• KIEAE Journal
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• 제17권5호
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• pp.61-68
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• 2017

Purpose : Ando Tadao has his own unique architectural conception to reproduce natural view on site, and he continues to create new architecture without regarding to any principles. Ando Tadao experiments his imagination through the museum architecture, starts organization of space with light, and completes organization of space with light at once. Methods : The research works as follows: 1) Analyzes the meaningful characteristics showed in his architectural works. 2) Analyze organization of space and use of light in museums designed by Ando Tadao. 3) Selecte his representative museums in Korea and Japan, and then analyze space composition and light use through literature study and field survey. Result : The organization of museum space by Ando Tadao has a close relationship with the light. Light designed by Ando Tadao represents unique architectural varieties such as cushioning space, moving line, spatial characterization, and natural influx.

• 한국주거학회논문집
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• 제17권6호
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• pp.91-98
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• 2006

The stage for Tadao Ando's architectural works is not only in Japan but extends to many countries around the world. His creations are not limited to the world of architecture, but are widely acclaimed supported by public people as well. Why Tadao Ando's works are acknowledged and acclaimed so extensively? Japanese traditional elements used in the his works makes it so. Tadao Ando argued intuition and insanity which were deprived by modernism could recover with locality and it's historic elements laid importance to the self. To realize that, it is necessary the regeneration of landscape which was based on the site and self-reflection must accomplished with the nature. So as to regeneration of landscape, he used Japanese Landscape-gardening and make the nature condensed. With the su-ki, he made the architectural elements simple. And with the Japanese detoured circulation, he made deep and various space. In that way, he intended the nature which is changed with his idea experienced the way of yu-gen.

• 한국마린엔지니어링학회:학술대회논문집
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• 한국마린엔지니어링학회 2011년도 전기공동학술대회 논문집
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• pp.272-272
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• 2011

• 국제학술발표논문집
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• The 10th International Conference on Construction Engineering and Project Management
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• pp.256-263
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• 2024

The increasing occurrence of abnormal weather conditions such as unusually heavy rains and strong winds adversely affects construction work. However, although these phenomena are localized, conventional weather forecasts have insufficient spatial resolution and update frequency to accurately predict weather conditions at construction sites. To address this issue, we introduced a pinpoint weather forecasting technology that improves spatial resolution and update frequency. The weather information obtained from this technology is processed and provided to construction sites in a comprehensible state, which enables construction workers to better prepare for weather conditions, thereby reducing the risk of accidents and delays. Furthermore, a safety management system was developed based on the relationship between weather and labor accidents. Predicting workplace accidents that are likely to occur on that day based on the impact of weather on the body enabled performing safety awareness activities, such as morning and lunch meetings, from a new perspective, improving safety awareness among construction workers and reducing the number of accidents on construction sites. This paper describes the development process of the proposed system and the utilization of weather forecasting at construction sites, which can be applied to other industries and contribute to improving safety and efficiency in various fields.

• 한국실내디자인학회논문집
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• 제17권1호
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• pp.30-38
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• 2008

Borrowed landscape is an Oriental gardening method to draw inside external natural landscape, and borrowed landscape of Japan has a different characteristic from that of Korea or China nature is manipulated and re-interpreted by human will in the course of applying it to architectural space. In other words, not the original scenery, but manipulated one appears which is cut, reduced, or deleted by architectural elements such as wall, window, or fence. Therefore, this study examined how architectural structure of Ando Tadao symbolizing modernist architecture understood and adopted Japanese traditional views on nature, that is, borrowed landscape. To this end, on the basis of the understanding on 'polymerization of abstraction and form' he mentioned, his geometric architectural principles are discussed, since this serves to be an important beginning of architectural concretization by the concept of 'form' experienced and perceived by human being through geometric means called architecture 'abstraction.' The findings of this study are as follows: first, it was found that Ando Tadao generates borrowed landscape effects by polymerizing and manipulating his simple and geometric structures with each other and thereby editing natural scenery, while Japanese traditional borrowed landscape introduces source scenery inside, through condensation and symbolization. Second, the results of this study revealed that his architecture functions to transcend external and internal realm of a space, which is also observed in Japanese traditional architectural borrowed landscape. Therefore, this study is considered significant in the sense that it proved that Ando Tadao's architectural language is based on borrowed landscape as a specific Japanese traditional element, going beyond the scope of previous studies focusing simply on the introduction of natural elements.

