 드러났다. 이는 홍천사의 동인들이 비록 그동안 학계에서 주목받은 인물들은 아니지만, 일정 수준의 문학적 역량을 갖춘 이들이었음을 보여준다. 다음으로 정서의 공유라는 측면에서 홍천사의 연구시를 분석해보았다. 홍천사의 연구시에도 다른 이들의 연구시와 마찬가지로 교유의 즐거움이 전반적으로 드러난다. 특히 노년에 벗들과 즐기는 한아(閒雅)한 정취가 주된 정서를 이루고 있다. 그런데 홍천사의 연구시는 단순히 노년에 즐기는 벗들과의 우정을 읊은 데에 그치지 않고, 자신들이 풍류를 즐길 수 있는 것은 왕의 덕택이라며 태평성대를 예찬하고 있다. 즉 홍천사의 연구시에는 산림 생활의 한가로움, 태평성대의 풍요로움, 관료로서의 자부심 등이 드러난다.