• 디자인학연구
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• 제16권1호
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• pp.45-52
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• 2003

현대 교회건축은 그 형태와 공간의 구성 및 디자인방법에서 많은 문제점들을 보여주고 있다. 많은 교회들이 기독교적인 정체성의 표현이 결여된 채 건축되어 지고 있다. 안도 타다오의 교회건축의 특성은 전이공간, 빛과 그림자 그리고 상징의 효과적인 구성으로 나타난다. 전이공간은 한국과 일본 등의 사찰에서의 공간체험의 프로세스를 도입한 것으로 보이며 그것은 예배당을 항해 접근하는 동안 사색의 시간을 제공하며 속의 공간에서 성의 공간으로의 극적인 반전을 가능하게 한다. 안도 타다오는 자립벽을 경계로 성과 속의 공간을 구획하였다. 초기 기독교건축 이래로 빛은 교회건축의 중요한 요소였다. 안도 타다오는 현대교회건축이 잃어버린 빛과 그림자를 효과적으로 도입하여 공간의 깊이와 신성을 표현하였다. 안도 타다오에게서 상징은 모든 것이 절제되어진 그의 건축공간에서 기독교의 정체성을 나타내는 적극적이고 효율적인 표현 방법이다. 그는 상징을 건축이나 공간에 부가적인 요소가 아니라 건축과 일체가 되게 표현함으로서 공간 전체가 하나의 기독교적인 정체성을 나타내는 오브제가 되도록 하였다.

• Journal of Plant Biology
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• 제4권2호
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• pp.41-50
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• 1961

1. This study was made on the flora of mosses on Mt. Chi I(127$^{\circ}$26'-35' E.Long, 35$^{\circ}$12'-25' N.Lat). 2. In the list of mosses of Mt. Chi I, 126 species, 6 varieties, and 1 form belonging to 79 genera are enumerated. Of these the following 14 taxa are new to the Korean flora. (1) Fhabdoweissia fugat(Hedw.) B.S.G. (2) Pohlia crudoides(Sull. et Lesq.) Broth var. revolvens(Card.) Ochi (3) Philonotis socia Mitt. (4) Ptychomitrium linearifolium Rms. (5) Ulota crispa Brid. (6) Neckera konoi Broth. (7) Neckeroptsis nitidula(Mitt.) Fleisch. (8) Entodon fauriei Broth. et Par. (9) Plagiothecium denticulatum (Hedw.) B.S.G. (10) Hypnum hamulosum B.S.G. (11) H. sakuraii var. venustum Ando. (12) H. tristoviride var. brevisetum Ando. (13) Gollania varians (Mitt.) Broth. (14) Pogonatum pygmaeum Card

• 한국실내디자인학회논문집
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• 제29호
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• pp.27-34
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• 2001

The concept of homogeneous space which was made in during the modern architecture was criticize for making our circumstances uniformly. The difference of place disappeared. The concept of place, however, has been watching in Contemporary Architecture. A basis for the concept of place is 'movement in space'through the sense of the body. Thus, architectural methods for experiencing place are composing the sequence through the continuous time. It is important that the composition of sequences in place makes the spatial experiences with harmonies of architecture and environments in exterior space for people who enter the building. Tadao Ando makes place in terms of experiencing body. Compositions of sequence in his works are expressed very well at the approaching stages in the process of exterior space. This stud is to survey the compositions of approaching sequence in Tadao Ando's Works.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2018년도 춘계학술대회
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• pp.254-255
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• 2018

해상안전과 해양오염 방지를 위해서 해상교통관리체계의 안전관리를 위한 개선방안이 필요한 실정이다. 이 연구에서는 항만 VTS의 운영현황 및 성과분석, 설문조사 및 AHP기법을 이용해 미래지향적인 해상교통관리체계를 제시하였다.

• 건축사
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• 통권623호
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• pp.11-11
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• 2021